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The Birthday of Eternity (Comfort & Company, #2)
Book
L.A. private investigators Kit and Henry become entangled in the city's robust post-WWII occult...
Historical Mystery Private Dectectve Series
Lee (2222 KP) rated Once Upon a Time in Hollywood (2019) in Movies
Aug 16, 2019
Quentin Tarantino is known for his lengthy, self-indulgent movies - some of which I've loved, some not so much. Once Upon a Time in Hollywood is a nostalgic homage to 1960s Hollywood and, at 2 hours 41 minutes, it is certainly lengthy and self-indulgent. But, despite some outstanding performances, it's probably at least an hour too long, and proved to be a real test of my patience and endurance.
Leonardo DiCaprio is Rick Dalton, a TV and movie star best known for repeatedly saving the day in the now cancelled TV show 'Bounty Law', where he played a classic screen cowboy. Rick is struggling to come to terms with his fading career, and the feeling that Hollywood is moving on without him. His best, and only friend, is Cliff Booth (Brad Pitt), who has been Rick's stunt double over the years. Work for Cliff has dried up following rumours that he murdered his wife and Cliff now spends his days as Rick's driver, odd-job man and general shoulder to cry on. He seems fairly relaxed about his simple lifestyle though - returning each evening to his trailer, and faithful canine companion Brandy, before picking Rick up bright and early the next day in order to drive him to whatever production set he's currently working at.
Meanwhile, successful young actor Sharon Tate (Margot Robbie) has moved in next door to Rick along with her husband, director Roman Polanski. This is the area where Tarantino weaves fact with fiction and if you're not familiar with the Manson murders of 1969, it's probably worth reading up on a little bit before heading into the movie. On the night of 9 August 1969, three followers of cult leader Charles Manson entered the home of a heavily pregnant Sharon Tate and brutally murdered her and the friends who were with her at the time. Once Upon a Time in Hollywood begins a few months before those events, and then takes its sweet time in slowly building towards it.
If it weren't for the performances of everyone involved, this would have been a much harder watch for me. Brad Pitt is the best I've seen him for a long time here, all smiles and laid-back charm, a real interesting and enjoyable character. Leonardo DiCaprio is also on fine form as the broken man struggling to cling to fame and when the two are together, they're a lot of fun. Margot Robbie, has far less to do in her parallel story-line, but still manages to shine in her charismatic portrayal of Tate.
What does make the movie harder to watch is the run-time and, as I said right at the start, I feel this definitely could have benefited from at least an hour being chopped. Sunny LA during the 1960s is beautiful to look at, and when we're following Rick and Cliff as they cruise around town in their car it's nostalgic, vibrant and wonderful to watch. But, we get to follow the characters around town in their cars quite a lot in this movie. And, on top of that, literally every scene, no matter how significant, irrelevant or weak it may be, is dragged out far longer than it needs to be. The great scenes become diluted, and the scenes where nothing much was happening anyway, just become frustrating and hard work to hold your attention.
Along the way, our characters occasionally and unknowingly cross paths with the hippies who form Charles Manson's cult at Spahn Ranch. Cliff even has a uneasy standoff with a group of them at the ranch itself in one of the better scenes of the movie. It's these suspenseful moments that increase the tension perfectly, stoking the sense of foreboding and providing a constant reminder of the death and destruction set to come. The final 15 minutes or so do provide us with some intense, violent madness - a real wake up call after the meandering, often floundering, plot-lines of the movie up until that point. As always with Tarantino movies, there's plenty to digest, dissect and discuss but I certainly won't be revisiting this one any time soon.
Leonardo DiCaprio is Rick Dalton, a TV and movie star best known for repeatedly saving the day in the now cancelled TV show 'Bounty Law', where he played a classic screen cowboy. Rick is struggling to come to terms with his fading career, and the feeling that Hollywood is moving on without him. His best, and only friend, is Cliff Booth (Brad Pitt), who has been Rick's stunt double over the years. Work for Cliff has dried up following rumours that he murdered his wife and Cliff now spends his days as Rick's driver, odd-job man and general shoulder to cry on. He seems fairly relaxed about his simple lifestyle though - returning each evening to his trailer, and faithful canine companion Brandy, before picking Rick up bright and early the next day in order to drive him to whatever production set he's currently working at.
Meanwhile, successful young actor Sharon Tate (Margot Robbie) has moved in next door to Rick along with her husband, director Roman Polanski. This is the area where Tarantino weaves fact with fiction and if you're not familiar with the Manson murders of 1969, it's probably worth reading up on a little bit before heading into the movie. On the night of 9 August 1969, three followers of cult leader Charles Manson entered the home of a heavily pregnant Sharon Tate and brutally murdered her and the friends who were with her at the time. Once Upon a Time in Hollywood begins a few months before those events, and then takes its sweet time in slowly building towards it.
If it weren't for the performances of everyone involved, this would have been a much harder watch for me. Brad Pitt is the best I've seen him for a long time here, all smiles and laid-back charm, a real interesting and enjoyable character. Leonardo DiCaprio is also on fine form as the broken man struggling to cling to fame and when the two are together, they're a lot of fun. Margot Robbie, has far less to do in her parallel story-line, but still manages to shine in her charismatic portrayal of Tate.
What does make the movie harder to watch is the run-time and, as I said right at the start, I feel this definitely could have benefited from at least an hour being chopped. Sunny LA during the 1960s is beautiful to look at, and when we're following Rick and Cliff as they cruise around town in their car it's nostalgic, vibrant and wonderful to watch. But, we get to follow the characters around town in their cars quite a lot in this movie. And, on top of that, literally every scene, no matter how significant, irrelevant or weak it may be, is dragged out far longer than it needs to be. The great scenes become diluted, and the scenes where nothing much was happening anyway, just become frustrating and hard work to hold your attention.
Along the way, our characters occasionally and unknowingly cross paths with the hippies who form Charles Manson's cult at Spahn Ranch. Cliff even has a uneasy standoff with a group of them at the ranch itself in one of the better scenes of the movie. It's these suspenseful moments that increase the tension perfectly, stoking the sense of foreboding and providing a constant reminder of the death and destruction set to come. The final 15 minutes or so do provide us with some intense, violent madness - a real wake up call after the meandering, often floundering, plot-lines of the movie up until that point. As always with Tarantino movies, there's plenty to digest, dissect and discuss but I certainly won't be revisiting this one any time soon.
Talking as Fast as I Can: From Gilmore Girls to Gilmore Girls, and Everything in Between
9.2
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A NEW YORK TIMES BESTSELLER In this collection of personal essays, the beloved star of Gilmore Girls...
memoir celebrity
Lee KM Pallatina (951 KP) rated Die Hard (1988) in Movies
Jan 16, 2021 (Updated Jan 17, 2021)
The casting (3 more)
Plot
SFX
Bruce Willis and Alan Rickman in general
Welcome to the party pal!
In 1988 Hollywood Gambled on a lesser known tv star for it's high budget action thriller.
Laughed at when hearing their choice of actor, it was the 80's and when you heard action movie you'd immediately think "Schwarzenegger or stallone, maybe even Kurt Russel" Hollywood wanted obe of the bigger stars and reached out to them, but they all turned it down so average Joe became their Vacationing NYPD hero, so they stuck with the man known as Bruce Willis!
Whilst Visiting his estranged wife at the (fictional) Nakatomi plaza (Fox plaza) the building and it's workforce are quickly taken hostage.
Enter John McClain (willis) a rough looking, smooth talking (the guy literally has a smooth/relaxed voice) witty, sarcastic NYPD cop who just can't seem to catch a break.
Armed with everything I wrote above, aswell as bare feet, air-vents, and a fire hose, McClain pursues the terrorists in an action packed attempt at proving his wife wrong and maybe saving a few people in the process.
Die Hard is a classic 80's action epic that spawned many terrible sequels (excluding 'with a vengeance') that we still paid to watch aswell as countless knockoffs.
Did you know?
. The team behind die hard was laughed at because of their lead choice (you should do I just told you)
. The movie was almost shut down because they used a real life helicopter around the building whilst local residents tried to sleep causing an outrage and filed complaints.
. miniature explosions were set of atop the building for affect.
. Alan Rickman was lied to about when he'd be dropped from the "building" the capture a natural look of fear (about a 30ft drop).
. It was Alan Rickmans first movie ( what a way to hit the ground and keep running)
. A replica model of the building was built to film the remaining explosions on the building.
. The original Vest (tank top) is on display in the Smithsonian.
.the movie was filmed during official construction of the fox plaza aka nakatomi plaza.
Laughed at when hearing their choice of actor, it was the 80's and when you heard action movie you'd immediately think "Schwarzenegger or stallone, maybe even Kurt Russel" Hollywood wanted obe of the bigger stars and reached out to them, but they all turned it down so average Joe became their Vacationing NYPD hero, so they stuck with the man known as Bruce Willis!
Whilst Visiting his estranged wife at the (fictional) Nakatomi plaza (Fox plaza) the building and it's workforce are quickly taken hostage.
Enter John McClain (willis) a rough looking, smooth talking (the guy literally has a smooth/relaxed voice) witty, sarcastic NYPD cop who just can't seem to catch a break.
Armed with everything I wrote above, aswell as bare feet, air-vents, and a fire hose, McClain pursues the terrorists in an action packed attempt at proving his wife wrong and maybe saving a few people in the process.
Die Hard is a classic 80's action epic that spawned many terrible sequels (excluding 'with a vengeance') that we still paid to watch aswell as countless knockoffs.
Did you know?
. The team behind die hard was laughed at because of their lead choice (you should do I just told you)
. The movie was almost shut down because they used a real life helicopter around the building whilst local residents tried to sleep causing an outrage and filed complaints.
. miniature explosions were set of atop the building for affect.
. Alan Rickman was lied to about when he'd be dropped from the "building" the capture a natural look of fear (about a 30ft drop).
. It was Alan Rickmans first movie ( what a way to hit the ground and keep running)
. A replica model of the building was built to film the remaining explosions on the building.
. The original Vest (tank top) is on display in the Smithsonian.
.the movie was filmed during official construction of the fox plaza aka nakatomi plaza.
Bill Nighy recommended Bringing Up Baby (1938) in Movies (curated)
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Gareth von Kallenbach (980 KP) rated Licorice Pizza (2021) in Movies
Dec 20, 2021
Set in the San Fernando Valley of 1973; Writer/Director Paul Thomas Anderson has created a loving and nostalgia-filled look at that era with his new film “Licorice Pizza”. The film focuses on a teenaged Gary (Cooper Hoffman) who becomes intrigued by an older photographer assistant named Alana (Alana Haim); during his school photo sessions.
Despite their age difference; the two become friends and Gary attempts to impress her with his hustle as he works in the fringes of Hollywood and has become a regular on the audition circuit and various events thanks to his agent.
When he is able to get Alana to act as his chaperone on a promotional trip to New York; reality sets in when Alana catches the eye of an older actor and starts dating him; Gary moves his hustle into high gear and begins a successful Waterbed business and even convinces his agent to represent Alana.
What follows is a long-winding story as the two move into Hollywood circles and face various challenges associated with their times, confused feelings, and goals.
While the film has some great moments and really great performance; especially that of Haim and Bradley Cooper; the two hours and forty-five minute run time seemed overly long and self-indulgent and could easily have lost forty-five minutes or so and not lost much as the film is loaded with scenes that are overly long or do not advance the story or characters in any meaningful way.
In many ways, the film plays out like a teenaged boy’s fantasy as there is the alluring older woman and his repeated ways to impress her; some of which stretch credibility.
What makes the film work so well is the nostalgic and loving look at the era and the winning performances from the cast. Much like he did with “Boogie Nights”; Anderson is not afraid to take broken or dysfunctional characters and make them sympathetic and relatable.
Expect the movie to do well with the Award voters and it will be interesting to see what the cast will do next.
Despite their age difference; the two become friends and Gary attempts to impress her with his hustle as he works in the fringes of Hollywood and has become a regular on the audition circuit and various events thanks to his agent.
When he is able to get Alana to act as his chaperone on a promotional trip to New York; reality sets in when Alana catches the eye of an older actor and starts dating him; Gary moves his hustle into high gear and begins a successful Waterbed business and even convinces his agent to represent Alana.
What follows is a long-winding story as the two move into Hollywood circles and face various challenges associated with their times, confused feelings, and goals.
While the film has some great moments and really great performance; especially that of Haim and Bradley Cooper; the two hours and forty-five minute run time seemed overly long and self-indulgent and could easily have lost forty-five minutes or so and not lost much as the film is loaded with scenes that are overly long or do not advance the story or characters in any meaningful way.
In many ways, the film plays out like a teenaged boy’s fantasy as there is the alluring older woman and his repeated ways to impress her; some of which stretch credibility.
What makes the film work so well is the nostalgic and loving look at the era and the winning performances from the cast. Much like he did with “Boogie Nights”; Anderson is not afraid to take broken or dysfunctional characters and make them sympathetic and relatable.
Expect the movie to do well with the Award voters and it will be interesting to see what the cast will do next.
Sarah (7798 KP) rated The Hunt (2012) in Movies
Feb 24, 2019
Dark and disturbing
This is definitely not an easy film to watch, but it really is very good. It's a stark and difficult to watch tale about the repercussions of lies in a close knit Danish tale. It deals with some very heavy topics and yet doesn't shy away from the subject matter in question, to the point where it's almost too difficult to watch. But this is why this film is so good, it hasn't Hollywood-ised such a difficult subject and instead you can really believe everything that happens.
It's helped of course by a brilliant performance from Mads Mikkelsen. His quiet mild mannered Lucas is a million miles away from what he gets accused of, and Mads' performances itself is very restrained, which is exactly what this film needed. This paired with a subtle score and well done cinematography make for a very haunting watch.
This really has a stark point to make about the judgemental nature of society, and it makes it very well, even if it is disturbing to watch.
It's helped of course by a brilliant performance from Mads Mikkelsen. His quiet mild mannered Lucas is a million miles away from what he gets accused of, and Mads' performances itself is very restrained, which is exactly what this film needed. This paired with a subtle score and well done cinematography make for a very haunting watch.
This really has a stark point to make about the judgemental nature of society, and it makes it very well, even if it is disturbing to watch.
Awix (3310 KP) rated Cold Pursuit (2019) in Movies
Feb 28, 2019
Latest Hollywood remake of a film with the gall not to be in English (the horror!) is a better-not-call-it-black comedy thriller about a snowplough driver whose rampage of vengeance gets out of control. Liam Neeson drives a plough, murders a bunch of drug dealers, and doesn't think enough about what he says on the publicity tour; the quality of the film kind of vanishes into the backdrop as a result.
After a horribly choppy opening - is it a serious drama about grieving parents or another thickheaded Neeson revenge melodrama? - the film settles down to feel like a pastiche of the sort of thing the McDonagh brothers make, with genre elements drolly deconstructed with offbeat humour and a knowing provocativeness. It's just not quite quirky, funny, or intelligent enough; Neeson underplays it too much and film doesn't seem to have any real point to make. Some good jokes and it passes the time, but it would have slipped into obscurity fairly quickly if only Liam had kept his mouth shut on the junket.
After a horribly choppy opening - is it a serious drama about grieving parents or another thickheaded Neeson revenge melodrama? - the film settles down to feel like a pastiche of the sort of thing the McDonagh brothers make, with genre elements drolly deconstructed with offbeat humour and a knowing provocativeness. It's just not quite quirky, funny, or intelligent enough; Neeson underplays it too much and film doesn't seem to have any real point to make. Some good jokes and it passes the time, but it would have slipped into obscurity fairly quickly if only Liam had kept his mouth shut on the junket.