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Awix (3310 KP) rated The Devil-Ship Pirates (1964) in Movies
Feb 10, 2019 (Updated Feb 10, 2019)
Hammer swashbuckler is an odd mixture of the colourful and the stodgy; shipload of dodgy Spanish types fleeing the defeat of the Armada pitch up in Cornwall and try to persuade the isolated local villagers that their side won, so they can get help fixing their ship.
Christopher Lee and a bunch of other Hammer rep stalwarts go through the motions professionally enough, though this isn't strictly speaking a horror movie (much talk of floggings, hangings, and tongues being cut out, though) - the 'village under foreign occupation' theme gives it the feel of a Second World War movie, weirdly enough. Decent sword fights, quite good production values - in the end it passes the time agreeably enough.
Christopher Lee and a bunch of other Hammer rep stalwarts go through the motions professionally enough, though this isn't strictly speaking a horror movie (much talk of floggings, hangings, and tongues being cut out, though) - the 'village under foreign occupation' theme gives it the feel of a Second World War movie, weirdly enough. Decent sword fights, quite good production values - in the end it passes the time agreeably enough.
Awix (3310 KP) rated Taste the Blood of Dracula (1970) in Movies
Feb 15, 2018 (Updated Feb 15, 2018)
Mmmm, Blood of Dracula
Superior Hammer horror movie. Victorian hypocrites looking for naughty kicks get mixed up with one of Dracula's disciples, inadvertently bring him back. Dracula is not grateful and uses their own children to get them.
Usual strong Hammer cast, polished production values, lush James Bernard score - topical (for the time) subtext about the generation gap, and the depiction of Dracula as an avenging angel of darkness is an interesting new twist on a character who seemed in danger of running out of things to do. Dracula was originally supposed to be reincarnated as Ralph Bates, but the distributors insisted they get Lee back, much against his will as usual.
Usual strong Hammer cast, polished production values, lush James Bernard score - topical (for the time) subtext about the generation gap, and the depiction of Dracula as an avenging angel of darkness is an interesting new twist on a character who seemed in danger of running out of things to do. Dracula was originally supposed to be reincarnated as Ralph Bates, but the distributors insisted they get Lee back, much against his will as usual.
Tim Burton recommended Dracula A.D. 1972 (1972) in Movies (curated)
Awix (3310 KP) rated Hands of the Ripper (1971) in Movies
May 27, 2018 (Updated May 27, 2018)
Bring the Daughter; Have some Slaughter
Pretty decent Hammer horror melodrama set in a sort of grab-bag version of late Victorian London. Anna (Rees) grows up an orphan, little suspecting the identity of her father, or the fact that she seems to have inherited his compulsion to kill. An ambitious psychiatrist (Porter) takes her under his wing, believing he can help her with her little problem. (As ever, hubris comes before a gory comeuppance.) Meanwhile, Hammer whips up gallons of fake blood.
Not-bad production values and decent performances go a long way to make up for some fairly preposterous plotting; you get the classic Hammer sense of a traditional costume drama coupling energetically with a disreputable exploitation movie, with a good time had by all. On the one hand this is another tale of an improbably arrogant man whose specific area of brilliance doesn't stop him making a whole series of insanely bad decisions; on the other it is about the power of men to seriously screw up the lives of women in patriarchal societies (so perhaps still somewhat relevant). Film does an interesting little dance, too: are Anna's problems purely psychological or is she genuinely possessed by the spirit of the Ripper? Well put together, some interesting ideas, doesn't outstay its welcome - definitely worth a look if old British horror movies are your thing.
Not-bad production values and decent performances go a long way to make up for some fairly preposterous plotting; you get the classic Hammer sense of a traditional costume drama coupling energetically with a disreputable exploitation movie, with a good time had by all. On the one hand this is another tale of an improbably arrogant man whose specific area of brilliance doesn't stop him making a whole series of insanely bad decisions; on the other it is about the power of men to seriously screw up the lives of women in patriarchal societies (so perhaps still somewhat relevant). Film does an interesting little dance, too: are Anna's problems purely psychological or is she genuinely possessed by the spirit of the Ripper? Well put together, some interesting ideas, doesn't outstay its welcome - definitely worth a look if old British horror movies are your thing.
Awix (3310 KP) rated Straight On Till Morning (1972) in Movies
Mar 8, 2021
Rather atypical Hammer psycho-horror is much stronger on dour naturalism than the usual gothic fantasy. A slightly unstable young woman moves to present-day London in search of her dreams and winds up moving in with a handsome serial killer (late-period Hammer star Shane Briant, in his first film for the company). Things eventually get a bit fraught.
It would be nice to think the change in style was the result of a decision by Hammer to experiment, but the fact the film was clearly made on a punishingly low budget suggests otherwise: the reason it's largely a two-hander, mostly taking place in a single flat, is presumably simply to keep production costs down. The atmosphere throughout is dingy and a bit grim; appalling early-70s fashion doesn't help much. There's a conceit about Peter Pan which is never really resolved (hence the title); the film's most distinctive feature is the editing, which is jarring, almost subliminal, and gets rather annoying very quickly. Good performances from the leads, I suppose, but this doesn't make up for the fact the story is implausible, uninvolving, and doesn't really go anywhere.
It would be nice to think the change in style was the result of a decision by Hammer to experiment, but the fact the film was clearly made on a punishingly low budget suggests otherwise: the reason it's largely a two-hander, mostly taking place in a single flat, is presumably simply to keep production costs down. The atmosphere throughout is dingy and a bit grim; appalling early-70s fashion doesn't help much. There's a conceit about Peter Pan which is never really resolved (hence the title); the film's most distinctive feature is the editing, which is jarring, almost subliminal, and gets rather annoying very quickly. Good performances from the leads, I suppose, but this doesn't make up for the fact the story is implausible, uninvolving, and doesn't really go anywhere.
Sarah (7798 KP) rated Wounds (2019) in Movies
Feb 22, 2020
Unsettling but confused
This is the kind of horror film I usually enjoy. Something atmospheric, creepy and a little unusual, without the need to go over the top on horrific CGI or predictable jump scares. Wounds succeeds with this and the horror scenes are enjoyably creepy and unsettling. The problem is pretty much the rest of the film.
Armie Hammer and Zazie Beetz are very good, and when they're on screen together they're great, but the rest of the cast are left with little to work with and Dakota Johnson's character is a complete waste of space. The main issue is that the plot is rather weird, which would be fine if there was a decent explanation at the end but the ending is severely lacking and makes for a lot of confusion. The tone of the film also feels more like a drama with a bit of horror thrown in rather than a full on horror - with a little less of the drama and a little more exposition this might have been a decent film.
Armie Hammer and Zazie Beetz are very good, and when they're on screen together they're great, but the rest of the cast are left with little to work with and Dakota Johnson's character is a complete waste of space. The main issue is that the plot is rather weird, which would be fine if there was a decent explanation at the end but the ending is severely lacking and makes for a lot of confusion. The tone of the film also feels more like a drama with a bit of horror thrown in rather than a full on horror - with a little less of the drama and a little more exposition this might have been a decent film.
Matthew Krueger (10051 KP) rated The Curse of Frankenstein (1957) in Movies
Nov 5, 2020
Peter Crushing (1 more)
Christopher Lee
The Monster Inside
The Curse of Frankenstein- is a great movie. Hammer films is a excellent studio, cause their brought back the universal monsters and put their own spin on it. And with The Curse of Frankenstein their put their own spin on Frankenstien. And did it work, yes.
The plot: Victor Frankenstein (Peter Cushing) is a brilliant scientist willing to stop at nothing in his quest to reanimate a deceased body. After alienating his longtime friend and partner, Paul Krempe (Robert Urquhart), with his extreme methods, Frankenstein assembles a hideous creature (Christopher Lee) out of dead body parts and succeeds in bringing it to life. But the monster is not as obedient or docile as Frankenstein expected, and it runs amok, resulting in murder and mayhem.
It was Hammer's first colour horror film, and the first of their Frankenstein series.
Professor Patricia MacCormack called it the "first really gory horror film, showing blood and guts in colour".
Peter Cushing, who was then best known for his many high-profile roles in British television, had his first lead part in a movie with this film. Meanwhile, Christopher Lee's casting resulted largely from his height (6' 5"), though Hammer had earlier considered the even taller (6 '7") Bernard Bresslaw for the role.
Unlike the Universal Frankenstein series of the 1930s and 1940s, in which the character of the Monster was the recurring figure while the doctors frequently changed, it is Baron Frankenstein that is the connective character throughout the Hammer series, while the monsters change.
Its a excellent film.
The plot: Victor Frankenstein (Peter Cushing) is a brilliant scientist willing to stop at nothing in his quest to reanimate a deceased body. After alienating his longtime friend and partner, Paul Krempe (Robert Urquhart), with his extreme methods, Frankenstein assembles a hideous creature (Christopher Lee) out of dead body parts and succeeds in bringing it to life. But the monster is not as obedient or docile as Frankenstein expected, and it runs amok, resulting in murder and mayhem.
It was Hammer's first colour horror film, and the first of their Frankenstein series.
Professor Patricia MacCormack called it the "first really gory horror film, showing blood and guts in colour".
Peter Cushing, who was then best known for his many high-profile roles in British television, had his first lead part in a movie with this film. Meanwhile, Christopher Lee's casting resulted largely from his height (6' 5"), though Hammer had earlier considered the even taller (6 '7") Bernard Bresslaw for the role.
Unlike the Universal Frankenstein series of the 1930s and 1940s, in which the character of the Monster was the recurring figure while the doctors frequently changed, it is Baron Frankenstein that is the connective character throughout the Hammer series, while the monsters change.
Its a excellent film.
Awix (3310 KP) rated The Legend of the 7 Golden Vampires (1974) in Movies
Feb 7, 2018 (Updated Feb 9, 2018)
Chop Sucky
One of those movies where a bunch of very talented people get together and somehow manage to produce something not all that great. The famous British horror movie studio Hammer gets together with Hong Kong's Shaw Brothers to produce a Gothic horror kung fu movie that also manages to pastiche The Magnificent Seven (et al).
You want to know the plot? Well, a gaggle of Chinese vampires feel they aren't getting the respect they deserve, and so they recruit Dracula as a sort of foreign signing to help with their brand awareness, or something. However, also on a lecture tour of China is Dracula's nemesis Van Helsing (Peter Cushing, using all his powers to elevate deeply suspect material), even though they've apparently never met before, and he sets off with a gang of local kung fu experts to sort the problem out. Cushing is not required to do any kung fu, the Chinese cast are not required to say 'Transylvania' more often than is absolutely necessary, and Christopher Lee flatly refuses to participate (Dracula, who appears to be overdoing his make-up, is played by another actor).
Nevertheless this is still schlocky good fun, although the script doesn't even make sense on its own terms and credited director Roy Ward Baker doesn't seem quite sure of what to do with the kung fu genre. One of the most bonkers of the late-period Hammer horror movies, not that this is necessarily a bad thing.
You want to know the plot? Well, a gaggle of Chinese vampires feel they aren't getting the respect they deserve, and so they recruit Dracula as a sort of foreign signing to help with their brand awareness, or something. However, also on a lecture tour of China is Dracula's nemesis Van Helsing (Peter Cushing, using all his powers to elevate deeply suspect material), even though they've apparently never met before, and he sets off with a gang of local kung fu experts to sort the problem out. Cushing is not required to do any kung fu, the Chinese cast are not required to say 'Transylvania' more often than is absolutely necessary, and Christopher Lee flatly refuses to participate (Dracula, who appears to be overdoing his make-up, is played by another actor).
Nevertheless this is still schlocky good fun, although the script doesn't even make sense on its own terms and credited director Roy Ward Baker doesn't seem quite sure of what to do with the kung fu genre. One of the most bonkers of the late-period Hammer horror movies, not that this is necessarily a bad thing.
Awix (3310 KP) rated Countess Dracula (1971) in Movies
Feb 14, 2018 (Updated Feb 14, 2018)
Historically-inspired Hammer horror; not actually part of its main Dracula series, but the title helped the box office, I guess. Ageing Hungarian noblewoman discovers she can restore her youth by bathing in virgin blood, takes a shine to a young soldier, decides to impersonate her own daughter in order to woo him (as you would). Meanwhile life for the domestic staff around the castle becomes unexpectedly more hazardous.
Restrained and thoughtful horror movie; a bit less garish and gory than you might think. Interesting subtext about the relationship between the young and the old, and fear of ageing. Driven along by a terrific performance from Ingrid Pitt (Pitt thought there should have been more blood in the movie). Runs out of things to do slightly before the end, but still a classy movie.
Restrained and thoughtful horror movie; a bit less garish and gory than you might think. Interesting subtext about the relationship between the young and the old, and fear of ageing. Driven along by a terrific performance from Ingrid Pitt (Pitt thought there should have been more blood in the movie). Runs out of things to do slightly before the end, but still a classy movie.
Awix (3310 KP) rated Witchfinder General (1968) in Movies
May 10, 2018
Famously nasty cult horror movie looks a bit like another Poe-Corman-Price adaptation (and was marketed as such in the States) but is really the work of a much darker sensibility. No actual supernatural elements, just people being sadistic to each other in the middle of a vicious civil war.
The story is a pretty standard revenge melodrama, made distinctive by the sheer bleakness of tone throughout the movie. At a time when pretty much every Hammer movie concluded with the defeat of the forces of evil (at least until the next sequel) the sheer amoral nihilism of Witchfinder General is distinctive.
Notable for the closest thing to a completely straight performance you will ever find Vincent Price contributing as the star of a horror movie, and also for the censor-troubling levels of violence and general grisliness. As is standard for British horror films of this period, fun is also to be had spotting youthful appearances by people who went on to have rather distinguished appearances in less extreme material.
The story is a pretty standard revenge melodrama, made distinctive by the sheer bleakness of tone throughout the movie. At a time when pretty much every Hammer movie concluded with the defeat of the forces of evil (at least until the next sequel) the sheer amoral nihilism of Witchfinder General is distinctive.
Notable for the closest thing to a completely straight performance you will ever find Vincent Price contributing as the star of a horror movie, and also for the censor-troubling levels of violence and general grisliness. As is standard for British horror films of this period, fun is also to be had spotting youthful appearances by people who went on to have rather distinguished appearances in less extreme material.