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Peace - Single by Blacksmith
Peace - Single by Blacksmith
8
8.0 (1 Ratings)
Album Rating
Blacksmith is a lyricist and producer from Bristol, England. Not too long ago, he released a transatlantic audiovisual for his “Peace” single featuring Rakaa (Dilated Peoples), Knytro, Marc 7 (Jurassic 5), and Carasel.

The music video for “peace” was filmed in Bristol and Los Angeles, California. It features over 100 appearances filmed worldwide of people coming together to throw up peace signs.

The ‘Peace’ single finds several emcees from the U.K. and U.S. hip-hop scenes describing what peace means to them from their point of view.

The likable tune unites a global message of peace, love, and unity. Whether it’s politics or protests on home soil or gang warfare or injustices across the pond.

‘Peace’ contains a universal narrative and introspective rap vocals. Also, it possesses horn-driven instrumentation scented with a soulful hip-hop fragrance.

Blacksmith has performed throughout the UK & Europe supporting artists including Jurassic 5, Dilated Peoples, Evidence, Common, Mos Def, Brother Ali, Plan B, and various others.

As a producer, he has worked with Carasel, Knytro, Marc 7, MC Supernatural, Stamina MC, Rakaa, Klashnekoff, Kners, and Dynamite MC.

‘Peace’ will be featured on his upcoming studio album, entitled, “Through the Melody”.

https://www.bongminesentertainment.com/blacksmith-peace/
  
Next Time - Single by BLESSED
Next Time - Single by BLESSED
8
8.0 (1 Ratings)
Album Rating
BLESSED is a Sydney-based rapper, producer, and songwriter from Accra, Ghana. Not too long ago, he released a music video for his “Next Time” single.

“With no control, I’m living life. I’m outta mind, I’m outta sight. I’ve been rollin’ every night. All alone, that’s every night. Tears, they fall like moonlight rain. Shadows on my window paint, now. In the end, they’re all the same. In the end, you’re all the same.” – lyrics

The self-directed black-and-white confessional audiovisual finds BLESSED performing bare-chested. Also, his performance draws inspiration from icons of ‘90s rock ‘n’ roll and hip-hop music.

‘Next Time’ is the first string of singles and videos which BLESSED will be releasing throughout the year, ending in an EP which is slated for late 2019.

The likable tune contains a dreamy storyline, harmonious rap vocals, and chill instrumentation flavored with alternative, hip-hop, and indie-rock elements.

BLESSED moved to Australia as a child, where he was aptly named a blessing by his family.

This project marks the first time he is using his real name instead of a moniker. Also, he is fresh from a national tour supporting Matt Corby.

https://www.bongminesentertainment.com/blessed-next-time/
  
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James Koppert (2698 KP) rated Lil Pump by Lil Pump in Music

Oct 19, 2019 (Updated Nov 9, 2019)  
Lil Pump by Lil Pump
Lil Pump by Lil Pump
2017 | Hip-hop, Rap, Rhythm And Blues
1
1.0 (3 Ratings)
Album Rating
The 25875337th time he says Ouu is great (0 more)
The second it begins (0 more)
Gross
This is bad, not in usual Hip Hop terms as in "I just spat a bad ass rhyme", no, this is bad as in wack.

Lil Pump has rose to meteoritic fame and wealth and the reason why? His stuff speaks to kids of that age where swearing and talking about drugs upsets mummy and daddy.

This is mumble rap. I'm not hating on mumble rap, Some artists are artists. Pump however shouts a line, then says Ouu and then repeats the formula the entire album Ouu.

So we've established he can't rap, lyrically it's just offensive. Now I have a lot of horribly misogynistic hip hop but somehow this feels worse because there is no artistic element. Lil Pump shouts things like "I f##ked your daughter" Ouu, yeah, that is the base level, women are nothing but botches to abide and drugs are new and clever according to Pump. It really is playground level.

What about the beats? Ok anyone knows my output knows I sometimes play with distortion but Pump takes it up so it distorts and the base blows and I bet he giggles like a toddler and goes "that's great Ouu".

Utterly terrible
  
Hues by Cam the Artisan
Hues by Cam the Artisan
8
8.0 (1 Ratings)
Album Rating
Cam the Artisan is an up-and-coming hip-hop artist from Atlanta, Georgia. Not too long ago, he released a music video for his “Wya?!” single.

The Kevin Cruz-directed audiovisual finds Cam the Artisan performing at various locations.

Also, the music video contains cameos from fellow rising music stars David The Tragic, Pote Baby, and a slew of Atlanta cool kids.

‘Wya?!’ contains a relatable storyline, harmonious rap vocals, and melodic instrumentation scented with a contemporary rap aroma.

The likable tune is a fan favorite from Cam the Artisan’s latest album, entitled, “Hues”.

Not too long ago, Cam the Artisan released a music video for his breakthrough single, entitled, “Bliss”.

“It really shows that Sprite is at the forefront of connecting with underground artists that are shaping our culture. Being selected to be a part of Sprite Way is an amazing feeling honestly, especially being able to represent the city of Atlanta. Also, little things like this show me I’m on the right path.” – Cam the Artisan

So far, the audiovisual for “Bliss” has collected over 16,ooo+ YouTube views, and over 900,000+ streams on Spotify.

Also, the song is featured as track #16 in the curated Sprite Way playlist featuring 18 other promising hip-hop artists.
  
Only Built 4 Cuban Linx by Raekwon
Only Built 4 Cuban Linx by Raekwon
1995 | Rock
6
6.0 (1 Ratings)
Album Rating
Rolling Stone's 480th greatest album of all time
This is Raekwon's, real name Raemond Kwon (joke), debut solo album on a brief break from WuTang Klan. I like my hip hop with a good amount of focus on the actual music, and for me this was somewhat missing throughout the album. This means the album is more of a collection of shouts over basic drum beats. Add to this the frequent interludes of people arguing and swearing at each other (seriously how and why do they record these interludes?!) it makes the album a little boring and samey.
  
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Cee-Lo Green recommended Licensed to Ill by Beastie Boys in Music (curated)

 
Licensed to Ill by Beastie Boys
Licensed to Ill by Beastie Boys
1986 | Hip-hop, Rock

"It was awesome. I heard 'Slow and Low' way before I had ever seen them - before they had images to them; before I knew they were white guys. It didn’t matter, because they had an in depth understanding and a true genuine love for hip-hop. It was apparent. I had a friend Mark, who had a Hyundai car. His system was so good in that car, and that's all he used to play. When I found out they were white, I loved it even more, because it turned me onto different types of music, like the Led Zeppelin sample on 'Rhyming & Stealin'."

Source
  
Pretty Hate Machine by Nine Inch Nails
Pretty Hate Machine by Nine Inch Nails
1989 | Rock
Rolling Stone's 453rd greatest album of all time (2020)
While this album definitely has some of NIN's best songs (Head Like a Hole, Terrible Lie), the rest of the album is a little sub-par, certainly compared to The Downward Spiral and The Fragile which are much more consistent. I was slightly amused that a lot of the electronic or sampled drum beats on some songs sounded identical to those used in early hip-hop, despite the two genres being poles apart at the time. A good listen but it is all downhill after an amazing start.
  
Perfect fit for the film (1 more)
Energetic
Older audience members or audience members who don't enjoy hip hop might not enjoy as much (0 more)
The soundtrack for Into the Spiderverse made the movie for me! I was bobbing my head and had a smile on my face during the beginning credits scene, and was pumped to see the rest of the movie. I can't recall a single track that seemed out of place. The songs were expertly weaved into the scenes, never taking away from or overpowering the movie itself. This soundtrack is proof that the right music at the right moments can make or break the atmosphere of a film.
  
What We Lose
What We Lose
Zinzi Clemons | 2017 | Fiction & Poetry, Gender Studies
8
8.0 (1 Ratings)
Book Rating
Wonderful variety but something missing
This is an interesting literary debut from Zinzi Clemmons, with many semi-autobiographical elements discussing her heritage.

Thandi, a girl of mixed race, has to endure taking care of her dying mother, all the while battling various social aspects of living as a daughter of a South African and an American parent. Written in different formats, from a text message to hip hop lyrics, Clemmons explores the rich tapestry of her life and layers it with various threads.

While I mostly enjoyed this story, I do feel there is something missing and could have been weaved together a little more clearly.
  
AlleyGod by Alley Boy
AlleyGod by Alley Boy
8
8.0 (1 Ratings)
Album Rating
Alley Boy is a rapper from Atlanta, Georgia. Not too long ago, he released a melodic rap tune, entitled, “Rewind”, featuring trap-Godfather Future.

‘Rewind’ is a reminiscing tune which finds Future taking listeners down memory lane to the long last days of his innocence. Also, the likable tune finds Alley Boy rapping about his successes and failures.

‘Rewind’ contains conversational rap vocals, harmonious melodies, and melodic instrumentation flavored with trap and hip-hop elements.

Alley Boy, a former Atlantic Records’ standout, has been pretty busy this year.

His “Alley God” project is still going strong thanks to assists from 21 Savage and production from Mike WiLL, Fritz, & more.