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LucyB (47 KP) rated The Raven Boys in Books
Jul 23, 2017
A well-plotted, fresh take on the whole magical realism genre - very entertaining!
To be honest, I wasn't expecting to enjoy this as much as I did. I presumed, judging by the front cover, that it'd be some sort of high fantasy (which isn't normally my thing) and was very pleasantly surprised.
The story focuses on two main characters - Blue, a 16 year old who lives with her witchy mother and who seems to be surrounded by equally spooky aunts, and Gansey, a rich 'Raven boy' from the local public school, who is obsessed with finding the mythical Welsh king Glendower.
So far, so intriguing! And it really was. I found myself propelled through this book, eager to know what was going to happen next, which is the highest praise I can give a book really, I do love a good page-turner. I especially loved that the author so deftly avoided the boring stereotypes. The aunts are all psychic, but are they at all spooky / ethereal? Absolutely not. They're all very practical, down-to-earth, and fairly acerbic to boot. Are public school boys all over-privileged toffs? No! The characters were all impressively well defined, and I LOVED the character of Noah - I saw the twist coming, but wasn't sure how the author would pull it off. She did so, very effectively indeed.
A highly enjoyable read, and I'll be looking out for the next ones in the series.
The story focuses on two main characters - Blue, a 16 year old who lives with her witchy mother and who seems to be surrounded by equally spooky aunts, and Gansey, a rich 'Raven boy' from the local public school, who is obsessed with finding the mythical Welsh king Glendower.
So far, so intriguing! And it really was. I found myself propelled through this book, eager to know what was going to happen next, which is the highest praise I can give a book really, I do love a good page-turner. I especially loved that the author so deftly avoided the boring stereotypes. The aunts are all psychic, but are they at all spooky / ethereal? Absolutely not. They're all very practical, down-to-earth, and fairly acerbic to boot. Are public school boys all over-privileged toffs? No! The characters were all impressively well defined, and I LOVED the character of Noah - I saw the twist coming, but wasn't sure how the author would pull it off. She did so, very effectively indeed.
A highly enjoyable read, and I'll be looking out for the next ones in the series.
Sassy Brit (97 KP) rated Godeena in Books
Jun 5, 2019
In this military, science fiction adventure, Godeena, Croatian author Stjepan Vareševac-Cobet delves into a world of modified soldiers, and alien monsters in this imaginative sci-fi fantasy adventure.
Brigadier Henry Broncon is sent to gather prisoners from a high security prison to complete a military mission that guarantees certain death to any of those who attempt it. But what’s it matter? Henry is a Cyber and modified with cybernetics. He won’t die. And what of his team? They’re dangerous prisoners who don’t even deserve to live. They’ll not be missed. Without this mission, they were never going to escape their prison sentences anyway.
I did find some sentences and point of view changes a little jarring, which took me out of the story at times, but I appreciate the author is from another country and can write in two languages, which I can’t, so kudos for that. However, it is most likely because of this I also found the sentence structures of the dialogue stilted, and at times felt that some of these dangerous, violent prisoners were talking a little bit too well-to-do sounding for my liking.
That said, the author has a fantastic imagination and managed to write a fully formed adventure surrounding a group of hand-picked, hardened criminals, with no choice than to go on a fatal mission of which there may be no way back. It’s even got a touch of romance, too.
Brigadier Henry Broncon is sent to gather prisoners from a high security prison to complete a military mission that guarantees certain death to any of those who attempt it. But what’s it matter? Henry is a Cyber and modified with cybernetics. He won’t die. And what of his team? They’re dangerous prisoners who don’t even deserve to live. They’ll not be missed. Without this mission, they were never going to escape their prison sentences anyway.
I did find some sentences and point of view changes a little jarring, which took me out of the story at times, but I appreciate the author is from another country and can write in two languages, which I can’t, so kudos for that. However, it is most likely because of this I also found the sentence structures of the dialogue stilted, and at times felt that some of these dangerous, violent prisoners were talking a little bit too well-to-do sounding for my liking.
That said, the author has a fantastic imagination and managed to write a fully formed adventure surrounding a group of hand-picked, hardened criminals, with no choice than to go on a fatal mission of which there may be no way back. It’s even got a touch of romance, too.
Kate Seger (9 KP) rated A Darker Shade of Magic in Books
Dec 22, 2019
Super engaging and well rounded characters (2 more)
Great world building
Crisp readable writing
WONDERFUL Fantasy book!
Gotta recommend this one! It was SO GOOD. The writing is clean and addictive, the characters are unique and engaging, the magic is... well... magically magical and unlike most of the generic magic floating around out there.
A cross-dressing pick pocket pirate, a promiscuous prince, a moody magician with a forgotten past,
a pair of twin villains who make the Lannister twins look like snowflakes, and a vicious blood-enslaved magician. How's that for a cast? Side note -- even the bit players in this book are well drawn and stir emotions when they die. Yes. People actually die in this one...I've read several books lately where SOMEONE obviously should have died SOMEWHERE along the journey and no one did. I was SO ready for some "let's get real and kill people so the stakes are high" reading.
Four different versions of London exist on different planes... each magical in varying degrees, all in danger of destruction from a magical artifact that accidentally smuggled between the veils. This is the scene for the grand adventure.
I was really struggling to get over my book hangover after finishing Queen of Nothing and this was like the nectar that healed me. I can't wait to dive into book 2!
Also, Kell is my new fictitious boyfriend. Move over Rhysand from ACOTAR, we're starting a reverse harem.
A cross-dressing pick pocket pirate, a promiscuous prince, a moody magician with a forgotten past,
a pair of twin villains who make the Lannister twins look like snowflakes, and a vicious blood-enslaved magician. How's that for a cast? Side note -- even the bit players in this book are well drawn and stir emotions when they die. Yes. People actually die in this one...I've read several books lately where SOMEONE obviously should have died SOMEWHERE along the journey and no one did. I was SO ready for some "let's get real and kill people so the stakes are high" reading.
Four different versions of London exist on different planes... each magical in varying degrees, all in danger of destruction from a magical artifact that accidentally smuggled between the veils. This is the scene for the grand adventure.
I was really struggling to get over my book hangover after finishing Queen of Nothing and this was like the nectar that healed me. I can't wait to dive into book 2!
Also, Kell is my new fictitious boyfriend. Move over Rhysand from ACOTAR, we're starting a reverse harem.
Putt Putt Golf HD
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The OFFICIAL Putt Putt Golf game! The legendry name in mini-golf with over 90 holes of putting fun! ...
The Elusive Sun (Etherya's Earth #2)
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Lila, a high-born aristocrat of the Vampyre kingdom, was betrothed to Sathan, King of the Vampyres,...
Paranormal Fantasy Romance
Hazel (1853 KP) rated The Witchwood Crown in Books
Jul 22, 2017
Gosh, what a long book!
Review I received this book for free through Goodreads First Reads.
Approximately 30 years ago, the first novel in Tad Williams’ Memory, Sorrow and Thorn trilogy was published. Fans all over the world adored this high fantasy story about a young kitchen boy, Simon, who goes on to become King of Ostern Ard. Now Williams’ has returned to the fictional lands with a follow-up trilogy, The Last King of Ostern Ard.
Three decades have been and gone since the ending of the previous series. The Witchwood Crown explores the changes that have occurred since the epic story finished, unfortunately, things are not looking good. Simon and his wife, Miriamele, have suffered a few personal tragedies, leaving them with two fatherless grandchildren. Young Lillia is an out spoken child who expostulates with everyone in order to get her way – she is a princess after all. Morgan, the heir, is rather obtuse in comparison; a lazy young man whose vexatious behaviour constantly causes the Royals to despair. However, this is only a tiny problem in their restless kingdom.
The Norn Queen, an antagonist of the original story, has been asleep for the past few decades. Mortals foolishly believed they were safe from the evil character, yet unexpectedly, she has awoken and is determined to destroy humanity. Too weak to carry out her own plans, she infiltrates the minds of the members of her immortal race, sending them off on perilous missions, for example, to extract blood from a live dragon.
As well as Simon’s city and the Norns, there are several more important characters and locations, each with their own on going storyline. A mix of assiduous and animus personas shake up the peace that had settled at the closing of Memory, Sorrow and Thorn. It is almost impossible to fathom whom the good and bad are, especially when reading from so many different points of view.
If the 700 odd pages did not already give it away, the inclusion of maps and appendixes prove the book to contain an extremely lengthy tale. Flitting from one set of characters to another, it is hard to keep up with the hundreds of names and roles. It does not help that the majority are unpronounceable, full of additional apostrophes making them as unlike English names as possible – a usual trait of fantasy fiction.
Not only are the names difficult to pronounce, the words and vernacular some of the characters use are just as dumbfounding. Thankfully, definitions are provided at the back of the book, but to keep flipping between pages can get quite tedious after a while.
The sheer number of characters makes it difficult to unearth the main storyline. In fact, there does not appear to be a strong plot at all. Judging by the ending, it is as though The Witchwood Crown is only an introduction to the narrative that will begin in the following book.
Reading the primary series first will have its benefits, however, it is not mandatory. New readers, like myself, are able to pick up snippets of past events and piece together the lead up to the current scenario. Although a work of historical fantasy, it is possible to see elements of real life within the story. Dragons and fairies may not exist in our world, but similar beliefs and systems are relatable. For instance, the days of the week are obviously based on the English names: Sunday, Moonday, Tiasday, Udunsday, Drorsday, Frayday and Satrinsday.
The most striking connection between real and imagined is the religious beliefs of different clans and species. Many of the mortals have taken, up what is suggested to be, a new religion. There are so many similarities; it is undoubtedly based on Christianity. Likewise, other beliefs are comparable to pagan rites and ceremonies of the distant past.
The Witchwood Crown is not an easy book to read, neither is it all that exciting. On the other hand, it is interesting. It is equivalent to reading historical information with the added benefit of mythical creatures. This is not a quick read; therefore you need to be dedicated to sitting down and pacing through the story. It is definitely targeted at high fantasy fans – in fact, the original stories influenced George R. R. Martin (A Game of Thrones) – who are used to the length and complexity of the narrative
Approximately 30 years ago, the first novel in Tad Williams’ Memory, Sorrow and Thorn trilogy was published. Fans all over the world adored this high fantasy story about a young kitchen boy, Simon, who goes on to become King of Ostern Ard. Now Williams’ has returned to the fictional lands with a follow-up trilogy, The Last King of Ostern Ard.
Three decades have been and gone since the ending of the previous series. The Witchwood Crown explores the changes that have occurred since the epic story finished, unfortunately, things are not looking good. Simon and his wife, Miriamele, have suffered a few personal tragedies, leaving them with two fatherless grandchildren. Young Lillia is an out spoken child who expostulates with everyone in order to get her way – she is a princess after all. Morgan, the heir, is rather obtuse in comparison; a lazy young man whose vexatious behaviour constantly causes the Royals to despair. However, this is only a tiny problem in their restless kingdom.
The Norn Queen, an antagonist of the original story, has been asleep for the past few decades. Mortals foolishly believed they were safe from the evil character, yet unexpectedly, she has awoken and is determined to destroy humanity. Too weak to carry out her own plans, she infiltrates the minds of the members of her immortal race, sending them off on perilous missions, for example, to extract blood from a live dragon.
As well as Simon’s city and the Norns, there are several more important characters and locations, each with their own on going storyline. A mix of assiduous and animus personas shake up the peace that had settled at the closing of Memory, Sorrow and Thorn. It is almost impossible to fathom whom the good and bad are, especially when reading from so many different points of view.
If the 700 odd pages did not already give it away, the inclusion of maps and appendixes prove the book to contain an extremely lengthy tale. Flitting from one set of characters to another, it is hard to keep up with the hundreds of names and roles. It does not help that the majority are unpronounceable, full of additional apostrophes making them as unlike English names as possible – a usual trait of fantasy fiction.
Not only are the names difficult to pronounce, the words and vernacular some of the characters use are just as dumbfounding. Thankfully, definitions are provided at the back of the book, but to keep flipping between pages can get quite tedious after a while.
The sheer number of characters makes it difficult to unearth the main storyline. In fact, there does not appear to be a strong plot at all. Judging by the ending, it is as though The Witchwood Crown is only an introduction to the narrative that will begin in the following book.
Reading the primary series first will have its benefits, however, it is not mandatory. New readers, like myself, are able to pick up snippets of past events and piece together the lead up to the current scenario. Although a work of historical fantasy, it is possible to see elements of real life within the story. Dragons and fairies may not exist in our world, but similar beliefs and systems are relatable. For instance, the days of the week are obviously based on the English names: Sunday, Moonday, Tiasday, Udunsday, Drorsday, Frayday and Satrinsday.
The most striking connection between real and imagined is the religious beliefs of different clans and species. Many of the mortals have taken, up what is suggested to be, a new religion. There are so many similarities; it is undoubtedly based on Christianity. Likewise, other beliefs are comparable to pagan rites and ceremonies of the distant past.
The Witchwood Crown is not an easy book to read, neither is it all that exciting. On the other hand, it is interesting. It is equivalent to reading historical information with the added benefit of mythical creatures. This is not a quick read; therefore you need to be dedicated to sitting down and pacing through the story. It is definitely targeted at high fantasy fans – in fact, the original stories influenced George R. R. Martin (A Game of Thrones) – who are used to the length and complexity of the narrative
Fighting Fantasy: The Forest of Doom
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Nostalgia overload! Fighting Fantasy returns with Ian Livingstone's classic, The Forest of Doom. ...
Ross (3284 KP) rated The Witchwood Crown in Books
May 1, 2019
700 pages that feel like so much more
I haven't read the preceding series but had researched and general consensus was that it was not mandatory. This was my first experience of Tad Williams. And indeed, I did not feel I was missing out on any information - there is enough discussion of past events to make me want to read that series, but it is done in such a way as to give the new reader enough insight.
As with so much epic fantasy, this book covers a large world, with numerous PoV characters, different cultures, creatures and races. In this regard, Williams has shown himself to be a true master - he really has built a new world that feels so well embedded and thought-through.
The plot, however, was quite well hidden in the book. The High King and Queen seem to uncover possible rumours of evil sorcery within the kingdom and there is a hint of the evil Norn rising up again. But that is such a small part of the book, so much of it is simply chatting, moaning about things, going ice skating and hill-climbing and healing people from injury/poison. With such a time commitment from readers there is a need to make every chapter count, and I felt at times the reader was being somewhat let down with needless scenes and interactions.
The battle scenes were rare exceptions, being exciting and well narrated.
I felt one major part of the book was going to be the coming-of-age and maturity of Prince Morgan, the heir to the high throne. However at the end of the book he is still an obnoxious, alcoholic arse.
This book had to be either a bridge between the old and the new series, or the start of the new one, and somehow it manages to be neither. I don't feel enough of what is surely to follow has been set up, but likewise I don't feel I know enough of what happened before and how it will influence what comes later.
A large commitment that has yet to pay off.
As with so much epic fantasy, this book covers a large world, with numerous PoV characters, different cultures, creatures and races. In this regard, Williams has shown himself to be a true master - he really has built a new world that feels so well embedded and thought-through.
The plot, however, was quite well hidden in the book. The High King and Queen seem to uncover possible rumours of evil sorcery within the kingdom and there is a hint of the evil Norn rising up again. But that is such a small part of the book, so much of it is simply chatting, moaning about things, going ice skating and hill-climbing and healing people from injury/poison. With such a time commitment from readers there is a need to make every chapter count, and I felt at times the reader was being somewhat let down with needless scenes and interactions.
The battle scenes were rare exceptions, being exciting and well narrated.
I felt one major part of the book was going to be the coming-of-age and maturity of Prince Morgan, the heir to the high throne. However at the end of the book he is still an obnoxious, alcoholic arse.
This book had to be either a bridge between the old and the new series, or the start of the new one, and somehow it manages to be neither. I don't feel enough of what is surely to follow has been set up, but likewise I don't feel I know enough of what happened before and how it will influence what comes later.
A large commitment that has yet to pay off.
Acanthea Grimscythe (300 KP) rated The Waking Land (The Waking Land, #1) in Books
May 16, 2018
Looking for a delightful, magical read? Callie Bates’s The Waking Land may sate your hunger. With several strong, female leads (like Rhia Knoll), the practice of forbidden arts, war, and just a taste of romance, this book easily lands as one of my most enjoyable reads so far this year.
I can honestly say this is one of the few books where the main character begins as the weakest. When we meet Lady Elanna Valtai, she appears weak and, quite honestly, brainwashed by her Ereni up-bringing. Throughout the first two-thirds of the novel, El proves to be unreliable. She is clueless as to where her loyalties truly lie, even as the truth rams itself down her throat. Fortunately, those she counts among her friends know what they’re doing and don’t have to rely on her for quite a while.
Loyce, the new Queen of Eren, on the other hand is an awful brat. Unfaithful to her husband (who readers never meet), she colludes with an equally disgusting noble boy, Denis Falconier. Their command over the Butcher of Novarre strikes fear into the hearts of those that dare to rebel. And the Butcher? He’s an altogether interesting figure on his own. Trust me on that one.
Eren and Caeris, the lands where this tale takes place, on beautifully rendered, proving Bates’s strength with the written word. Her command of language coupled with her love of nature come together seamlessly, visualizing a truly fantastic world. The story Bates weaves into this battle-worn land offers readers a faint taste of epic fantasy, in a style pleasing for fans of young adult literature. For some, The Waking Land may be the gateway to delving into high fantasy – Bates’s concept of magic is that wonderful.
The Waking Land is a fantastic ride through a world that fears magic. It is the timeless tale of how war erodes nations. Because of El’s wishy-washy portrayal and the sheer fact that we don’t see a lot of action until the last fifteen percent of the book, I cannot give this one five stars. A four though, certainly.
I would like to thank NetGalley, the publisher, and the author for providing me with a free copy of this book for the purpose of unbiased review.
I can honestly say this is one of the few books where the main character begins as the weakest. When we meet Lady Elanna Valtai, she appears weak and, quite honestly, brainwashed by her Ereni up-bringing. Throughout the first two-thirds of the novel, El proves to be unreliable. She is clueless as to where her loyalties truly lie, even as the truth rams itself down her throat. Fortunately, those she counts among her friends know what they’re doing and don’t have to rely on her for quite a while.
Loyce, the new Queen of Eren, on the other hand is an awful brat. Unfaithful to her husband (who readers never meet), she colludes with an equally disgusting noble boy, Denis Falconier. Their command over the Butcher of Novarre strikes fear into the hearts of those that dare to rebel. And the Butcher? He’s an altogether interesting figure on his own. Trust me on that one.
Eren and Caeris, the lands where this tale takes place, on beautifully rendered, proving Bates’s strength with the written word. Her command of language coupled with her love of nature come together seamlessly, visualizing a truly fantastic world. The story Bates weaves into this battle-worn land offers readers a faint taste of epic fantasy, in a style pleasing for fans of young adult literature. For some, The Waking Land may be the gateway to delving into high fantasy – Bates’s concept of magic is that wonderful.
The Waking Land is a fantastic ride through a world that fears magic. It is the timeless tale of how war erodes nations. Because of El’s wishy-washy portrayal and the sheer fact that we don’t see a lot of action until the last fifteen percent of the book, I cannot give this one five stars. A four though, certainly.
I would like to thank NetGalley, the publisher, and the author for providing me with a free copy of this book for the purpose of unbiased review.