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Last of the Few: The Battle of Britain in the Words of the Pilots Who Won it
Book
After the fall of France in May 1940, the British Expeditionary Force was miraculously evacuated...
The Rest is Noise: Listening to the Twentieth Century
Book
Shortlisted for the Guardian First Book Award A sweeping musical history that goes from the salons...
1941
Book
At the beginning of 1941, Britain stood alone against Germany and Italy. The Battle of the Atlantic...
Horse Under Water
Book
The dead hand of a long-defeated Nazi Third Reich reaches out to Portugal, London and Marrakech in...
Germany's East Wall in World War II
Adam Hook and Neil Short
Book
The East Wall was where the final battles for the stricken Third Reich were fought, amid scenes of...
Lindsay (1717 KP) rated Boy From Berlin in Books
Aug 23, 2020
Boy From Berlin is a well-written story of a family. It tells the story of a boy and his family journey from Nazi Germany. What a compelling tale. It is great for children to learn about Berlin and what happens to Jews during Hitler's time.
The way this takes us on Kafer's journey from Berlin to England. Young readers will enjoy the adventure. They will also learn about what it was like to be Jew or some escaped from Hitler. You are pulled along with Kafer and his family. I was having a hard time turning the pages. There are surprises and twists throughout the book.
This was historical fiction read but it great for any historical fan. It one that I would recommend to pick up for middle-grade children and readers. Great for young readers as well. If you are into spies and World War 2 then this is a good book to pick and read. It is based on the true story of Kafer and his family. Though there is some fiction to it.
The way this takes us on Kafer's journey from Berlin to England. Young readers will enjoy the adventure. They will also learn about what it was like to be Jew or some escaped from Hitler. You are pulled along with Kafer and his family. I was having a hard time turning the pages. There are surprises and twists throughout the book.
This was historical fiction read but it great for any historical fan. It one that I would recommend to pick up for middle-grade children and readers. Great for young readers as well. If you are into spies and World War 2 then this is a good book to pick and read. It is based on the true story of Kafer and his family. Though there is some fiction to it.
Bob Mann (459 KP) rated Jojo Rabbit (2019) in Movies
Jan 16, 2020 (Updated Jan 16, 2020)
Cutting satire (1 more)
Great ensemble cast
Don't be stupid, be a smarty
Taika Waititi's much discussed movie is an odd beast. Set in a small German town towards the end of the war, Jojo (Roman Griffith Davis), is a young boy indoctrinated with Nazi fervour as a member of the Hitler youth. Together with his rotund and bespectacled friend Yorki (Archie Yates), they are not likely to spread fear into the approaching Allied forces: they are a pair that would be likely to get picked last for 'sides' in a school football match.
Perhaps to bolster his flagging self-esteem, Jojo has an imaginary friend - - Adolf Hitler (played by director Taika Waititi). Hitler provides him with sage - and sometimes foolish - advice. His mother (Scarlett Johansson), as well as obviously being hot and thus obtaining lustful looks from returning troops, is also kindly. She makes up for the absence of Jojo's father, due to the war, with the help of some play-acting and a sooty beard.
But, when alone in the house, Jojo hears noises from upstairs, his world - and his whole belief system - begins to unravel.
Comedies have tip-toed around the sensibilities of World War II in the past, most famously with Mel Brook's "The Producers". I don't think anyone's previously been brave enough to introduce the holocaust into the comedy mix. And - to a degree... we are NOT talking excessive bad taste here - the movie goes there. There's an underlying sharpness to some of the dialogue that - despite not being Jewish myself - nevertheless put my sensibilities on edge: the pit in hell 'set aside for Jews', for example, is filled with not only piranhas... but also bacon.
As a satire lampooning Antisemitism, much of the comedy is slapstick and the anti-Jewish sentiments expressed are deliberately ludicrous. And it's one of my issues I guess with the film. There are some good lines (Rebel Wilson's fanatical Nazi screaming "Let's burn some books" at the students) but some of the slapstick farce just didn't work for me. Sam Rockwell is great as a one-eyed ex-war hero looking for new challenges and exuberant costumes! But a lame gag from him about German Shepherds made me go "What? Really?". And this lessens the impact for me of the satire.
The second half of the film for me was far better, taking a much darker and edgier tone. There's a sudden turn in the film - brilliantly executed - that is truly shocking. This scene is somewhat reminiscent of one in that other great Holocaust comedy, "Schindler's List". It's understated, yet devastating. (Now, before seeing the film I'd heard from other reviews that the film "turned darker" and - based on the trailer - I'd kind of set in my mind what that would be. But I was wrong! So take this comment not as a spoiler, but as an anti-spoiler!).
As the war unravels for Germany, a late re-appearance by the imaginary Hitler is also memorable.
As the young star, Welsh kid Roman Griffith Davis - with no previous acting experience - turns in a star performance. Though to say that the performance ranks alongside the top 5 male performances of 2019 is, I think, overstepping the mark. Scarlett Johansson got a Best Supporting Actress nomination for her role. And I think this is deserved.
Elsewhere in the cast, few seemed to have recognized Thomasin McKenzie's role playing Elsa. The 19 year-old New Zealander really delivered for me. A strong female character, she's vulnerable yet with a will of iron under the surface. She made me really care about the outcome of the story.
Less positive for me is Rebel Wilson. Here she is marginally less annoying than I normally find her in that she's playing a deliberately annoying and unhinged character. But the role seemed largely redundant to me: it didn't add anything to the overall story (unlike Rockwell's - surprising - character arc).
If there was an Oscar for originality - and that WOULD be a good new award category - then this film would be a contender. It's certainly novel: amusing in places; disturbing in others. If you like your comedies on the edge and bit whacky - like "Death of Stalin" - then you will probably enjoy this. I'm not sure it's the best film of the year - and there are probably others I would swap into that Oscars nomination list - but it's still a well-made movie and a recommended watch.
(For the full graphical review, please check out One Mann's Movies at https://bob-the-movie-man.com/2020/01/16/one-manns-movies-film-review-jojo-rabbit-2020/ )
Perhaps to bolster his flagging self-esteem, Jojo has an imaginary friend - - Adolf Hitler (played by director Taika Waititi). Hitler provides him with sage - and sometimes foolish - advice. His mother (Scarlett Johansson), as well as obviously being hot and thus obtaining lustful looks from returning troops, is also kindly. She makes up for the absence of Jojo's father, due to the war, with the help of some play-acting and a sooty beard.
But, when alone in the house, Jojo hears noises from upstairs, his world - and his whole belief system - begins to unravel.
Comedies have tip-toed around the sensibilities of World War II in the past, most famously with Mel Brook's "The Producers". I don't think anyone's previously been brave enough to introduce the holocaust into the comedy mix. And - to a degree... we are NOT talking excessive bad taste here - the movie goes there. There's an underlying sharpness to some of the dialogue that - despite not being Jewish myself - nevertheless put my sensibilities on edge: the pit in hell 'set aside for Jews', for example, is filled with not only piranhas... but also bacon.
As a satire lampooning Antisemitism, much of the comedy is slapstick and the anti-Jewish sentiments expressed are deliberately ludicrous. And it's one of my issues I guess with the film. There are some good lines (Rebel Wilson's fanatical Nazi screaming "Let's burn some books" at the students) but some of the slapstick farce just didn't work for me. Sam Rockwell is great as a one-eyed ex-war hero looking for new challenges and exuberant costumes! But a lame gag from him about German Shepherds made me go "What? Really?". And this lessens the impact for me of the satire.
The second half of the film for me was far better, taking a much darker and edgier tone. There's a sudden turn in the film - brilliantly executed - that is truly shocking. This scene is somewhat reminiscent of one in that other great Holocaust comedy, "Schindler's List". It's understated, yet devastating. (Now, before seeing the film I'd heard from other reviews that the film "turned darker" and - based on the trailer - I'd kind of set in my mind what that would be. But I was wrong! So take this comment not as a spoiler, but as an anti-spoiler!).
As the war unravels for Germany, a late re-appearance by the imaginary Hitler is also memorable.
As the young star, Welsh kid Roman Griffith Davis - with no previous acting experience - turns in a star performance. Though to say that the performance ranks alongside the top 5 male performances of 2019 is, I think, overstepping the mark. Scarlett Johansson got a Best Supporting Actress nomination for her role. And I think this is deserved.
Elsewhere in the cast, few seemed to have recognized Thomasin McKenzie's role playing Elsa. The 19 year-old New Zealander really delivered for me. A strong female character, she's vulnerable yet with a will of iron under the surface. She made me really care about the outcome of the story.
Less positive for me is Rebel Wilson. Here she is marginally less annoying than I normally find her in that she's playing a deliberately annoying and unhinged character. But the role seemed largely redundant to me: it didn't add anything to the overall story (unlike Rockwell's - surprising - character arc).
If there was an Oscar for originality - and that WOULD be a good new award category - then this film would be a contender. It's certainly novel: amusing in places; disturbing in others. If you like your comedies on the edge and bit whacky - like "Death of Stalin" - then you will probably enjoy this. I'm not sure it's the best film of the year - and there are probably others I would swap into that Oscars nomination list - but it's still a well-made movie and a recommended watch.
(For the full graphical review, please check out One Mann's Movies at https://bob-the-movie-man.com/2020/01/16/one-manns-movies-film-review-jojo-rabbit-2020/ )
Barbarossa Derailed: The Battle for Smolensk 10 July-10 September 1941: Volume 1: The German Advance, the Encirclement Battle and the First and Second Soviet Counteroffensives, 10 July-24 August 1941
Book
At dawn on 10 July 1941, massed tanks and motorized infantry of German Army Group Center's Second...
Suswatibasu (1701 KP) rated On Tyranny: Twenty Lessons From The Twentieth Century in Books
Jan 3, 2018
READ THIS NOW!
Apologies for such a forthright command, but this pithy and punchy short book is an absolute must-read. In less than 200 pages, Timothy Snyder, a Yale chair and renowned historian, describes why our actions today matter.
Along with Burleigh and Kershaw he has exposed the monstrosities of the evil regimes ruled by Hitler, Mussolini, Lenin, Stalin, Pol Pot and other tyrants who have murdered at home and abroad. Having extensively studied both right-wing and left-wing tyrannical regimes, Snyder goes onto look at the 2016 presidential campaign and Donald Trump. "Post-truth is pre-fascism," he writes, in one of many passages that seem to cast the US as a society in a pre-fascist stage.
Snyder succinctly suggests that 20 lessons from history are invaluable if we are to avoid democracy collapsing as it did after 1918. History he agrees does not repeat but it does instruct.
In a world where truth, reality and fantasy are thrown into a huge melting pot - having a book that researched facts, presents political history and encourages the reader to make their own decisions is a liberating read.
Along with Burleigh and Kershaw he has exposed the monstrosities of the evil regimes ruled by Hitler, Mussolini, Lenin, Stalin, Pol Pot and other tyrants who have murdered at home and abroad. Having extensively studied both right-wing and left-wing tyrannical regimes, Snyder goes onto look at the 2016 presidential campaign and Donald Trump. "Post-truth is pre-fascism," he writes, in one of many passages that seem to cast the US as a society in a pre-fascist stage.
Snyder succinctly suggests that 20 lessons from history are invaluable if we are to avoid democracy collapsing as it did after 1918. History he agrees does not repeat but it does instruct.
In a world where truth, reality and fantasy are thrown into a huge melting pot - having a book that researched facts, presents political history and encourages the reader to make their own decisions is a liberating read.
Mike Carlson (115 KP) rated The Amazing Spider-Man : 24/7 in Books
Mar 15, 2018
Daze in the life
This collection of loosely-strung vignettes varies in quality. It happens, especially when you have half a dozen issues with as many creators.
The first story, "Loose Ends", offers a promising future foe in Kraven's daughter. It's a follow-up to a story told elsewhere.
Next is "Marked". It features a "D-list" (according to Spider-Man) villain going by The Spot. He should be upgraded to more of a threat seeing as he doesn't set off the Spidey Sense anymore.
Following this is "Birthday Boy". Pretty much a character-centric filler with Wolverine. It's not bad - none of these really are - it just feels like treading water.
The 2 part "Face Front" features the Fantastic Four. The story about dabbling in an alternate dimension's affairs is cliche, and the focus on a mindwipe about Spidey's identity starts to grate after a while.
Finally, we have the 3 part "24/7". This is the most entertaining of the bunch. Peter goes on a superhero spree for days, simply to annoy the newly-elected mayor. It also introduces an acid-spitting version of the Vulture.
The first story, "Loose Ends", offers a promising future foe in Kraven's daughter. It's a follow-up to a story told elsewhere.
Next is "Marked". It features a "D-list" (according to Spider-Man) villain going by The Spot. He should be upgraded to more of a threat seeing as he doesn't set off the Spidey Sense anymore.
Following this is "Birthday Boy". Pretty much a character-centric filler with Wolverine. It's not bad - none of these really are - it just feels like treading water.
The 2 part "Face Front" features the Fantastic Four. The story about dabbling in an alternate dimension's affairs is cliche, and the focus on a mindwipe about Spidey's identity starts to grate after a while.
Finally, we have the 3 part "24/7". This is the most entertaining of the bunch. Peter goes on a superhero spree for days, simply to annoy the newly-elected mayor. It also introduces an acid-spitting version of the Vulture.