"I somehow remember hearing the first Human League album that has 'Being Boiled' on it, and just being amazed at how strange it was. Then when they started Heaven 17 it was the most odd, phenomenal pop music. At times it seemed as if they were choosing to be really poppy and commercial, and they were really good at it, and other times of their own free will and volition, they were trying to be like mutant pop stars. Then the BEF, and I feel old dating myself like this, it first came out as a cassette and it was very rare for an artist to release an album on cassette. There was one song on there, I think it's called 'The Decline Of The West' and it still stands as one of the most beautiful pieces of music I've ever heard. That particular instrumental somehow wormed itself into my DNA. There are certain songs like that, 'Heroes' by David Bowie, 'Atmosphere' by Joy Division, I remember as a young 15-year-old musician thinking to myself 'all I want to do is aspire to make music that's 50% as good as this'. It seemed utterly absurd to try and make music as good as this, because that would be impossible, but I thought it might be a realistic challenge to make music half as good. Thank you for asking me to do this. Now I'm going to go and listen to all these records."

"This is a record that got me through quite a difficult point with The Verve. I was expecting my daughter at the time and we were recording A Storm In Heaven at Sawmills in Cornwall. It was pretty remote. We'd polished off a bottle of wine at dinner and we were smoking quite a lot as well. I just needed to go and get my head together for an hour before I went back to making the record and this was the album I listened to. I see it as a very ecstatic and comforting record. And I've played it to people since and the reaction seems to be, "This is terrifying!" But I really don't see that at all. To me it was just disappearing into something for an hour that was heavenly and ecstatic, which was exactly what I needed. I was conflicted and worrying about my future – whether I was doing the right thing. For a long time I had this feeling that what I was doing was a complete joke and I'd be exposed as a charlatan. There was a general sense of paranoia – that working class thing. Lots of people around me were saying get a proper job. My thinking on the whole thing was that it was all going to end rather badly, which wasn't really conducive to being creative. The album was a freebie from Virgin, and it had a huge comforting effect on me."