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Debbiereadsbook (1684 KP) rated Dream a Little Dream (To Love a Psycho #1) in Books
May 3, 2025
There is no HEA here, not yet. There is no romance, not yet.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is the first book in the To Love A Psycho trilogy. There is no HEA here, not yet. There is no romance, not yet.
But what is here, is setting the stage for what is to come, and I bloody loved it!
It's dark and deadly. Very little smex, but the steam is building, oh yes!
Aaron is the child of serial killers, Kenny the psychologist who helped bring their capture. Jack, the police constable who finds Aaron. While this is mostly about Kenny and Aaron, it is important to mention Jack. Given as Jack played a huge part in Kenny's life before, and the fact that Aaron knows Jack, from that very early meeting and again, when he comes back into his life.
What I think (cos Lord knows if I can word it correctly!) I liked most about this book, was that both men are somewhat . . .not damaged or unhinged but those words keept jumping from my book brain and I dont think they are right, but that sort of thing. They are both haunted by their past, and Kenny especially surprised me. He fights Aaron all the way, but knows he can't keep away. Even taking to him to his therapy is something Kenny HAS to do for Aaron.
Given what's said here about Jack and Kenny's relationship, I can see why Kenny needs to look out for Aaron, he has no one else, but Kenny is hard wired that way: to care for someone, in any way he can. I think deep down, Kenny knows this, even if he psycoanalyses himself to the very max, I don't think he's actually seeing that in himself.
I did not see it all playing out the way it did, and I love being surprised. I can't wait to see what White does to this pair in the next book, but I am promised an eventual HEA, they are just gonna have to work so darn hard at it, it might break me!
4 stars, but only because it is a cliff hanger, and I KNEW that going in, but I can't quite stretch, not yet!
*same worded review will appear elsewhere
This is the first book in the To Love A Psycho trilogy. There is no HEA here, not yet. There is no romance, not yet.
But what is here, is setting the stage for what is to come, and I bloody loved it!
It's dark and deadly. Very little smex, but the steam is building, oh yes!
Aaron is the child of serial killers, Kenny the psychologist who helped bring their capture. Jack, the police constable who finds Aaron. While this is mostly about Kenny and Aaron, it is important to mention Jack. Given as Jack played a huge part in Kenny's life before, and the fact that Aaron knows Jack, from that very early meeting and again, when he comes back into his life.
What I think (cos Lord knows if I can word it correctly!) I liked most about this book, was that both men are somewhat . . .not damaged or unhinged but those words keept jumping from my book brain and I dont think they are right, but that sort of thing. They are both haunted by their past, and Kenny especially surprised me. He fights Aaron all the way, but knows he can't keep away. Even taking to him to his therapy is something Kenny HAS to do for Aaron.
Given what's said here about Jack and Kenny's relationship, I can see why Kenny needs to look out for Aaron, he has no one else, but Kenny is hard wired that way: to care for someone, in any way he can. I think deep down, Kenny knows this, even if he psycoanalyses himself to the very max, I don't think he's actually seeing that in himself.
I did not see it all playing out the way it did, and I love being surprised. I can't wait to see what White does to this pair in the next book, but I am promised an eventual HEA, they are just gonna have to work so darn hard at it, it might break me!
4 stars, but only because it is a cliff hanger, and I KNEW that going in, but I can't quite stretch, not yet!
*same worded review will appear elsewhere
Acanthea Grimscythe (300 KP) rated The Windmill (The Windmill Massacre) (2016) in Movies
May 12, 2018
I spend a bit too much time on Facebook, of that there’s no doubt. As a result, I tend to pay attention to what movies my friends talk about. One such friend is horror author Edward Lorn, and one such movie that popped up in my feed because of him is The Windmill.
Set in Holland, The Windmill is a fun film that follows the traditional “haunted locale” story. Like most movies of this nature, viewers are presented with an abandoned building (the windmill), an old legend, and a supernatural being. In this case, the windmill is considered a gateway to Hell, courtesy of a miller that, after making a deal with the devil, ground the bones of his victims rather than flour. When a group of individuals embark on a tour of Holland’s windmills, what appears to be an every day, run of the mill (pun totally intended) attraction quickly turns deadly.
The Windmill‘s cast of characters fits several different roles, from the uppity doctor to the vengeful model and even the cliché mad woman with daddy issues. These characters remain true to their personality types and don’t tend to waiver, even as things continue to spin out of control, for which I am thankful – even though it means that they’re downright horrible people. The acting is fairly well done in comparison to a lot of available horror movies, too.
One of the things that did bother me about this movie was an extremely brief lack of continuity. At the point in which the tour bus breaks down in middle of the road, an incident occurs and the bus falls over. That isn’t altogether strange, aside from the fact that it appears to have been knocked over by a bird flying into the window. Whether that was intentional or not, I did find it to be a bit amusing. Since I don’t consider this to be much of a spoiler, I figured I’d simply point it out.
While The Windmill contains several elements of the slasher genre, it appeals more to the psyche via the use of the demonic haunting and vivid hallucinations that reveal the deepest, darkest secrets of its cast. It’s not the best film out there, but it is certainly entertaining in its own right and is undoubtedly worth the watch for a bit of cheesy horror fun. The title, also known as The Windmill Massacre, can be found on Netflix in the United States.
Set in Holland, The Windmill is a fun film that follows the traditional “haunted locale” story. Like most movies of this nature, viewers are presented with an abandoned building (the windmill), an old legend, and a supernatural being. In this case, the windmill is considered a gateway to Hell, courtesy of a miller that, after making a deal with the devil, ground the bones of his victims rather than flour. When a group of individuals embark on a tour of Holland’s windmills, what appears to be an every day, run of the mill (pun totally intended) attraction quickly turns deadly.
The Windmill‘s cast of characters fits several different roles, from the uppity doctor to the vengeful model and even the cliché mad woman with daddy issues. These characters remain true to their personality types and don’t tend to waiver, even as things continue to spin out of control, for which I am thankful – even though it means that they’re downright horrible people. The acting is fairly well done in comparison to a lot of available horror movies, too.
One of the things that did bother me about this movie was an extremely brief lack of continuity. At the point in which the tour bus breaks down in middle of the road, an incident occurs and the bus falls over. That isn’t altogether strange, aside from the fact that it appears to have been knocked over by a bird flying into the window. Whether that was intentional or not, I did find it to be a bit amusing. Since I don’t consider this to be much of a spoiler, I figured I’d simply point it out.
While The Windmill contains several elements of the slasher genre, it appeals more to the psyche via the use of the demonic haunting and vivid hallucinations that reveal the deepest, darkest secrets of its cast. It’s not the best film out there, but it is certainly entertaining in its own right and is undoubtedly worth the watch for a bit of cheesy horror fun. The title, also known as The Windmill Massacre, can be found on Netflix in the United States.
Rachel King (13 KP) rated Chocolat (Chocolat #1) in Books
Feb 11, 2019
I have lost count of the number of times I have watched the movie that is based off of this book, so I figured it was time for me to read the book. Like most movies based on books, the movie is only about half true to the book. In this case though, that did not really bother me.
Joanne Harris has a way of writing that has me savoring every word like one of Vianne Rocher's fine chunks of dark chocolate. What I would have given for a few recipes of the dishes she served in La Celeste Praline, especially the pots of chocolate that were served as frequently as coffee. The descriptions of the various confectioneries and even the non-chocolate dishes were detailed with a light touch, so that I never felt too overwhelmed -- but I still wanted to dive into the pages all the same.
All of the characters, large parts and small, were unique and original, even down to the quirky preferences and hidden burdens. I could easily relate to Armande's attraction to the color red and her unrefined mannerisms, as well as Guillaume's indulgence of his pet dog. So many of the characters could pass for people that I encounter every day -- from Roux's skepticism to Josephine's renewed independence to Caro's need to control. These characters will stay with me for a long time.
Probably the most interesting character, aside from Vianne Rocher, is the town's priest, Pere Reynaud. Like most of the rest of the town, he masks inner demons and makes up for them with his profession of choice. Though those inner torments are slowly revealed through the course of the book, I don't feel that his story was completely resolved, or that he even experienced any true character growth.
Vianne Rocher is certainly the most creative character in the book, both easily likeable and eternally mysterious. Haunted by memories of a nomadic lifestyle with her mother, she intermittently addresses her conflicting desires to both travel and put down roots even as her simple, self-taught cooking and hospitality brings about subtle and lasting change in the village of Lansquenet. A thread of fantasy runs through the plot as Vianne hints at the ability to read people's thoughts, choosing not to influence them, and consults her mother's tarot cards in her darker hours of contemplation. She even adds a touch of magic and mystery to her Chocolaterie to draw the wary villagers into the shop. Oh, what I would give to pay a visit to that amazing place myself.
Joanne Harris has a way of writing that has me savoring every word like one of Vianne Rocher's fine chunks of dark chocolate. What I would have given for a few recipes of the dishes she served in La Celeste Praline, especially the pots of chocolate that were served as frequently as coffee. The descriptions of the various confectioneries and even the non-chocolate dishes were detailed with a light touch, so that I never felt too overwhelmed -- but I still wanted to dive into the pages all the same.
All of the characters, large parts and small, were unique and original, even down to the quirky preferences and hidden burdens. I could easily relate to Armande's attraction to the color red and her unrefined mannerisms, as well as Guillaume's indulgence of his pet dog. So many of the characters could pass for people that I encounter every day -- from Roux's skepticism to Josephine's renewed independence to Caro's need to control. These characters will stay with me for a long time.
Probably the most interesting character, aside from Vianne Rocher, is the town's priest, Pere Reynaud. Like most of the rest of the town, he masks inner demons and makes up for them with his profession of choice. Though those inner torments are slowly revealed through the course of the book, I don't feel that his story was completely resolved, or that he even experienced any true character growth.
Vianne Rocher is certainly the most creative character in the book, both easily likeable and eternally mysterious. Haunted by memories of a nomadic lifestyle with her mother, she intermittently addresses her conflicting desires to both travel and put down roots even as her simple, self-taught cooking and hospitality brings about subtle and lasting change in the village of Lansquenet. A thread of fantasy runs through the plot as Vianne hints at the ability to read people's thoughts, choosing not to influence them, and consults her mother's tarot cards in her darker hours of contemplation. She even adds a touch of magic and mystery to her Chocolaterie to draw the wary villagers into the shop. Oh, what I would give to pay a visit to that amazing place myself.