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Darren (1599 KP) rated Killing Ground (2016) in Movies
Oct 14, 2019
Story: Killing Ground starts when couple Ian (Meadows) and Samantha (Dyer) head off for a romantic camping trip, learning they are not the only couple on the grounds they look to stay out of the others way, only to never see them return to their grounds. Scotty (Pedersen) and Tood (Glenane) are two locals of the area that come off shady, also have had run ins with the law.
We know something happened to the family in the camp next door and when Ian and Samantha find their baby wandering around the area. Soon they will be fighting for their lives against the criminal psychopaths that enjoy hunting.
Thoughts on Killing Ground
Characters – Ian is a doctor who along with his girlfriend goes on the camping trip, he knows how to survive any injuries which makes him the one that could help survive the attack because o his logical decision making process. Samantha is the girlfriend that is using the trip for a big moment only to find herself needing to fight to survive. Scotty is the one of the two which seems to be the mastermind, well leader of the two who knows how to control the situation and Tood. Tood is the loose cannon, who comes off simple minded at times and other times he comes off like the psychopath he is meant to be.
Performances – The performances in this film do come off real, we believe the couple Ian Meadows & Harriet Dyer with each decision they must make, we also get scared of both the Aaron’s who gives us uneasy performances through the whole film.
Story – The story here follows three lines to start with, we have the couple heading of to their romantic camping trip, the family on their camping trip, that we know something happens to and the two men who will be committing the crime. To start with this felt annoying, I won’t lie, but soon this just builds the tension through the film as we just want to know what happens, with each twist that connection the stories becoming unsettling. We see the aftermath of what has happened over just putting us through the events, which only continues to make everything extra disturbing. This is a type of story we have seen before, though the fresh approach to this only makes this more interesting to watch even if you want to look away.
Horror – This is easily one of the most disturbing horror films you will see, when you stop to think about anything that happens, what you end up feeling is just uneasy because of what happens off camera, with the tension only making this harder to get through.
Settings – The film takes place in a remote camping ground which gives us the feeling of isolation, with have no phone signal and the humans might not be the only danger here, this is a perfect use of setting.
Special Effects – The effects are used to make each moment look more horrific, they are subtle and effective.
Scene of the Movie – When the couple plan to leave, we have a wonderful shot of Samantha walking away with somebody desperately needing help behind her.
That Moment That Annoyed Me – I didn’t like the opening moments of the three stories, it does work once we are get going.
Final Thoughts – This is one of the most disturbing non-graphic films I have seen, being left to imagine just what happens is even worse than watching it.
Overall: Unsettling and disturbing.
We know something happened to the family in the camp next door and when Ian and Samantha find their baby wandering around the area. Soon they will be fighting for their lives against the criminal psychopaths that enjoy hunting.
Thoughts on Killing Ground
Characters – Ian is a doctor who along with his girlfriend goes on the camping trip, he knows how to survive any injuries which makes him the one that could help survive the attack because o his logical decision making process. Samantha is the girlfriend that is using the trip for a big moment only to find herself needing to fight to survive. Scotty is the one of the two which seems to be the mastermind, well leader of the two who knows how to control the situation and Tood. Tood is the loose cannon, who comes off simple minded at times and other times he comes off like the psychopath he is meant to be.
Performances – The performances in this film do come off real, we believe the couple Ian Meadows & Harriet Dyer with each decision they must make, we also get scared of both the Aaron’s who gives us uneasy performances through the whole film.
Story – The story here follows three lines to start with, we have the couple heading of to their romantic camping trip, the family on their camping trip, that we know something happens to and the two men who will be committing the crime. To start with this felt annoying, I won’t lie, but soon this just builds the tension through the film as we just want to know what happens, with each twist that connection the stories becoming unsettling. We see the aftermath of what has happened over just putting us through the events, which only continues to make everything extra disturbing. This is a type of story we have seen before, though the fresh approach to this only makes this more interesting to watch even if you want to look away.
Horror – This is easily one of the most disturbing horror films you will see, when you stop to think about anything that happens, what you end up feeling is just uneasy because of what happens off camera, with the tension only making this harder to get through.
Settings – The film takes place in a remote camping ground which gives us the feeling of isolation, with have no phone signal and the humans might not be the only danger here, this is a perfect use of setting.
Special Effects – The effects are used to make each moment look more horrific, they are subtle and effective.
Scene of the Movie – When the couple plan to leave, we have a wonderful shot of Samantha walking away with somebody desperately needing help behind her.
That Moment That Annoyed Me – I didn’t like the opening moments of the three stories, it does work once we are get going.
Final Thoughts – This is one of the most disturbing non-graphic films I have seen, being left to imagine just what happens is even worse than watching it.
Overall: Unsettling and disturbing.
BankofMarquis (1832 KP) rated The Invisible Man (2020) in Movies
Mar 6, 2020
Pleasantly Surprised with a Great Lead Performance by Moss
I really had no desire to check out the Blumhouse re-imaging of the classic Universal horror classic THE INVISIBLE MAN, but I was hearing positive comments on it - especially about the lead performance - so I figured I'd better check it out.
And I'm glad I did. For this INVISIBLE MAN is taught and tense with (of course) a strong leading performance. And...it has something else...
Intelligence.
Originally, THE INVISIBLE MAN was supposed to be part of the ongoing Universal Studios "Dark Universe" series of films - Universal's answer to the Marvel Cinematic Universe or the DCEU - but when the first film in this series THE MUMMY tanked at the box office, Universal made a "first look deal" with Blumhouse Studios (makers of such low budget horror films as PARANORMAL ACTIVITY and THE PURGE) to make stand alone films with the classic Universal Studios characters.
First up...THE INVISIBLE MAN...replacing Johnny Depp in the titular role and changing the focus of the film from THE INVISIBLE MAN to a woman (Elizabeth Moss) being harassed (or is she?) by THE INVISIBLE MAN.
And...an inspired choice it is. I was surpirsed by the restraint and intelligence that Blumhouse - and Director Leigh Whanell (UPGRADE) - show with this material. Whanell ratchets up the tension and let's the audience sit in the uncertainty that the main character has.
And...when that main character is performed as well as Elisabeth Moss (THE HANDMAID'S TALE), then it is 2 hours well worth your time. Moss' performance is the glue that holds this film together. If she isn't as good as she is in her role, then this film doesn't work. She is...and it does. Some say that she should earn an Oscar nomination for this work. I wouldn't quite go there (if any actress in a Horror film deserves an Oscar nomination, it would have been Lupita Nyong'o in US last year) but it is a very, very good performance.
As is the performances of Harriet Dyer (as Moss' sister) and Aldis Hodge (as a friend of Moss' character). These two brought watch-ability, and believe-ability, to their characters and situations. And this is good for, if I'm to be honest, this film does fall down in the believe-ability factor. I have a tendency to turn that part of my brain off in these types of films, but there are HUGE plot holes and gaps in logic that I just couldn't ignore, which brought this film down a peg or so.
As does the performance of Oliver Jackson-Cohen in the title role. I just didn't like what he was doing in this role, but fortunately, we don't see much of him (rim-shot).
Overall, a pleasant enough surprise with an intelligence I wasn't expecting and a lead performance that is worth the price of admission.
Letter Grade: B
7 (out of 10) stars and you can take that to the Bank(OfMarquis)
And I'm glad I did. For this INVISIBLE MAN is taught and tense with (of course) a strong leading performance. And...it has something else...
Intelligence.
Originally, THE INVISIBLE MAN was supposed to be part of the ongoing Universal Studios "Dark Universe" series of films - Universal's answer to the Marvel Cinematic Universe or the DCEU - but when the first film in this series THE MUMMY tanked at the box office, Universal made a "first look deal" with Blumhouse Studios (makers of such low budget horror films as PARANORMAL ACTIVITY and THE PURGE) to make stand alone films with the classic Universal Studios characters.
First up...THE INVISIBLE MAN...replacing Johnny Depp in the titular role and changing the focus of the film from THE INVISIBLE MAN to a woman (Elizabeth Moss) being harassed (or is she?) by THE INVISIBLE MAN.
And...an inspired choice it is. I was surpirsed by the restraint and intelligence that Blumhouse - and Director Leigh Whanell (UPGRADE) - show with this material. Whanell ratchets up the tension and let's the audience sit in the uncertainty that the main character has.
And...when that main character is performed as well as Elisabeth Moss (THE HANDMAID'S TALE), then it is 2 hours well worth your time. Moss' performance is the glue that holds this film together. If she isn't as good as she is in her role, then this film doesn't work. She is...and it does. Some say that she should earn an Oscar nomination for this work. I wouldn't quite go there (if any actress in a Horror film deserves an Oscar nomination, it would have been Lupita Nyong'o in US last year) but it is a very, very good performance.
As is the performances of Harriet Dyer (as Moss' sister) and Aldis Hodge (as a friend of Moss' character). These two brought watch-ability, and believe-ability, to their characters and situations. And this is good for, if I'm to be honest, this film does fall down in the believe-ability factor. I have a tendency to turn that part of my brain off in these types of films, but there are HUGE plot holes and gaps in logic that I just couldn't ignore, which brought this film down a peg or so.
As does the performance of Oliver Jackson-Cohen in the title role. I just didn't like what he was doing in this role, but fortunately, we don't see much of him (rim-shot).
Overall, a pleasant enough surprise with an intelligence I wasn't expecting and a lead performance that is worth the price of admission.
Letter Grade: B
7 (out of 10) stars and you can take that to the Bank(OfMarquis)
Bob Mann (459 KP) rated The Invisible Man (2020) in Movies
Jan 9, 2021
Elisabeth Moss - excellent performance (1 more)
Slowly creeping tension - clever camera work
Have you seen "The Invisible Man"?
Cecilia Kass (Elisabeth Moss) is trapped in a highly controlling and violent relationship with technology mogul Adrian Griffin (Oliver Jackson-Cohen). Escaping from his fortress-like home, she lives in fear of his retribution. So she is much relieved, if a little surprised, at the report of his suicide. Now living with old friend James Lanier (Aldis Hodge) and his teenage daughter Sydney (Storm Reid), Cecilia can finally start to relax. But as strange things start to happen, is the ghost of Griffin back to haunt her? Or is it really all in her rapidly disintegrating mind, as her sister Emily (Harriet Dyer) and James suspect?
Australian writer/director Leigh Whannell is famous as the writer behind the "Saw" and "Insidious" franchises. So he knows a thing or two about crafting horror movies. And in this Blumhouse production, after a clever attention-grabbing opening, he really takes his time in building an understanding of Cecilia's mental state. When things start to happen, they happen so stealthily that I needed to hit the rewind button a couple of times (no cinema experience for this one I'm afraid). Cinematographer Stefan Duscio keeps slowly panning away from Cecilia across the room to show empty corridors before slowly panning back again. It's superbly effective and was comprehensively creeping me out!
When the set action pieces do occur then they are satisfactorily exciting, albeit wildly implausible. I did not see some of the "Surprises" coming, making them jolt-worthy. And the denouement really delivered for me, reminiscent of Hitchcock's style.
Now most famous for "Mad Men" and "The Handmaids Tale" on TV, Elisabeth Moss has delivered a range of impressive film performances including in "High Rise" and - as most closely related to this role - in "Girl, Interrupted" as mental patient Lisa. It's a star turn, no doubt about it.
This movie was intended by Universal to be part of the "Dark Universe" series. But the Tom Cruise flop "The Mummy" unfortunately put paid to that. Which is a great shame. If they'd started with this one, then they might have had a hit on their hands. With a post-credits "monkey" (there isn't one in this movie by the way) they could have lined up into the follow-up movie and started the ball rolling.
It's a rollicking action flick that had my attention throughout. However, the initial question it poses - haunting, 'all in the mind' or something else - gets clarified a little too early for me (and - note - is spoiled by the trailer), so the movie falls short of being a classic for that reason.
There's one aspect of the movie that really irritated me. And that is that there was no credit whatsoever for the idea of H.G. Wells that originated this story. There's a discussion of that here: since Wells died in 1946, his copyright will have expired on his works 70 years later. This is definitely NOT a retelling of his story, but in reusing the novel's title it would seem at least 'polite' to include a "Based on an idea by H.G. Wells" in the credits somewhere.
All in all, this is still a bit of a B-movie, but its a bloody good one! Utterly preposterous at times, and with decision-making that would feel at home within the Trump presidency, it's an entertaining rollercoaster of a movie. Definitely comes with a "recommended" from me and I'll look forward to a re-watch at some point.
For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/01/09/have-you-seen-the-invisible-man/ .
Australian writer/director Leigh Whannell is famous as the writer behind the "Saw" and "Insidious" franchises. So he knows a thing or two about crafting horror movies. And in this Blumhouse production, after a clever attention-grabbing opening, he really takes his time in building an understanding of Cecilia's mental state. When things start to happen, they happen so stealthily that I needed to hit the rewind button a couple of times (no cinema experience for this one I'm afraid). Cinematographer Stefan Duscio keeps slowly panning away from Cecilia across the room to show empty corridors before slowly panning back again. It's superbly effective and was comprehensively creeping me out!
When the set action pieces do occur then they are satisfactorily exciting, albeit wildly implausible. I did not see some of the "Surprises" coming, making them jolt-worthy. And the denouement really delivered for me, reminiscent of Hitchcock's style.
Now most famous for "Mad Men" and "The Handmaids Tale" on TV, Elisabeth Moss has delivered a range of impressive film performances including in "High Rise" and - as most closely related to this role - in "Girl, Interrupted" as mental patient Lisa. It's a star turn, no doubt about it.
This movie was intended by Universal to be part of the "Dark Universe" series. But the Tom Cruise flop "The Mummy" unfortunately put paid to that. Which is a great shame. If they'd started with this one, then they might have had a hit on their hands. With a post-credits "monkey" (there isn't one in this movie by the way) they could have lined up into the follow-up movie and started the ball rolling.
It's a rollicking action flick that had my attention throughout. However, the initial question it poses - haunting, 'all in the mind' or something else - gets clarified a little too early for me (and - note - is spoiled by the trailer), so the movie falls short of being a classic for that reason.
There's one aspect of the movie that really irritated me. And that is that there was no credit whatsoever for the idea of H.G. Wells that originated this story. There's a discussion of that here: since Wells died in 1946, his copyright will have expired on his works 70 years later. This is definitely NOT a retelling of his story, but in reusing the novel's title it would seem at least 'polite' to include a "Based on an idea by H.G. Wells" in the credits somewhere.
All in all, this is still a bit of a B-movie, but its a bloody good one! Utterly preposterous at times, and with decision-making that would feel at home within the Trump presidency, it's an entertaining rollercoaster of a movie. Definitely comes with a "recommended" from me and I'll look forward to a re-watch at some point.
For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/01/09/have-you-seen-the-invisible-man/ .