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Phillip McSween (751 KP) rated Hard Candy (2005) in Movies
Feb 21, 2019
Solid Movie
Hardy Candy is as good as it is unsettling. There is an art in movies to making you feel creeped out and director David Slade definitely pulls it off here. I don’t really want to disclose too much of the plot in fear of giving it away for those that haven’t seen it, but I will say that it starts with a teenager meeting a thirty-something year-old in a chat room and agreeing to meet him in person. I definitely wasn’t expecting or ready for what happened next.
Acting: 10
Ellen Page plays the role of the aforementioned teenager Hayley Stark. In a word: Fantastic. I can almost imagine a role of this nature being somewhat freeing and therapeutic. I love the angle that she took as Hayley, calm on the surface but a loose cannon ready to explode. The emotional range here is noticed and appreciated.
Shout-out to Patrick Wilson playing the role of Jeff Kohlver the thirty-something. He, just like Page, excels in playing a multi-dimensional character that has that “other” side. Seeing the two work on screen together is like magic.
Beginning; 10
Characters: 9
The story centers around Hayley and Patrick but, in a way, one could argue that the movie is about four people: Their characters and the ones underneath the surface. The way they play off of each other is fascinating. You want to see more of them, know more about what got them to this point. It’s a cat-and-mouse game and you don’t quite know who’s who.
Cinematography/Visuals: 8
Colors and tones play a significant role in setting the mood of the movie. Again, it’s that eery creepiness Slade manages to capture in every shot, even when things feel normal. Emotional moments are captured in a way that manage to magnify the way a viewer feels. That’s where I feel the visuals succeed the most. On the downside, it got somewhat monotonous having the characters be in one location for the majority of the movie. Maybe breaking it up with flashbacks or something would have made the pill a little easier to swallow.
Conflict: 4
Let’s just say I was expecting a lot more to happen than what actually did. In other words, there was DEFINITELY room for more conflict here. Just slightly more subtle than I was hoping for.
Genre: 5
This score would have been higher had there been just a bit more action and a fluctuation of location changes. While it checks most boxes for what makes a quality movie, I have seen better dramas that are worth the higher score.
Memorability: 7
Pace: 10
Sometimes intensity can magnify a situation and that’s one of a number of things Hard Candy is great at. Because you’re dealing with two characters that are loaded pistols, you don’t really know what’s going to unfold from one scene to the next. That’s ultimately what makes the movie so fun to watch. There is always something to pay attention to here.
Plot: 10
Resolution: 10
Overall: 83
Hard Candy is a great example of why I created my scoring system in the first place. Some movies slip in some areas and they get called a bad movie as a result. When you look at all the moving parts separately, however, you potentially learn the opposite. Is it a perfect movie? Not at all. Is it a solid, fun movie to watch. Absolutely.
Acting: 10
Ellen Page plays the role of the aforementioned teenager Hayley Stark. In a word: Fantastic. I can almost imagine a role of this nature being somewhat freeing and therapeutic. I love the angle that she took as Hayley, calm on the surface but a loose cannon ready to explode. The emotional range here is noticed and appreciated.
Shout-out to Patrick Wilson playing the role of Jeff Kohlver the thirty-something. He, just like Page, excels in playing a multi-dimensional character that has that “other” side. Seeing the two work on screen together is like magic.
Beginning; 10
Characters: 9
The story centers around Hayley and Patrick but, in a way, one could argue that the movie is about four people: Their characters and the ones underneath the surface. The way they play off of each other is fascinating. You want to see more of them, know more about what got them to this point. It’s a cat-and-mouse game and you don’t quite know who’s who.
Cinematography/Visuals: 8
Colors and tones play a significant role in setting the mood of the movie. Again, it’s that eery creepiness Slade manages to capture in every shot, even when things feel normal. Emotional moments are captured in a way that manage to magnify the way a viewer feels. That’s where I feel the visuals succeed the most. On the downside, it got somewhat monotonous having the characters be in one location for the majority of the movie. Maybe breaking it up with flashbacks or something would have made the pill a little easier to swallow.
Conflict: 4
Let’s just say I was expecting a lot more to happen than what actually did. In other words, there was DEFINITELY room for more conflict here. Just slightly more subtle than I was hoping for.
Genre: 5
This score would have been higher had there been just a bit more action and a fluctuation of location changes. While it checks most boxes for what makes a quality movie, I have seen better dramas that are worth the higher score.
Memorability: 7
Pace: 10
Sometimes intensity can magnify a situation and that’s one of a number of things Hard Candy is great at. Because you’re dealing with two characters that are loaded pistols, you don’t really know what’s going to unfold from one scene to the next. That’s ultimately what makes the movie so fun to watch. There is always something to pay attention to here.
Plot: 10
Resolution: 10
Overall: 83
Hard Candy is a great example of why I created my scoring system in the first place. Some movies slip in some areas and they get called a bad movie as a result. When you look at all the moving parts separately, however, you potentially learn the opposite. Is it a perfect movie? Not at all. Is it a solid, fun movie to watch. Absolutely.
The story. (3 more)
The background.
The charcters.
The cover.
A incredibly captivating story of one girl's adventure of finding who she truly is meant to be.
I was given a read and review copy of Essence by Hayley Gabrielle herself for my full honest opinion.
I absolutely blew through this novel in a matter of 24hrs. I was hooked from the very beginning and I must say, this was one heck of a debut novel! I loved it with a burning passion. The story was there, the background was there, for as much as I could see, there were not any noticeable grammatical errors, the plot is striking profound, and I will definitely be rereading this novel in the very near future!
Can I talk about how much I love Thorne? I really love him and honestly, I really wanted him and Abbey to be together. He deserves love too, even though he's arrogant as all get out. I cried actual tears at the final scene with the portal. An incredibly sad ending and I can not wait to see where Abbey's story continues!
You can find more about this review on my blog at bookingwayreads.wordpress.com
I absolutely blew through this novel in a matter of 24hrs. I was hooked from the very beginning and I must say, this was one heck of a debut novel! I loved it with a burning passion. The story was there, the background was there, for as much as I could see, there were not any noticeable grammatical errors, the plot is striking profound, and I will definitely be rereading this novel in the very near future!
Can I talk about how much I love Thorne? I really love him and honestly, I really wanted him and Abbey to be together. He deserves love too, even though he's arrogant as all get out. I cried actual tears at the final scene with the portal. An incredibly sad ending and I can not wait to see where Abbey's story continues!
You can find more about this review on my blog at bookingwayreads.wordpress.com
Sarah (7798 KP) rated Blinded by the Light (2019) in Movies
Apr 26, 2020
Clumsy and unoriginal
Watching this film would never be my choice, as despite my love of musicals I've never been particularly interested in the music of Bruce Springsteen. And I'm afraid to say this film hasn't changed my opinion on this either.
This film is so cheesy and cliched that I spent most of the time watching it cringing in horror. It seems to copy virtually every other type of film that has come before it that looks at coming of age in a Muslim and Pakistani background - it's like a poor version of East is East, with barely any laughs & a bit of Springsteen thrown in. The production values in this too are rather poor. You can tell it's low budget, from the dodgy dance scenes to the cinematography as a whole.
There is a decent cast thrown into this like Hayley Atwell, Rob Brydon and Dean Charles Chapman but I felt like they were sadly underused and letdown by the poor and ridiculously cheesy script. There are some likeable parts in this that makes it a little bit feel good but overall I could've quite happily turned this off and not felt like I was missing out.
This film is so cheesy and cliched that I spent most of the time watching it cringing in horror. It seems to copy virtually every other type of film that has come before it that looks at coming of age in a Muslim and Pakistani background - it's like a poor version of East is East, with barely any laughs & a bit of Springsteen thrown in. The production values in this too are rather poor. You can tell it's low budget, from the dodgy dance scenes to the cinematography as a whole.
There is a decent cast thrown into this like Hayley Atwell, Rob Brydon and Dean Charles Chapman but I felt like they were sadly underused and letdown by the poor and ridiculously cheesy script. There are some likeable parts in this that makes it a little bit feel good but overall I could've quite happily turned this off and not felt like I was missing out.
LeftSideCut (3778 KP) rated Satanic Panic (2019) in Movies
Sep 20, 2020
Satanic Panic is a horror-comedy that depicts the world's rich elite as Satan worshiping cultists who would love nothing more than to bring about the end of days. Relatable then!
The "eat the rich" concept is a tried and tested method of giving a movie some hateful antagonists, and Satanic Panic does it well, as a working class pizza delivery girl stumbles upon said cult, and quickly finds herself fighting for her life as the cultists seek to use her virginity as a method to bring about Baphomet and blah blah blah, you've surely heard this one before.
My main gripe with this movie is precisely that - it offers nothing new to the table. That, and the fact that it's low budget prevents us from seeing any demonic creatures, which is a shame.
Honestly though, apart from these negatives, Satanic Panic is actually a lot of fun. It's got a good sense of humour, a likeable heroine in Hayley Griffith, some pretty nasty practical gore effects here and there, and a somewhat cheap but charming aesthetic.
The cast also includes Rebecca Romijn, Jerry O' Connell, and a few horror mainstays such as Jordan Ladd, Ruby Modine and Jeff Daniel Phillips.
You could do a lot worse, and Satanic Panic does just about enough to scramble above the depths of horror shittiness.
The "eat the rich" concept is a tried and tested method of giving a movie some hateful antagonists, and Satanic Panic does it well, as a working class pizza delivery girl stumbles upon said cult, and quickly finds herself fighting for her life as the cultists seek to use her virginity as a method to bring about Baphomet and blah blah blah, you've surely heard this one before.
My main gripe with this movie is precisely that - it offers nothing new to the table. That, and the fact that it's low budget prevents us from seeing any demonic creatures, which is a shame.
Honestly though, apart from these negatives, Satanic Panic is actually a lot of fun. It's got a good sense of humour, a likeable heroine in Hayley Griffith, some pretty nasty practical gore effects here and there, and a somewhat cheap but charming aesthetic.
The cast also includes Rebecca Romijn, Jerry O' Connell, and a few horror mainstays such as Jordan Ladd, Ruby Modine and Jeff Daniel Phillips.
You could do a lot worse, and Satanic Panic does just about enough to scramble above the depths of horror shittiness.
Mark @ Carstairs Considers (2091 KP) rated Halloween Party Murder in Books
Sep 1, 2021 (Updated Sep 1, 2021)
Partying with a Corpse or Three
This Halloween, we are being treated to another novella collection with these three cozy mystery authors as they feature their series sleuths. First up, Lucy Stone finds a dead body after a haunted house fund raiser. Then, Hayley Powell’s Halloween party in her new restaurant ends with the discovery of a corpse in the freezer. Finally, when Julia Snowden’s niece finds herself at a high school party, Julia goes to bring her home, only for the police to discover a dead body in the shed out back.
Out of these three authors, I only regularly read Barbara Ross’s Maine Clambake mysteries, so that story, featuring Julia Snowden, was my favorite. That’s not to say I didn’t enjoy all three of the novellas. All three feature a strong assortment of characters and a solid mystery. Even if I figured out a part of the story early, I didn’t have it all pieced together until the end. My only complaint was the politics brought into the first novella in the collection. Even then, I’m a bit torn since it did play a part in the story while also feeling like I was reading a lecture. Still, if you are in the mood for a murderous Halloween party, you’ll be glad you picked up this novella collection.
Out of these three authors, I only regularly read Barbara Ross’s Maine Clambake mysteries, so that story, featuring Julia Snowden, was my favorite. That’s not to say I didn’t enjoy all three of the novellas. All three feature a strong assortment of characters and a solid mystery. Even if I figured out a part of the story early, I didn’t have it all pieced together until the end. My only complaint was the politics brought into the first novella in the collection. Even then, I’m a bit torn since it did play a part in the story while also feeling like I was reading a lecture. Still, if you are in the mood for a murderous Halloween party, you’ll be glad you picked up this novella collection.
Mark @ Carstairs Considers (2091 KP) rated Easter Basket Murder in Books
Jan 25, 2024 (Updated Jan 25, 2024)
Here’s to a Deadly Easter
Kensington has called on their go to trio for three new holiday themed mysteries, this time featuring Easter. Up first, Leslie Meier’s Lucy Stone gets involved with a promotion for the local businesses leads to the theft of a golden Easter egg. Then Lee Hollis’s Hayley Powell finds the Easter Bunny dead at a community Easter egg hunt. Finally, Barbara Ross’s Julia Snowden’s Easter on the family island off the coast of Maine is interrupted when she finds a man in coat tails dead in the garden. Then, a few minutes later, he’s gone.
All three stories have fun with the theme, and present it in some clever ways. As is often the case, I found the first story the weakest, but the mysteries in the other two stories are strong. Still, I was engaged no matter which story I was reading. All three have some great Easter elements that made me feel like it was spring. And I love the community aspects we get. I’m only a regular reader of Barbara Ross’s series, and I was interested in the updates we got on the characters there. If you are looking for some new dishes to serve this year, you’ll be interested in the recipes we get with the second and third story. Each story is roughly 100 pages, so you can read them in a sitting or two. Overall, this is a fun anthology you’ll be happy hopped on to your to be read pile.
All three stories have fun with the theme, and present it in some clever ways. As is often the case, I found the first story the weakest, but the mysteries in the other two stories are strong. Still, I was engaged no matter which story I was reading. All three have some great Easter elements that made me feel like it was spring. And I love the community aspects we get. I’m only a regular reader of Barbara Ross’s series, and I was interested in the updates we got on the characters there. If you are looking for some new dishes to serve this year, you’ll be interested in the recipes we get with the second and third story. Each story is roughly 100 pages, so you can read them in a sitting or two. Overall, this is a fun anthology you’ll be happy hopped on to your to be read pile.
Mark @ Carstairs Considers (2091 KP) rated Yule Log Murder in Books
Nov 6, 2018
Put on a Yule Log and Curl Up with this Novella Collection
This book contains three Christmas mystery novellas by three different mystery authors featuring their main sleuths. Up first is the title story by Leslie Meier as Lucy Stone tries to figure out how a young woman died on the set of a movie being filmed in town. Next comes "Death by Yule Log" by Lee Hollis. In this story, Hayley Powell meets her daughter's new boyfriend. While she is less than impressed with him, she begins to poke around when he is accused of murder. Finally comes "Logged On" by Barbara Ross. Christmas is approaching, and Julia Snowden is determined to make a great yule log to impress her boyfriend's family. She's so desperate she gets help from Mrs. St. Onge, an unpleasant neighbor everyone agrees makes the best yule log cakes around. Only, something seems off. Can Julia figure out what is going on?
Fans of any of these authors will want to pick up this book. All three feature strong mysteries. Each story is around 100 pages, yet still feature some good twists and surprises that kept the pages flying. I did find the characters in the Lucy Stone story annoying, but that is my only complaint with the book. I don't read Lee Hollis, but I am tempted to with how much I enjoyed the story here. I love Barbara Ross's books, so it was fabulous to get another story with them. You'll get plenty of Christmas spirit while reading this book, and each author includes some recipes you can make after you've finished the book, including three different recipes for yule logs.
Fans of any of these authors will want to pick up this book. All three feature strong mysteries. Each story is around 100 pages, yet still feature some good twists and surprises that kept the pages flying. I did find the characters in the Lucy Stone story annoying, but that is my only complaint with the book. I don't read Lee Hollis, but I am tempted to with how much I enjoyed the story here. I love Barbara Ross's books, so it was fabulous to get another story with them. You'll get plenty of Christmas spirit while reading this book, and each author includes some recipes you can make after you've finished the book, including three different recipes for yule logs.
LeftSideCut (3778 KP) rated Captain America: The First Avenger (2011) in Movies
Apr 12, 2020
Our introduction to Captain America withing the MCU gets a bad wrap.
I see it labeled fairly regularly as weak entry into the ever expanding saga and I just don't think that's the case.
It's got a solid narrative for a start as we watch Steve Rogers go from frail Regular Joe to bonafide hero who truly believes in fighting for the good of humanity over the course of two hours.
The WWII setting provides a touch of historical reality, collided with the fantasy of the Tesseract, our first glimpse of the now infamous Infinity Stones, and in this narrative, providing Red Skull with cosmically charged weapons the gain the edge in the war with Allied Forces.
The First Avenger has a fantastic cast. Chris Evans is pretty much perfect in the titular role and has played the character solidly for the last 10 years.
Hugo Weaving as Red Skull is an undeniable highlight. He plays the villain with evil glee, and looks so comic book accurate that it hurts. It's a real shame that he has never returned to the role.
The supporting cast is strong as well. Hayley Atwell, Toby Jones, Tommy Lee Jones, Sebastian Stan, Dominic Cooper, and Stanley Tucci are all great, and relish in a tight screenplay.
I do think that the film feels over long at times, although the story being told is undeniably important in the run up to The Avengers.
The effects are mostly decent and still hold up, with an exception here and there, primarily before Steve Rogers goes all buff, but these are small gripes with an otherwise solid origin film.
I see it labeled fairly regularly as weak entry into the ever expanding saga and I just don't think that's the case.
It's got a solid narrative for a start as we watch Steve Rogers go from frail Regular Joe to bonafide hero who truly believes in fighting for the good of humanity over the course of two hours.
The WWII setting provides a touch of historical reality, collided with the fantasy of the Tesseract, our first glimpse of the now infamous Infinity Stones, and in this narrative, providing Red Skull with cosmically charged weapons the gain the edge in the war with Allied Forces.
The First Avenger has a fantastic cast. Chris Evans is pretty much perfect in the titular role and has played the character solidly for the last 10 years.
Hugo Weaving as Red Skull is an undeniable highlight. He plays the villain with evil glee, and looks so comic book accurate that it hurts. It's a real shame that he has never returned to the role.
The supporting cast is strong as well. Hayley Atwell, Toby Jones, Tommy Lee Jones, Sebastian Stan, Dominic Cooper, and Stanley Tucci are all great, and relish in a tight screenplay.
I do think that the film feels over long at times, although the story being told is undeniably important in the run up to The Avengers.
The effects are mostly decent and still hold up, with an exception here and there, primarily before Steve Rogers goes all buff, but these are small gripes with an otherwise solid origin film.
Mark @ Carstairs Considers (2091 KP) rated Irish Coffee Murder in Books
Feb 2, 2023 (Updated Feb 2, 2023)
Here's to a Deadly St. Patrick’s Day
Once again, these three authors are teaming up for a holiday themed novella collection. This time, their stories are set around St. Patrick’s Day. In the first story, Leslie Meier’s character, Lucy Stone, is doing a story on four local Irish dancers. Then one of their mother’s is murdered. Next, Lee Hollis’s sleuth, Hayley Powell, gets involved when the headlining comedian for the St. Patrick’s Day show dies after proposing a toast with his Irish coffee. Finally, Barbara Ross’s Julia Snowden is enjoying a stormy St. Patrick’s Day in with friends when they start talking about the local unsolved murder from 150 years ago. Everyone has a theory about who did it, but can Julia figure it out after all this time?
Since these are novellas, each story is roughly 100 pages, giving us a good taste of the series and characters before we move on to the next one. I enjoyed all three of them. I do struggle some with Leslie Meier’s entries in these anthologies, but I enjoyed it overall. On the other hand, I am considering starting Lee Hollis’s books because I continue to enjoy their entries in the series. Barbara Ross’s series is one of my favorites, so it’s is no surprise that I loved her entry. All three stories do feature good characters and an intriguing mystery. Lee Hollis and Barbara Ross include recipes with their stories, so you’ll have several traditional Irish recipes. This is a great book to sit down and enjoy with a mug of Irish coffee.
Since these are novellas, each story is roughly 100 pages, giving us a good taste of the series and characters before we move on to the next one. I enjoyed all three of them. I do struggle some with Leslie Meier’s entries in these anthologies, but I enjoyed it overall. On the other hand, I am considering starting Lee Hollis’s books because I continue to enjoy their entries in the series. Barbara Ross’s series is one of my favorites, so it’s is no surprise that I loved her entry. All three stories do feature good characters and an intriguing mystery. Lee Hollis and Barbara Ross include recipes with their stories, so you’ll have several traditional Irish recipes. This is a great book to sit down and enjoy with a mug of Irish coffee.
Sarah (7798 KP) rated Christopher Robin (2018) in Movies
Aug 22, 2018 (Updated Aug 22, 2018)
A wonderful piece of heartwarming nostalgia
I'd seen some of the not very positive reviews about this film so I hadn't been expecting much, but I cannot tell you how pleasantly surprised and happy I was watching this.
I was a Winnie the Pooh fan as a child but probably haven't seen much of it since, and this was a wonderful nostalgic trip back to my childhood. Right from the opening scene and any time Pooh and his friends were on screen, I couldn't wipe the silly warm grin off my face. The CGI on the characters is very well done and they look fantastic, and the voices too are just spot on (even those not voiced by Jim Cummings). The main problem with this film is that when Pooh and his friends aren't on screen it obvious and whilst it's never dull, you notice their huge absence.
I loved the inclusion of the drawings over parts of the title sequence, and I think the whole way they've briefed over Christopher Robin's life is done well. For once this is a film that shows us what we need to know, and nothing more. It's nice to watch something that isn't aiming for an over 2 hour runtime.
Mark Gatiss is suitably hammy as Robin's boss and Ewan McGregor is as good as he ever is. Hayley Atwell though is vastly underused. And yes this is a Disney film, so there is a small amount of sickly sweet schmaltz thrown in. But for once this is kept almost entirely to the end and isn't overbearing in the slightest, which is a refreshing change for Disney.
This is the most wonderful film I've seen at the cinema for quite some time. I can't remember the last time I smiled so much.
I was a Winnie the Pooh fan as a child but probably haven't seen much of it since, and this was a wonderful nostalgic trip back to my childhood. Right from the opening scene and any time Pooh and his friends were on screen, I couldn't wipe the silly warm grin off my face. The CGI on the characters is very well done and they look fantastic, and the voices too are just spot on (even those not voiced by Jim Cummings). The main problem with this film is that when Pooh and his friends aren't on screen it obvious and whilst it's never dull, you notice their huge absence.
I loved the inclusion of the drawings over parts of the title sequence, and I think the whole way they've briefed over Christopher Robin's life is done well. For once this is a film that shows us what we need to know, and nothing more. It's nice to watch something that isn't aiming for an over 2 hour runtime.
Mark Gatiss is suitably hammy as Robin's boss and Ewan McGregor is as good as he ever is. Hayley Atwell though is vastly underused. And yes this is a Disney film, so there is a small amount of sickly sweet schmaltz thrown in. But for once this is kept almost entirely to the end and isn't overbearing in the slightest, which is a refreshing change for Disney.
This is the most wonderful film I've seen at the cinema for quite some time. I can't remember the last time I smiled so much.