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Phillip McSween (751 KP) rated Lost In Translation (2003) in Movies
May 13, 2018
Solid Film
When a famous actor hops over to Tokyo to shoot a commercial, he meets a young woman that fills an empty void in his life.
Acting: 10
Beginning: 10
My son hates dramas and rightfully so as he's a thirteen-year-old boy. He wants to see things blowing up and people getting thrown through walls. Yet somehow, the first ten minutes of Lost In Translation sucked him in as much as it did me prompting him to watch the whole thing. From the time he touches down in Tokyo, Bob Harris (Bill Murray) sucks you in and holds on to your attention for dear life. You're anxious to see what this man is going to do next.
Characters: 10
Staying on Bob for a moment, his character made the film. His dry sense of humor and pure disinterest in everything going on around him is so sincere and captured just perfectly. He's torn between his sense of duty with work and family, so much so that he's almost forgotten how to enjoy life. When Charlotte (Scarlett Johansson) comes along, everything changes for him. Charlotte is innocent and sweet and is somehow drawn to Bob like a moth to a flame. Like most "opposites attract" relationships, the two fit extremely well together and add a sense of appeal to the film. Watching them both interact with the Japanese people and try to bridge cultural and language gaps was easy comedy that works everytime.
Cinematography/Visuals: 10
Conflict: 7
Genre: 10
Memorability: 9
There are a number of memorable scenes that stick out in my head with a couple of favorites I keep replaying. The first is where he's trying to shoot his commercial. The director is trying to relay something to Bob in Japanese which a translator is telling Bob in English. The scene is only five minutes long and had me cracking up from start to finish. In my other favorite scene, Bob has a run-in in his hotel room with a Japanese prostitute. Again, the language disparity makes the entire interaction one hilarious situation.
Outside of memorable scenes, Lost In Translation gives you a pause for introspection and contemplative thought. Oftentimes we wander aimlessly through the relationships in our lives...but what do they really mean? What are relationships without happiness or closeness? What is the real meaning of a connection?
Pace: 9
Plot: 10
Had this film's story taken place in North America somewhere, it wouldn't have been nearly as impactful. With the setting in Japan, it throws a monkey-wrench into a plot that could have been extremely simple and makes it way more intriguing. Are Bob and Charlotte truly falling for each other or are they just connecting because they are lonely and so far from home? Definite food for thought.
Resolution: 8
Ah, the famous ending of Lost In Translation. What did she say? What does it all mean? How does the story end anyway? The ending, while it does leave you hanging, is an intriguing one for sure. I understand the ambiguity and I don't love it, but I'm ok with it.
Overall: 92
Bill Murray is like the Marvel Cinematic Universe...on steroids. They have been putting out hits for a decade now. Murray has been starring in classics for decades. This film is another notch on his belt. Loved it!
Acting: 10
Beginning: 10
My son hates dramas and rightfully so as he's a thirteen-year-old boy. He wants to see things blowing up and people getting thrown through walls. Yet somehow, the first ten minutes of Lost In Translation sucked him in as much as it did me prompting him to watch the whole thing. From the time he touches down in Tokyo, Bob Harris (Bill Murray) sucks you in and holds on to your attention for dear life. You're anxious to see what this man is going to do next.
Characters: 10
Staying on Bob for a moment, his character made the film. His dry sense of humor and pure disinterest in everything going on around him is so sincere and captured just perfectly. He's torn between his sense of duty with work and family, so much so that he's almost forgotten how to enjoy life. When Charlotte (Scarlett Johansson) comes along, everything changes for him. Charlotte is innocent and sweet and is somehow drawn to Bob like a moth to a flame. Like most "opposites attract" relationships, the two fit extremely well together and add a sense of appeal to the film. Watching them both interact with the Japanese people and try to bridge cultural and language gaps was easy comedy that works everytime.
Cinematography/Visuals: 10
Conflict: 7
Genre: 10
Memorability: 9
There are a number of memorable scenes that stick out in my head with a couple of favorites I keep replaying. The first is where he's trying to shoot his commercial. The director is trying to relay something to Bob in Japanese which a translator is telling Bob in English. The scene is only five minutes long and had me cracking up from start to finish. In my other favorite scene, Bob has a run-in in his hotel room with a Japanese prostitute. Again, the language disparity makes the entire interaction one hilarious situation.
Outside of memorable scenes, Lost In Translation gives you a pause for introspection and contemplative thought. Oftentimes we wander aimlessly through the relationships in our lives...but what do they really mean? What are relationships without happiness or closeness? What is the real meaning of a connection?
Pace: 9
Plot: 10
Had this film's story taken place in North America somewhere, it wouldn't have been nearly as impactful. With the setting in Japan, it throws a monkey-wrench into a plot that could have been extremely simple and makes it way more intriguing. Are Bob and Charlotte truly falling for each other or are they just connecting because they are lonely and so far from home? Definite food for thought.
Resolution: 8
Ah, the famous ending of Lost In Translation. What did she say? What does it all mean? How does the story end anyway? The ending, while it does leave you hanging, is an intriguing one for sure. I understand the ambiguity and I don't love it, but I'm ok with it.
Overall: 92
Bill Murray is like the Marvel Cinematic Universe...on steroids. They have been putting out hits for a decade now. Murray has been starring in classics for decades. This film is another notch on his belt. Loved it!
Kristy H (1252 KP) rated All I Ever Wanted in Books
Mar 20, 2019
Fun, enjoyable book with great characters
Callie Grey is turning thirty, and her life simply isn't going as planned. She's not married--or even dating--and now her boss, Mark, whom she's loved for years, is marrying Muriel, a perfect specimen from California. Even worse, Muriel is honing in on Callie's territory at the advertising agency where she works. Her mother runs the family business: a funeral home, where Callie's thirtieth birthday was held (sharing space with a wake). Her father, meanwhile, is trying to win her mother back, despite the fact that she hates him for cheating on her--when Callie was eight. Hester, her sister, despises all men due to said cheating incident. And no matter how hard she tries, Callie can't get over Mark and the five weeks they "dated." Still, it seems like maybe that could change when she meets Ian, the town's new sulky but handsome veterinarian. But can Callie put the past behind her to find her own happiness? And is Ian ready to move on himself?
So, as part of my reading goals for 2019, I'm going to try to read more books that I own. I've been "practicing" a bit here at the end of 2018, and ALL I EVER WANTED was part of that. I read two of Higgins' recent releases lately and really loved them, so decided to go with this one. While I didn't find it quite as modernly witty and wonderful as those two (a few scenes describing characters' weight and a few other things rubbed me a bit wrong), it was still a really enjoyable read.
Well, I read another romance recently and while it was good, I just couldn't fall fully for the characters. Not the case here. While I worried a bit early on that Callie would be too much of a whiner, she grew on me quickly. Higgins is just so good with the slow build of her characters and storylines. You get the gruff but charming Ian and all these wonderful scenes that make you smile. Her books have just the right balance of sweet and funny (there always seems to be a classic dinner party scene that makes me laugh out loud). There's a great moment where Callie and Ian are on a hike, and a wonderfully humorous time where Callie dates someone who is, yes, a human hair artisan.
The point is, we really get to know the characters--their flaws and foibles plus their good sides--and it just helps make the story. I care about them. I know Callie's family (a great cast of ancillary characters, including her grandfather and nieces), I know her backstory, and we even get to know Ian's tale. The book deals, deftly, with some complicated emotions and heartache along with the fun and fluff. (And well, there's an incident with a wild turkey that's pretty awesome.) And because we get these two fleshed out characters--even if we know they are probably destined to get together--we're invested along the way to find out how and why. That's what I love about Higgins. It's not just some token scenes along the way to an inevitable conclusion. There's real meat and depth, along with humor. And I really enjoyed the ending, too.
Overall, this is just a fun, enjoyable book with some depth to back itself up. The characters are interesting, and parts of it will make you laugh out loud. I recommend it, and I'm glad I picked it up off my bookshelf!
So, as part of my reading goals for 2019, I'm going to try to read more books that I own. I've been "practicing" a bit here at the end of 2018, and ALL I EVER WANTED was part of that. I read two of Higgins' recent releases lately and really loved them, so decided to go with this one. While I didn't find it quite as modernly witty and wonderful as those two (a few scenes describing characters' weight and a few other things rubbed me a bit wrong), it was still a really enjoyable read.
Well, I read another romance recently and while it was good, I just couldn't fall fully for the characters. Not the case here. While I worried a bit early on that Callie would be too much of a whiner, she grew on me quickly. Higgins is just so good with the slow build of her characters and storylines. You get the gruff but charming Ian and all these wonderful scenes that make you smile. Her books have just the right balance of sweet and funny (there always seems to be a classic dinner party scene that makes me laugh out loud). There's a great moment where Callie and Ian are on a hike, and a wonderfully humorous time where Callie dates someone who is, yes, a human hair artisan.
The point is, we really get to know the characters--their flaws and foibles plus their good sides--and it just helps make the story. I care about them. I know Callie's family (a great cast of ancillary characters, including her grandfather and nieces), I know her backstory, and we even get to know Ian's tale. The book deals, deftly, with some complicated emotions and heartache along with the fun and fluff. (And well, there's an incident with a wild turkey that's pretty awesome.) And because we get these two fleshed out characters--even if we know they are probably destined to get together--we're invested along the way to find out how and why. That's what I love about Higgins. It's not just some token scenes along the way to an inevitable conclusion. There's real meat and depth, along with humor. And I really enjoyed the ending, too.
Overall, this is just a fun, enjoyable book with some depth to back itself up. The characters are interesting, and parts of it will make you laugh out loud. I recommend it, and I'm glad I picked it up off my bookshelf!
Debbiereadsbook (1444 KP) rated Badlands (Badlands #1) in Books
Apr 29, 2019
rather good!
Independent reviewer for Archaeolibrarian, I was gifted the audio copy of this book.
Simon has run to Myrtle Beach after he lost his job and his love. Vic is there after he saw something he could not explain. There have been some murders in town, and Vic, a homicide cop, comes across Simon's ghost tours and seance shop and figures it can't do any harm, right? To ask? But as Simon and Vic get closer to each other, so the killer gets closer to Simon. And Simon doesn't think anyone can stop him, except Simon, or that he will walk away alive.
I liked this! A lot!
Simon is disgraced by a disgruntled parent who says he was teaching the occult, and leaves his Folklore professor job and runs to Myrtle Beach. He finds relative happiness in town, with his shop and ghost tours. Meeting Vic makes him realise he is lonely though. Helping Vic with his murders seems a natural thing to do, but that puts Simon in the cross hairs of the murderer. And also makes Simon a suspect so Vic has to take a step back from Simon and become objective in his job. It breaks his heart that he might lose Simon before he can have him, though. Simon solves the case, and has to hope that he can stop the murderer and maybe, just maybe, he can survive.
Both Simon and Vic have a say, and I loved that was they are drawn to each other, right from the start, so powerfully! The attraction both men feel is off the charts, and it doesn't take them long to give into that attraction. Simon's abilities are a bit of a sticking point, but they do come through for Vic and his case. Vic doesn't want to believe, look how much trouble it caused him when he voiced what he saw in Pittsburgh, for crying out loud! But he knows, deep down, Simon is for real, and maybe, Simon is FOREVER for Vic. They just need get through this.
It's a bit gruesome in places, because the crime scenes are described in some, but not great, detail. Just enough to make you cringe, and wish you could un-see the picture that comes up in your head.
Sexy in places, scary in others. First of Brice I've read, and would like to read more.
Kale Williams narrates. I *thought* I had listened to something else by Williams before, but I can't find what, but no matter. I really did like his narration here. There are a lot of characters with foreign accents, and Williams delivers them very well. His reading voice is clear and even, and all the voices are distinctive enough for me to follow who was speaking, without out being told. As a person with some hearing loss, this is VITAL for me to enjoy a book!
I loved the way Williams gets the emotions of Simon and Vic across. Even when things were going down, and things were getting scary, Simon's love for Vic shone as the brightest emotion. Fabulous narrating!
4 solid stars for the book
4 solid stars for the narration
**same worded review ill appear elsewhere**
Simon has run to Myrtle Beach after he lost his job and his love. Vic is there after he saw something he could not explain. There have been some murders in town, and Vic, a homicide cop, comes across Simon's ghost tours and seance shop and figures it can't do any harm, right? To ask? But as Simon and Vic get closer to each other, so the killer gets closer to Simon. And Simon doesn't think anyone can stop him, except Simon, or that he will walk away alive.
I liked this! A lot!
Simon is disgraced by a disgruntled parent who says he was teaching the occult, and leaves his Folklore professor job and runs to Myrtle Beach. He finds relative happiness in town, with his shop and ghost tours. Meeting Vic makes him realise he is lonely though. Helping Vic with his murders seems a natural thing to do, but that puts Simon in the cross hairs of the murderer. And also makes Simon a suspect so Vic has to take a step back from Simon and become objective in his job. It breaks his heart that he might lose Simon before he can have him, though. Simon solves the case, and has to hope that he can stop the murderer and maybe, just maybe, he can survive.
Both Simon and Vic have a say, and I loved that was they are drawn to each other, right from the start, so powerfully! The attraction both men feel is off the charts, and it doesn't take them long to give into that attraction. Simon's abilities are a bit of a sticking point, but they do come through for Vic and his case. Vic doesn't want to believe, look how much trouble it caused him when he voiced what he saw in Pittsburgh, for crying out loud! But he knows, deep down, Simon is for real, and maybe, Simon is FOREVER for Vic. They just need get through this.
It's a bit gruesome in places, because the crime scenes are described in some, but not great, detail. Just enough to make you cringe, and wish you could un-see the picture that comes up in your head.
Sexy in places, scary in others. First of Brice I've read, and would like to read more.
Kale Williams narrates. I *thought* I had listened to something else by Williams before, but I can't find what, but no matter. I really did like his narration here. There are a lot of characters with foreign accents, and Williams delivers them very well. His reading voice is clear and even, and all the voices are distinctive enough for me to follow who was speaking, without out being told. As a person with some hearing loss, this is VITAL for me to enjoy a book!
I loved the way Williams gets the emotions of Simon and Vic across. Even when things were going down, and things were getting scary, Simon's love for Vic shone as the brightest emotion. Fabulous narrating!
4 solid stars for the book
4 solid stars for the narration
**same worded review ill appear elsewhere**
KittyMiku (138 KP) rated A Throne For Sisters in Books
May 23, 2019
This was a fairly good novel that teaches you that lying can bring you more harm than good, even if it buys you a little happiness. It also teaches you that no matter what, you can't escape those who wish to harm you. Even if the people who do so change. The story was the best to help create the intrigue in the story itself, but it did have a lot of errors that left something to be desired. I have to say the characters were pretty interesting, even if their backgrounds, personalities and such were lacking. An example being the sisters. They were given some distinct personality traits and an ability that made you want to know more about them, yet it hinted at their past making you really wish it would be delved into, so you can understand their situation and their different ways of thinking. I can only hope more will be revealed in the rest of the series, though with how the story is going, makes me wonder if it will ever be touched base again.
Though the novel is written in a way that allows the reader to see what each girl is doing on their own, you can't help but want a better way to see this happen. It really makes things confusing, going from one chapter to the next, knowing you will see what one girls doing this chapter and the other girl next chapter, but it can be hard when trying to make a timeline of the story. If the chapter headers would at least give you a time period so you knew exactly what was going on when, it would definitely had helped. I got the gist it was supposed to be each chapter was happening at the last chapter was, but it drove me insane when I found myself thinking that what this girl was doing might be happening after the girl I just finish reading about. I would have loved a better transition.
I also found, though the book had some good conversations, when they got voiced, that their weren't a lot of conversations going on in the book and the details of the scenery didn't make up for this. I am used to being able to see what the characters are thinking in the middle of conversations, but to not have a whole lot of them was very disappointing. It felt as if the conversations were skipped at times, just giving you a basis of what was discussed, when I would have loved to know more. I understand mundane conversations being skipped, but when the two characters are falling in love, it would be nice to have more conversations, details on the different characters actions, etc. However, none of that happened. Just brief sentences about it.
Though, I will probably read the rest of the series, just to figure out what happens next and because I am a little OCD about finishing series I start, I fear it won't stand up to my standards. With that said, I do think this book would be good for teens. It is fast paced, doesn't dwell on some of the finer details someone like I would enjoy, and had a great idea in the story plot. I would rate this book 2 stars out of 5 stars because of how it was written. I would have definitely loved more and hope in the future books, Rice will give us just that and not skimp out on things that may help the story become deeper and much more fulfilling.
Though the novel is written in a way that allows the reader to see what each girl is doing on their own, you can't help but want a better way to see this happen. It really makes things confusing, going from one chapter to the next, knowing you will see what one girls doing this chapter and the other girl next chapter, but it can be hard when trying to make a timeline of the story. If the chapter headers would at least give you a time period so you knew exactly what was going on when, it would definitely had helped. I got the gist it was supposed to be each chapter was happening at the last chapter was, but it drove me insane when I found myself thinking that what this girl was doing might be happening after the girl I just finish reading about. I would have loved a better transition.
I also found, though the book had some good conversations, when they got voiced, that their weren't a lot of conversations going on in the book and the details of the scenery didn't make up for this. I am used to being able to see what the characters are thinking in the middle of conversations, but to not have a whole lot of them was very disappointing. It felt as if the conversations were skipped at times, just giving you a basis of what was discussed, when I would have loved to know more. I understand mundane conversations being skipped, but when the two characters are falling in love, it would be nice to have more conversations, details on the different characters actions, etc. However, none of that happened. Just brief sentences about it.
Though, I will probably read the rest of the series, just to figure out what happens next and because I am a little OCD about finishing series I start, I fear it won't stand up to my standards. With that said, I do think this book would be good for teens. It is fast paced, doesn't dwell on some of the finer details someone like I would enjoy, and had a great idea in the story plot. I would rate this book 2 stars out of 5 stars because of how it was written. I would have definitely loved more and hope in the future books, Rice will give us just that and not skimp out on things that may help the story become deeper and much more fulfilling.
Beckie Shelton (40 KP) rated Fire in His Blood (Fireblood Dragon, #1) in Books
Feb 8, 2018
Reviewed By Beckie Bookworm.
https://www.beckiebookworm.com
<a href="http://s1376.photobucket.com/user/rosella1974/media/download_zps1ob3gct7.png.html"; target="_blank"><img src="http://i1376.photobucket.com/albums/ah5/rosella1974/download_zps1ob3gct7.png~original"; border="0" alt=" photo download_zps1ob3gct7.png"/></a>
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🌟🌟🌟1/2 STARS
"Fire in the blood" was a surprisingly delightful read.
I have previously read Some of Ruby Dixon's Ice Planet Barbarian series and loved them.
This, in my opinion, was on an equal par with them and I do Love a sexy dragon shifter so I was on to a winner straight from the get-go.
This story is set in a post-apocalyptic dystopian future, where a few years previously rifts opened up in the sky and through these tear's came the dragons.
laying waste and destroying cities, Humanity is in hiding and the worlds gone to pot, everyone's only out for themselves.
Enter our gal Claudia, after being caught scavenging and thrown into a cell she earns an awful fate.
To be used as dragon bait, to see if she can tame a dragon.
Convinced she is going to be Scooby snack Claudia is astounded when the gold dragon flashes into a human, well almost human looking, he has claws and fangs and a kind of dappled skin and horn-like protrusions on his head.
With an inability to communicate there at a disadvantage.
The dragon "Kael" is his name recognises Claudia as his mate.
And she seems to help hold the madness at bay for him, the madness all dragons are afflicted with since they were pulled through the rift.
Claudia and Kael start a comical but sweet courtship, where he brings her dead goats and spit roasts her meals, he even offers to eat her enemies sweet ay?
Kaels just desperate for his Claudia to give him a chance.
But she still can't get her friend and sister Amy out of her head, needing to do something to rescue them from there life at the fort.
I found myself smiling a lot through this as these two found their way.
It was lovely just to read some uncomplicated fun romance.
was their slight repetitions and an annoying whiny heroine here, Oh Yes!! but honestly, that didn't really bother me as Buff Hunky Kael with the dragon heart of gold certainly made up for it.
He was a sexy Sweetheart even in his dragon form, he adored his Claudia and was prepared to do anything to assure her happiness.
Thankfully Claudia got less annoying as the story progressed and by the end I actually quite liked her.
so if you're looking for a lighthearted read with some sexy shifting and a dragon the size of a bus give this a go, it really was an enjoyable read and a great start to a new series.
<a href="http://s1376.photobucket.com/user/rosella1974/media/download_zps84df25is.jpg.html"; target="_blank"><img src="http://i1376.photobucket.com/albums/ah5/rosella1974/download_zps84df25is.jpg~original"; border="0" alt=" photo download_zps84df25is.jpg"/></a>
Reviewed By Beckie Bookworm
https://www.beckiebookworm.com/
https://www.facebook.com/beckiebookworm/
https://www.beckiebookworm.com
<a href="http://s1376.photobucket.com/user/rosella1974/media/download_zps1ob3gct7.png.html"; target="_blank"><img src="http://i1376.photobucket.com/albums/ah5/rosella1974/download_zps1ob3gct7.png~original"; border="0" alt=" photo download_zps1ob3gct7.png"/></a>
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🌟🌟🌟1/2 STARS
"Fire in the blood" was a surprisingly delightful read.
I have previously read Some of Ruby Dixon's Ice Planet Barbarian series and loved them.
This, in my opinion, was on an equal par with them and I do Love a sexy dragon shifter so I was on to a winner straight from the get-go.
This story is set in a post-apocalyptic dystopian future, where a few years previously rifts opened up in the sky and through these tear's came the dragons.
laying waste and destroying cities, Humanity is in hiding and the worlds gone to pot, everyone's only out for themselves.
Enter our gal Claudia, after being caught scavenging and thrown into a cell she earns an awful fate.
To be used as dragon bait, to see if she can tame a dragon.
Convinced she is going to be Scooby snack Claudia is astounded when the gold dragon flashes into a human, well almost human looking, he has claws and fangs and a kind of dappled skin and horn-like protrusions on his head.
With an inability to communicate there at a disadvantage.
The dragon "Kael" is his name recognises Claudia as his mate.
And she seems to help hold the madness at bay for him, the madness all dragons are afflicted with since they were pulled through the rift.
Claudia and Kael start a comical but sweet courtship, where he brings her dead goats and spit roasts her meals, he even offers to eat her enemies sweet ay?
Kaels just desperate for his Claudia to give him a chance.
But she still can't get her friend and sister Amy out of her head, needing to do something to rescue them from there life at the fort.
I found myself smiling a lot through this as these two found their way.
It was lovely just to read some uncomplicated fun romance.
was their slight repetitions and an annoying whiny heroine here, Oh Yes!! but honestly, that didn't really bother me as Buff Hunky Kael with the dragon heart of gold certainly made up for it.
He was a sexy Sweetheart even in his dragon form, he adored his Claudia and was prepared to do anything to assure her happiness.
Thankfully Claudia got less annoying as the story progressed and by the end I actually quite liked her.
so if you're looking for a lighthearted read with some sexy shifting and a dragon the size of a bus give this a go, it really was an enjoyable read and a great start to a new series.
<a href="http://s1376.photobucket.com/user/rosella1974/media/download_zps84df25is.jpg.html"; target="_blank"><img src="http://i1376.photobucket.com/albums/ah5/rosella1974/download_zps84df25is.jpg~original"; border="0" alt=" photo download_zps84df25is.jpg"/></a>
Reviewed By Beckie Bookworm
https://www.beckiebookworm.com/
https://www.facebook.com/beckiebookworm/
Nicole Hadley (380 KP) rated Upon a Spring Breeze (Every Amish Season, #1) in Books
Jun 18, 2018
Upon a Spring Breeze by Kelly Irvin is a beautiful, emotional Amish book. At 20 years old Bess is newly married and pregnant, life couldn't get better. Then, as she's making stew for her husband one evening she get's the news of his death. After her son is born he looks just like her late husband and coupled with her exhaustion and her babies colic she has a very hard time dealing with it. Her hormones are out of whack because she has postpartum depression and doesn't realize it. She feels like a total failure with things. Her mother-in law has dementia and thinks Bess's baby is her son who passed away and tries to care for him which just adds to Bess's stress. Bess takes a job at a Bed and Breakfast Inn close by and the son of the owner falls for her. he is an Englisher. She now has two men that have fallen for her, Dusty the Englisher and Aidan, who was her husbands best friend since childhood. Aidan has been in love with her since childhood but she married his best friend. He still carries the strong feelings for her.
Aidan, Caleb and Bess’ best friend since childhood, does his best to repress his guilt over Caleb’s passing. Try as he might, he blames himself for sending him into town that tragic day. He promises on Caleb’s dying breath to watch over Bess and their unborn child. He tries to make that a reality but his long standing feelings for Bess start to get in the way.
Bess tries to find her way working in a B and B in town. When the rumor mill runs wild with stories of her and the English owner’s son, she has to begin to face reality instead of living in her own world of grief. She soon learns to rely on a group of widows in her community. The guidance and love that they giver her along with Aiden’s unyielding support soon give Bess hope that there might be a future for her and young Joshua after all.
Kelly really has a way with bringing her characters to life. The reader is quickly drawn in as the characters are so easy to identify with and root for in their quest for happiness. I really enjoyed the many strong female voices in the book. The group of supporting widows that reached out to young Bess was easy to connect with and understand their loss and struggle with their own stories. Even though at first I was not a Mattie fan, my heart began to ache for her and the fact that Soloman left his wife’s dementia untreated for so long. The author did an excellent job delicately working Mattie’s tale into the story, although I hoped that in the epilogue she would have found treatment and possibly have recovered.
Kelly Irvin's writing is easy to follow. Intriguing, clean, and charming. The charcaters are believable. Their life situations are realistic. I was able to connect with both characters. Loss, grief, love, and faith are themes commonly found on every page.
I received an ARC from Thomas Nelson and Zondervan via NetGalley in exchange for an honest review.
Aidan, Caleb and Bess’ best friend since childhood, does his best to repress his guilt over Caleb’s passing. Try as he might, he blames himself for sending him into town that tragic day. He promises on Caleb’s dying breath to watch over Bess and their unborn child. He tries to make that a reality but his long standing feelings for Bess start to get in the way.
Bess tries to find her way working in a B and B in town. When the rumor mill runs wild with stories of her and the English owner’s son, she has to begin to face reality instead of living in her own world of grief. She soon learns to rely on a group of widows in her community. The guidance and love that they giver her along with Aiden’s unyielding support soon give Bess hope that there might be a future for her and young Joshua after all.
Kelly really has a way with bringing her characters to life. The reader is quickly drawn in as the characters are so easy to identify with and root for in their quest for happiness. I really enjoyed the many strong female voices in the book. The group of supporting widows that reached out to young Bess was easy to connect with and understand their loss and struggle with their own stories. Even though at first I was not a Mattie fan, my heart began to ache for her and the fact that Soloman left his wife’s dementia untreated for so long. The author did an excellent job delicately working Mattie’s tale into the story, although I hoped that in the epilogue she would have found treatment and possibly have recovered.
Kelly Irvin's writing is easy to follow. Intriguing, clean, and charming. The charcaters are believable. Their life situations are realistic. I was able to connect with both characters. Loss, grief, love, and faith are themes commonly found on every page.
I received an ARC from Thomas Nelson and Zondervan via NetGalley in exchange for an honest review.
Lucy Buglass (45 KP) rated Border (2018) in Movies
Jun 20, 2019
If you’re a fan of the original super dark fairy tales, you’re probably going to love Border. But be warned, it contains some incredibly disturbing content that I wasn’t prepared for. This film is not an easy watch, and I found myself thinking about it for a long time afterwards. That’s not necessarily a bad thing, it just isn’t for the faint of heart.
The film follows Tina (Eva Melander), a woman who works for the Swedish Border Control. She has a unique talent to sniff out contraband, so she’s an asset to the rest of the team. This ability confuses many around her, and this becomes a central part of Tina’s self-discovery later on in the film. Alongside her ability, Tina suffers from facial deformities which makes her an outcast in society.
Tina’s life changes when she meets a man named Vore (Eero Milonoff), who looks just like her. At first, she suspects him of something, but following an inspection, lets him pass through. The two of them have frequent encounters throughout the film, with Vore helping Tina to understand who she is. As she’s embarking on this journey, Tina is assigned to a child pornography case, with the authorities believing her ability can help them find the perpetrator.
Border is dark both in its narrative and its visuals, as you seldom see the sunlight throughout the entire film. It feels gritty, dirty and bleak, reflecting this incredibly harrowing case that Tina has to try and solve. Even her own home is depressing; living in a tiny cabin-like home with a man named Roland who trains dogs. Tina’s relationship with Roland is confusing to the audience, and she barely spends any time at home, opting to take walks outside instead. She is an incredibly lonely, isolated character until Vore comes along.
The film’s visuals really stood out to me, I loved the ethereal fantasy elements even when bad things are happening. Since Tina spends a lot of her time outdoors, her encounters with wildlife and nature are beautifully shot. These moments seem to be the only ones that bring Tina real joy, and the cinematography reflects this. The film’s bleakness can often feel too much at times, but it’s entirely appropriate given the story. Despite Tina’s eventual self-discovery, this is not a happy film.
Tina and Vore’s animalistic behaviour may be uncomfortable for some audiences, and it was for me too. The film relies on long, purely diegetic scenes that bring us closer to the action than we may have liked. Their relationship is raw, functional and sometimes aggressive, often making it difficult to like the characters. Despite this, I still liked Tina as a character and wanted her to find happiness.
Border is just under two hours in length, but feels much longer due to Abbasi’s use of lingering shots. I did find myself feeling a little frustrated with this at times, but the beauty of the cinematography made up for it. The story is as twisted as it is captivating, and by the end of the film you’re left in a stunned silence trying to process what you just saw. It’s the kind of film that leaves you feeling exhausted afterwards.
This happened to be my first real exploration of Nordic cinema, and I’m certainly interested to see what other films are out there. Border is a unique and harrowing story that points fun at Nordic relations, and is certainly worth the watch. Having said that, I’m not sure I could go through it again.
https://jumpcutonline.co.uk/review-border-2019/
The film follows Tina (Eva Melander), a woman who works for the Swedish Border Control. She has a unique talent to sniff out contraband, so she’s an asset to the rest of the team. This ability confuses many around her, and this becomes a central part of Tina’s self-discovery later on in the film. Alongside her ability, Tina suffers from facial deformities which makes her an outcast in society.
Tina’s life changes when she meets a man named Vore (Eero Milonoff), who looks just like her. At first, she suspects him of something, but following an inspection, lets him pass through. The two of them have frequent encounters throughout the film, with Vore helping Tina to understand who she is. As she’s embarking on this journey, Tina is assigned to a child pornography case, with the authorities believing her ability can help them find the perpetrator.
Border is dark both in its narrative and its visuals, as you seldom see the sunlight throughout the entire film. It feels gritty, dirty and bleak, reflecting this incredibly harrowing case that Tina has to try and solve. Even her own home is depressing; living in a tiny cabin-like home with a man named Roland who trains dogs. Tina’s relationship with Roland is confusing to the audience, and she barely spends any time at home, opting to take walks outside instead. She is an incredibly lonely, isolated character until Vore comes along.
The film’s visuals really stood out to me, I loved the ethereal fantasy elements even when bad things are happening. Since Tina spends a lot of her time outdoors, her encounters with wildlife and nature are beautifully shot. These moments seem to be the only ones that bring Tina real joy, and the cinematography reflects this. The film’s bleakness can often feel too much at times, but it’s entirely appropriate given the story. Despite Tina’s eventual self-discovery, this is not a happy film.
Tina and Vore’s animalistic behaviour may be uncomfortable for some audiences, and it was for me too. The film relies on long, purely diegetic scenes that bring us closer to the action than we may have liked. Their relationship is raw, functional and sometimes aggressive, often making it difficult to like the characters. Despite this, I still liked Tina as a character and wanted her to find happiness.
Border is just under two hours in length, but feels much longer due to Abbasi’s use of lingering shots. I did find myself feeling a little frustrated with this at times, but the beauty of the cinematography made up for it. The story is as twisted as it is captivating, and by the end of the film you’re left in a stunned silence trying to process what you just saw. It’s the kind of film that leaves you feeling exhausted afterwards.
This happened to be my first real exploration of Nordic cinema, and I’m certainly interested to see what other films are out there. Border is a unique and harrowing story that points fun at Nordic relations, and is certainly worth the watch. Having said that, I’m not sure I could go through it again.
https://jumpcutonline.co.uk/review-border-2019/
Hazel (1853 KP) rated The Mindfulness Playbook in Books
Dec 14, 2018
I received this book for free through Goodreads First Reads.
Discover how to become healthier, happier, and more resilient with The Mindfulness Playbook by psychology expert Dr Barbara Mariposa. Written with the general public in mind, Mariposa tackles thoughts, feelings and situations that crop up in everyday life and provides effective coping strategies that can be employed anytime, anywhere. Full of inspiring solutions and practical skills, this book advises and supports as readers bring calm and happiness back into their lives. “By engaging with the content of this book, you will learn unique tools and skills that can bring you greater energy, freedom and clarity.”
Mindfulness is about living in the moment rather than dwelling on the past or worrying about the future. By regularly employing mindfulness, life, in theory, should become much simpler. Unfortunately, many people suffer from anxiety and depression; therefore, mindfulness can be a difficult concept to tackle. Mariposa breaks down the book into eight units and explains simple, proven techniques that, with daily practice, anyone can make a habit of using.
Dr Barbara Mariposa developed the Mind Mood Mastery programme and uses many of her ideas from this as the basis of her book. Each unit is broken down into manageable chunks that are easy to interpret and are relevant to the 21st century. Each unit contains a motto, which expresses the theme of the information provided and a task for people to do in their own time. There are also pages containing sections to write answers to questions Mariposa poses throughout the text.
Many of the tools Mariposa introduces can be shortened to acronyms, making them easy for people to remember in moments of anxiety or stress. One example is “BELL- Breathe. Expand. Listen. Look.” By remembering the letters of this power tool, it can be brought to mind in a difficult situation. It reminds the person to take a deep breath, notice what is going on around them, listen to what they can hear, and focus on something they can see. This helps to stop thoughts from spiralling into the past or future and causing lots of anxiety.
The problem with the term “mindfulness” is it has become an overused term and often replaces the word “relaxing”, for example, on colouring books. Dr Mariposa keeps to the scientific definition of the word (a mental state achieved by focusing one's awareness on the present moment, while calmly acknowledging and accepting one's feelings, thoughts, and bodily sensations, used as a therapeutic technique) and is sympathetic to the reader, acknowledging that life can be hard and mindfulness can be difficult to maintain.
Within each unit is a section dubbed “The Science Bit”, which, it goes without saying, contains scientific information. Mariposa explains in layman’s terms how the brain works and what causes anxiety and depression. She also demonstrates with diagrams how to rewire the brain and alter thought processes. It is interesting to learn that the brain physically changes shape as mindfulness techniques are practised.
For those who want a simple, easy to follow book about mindfulness, The Mindfulness Playbook is definitely the one to purchase. The balance between science and everyday life is on point, and the language style is appropriate for all readers. Quotes from famous names break up the text into manageable sections and it is easy to dip in and out of the book as needed. Dr Barbara Mariposa has produced a superb self-help guide and, with hope, it will help everyone who reads it.
Discover how to become healthier, happier, and more resilient with The Mindfulness Playbook by psychology expert Dr Barbara Mariposa. Written with the general public in mind, Mariposa tackles thoughts, feelings and situations that crop up in everyday life and provides effective coping strategies that can be employed anytime, anywhere. Full of inspiring solutions and practical skills, this book advises and supports as readers bring calm and happiness back into their lives. “By engaging with the content of this book, you will learn unique tools and skills that can bring you greater energy, freedom and clarity.”
Mindfulness is about living in the moment rather than dwelling on the past or worrying about the future. By regularly employing mindfulness, life, in theory, should become much simpler. Unfortunately, many people suffer from anxiety and depression; therefore, mindfulness can be a difficult concept to tackle. Mariposa breaks down the book into eight units and explains simple, proven techniques that, with daily practice, anyone can make a habit of using.
Dr Barbara Mariposa developed the Mind Mood Mastery programme and uses many of her ideas from this as the basis of her book. Each unit is broken down into manageable chunks that are easy to interpret and are relevant to the 21st century. Each unit contains a motto, which expresses the theme of the information provided and a task for people to do in their own time. There are also pages containing sections to write answers to questions Mariposa poses throughout the text.
Many of the tools Mariposa introduces can be shortened to acronyms, making them easy for people to remember in moments of anxiety or stress. One example is “BELL- Breathe. Expand. Listen. Look.” By remembering the letters of this power tool, it can be brought to mind in a difficult situation. It reminds the person to take a deep breath, notice what is going on around them, listen to what they can hear, and focus on something they can see. This helps to stop thoughts from spiralling into the past or future and causing lots of anxiety.
The problem with the term “mindfulness” is it has become an overused term and often replaces the word “relaxing”, for example, on colouring books. Dr Mariposa keeps to the scientific definition of the word (a mental state achieved by focusing one's awareness on the present moment, while calmly acknowledging and accepting one's feelings, thoughts, and bodily sensations, used as a therapeutic technique) and is sympathetic to the reader, acknowledging that life can be hard and mindfulness can be difficult to maintain.
Within each unit is a section dubbed “The Science Bit”, which, it goes without saying, contains scientific information. Mariposa explains in layman’s terms how the brain works and what causes anxiety and depression. She also demonstrates with diagrams how to rewire the brain and alter thought processes. It is interesting to learn that the brain physically changes shape as mindfulness techniques are practised.
For those who want a simple, easy to follow book about mindfulness, The Mindfulness Playbook is definitely the one to purchase. The balance between science and everyday life is on point, and the language style is appropriate for all readers. Quotes from famous names break up the text into manageable sections and it is easy to dip in and out of the book as needed. Dr Barbara Mariposa has produced a superb self-help guide and, with hope, it will help everyone who reads it.
Acanthea Grimscythe (300 KP) rated The Toy Thief in Books
Jan 31, 2019
There are few bonds closer than brother and sister, and we learn that first hand in D. W. Gillespie’s The Toy Thief. Best described by author Michael Patrick Hicks as a “coming-of-age story,” The Toy Thief encompasses the childhood of strong-headed, tomboyish Jack and her brother Andy. Together, the two must thwart a darkness that threatens their livelihood and that of other children around them.
In this creative piece, Gillespie takes a different approach to the ‘why’ behind things that go missing from our homes. We’ve all lost socks, batteries, Tupperware, toys, etc., only to have these items turn up later somewhere else or, in some cases, never to be seen again. But what if all those things were actually going somewhere, rather than simply being lost as a byproduct of human irresponsibility? In The Toy Thief, a dark entity swipes toys from children in order to feed off the happiness and positive energy that thrives within those items. Using these items as a way to sustain its own life force, the Toy Thief soon finds itself running out of options for staying alive, and that’s where things truly take a dark turn in this story.
I found the characters in The Toy Thief to be lacking, honestly. Though I am a fan of the non-traditional use of the name Jack for a female character, the characters in this story are a bit too flat for my taste–and this is perhaps where I made the decision to give this book three stars, rather than four. Jack, for all her tomboyish quirks and fiery attitude (at least in her older years), shows little of that in her child years. Andy, on the other hand, seems to lack personality altogether. The father, despite being the only parent in their lives, plays less of a role in the book than the cat, Memphis. Actually, Memphis seems to be the most fleshed out of all the characters, with what felt like the most genuine reactions to many of the ongoing events in the story.
On the other hand, Gillespie’s ability to generate sympathy for a villain–in this case, the Toy Thief itself–is phenomenal. I would be a liar if I said I didn’t feel so badly for the Toy Thief that I nearly cried on several occasions and, if you’re a sucker for bad guys like I am, that alone is a good reason to delve into this book. The emotional connection that Gillespie creates between the reader and the Toy Thief is heartrending and brilliant.
Gillespie’s novel does a wonderful job when it comes to the creep factor. There are times I felt my skin crawl while reading this book, if only because his ability to write of dread is on point. However, when it comes to descriptions of the Toy Thief, I felt like his arsenal ran a little dry. More often than not, the creature was described the same way, using the same words and to me, this was a bit of a put-off.
Overall, The Toy Thief is not a bad book. It’s not the best that I’ve read, but it was enjoyable and I was able to suck it down fairly quickly. I didn’t feel like I was force-feeding it to myself, either and for those that know me, that’s a good thing. I definitely look forward to more of Gillespie’s work in the future.
I received this book from the publisher in exchange for an honest review.
In this creative piece, Gillespie takes a different approach to the ‘why’ behind things that go missing from our homes. We’ve all lost socks, batteries, Tupperware, toys, etc., only to have these items turn up later somewhere else or, in some cases, never to be seen again. But what if all those things were actually going somewhere, rather than simply being lost as a byproduct of human irresponsibility? In The Toy Thief, a dark entity swipes toys from children in order to feed off the happiness and positive energy that thrives within those items. Using these items as a way to sustain its own life force, the Toy Thief soon finds itself running out of options for staying alive, and that’s where things truly take a dark turn in this story.
I found the characters in The Toy Thief to be lacking, honestly. Though I am a fan of the non-traditional use of the name Jack for a female character, the characters in this story are a bit too flat for my taste–and this is perhaps where I made the decision to give this book three stars, rather than four. Jack, for all her tomboyish quirks and fiery attitude (at least in her older years), shows little of that in her child years. Andy, on the other hand, seems to lack personality altogether. The father, despite being the only parent in their lives, plays less of a role in the book than the cat, Memphis. Actually, Memphis seems to be the most fleshed out of all the characters, with what felt like the most genuine reactions to many of the ongoing events in the story.
On the other hand, Gillespie’s ability to generate sympathy for a villain–in this case, the Toy Thief itself–is phenomenal. I would be a liar if I said I didn’t feel so badly for the Toy Thief that I nearly cried on several occasions and, if you’re a sucker for bad guys like I am, that alone is a good reason to delve into this book. The emotional connection that Gillespie creates between the reader and the Toy Thief is heartrending and brilliant.
Gillespie’s novel does a wonderful job when it comes to the creep factor. There are times I felt my skin crawl while reading this book, if only because his ability to write of dread is on point. However, when it comes to descriptions of the Toy Thief, I felt like his arsenal ran a little dry. More often than not, the creature was described the same way, using the same words and to me, this was a bit of a put-off.
Overall, The Toy Thief is not a bad book. It’s not the best that I’ve read, but it was enjoyable and I was able to suck it down fairly quickly. I didn’t feel like I was force-feeding it to myself, either and for those that know me, that’s a good thing. I definitely look forward to more of Gillespie’s work in the future.
I received this book from the publisher in exchange for an honest review.
Emma @ The Movies (1786 KP) rated Judy & Punch (2019) in Movies
Oct 31, 2019
This had been low on my list of things to see at the film festival but several people recommended it to me so I decided to take a look.
In the town of Seaside, which is nowhere near the sea, Judy lives in something less than domestic bliss with Punch and their baby. Punch's shows are a hit and he's got dreams of grand things, but Judy is the real brains behind the outfit though he'd never admit it.
Judy leaves Punch in charge of the baby while she runs errands but despite the responsibility he gets drunk and an unforgivable accident occurs. In his effort to cover his tracks Punch puts his wife on a journey that leads her to a community in the woods where she can plan her revenge on him for his evil ways.
The film has a very heavy sense of fairy tale about it and certainly the setting wouldn't be out of place in almost any tale you could bring to mind. The location and buildings are perfect and yet somehow didn't seem quite right, this is very much an afterthought though, as I watched it I thought the depiction was good.
The parallels shown between the story of the couple's home life and the puppet show are clear throughout, my only worry is that you might not get a good understanding of that if you aren't aware of the traditional Punch and Judy shows. This wouldn't have been something I'd have thought about before but more and more I talk about things with people and the response is "I've never heard of that"... god I feel old.
Damon Herriman has taken off his Manson mask for this one and I found him to be a very good lead as Punch. He manages to capture the devious side of Punch, and honestly, anyone who can pull off the scene with the baby with a straight face deserves recognition... and yes, I do feel kind of bad for laughing.
Mia Wasikowska (who also starred in Blackbird, review coming soon) had two very different versions of Judy to play. Judy-1 gives us an outgoing and resilient woman, Judy-2.0 is angry and vengeful though there's a happiness in her once she gets to know the community who rescue her. This second incarnation wasn't entirely to my liking, I much preferred the earlier more lighthearted take on her. I can see why the change in her demeanour was fitting it didn't quite feel like a true transformation.
I enjoyed Judy & Punch, it was something different to watch which I always find to be an interesting experience but I'm not sure I'd need to see it again. I was entertained while I sat through it but apart from one scene there was nothing I see myself remembering further down the line.
Just a couple of honourable mentions: I enjoyed the music, the jazzed up classical pieces fit in nicely, and the dog wearing its own ruff? Adorable!
What you should do
I don't think you need to rush out and see this one but if you happen to come across it at some point it might be worth watching.
Movie thing you wish you could take home
It has to be an impish little dog wearing a ruff... because what else would a sensible person pick?!
In the town of Seaside, which is nowhere near the sea, Judy lives in something less than domestic bliss with Punch and their baby. Punch's shows are a hit and he's got dreams of grand things, but Judy is the real brains behind the outfit though he'd never admit it.
Judy leaves Punch in charge of the baby while she runs errands but despite the responsibility he gets drunk and an unforgivable accident occurs. In his effort to cover his tracks Punch puts his wife on a journey that leads her to a community in the woods where she can plan her revenge on him for his evil ways.
The film has a very heavy sense of fairy tale about it and certainly the setting wouldn't be out of place in almost any tale you could bring to mind. The location and buildings are perfect and yet somehow didn't seem quite right, this is very much an afterthought though, as I watched it I thought the depiction was good.
The parallels shown between the story of the couple's home life and the puppet show are clear throughout, my only worry is that you might not get a good understanding of that if you aren't aware of the traditional Punch and Judy shows. This wouldn't have been something I'd have thought about before but more and more I talk about things with people and the response is "I've never heard of that"... god I feel old.
Damon Herriman has taken off his Manson mask for this one and I found him to be a very good lead as Punch. He manages to capture the devious side of Punch, and honestly, anyone who can pull off the scene with the baby with a straight face deserves recognition... and yes, I do feel kind of bad for laughing.
Mia Wasikowska (who also starred in Blackbird, review coming soon) had two very different versions of Judy to play. Judy-1 gives us an outgoing and resilient woman, Judy-2.0 is angry and vengeful though there's a happiness in her once she gets to know the community who rescue her. This second incarnation wasn't entirely to my liking, I much preferred the earlier more lighthearted take on her. I can see why the change in her demeanour was fitting it didn't quite feel like a true transformation.
I enjoyed Judy & Punch, it was something different to watch which I always find to be an interesting experience but I'm not sure I'd need to see it again. I was entertained while I sat through it but apart from one scene there was nothing I see myself remembering further down the line.
Just a couple of honourable mentions: I enjoyed the music, the jazzed up classical pieces fit in nicely, and the dog wearing its own ruff? Adorable!
What you should do
I don't think you need to rush out and see this one but if you happen to come across it at some point it might be worth watching.
Movie thing you wish you could take home
It has to be an impish little dog wearing a ruff... because what else would a sensible person pick?!