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Lottie disney bookworm (1056 KP) rated Thread Needle in Books
Jun 17, 2021
“Magic is the first sin. It must be bound.”
Anna is an orphan, she is a witch with no magic, she is a nobody.
Raised by her aunt in London since her parents’ death when she was just 3 months old, Anna leads a monotonous life of school, homework, chores and learning to control her magic. Not that she has much magic to control, but Anna has been raised in the shadow of the Binders, a coven who believe magic is a sin and who will bind Anna’s magic when she turns 16. Until then, Anna must not draw attention to herself or the world of magic, she must shrink and she must be invisible. Only when her magic is bound will she be safe…or so the Binders would lead her to believe.
Threadneedle begins around Anna’s 15th birthday, when Anna and her Aunt receive a surprise visit from a family friend (and witch) Selene, her daughter Effie and friend Attis. Anna has idolised Selene since her childhood but I imagine even she did not anticipate this birthday visit to change her life so significantly.
Selene, Effie and Attis are the complete opposite of the Binders, using magic freely and unreservedly: they open up a whole new world to the reluctant Anna and even convince her to create a coven with them, discovering new witches right under their noses. However, as Anna practices magic more, a peculiar symbol seems to haunt her; the symbol of the eye – the symbol of a curse.
The majority of Threadneedle takes place within Anna’s home and school. Anna’s life as a nobody at school is turned on its head with Effie’s arrival and she finds that, along with friends, comes the drama of a typical teenage girl. Bullying and body-shaming are key topics here and sort of edged the book into the YA category in my opinion.
Anna as a character is portrayed as an entirely ordinary teenager, if a little meek. Her aunt, in juxtaposition, is controlling and dominating, although she always expresses that this is necessary to protect Anna and comes from a place of love. Aunt is rarely referred to by her name and has an abusive hold over Anna, punishing her with magic if she so much as shows a flicker of emotion. The reader witnesses Anna’s emotional and physical abuse at the hands of her Aunt, with Cari Thomas even beginning each chapter with one of the Binders’ tenets, signifying the brainwashing nature of the coven.
Anna doesn’t remain meek for long though: fuelled by her intrigue of magic and the mystery behind her parent’s death, Anna soon starts pushing the boundaries that she has lived within for so long. Will she succeed and manage to discover the magical world that surrounds her? Or will her magic be knotted before she gets the chance?
Despite being set in present-day London, Thomas really does introduce an entirely new world of magic with different magical languages, different covens and the constant threat of The Hunters. I found the mixture of darkness and realism incredible.
I also loved the fact that the magic and non-magic worlds run side by side in Thomas’ world but I am very conscious that any magical book written post-Harry Potter is obviously going to have comparisons made. However, Anna does not have the safety of Hogwarts or a doting headmaster to fall back on. There are no teachers providing an education in magic, she must find her magic on her own. No this is a far cry from Harry Potter; Threadneedle is more like a bubbling mixture of Charmed, with a ladle full of Mean Girls and a teaspoon of The Craft for good measure.
The sheer amount of world building by Cari Thomas means that the first few chapters of Threadneedle can feel quite slow but the novel soon settles into place. Thomas also has almost a rhythmic quality to her narrative, with fast-paced writing in dramatic spots before slowing right down again to represent Anna’s isolation. The final chapters were so captivating, with several mysteries that had been steadily growing finally coming to a head: I couldn’t read this fast enough.
Threadneedle is the first in the Language of Magic series by Cari Thomas and it is one hell of a debut! From prophecies and poison to bullies and love triangles; magical libraries, witch hunters and more plot twists than you can imagine, this book has it all. Thomas’ writing is so clever that towards the end of the book even the reader doesn’t know who to believe any more!
Thank you to HarperCollins, and NetGalley for the opportunity to discover this new world. The hype around this book is going to be crazy and it is completely deserved.
Anna is an orphan, she is a witch with no magic, she is a nobody.
Raised by her aunt in London since her parents’ death when she was just 3 months old, Anna leads a monotonous life of school, homework, chores and learning to control her magic. Not that she has much magic to control, but Anna has been raised in the shadow of the Binders, a coven who believe magic is a sin and who will bind Anna’s magic when she turns 16. Until then, Anna must not draw attention to herself or the world of magic, she must shrink and she must be invisible. Only when her magic is bound will she be safe…or so the Binders would lead her to believe.
Threadneedle begins around Anna’s 15th birthday, when Anna and her Aunt receive a surprise visit from a family friend (and witch) Selene, her daughter Effie and friend Attis. Anna has idolised Selene since her childhood but I imagine even she did not anticipate this birthday visit to change her life so significantly.
Selene, Effie and Attis are the complete opposite of the Binders, using magic freely and unreservedly: they open up a whole new world to the reluctant Anna and even convince her to create a coven with them, discovering new witches right under their noses. However, as Anna practices magic more, a peculiar symbol seems to haunt her; the symbol of the eye – the symbol of a curse.
The majority of Threadneedle takes place within Anna’s home and school. Anna’s life as a nobody at school is turned on its head with Effie’s arrival and she finds that, along with friends, comes the drama of a typical teenage girl. Bullying and body-shaming are key topics here and sort of edged the book into the YA category in my opinion.
Anna as a character is portrayed as an entirely ordinary teenager, if a little meek. Her aunt, in juxtaposition, is controlling and dominating, although she always expresses that this is necessary to protect Anna and comes from a place of love. Aunt is rarely referred to by her name and has an abusive hold over Anna, punishing her with magic if she so much as shows a flicker of emotion. The reader witnesses Anna’s emotional and physical abuse at the hands of her Aunt, with Cari Thomas even beginning each chapter with one of the Binders’ tenets, signifying the brainwashing nature of the coven.
Anna doesn’t remain meek for long though: fuelled by her intrigue of magic and the mystery behind her parent’s death, Anna soon starts pushing the boundaries that she has lived within for so long. Will she succeed and manage to discover the magical world that surrounds her? Or will her magic be knotted before she gets the chance?
Despite being set in present-day London, Thomas really does introduce an entirely new world of magic with different magical languages, different covens and the constant threat of The Hunters. I found the mixture of darkness and realism incredible.
I also loved the fact that the magic and non-magic worlds run side by side in Thomas’ world but I am very conscious that any magical book written post-Harry Potter is obviously going to have comparisons made. However, Anna does not have the safety of Hogwarts or a doting headmaster to fall back on. There are no teachers providing an education in magic, she must find her magic on her own. No this is a far cry from Harry Potter; Threadneedle is more like a bubbling mixture of Charmed, with a ladle full of Mean Girls and a teaspoon of The Craft for good measure.
The sheer amount of world building by Cari Thomas means that the first few chapters of Threadneedle can feel quite slow but the novel soon settles into place. Thomas also has almost a rhythmic quality to her narrative, with fast-paced writing in dramatic spots before slowing right down again to represent Anna’s isolation. The final chapters were so captivating, with several mysteries that had been steadily growing finally coming to a head: I couldn’t read this fast enough.
Threadneedle is the first in the Language of Magic series by Cari Thomas and it is one hell of a debut! From prophecies and poison to bullies and love triangles; magical libraries, witch hunters and more plot twists than you can imagine, this book has it all. Thomas’ writing is so clever that towards the end of the book even the reader doesn’t know who to believe any more!
Thank you to HarperCollins, and NetGalley for the opportunity to discover this new world. The hype around this book is going to be crazy and it is completely deserved.
Solomon Wendt (30 KP) rated A Deadly Education: Lesson One of the Scholomance in Books
Aug 28, 2021
Worldbuilding (2 more)
Magic
Coming of Age
Some descriptions lacking (2 more)
Confused on Series Plot
Good first book but not a stand alone story
A Deadly Slice of Life/Coming of Age Magic School
Magic School. Wizards. Teenage Angst. A lot of reasons I signed up for the giveaway of this novel and glad I got a copy.
For those who want the quick recommendation, if you enjoy wizard teens and magic schools, you will enjoy this book. Outside of that category, it is a decent fantasy novel that is worth a read, but no need to go and get right away.
First and foremost, books like "A Deadly Education" have the unfortunate hurdle of separating itself from the magic school genre alpha that is Harry Potter, to which I believe Naomi Novik did really well. Whenever I read such stories, I can't help compare to the Potter series, but the world that Novik builds is such a stark contrast that I quickly forgot about Hogwarts and Muggles and traded in for the Scholomance and mundanes.
The world that Novik builds is dark and untrusting. Inside the school, there are maleficera, or 'mals,' that try to consume the students' mana at every turn. This puts the place on edge, making almost every character paranoid to open anything or even go anywhere without at least one other person with them, usually at a cost. This darker side is refreshing, especially because the magic in Novik's world is hard magic as opposed to the soft magic of other series. To those who don't know the difference, soft magic is that magic just exists and spells come without consequence. Hard, on the other hand, has limits and comes from a source and takes skills and finesse to learn and use them. Any author who takes it upon themselves to make the magic in their world hard magic gives themselves a challenge, something that Novik clears easily.
The other part of the world that is dangerous are the mals that attack students. There are a lot of them, so much to the point there should be a separate book that could be referenced to know what they are fighting. Although your imagination can run wild, some of the descriptions, or lack there of, leave you to fill in a lot of blanks. I'm still not sure if they are shadows and/or goo with various metal attached or part of their bodies. The variety is so immense that you don't encounter the same thing twice it seems. When reading the encounters, it was hard to picture the exact nature of the fight in my mind. However, the sense of danger was ever present throughout the whole book.
The story itself is coming of age, or more so coming of friendship, mixed with a slice of life feel. Although there is a starting event, Orion saving Galadriel for the second time, there is not an overarching plot for the story. It is just to survive and possibly make an alliance for graduation. This is not my cup of tea when it comes to stories as I enjoy seeing a defined goal or enemy that leads to a finale or into the next book of the series. This story does not have that, which seems to lack an overall plot other that "just survive." Even the climax of this story felt a little out of the blue in terms of action, and then is superseded by a social bombshell and cliffhanger for the next in the series.
To wrap and reiterate, I enjoy the world that this story takes place. It is inventive and unique to standout against others within the magic school genre. There was some plot lacking, but is still enjoyable for not quite knowing what is coming around the next corning. This a clearly the first book of series which is not the strongest as its own installment, but definitely has me waiting for the next in the line.
For those who want the quick recommendation, if you enjoy wizard teens and magic schools, you will enjoy this book. Outside of that category, it is a decent fantasy novel that is worth a read, but no need to go and get right away.
First and foremost, books like "A Deadly Education" have the unfortunate hurdle of separating itself from the magic school genre alpha that is Harry Potter, to which I believe Naomi Novik did really well. Whenever I read such stories, I can't help compare to the Potter series, but the world that Novik builds is such a stark contrast that I quickly forgot about Hogwarts and Muggles and traded in for the Scholomance and mundanes.
The world that Novik builds is dark and untrusting. Inside the school, there are maleficera, or 'mals,' that try to consume the students' mana at every turn. This puts the place on edge, making almost every character paranoid to open anything or even go anywhere without at least one other person with them, usually at a cost. This darker side is refreshing, especially because the magic in Novik's world is hard magic as opposed to the soft magic of other series. To those who don't know the difference, soft magic is that magic just exists and spells come without consequence. Hard, on the other hand, has limits and comes from a source and takes skills and finesse to learn and use them. Any author who takes it upon themselves to make the magic in their world hard magic gives themselves a challenge, something that Novik clears easily.
The other part of the world that is dangerous are the mals that attack students. There are a lot of them, so much to the point there should be a separate book that could be referenced to know what they are fighting. Although your imagination can run wild, some of the descriptions, or lack there of, leave you to fill in a lot of blanks. I'm still not sure if they are shadows and/or goo with various metal attached or part of their bodies. The variety is so immense that you don't encounter the same thing twice it seems. When reading the encounters, it was hard to picture the exact nature of the fight in my mind. However, the sense of danger was ever present throughout the whole book.
The story itself is coming of age, or more so coming of friendship, mixed with a slice of life feel. Although there is a starting event, Orion saving Galadriel for the second time, there is not an overarching plot for the story. It is just to survive and possibly make an alliance for graduation. This is not my cup of tea when it comes to stories as I enjoy seeing a defined goal or enemy that leads to a finale or into the next book of the series. This story does not have that, which seems to lack an overall plot other that "just survive." Even the climax of this story felt a little out of the blue in terms of action, and then is superseded by a social bombshell and cliffhanger for the next in the series.
To wrap and reiterate, I enjoy the world that this story takes place. It is inventive and unique to standout against others within the magic school genre. There was some plot lacking, but is still enjoyable for not quite knowing what is coming around the next corning. This a clearly the first book of series which is not the strongest as its own installment, but definitely has me waiting for the next in the line.
Movie Metropolis (309 KP) rated Pan (2015) in Movies
Jun 11, 2019
Where's the magic? Where's the sparkle?
The mesmerising story of Peter Pan has been told by numerous directors, playwrights and novelists over the years with Disney’s brilliant animation being one of the highlights in a series of standout moments.
Now, the story receives a very 21st-century makeover in Pan, but does director Joe Wright’s brooding reimagining sink or swim?
Unfortunately, this occasionally beautifully shot film ends up causing more of a headache than Michael Bay’s much-maligned Transformers series in a movie that lacks the magic and sparkle of the traditional tale, instead focusing too much on special effects and noise – my god this is a loud film.
Stars like Hugh Jackman, Rooney Mara, Garrett Hedlund and Amanda Seyfriend take their places amongst a cast of forgettable characters that never seem to make any sort of impression, despite Pan’s 111 minute running time.
Following the story of Peter, played by a particularly wooden Levi Miller, Pan takes place many years before the events of the famous story, following a similar path to the recent Alice in Wonderland remake and Oz the Great and the Powerful.
Unfortunately, including a previously unmentioned backstory to the character brings about the same problems as it did for the aforementioned films. Pan has no charm and is completely void of originality with the production team borrowing many elements from movies like Avatar, the Harry Potter series and even the Indiana Jones franchise.
Hugh Jackman’s Blackbeard is the only character to make any sort of impact and the Wolverine star is a delight to watch in a role that requires masses of cheese and just a little malice. The rest of the cast are as wooden as the galleons in which they are transported and this is a real shame, given the talent on offer.
Elsewhere, the cinematography is exceptional with some amazing sequences shot with flair and supreme confidence but the poor CGI detracts from the spectacle. For a film with a budget of $150million, it has some of the worst special effects I have ever come across.
Nevertheless, there is much for younger children to enjoy. The bright colours and constant shifts in tone ensure Pan never settles into a rut, despite its bland characters and lacklustre special effects.
Overall, Pan is a crushing disappointment. The special effects are poor, the promising cast never gels together and the story is a hybrid of other, better films that results in a movie that will leave you with a headache, rather than a sense of magic and sparkle.
https://moviemetropolis.net/2015/10/18/wheres-the-magic-wheres-the-sparkle-pan-review/
Now, the story receives a very 21st-century makeover in Pan, but does director Joe Wright’s brooding reimagining sink or swim?
Unfortunately, this occasionally beautifully shot film ends up causing more of a headache than Michael Bay’s much-maligned Transformers series in a movie that lacks the magic and sparkle of the traditional tale, instead focusing too much on special effects and noise – my god this is a loud film.
Stars like Hugh Jackman, Rooney Mara, Garrett Hedlund and Amanda Seyfriend take their places amongst a cast of forgettable characters that never seem to make any sort of impression, despite Pan’s 111 minute running time.
Following the story of Peter, played by a particularly wooden Levi Miller, Pan takes place many years before the events of the famous story, following a similar path to the recent Alice in Wonderland remake and Oz the Great and the Powerful.
Unfortunately, including a previously unmentioned backstory to the character brings about the same problems as it did for the aforementioned films. Pan has no charm and is completely void of originality with the production team borrowing many elements from movies like Avatar, the Harry Potter series and even the Indiana Jones franchise.
Hugh Jackman’s Blackbeard is the only character to make any sort of impact and the Wolverine star is a delight to watch in a role that requires masses of cheese and just a little malice. The rest of the cast are as wooden as the galleons in which they are transported and this is a real shame, given the talent on offer.
Elsewhere, the cinematography is exceptional with some amazing sequences shot with flair and supreme confidence but the poor CGI detracts from the spectacle. For a film with a budget of $150million, it has some of the worst special effects I have ever come across.
Nevertheless, there is much for younger children to enjoy. The bright colours and constant shifts in tone ensure Pan never settles into a rut, despite its bland characters and lacklustre special effects.
Overall, Pan is a crushing disappointment. The special effects are poor, the promising cast never gels together and the story is a hybrid of other, better films that results in a movie that will leave you with a headache, rather than a sense of magic and sparkle.
https://moviemetropolis.net/2015/10/18/wheres-the-magic-wheres-the-sparkle-pan-review/
Kyera (8 KP) rated Carry on: The Rise and Fall of Simon Snow in Books
Feb 1, 2018
What started as an idea for Caths fan fiction in Fangirl turned into a fully realized book called Carry On. In Fangirl, Cath writes about a magical world with a big bad, a Chosen One and a school for mages. There were only small passages from the fictional work, but the author knew there was more of a story to tell. Carry On is the tale of a boy with magical abilities that far surpass any other student or mage currently alive except he has very little control over them. It has been foretold that he will be the one to save the world of the mages, but hes not sure that he is capable of it.
The story is heavily inspired by the idea or trope of a Chosen One, as well as the world of Harry Potter. We enter the world as the main characters return to Watford for their eighth and final year. There are not actually any books that tell readers about the first seven years at the school, so that is where my critique stems from. Those years are when you would likely experience the world building and character development, so they felt lacking in this novel. The world building especially fell a little flat for me and I wish we could have learned more about the world of the mages.
Simon, the Chosen One, learns more about his magic in this book but doesnt experience any real growth as a character. He is likable, if a bit of a daft mess but didnt feel as real to me as he could have. Penny, his best friend, filled the role of the typical brainiac of the group and wasnt given significantly more depth than that. Agatha, his girlfriend, filled the role of the pretty girl and was quite happy with that position although it made her very one-dimensional. Baz, his arch-nemesis, was the one that felt the most developed and grew over the course of the novel.
The ending is a little anti-climactic, but overall I enjoyed reading this book. After reading Fangirl, I was very curious about the fictional world that Cath was so obsessed with. This book was a fun addition to the lore and depth of Fangirl but isnt strong enough (in my opinion) to truly stand on its own. I would definitely recommend reading this book directly after reading Fangirl.
The story is heavily inspired by the idea or trope of a Chosen One, as well as the world of Harry Potter. We enter the world as the main characters return to Watford for their eighth and final year. There are not actually any books that tell readers about the first seven years at the school, so that is where my critique stems from. Those years are when you would likely experience the world building and character development, so they felt lacking in this novel. The world building especially fell a little flat for me and I wish we could have learned more about the world of the mages.
Simon, the Chosen One, learns more about his magic in this book but doesnt experience any real growth as a character. He is likable, if a bit of a daft mess but didnt feel as real to me as he could have. Penny, his best friend, filled the role of the typical brainiac of the group and wasnt given significantly more depth than that. Agatha, his girlfriend, filled the role of the pretty girl and was quite happy with that position although it made her very one-dimensional. Baz, his arch-nemesis, was the one that felt the most developed and grew over the course of the novel.
The ending is a little anti-climactic, but overall I enjoyed reading this book. After reading Fangirl, I was very curious about the fictional world that Cath was so obsessed with. This book was a fun addition to the lore and depth of Fangirl but isnt strong enough (in my opinion) to truly stand on its own. I would definitely recommend reading this book directly after reading Fangirl.
Butterfly child (6 KP) rated Killing Floor: (Jack Reacher 1) in Books
Feb 26, 2018
OK characterisation (1 more)
Good mystery build up
Intriguiging lead character.
I wasn't sure about this book when I first started it. I had heard great things about it, but I like to make my own mind up. Although it had some action from the start, it was still quite slow but once I got into it, I really enjoyed it. A really good read, I passed onto my mum to read too! We quite like reading the same books sometimes so we can discuss it after reading. Its quite a nice mum/daughter activity.
I know the Jack Reacher series is quite old, and now has to movies but I guess I was quite late to the party. I have managed to avoid hearing much about the series, other than lots of positive comments about the books. So I was quite excited to get started.
The debut Jack Reacher novel kicks off with a good mystery and an intriguing character. I did find it was quite slow, and even though Jack is meant to be a bit of a mystery, I finished the book still not really feeling connected to the character, and for me, when reading its about feeling connected to the characters and the books which makes me carry on reading a series.
Although, I didn't fully connected with Jack Reacher, I did like the story and some of the background characters.
I like fiction, and I am a fan of Harry Potter and sci-fi and lots of things that dispel belief, but I like it in that context when you are expecting magic and some things to not make sense. The idea of why Jack was in Margate, Georgia and his connection the dead body felt a little strange. It added a level of something to the story but I am not sure why. This was my only issue with it, and I have only read the first book, so maybe more will be explained as the series goes on. I am giving it the benefit of the doubt, as overall I did really enjoy the book.
It's an 'ok' start to a series, and Jack Reachers mysterious life kept me intrigued enough to want to carry on with the series and pass it onto my mum. I am excited to move onto book 2.
I know the Jack Reacher series is quite old, and now has to movies but I guess I was quite late to the party. I have managed to avoid hearing much about the series, other than lots of positive comments about the books. So I was quite excited to get started.
The debut Jack Reacher novel kicks off with a good mystery and an intriguing character. I did find it was quite slow, and even though Jack is meant to be a bit of a mystery, I finished the book still not really feeling connected to the character, and for me, when reading its about feeling connected to the characters and the books which makes me carry on reading a series.
Although, I didn't fully connected with Jack Reacher, I did like the story and some of the background characters.
I like fiction, and I am a fan of Harry Potter and sci-fi and lots of things that dispel belief, but I like it in that context when you are expecting magic and some things to not make sense. The idea of why Jack was in Margate, Georgia and his connection the dead body felt a little strange. It added a level of something to the story but I am not sure why. This was my only issue with it, and I have only read the first book, so maybe more will be explained as the series goes on. I am giving it the benefit of the doubt, as overall I did really enjoy the book.
It's an 'ok' start to a series, and Jack Reachers mysterious life kept me intrigued enough to want to carry on with the series and pass it onto my mum. I am excited to move onto book 2.
Hazel (1853 KP) rated Into the Dim (Into the Dim, #1) in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review
Into The Dim</i> by Janet B. Taylor begins with an empty coffin. Fragile sixteen year old Hope is at her mother’s memorial service after her mother’s body was unrecovered after a horrific earthquake. Despite the opinion of her stepfather’s family, Hope is convinced that her mother is still alive. However she has not time to convince anyone before she is shipped off to the Scottish Highlands to spend time with her mother’s sister, Lady Lucinda Carlyle.
Hope finds herself at Christopher Manor, a forbidding ancient mansion that reminds her of <i>Hogwarts</i> (I love that <i>Harry Potter</i> is easily mentioned in many contemporary novels these days! There is also a <i>Doctor Who</i> reference in this book). Despite the old-fashioned setting, the inhabitants are the complete opposite. Firstly there is Phoebe, a bubbly blue-haired girl who is excited about Hope’s arrival at the manor. Phoebe’s brother, Collum, on the other hand, has a contrasting personality. Then there is Lu, who, despite her title, is younger than some may initially imagine her to be.
Through these new characters, Hope learns that her mother is indeed still alive, but trapped somewhere beyond all logic and reason. What is worse, Hope, who is practically scared of her own shadow, along with Phoebe and Collum are the only people who can rescue her. So begins their dangerous but exciting adventure.
<i>Into The Dim</i> is both a contemporary and historical novel, with the science fiction element of time travel thrown in. Time travel is nothing new in fiction, and Taylor’s idea is even based upon the scientist, Nikola Tesla’s discoveries. The storyline itself is a bit of fun with witty characters and humorous banter, yet there is so much more to it than that. Taylor has concocted enough research to help readers to learn something new. Firstly there is Tesla, as already mentioned, and then there is the knowledge and detail of twelfth century London, in particularly involving Eleanor of Aquitaine.
Although the main characters are in their late teens, younger teenagers can also enjoy<i> Into The Dim</i>. There is the occasional reference to mature content, but this is within the context of a historical period, in which younger readers should probably be aware of already from their school history lessons. If you love this book, look out for the sequel next year!
Into The Dim</i> by Janet B. Taylor begins with an empty coffin. Fragile sixteen year old Hope is at her mother’s memorial service after her mother’s body was unrecovered after a horrific earthquake. Despite the opinion of her stepfather’s family, Hope is convinced that her mother is still alive. However she has not time to convince anyone before she is shipped off to the Scottish Highlands to spend time with her mother’s sister, Lady Lucinda Carlyle.
Hope finds herself at Christopher Manor, a forbidding ancient mansion that reminds her of <i>Hogwarts</i> (I love that <i>Harry Potter</i> is easily mentioned in many contemporary novels these days! There is also a <i>Doctor Who</i> reference in this book). Despite the old-fashioned setting, the inhabitants are the complete opposite. Firstly there is Phoebe, a bubbly blue-haired girl who is excited about Hope’s arrival at the manor. Phoebe’s brother, Collum, on the other hand, has a contrasting personality. Then there is Lu, who, despite her title, is younger than some may initially imagine her to be.
Through these new characters, Hope learns that her mother is indeed still alive, but trapped somewhere beyond all logic and reason. What is worse, Hope, who is practically scared of her own shadow, along with Phoebe and Collum are the only people who can rescue her. So begins their dangerous but exciting adventure.
<i>Into The Dim</i> is both a contemporary and historical novel, with the science fiction element of time travel thrown in. Time travel is nothing new in fiction, and Taylor’s idea is even based upon the scientist, Nikola Tesla’s discoveries. The storyline itself is a bit of fun with witty characters and humorous banter, yet there is so much more to it than that. Taylor has concocted enough research to help readers to learn something new. Firstly there is Tesla, as already mentioned, and then there is the knowledge and detail of twelfth century London, in particularly involving Eleanor of Aquitaine.
Although the main characters are in their late teens, younger teenagers can also enjoy<i> Into The Dim</i>. There is the occasional reference to mature content, but this is within the context of a historical period, in which younger readers should probably be aware of already from their school history lessons. If you love this book, look out for the sequel next year!
Lonely Planet Pocket Orlando & Walt Disney World Resort
Lonely Planet and Jennifer Rasin Denniston
Book
Lonely Planet: The world's leading travel guide publisher Lonely Planet Pocket Orlando & Walt Disney...
Jesters_folly (230 KP) rated Guns Akimbo (2019) in Movies
Jan 17, 2021
Contains spoilers, click to show
I'll start by saying that 'Guns Akimbo' is not for everyone. It's an ultra-violent, stupid, no brain action/comedy movie, and it doesn't pretended to be anything else. If you've seen the picture/meme of Daniel Radcliffe standing in a street in a dressing gown and bear-feet slippers waving two guns around then you've seen a publicity shot (and in some cases the DVD/Blu-ray cover) for' Guns Akimbo'.
The films premise is simple(ish), Miles (Daniel 'Harry Potter' Radcliffe) is a programmer for a mobile games company who's main outlet it getting inappropriate videos taken down and confronting internet Trolls. One day he comes across a site for 'Skizm', a real life, ultra violent game. Skizm don't take kindly to some of Miles's comments and break into his home and drug him. When Miles wakes up he has a gun bolted to both of his hands and is told that he has to kill Nix, the current top Skizm player or she will kill him.
'Guns Akimbo' does not hold back on anything, the film is filled with violence and drug use (including comparing the use of an asthma inhaler to taking cocaine), the humour is often immature (see Miles trying to work out how to go to the loo with guns bolted to his hands) and the sound track is fast and thumping. The film is made to feel like a real life computer game almost in the same way as 'Scott Pilgrim vs the World' and, in some ways comparing Guns Akimbo to Scott Pilgrim isn't wrong, Guns Akimbo is a lot more violent but, if Scot Pilgrim is a fighting game (such as Mortal Combat) then Guns Akimbo is a Doom Style shoot 'em Up. Guns Akimbo even has Scot Pilgrim style graphics occasionally interspersed through out.
The main problem I had with 'Guns Akimbo' is that it hasn't got a U.K. release, it's been released almost everywhere else but not here and, with no information as to why or when I can only assume that it's because our all powerful BBFC won't rate it or, at the very least want too many cuts to make it 15.
So, if you want an over the top violent film that you don't need to think about and you don't mind drug use, blood and daft humour then give 'Guns Akimbo' a go. Oddly there is no sex, I think this must be because it would get in the way of the violence.
The films premise is simple(ish), Miles (Daniel 'Harry Potter' Radcliffe) is a programmer for a mobile games company who's main outlet it getting inappropriate videos taken down and confronting internet Trolls. One day he comes across a site for 'Skizm', a real life, ultra violent game. Skizm don't take kindly to some of Miles's comments and break into his home and drug him. When Miles wakes up he has a gun bolted to both of his hands and is told that he has to kill Nix, the current top Skizm player or she will kill him.
'Guns Akimbo' does not hold back on anything, the film is filled with violence and drug use (including comparing the use of an asthma inhaler to taking cocaine), the humour is often immature (see Miles trying to work out how to go to the loo with guns bolted to his hands) and the sound track is fast and thumping. The film is made to feel like a real life computer game almost in the same way as 'Scott Pilgrim vs the World' and, in some ways comparing Guns Akimbo to Scott Pilgrim isn't wrong, Guns Akimbo is a lot more violent but, if Scot Pilgrim is a fighting game (such as Mortal Combat) then Guns Akimbo is a Doom Style shoot 'em Up. Guns Akimbo even has Scot Pilgrim style graphics occasionally interspersed through out.
The main problem I had with 'Guns Akimbo' is that it hasn't got a U.K. release, it's been released almost everywhere else but not here and, with no information as to why or when I can only assume that it's because our all powerful BBFC won't rate it or, at the very least want too many cuts to make it 15.
So, if you want an over the top violent film that you don't need to think about and you don't mind drug use, blood and daft humour then give 'Guns Akimbo' a go. Oddly there is no sex, I think this must be because it would get in the way of the violence.