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Acanthea Grimscythe (300 KP) rated Death Note (2017) in Movies
May 12, 2018
Netflix has done a damn good job with its house produced movies and shows – except for Death Note. This movie is complete and utter trash. For those of you that don’t know, I ran a site that focused largely on anime for several years. The site was called Project Otaku and served as a press outlet as well (I was able to attend Japan Expo as press and one of my writers attended NYCC). So naturally, I’ve seen the anime and I had high expectations.
First, it should be noted that with this film, Netflix joined the ranks of the Hollywood studios that have white-washed and bastardized several remakes of Asian horror films. From Oldboy to The Grudge to Ghost in the Shell (and countless others), it’s like these companies have an aversion to actually remaining faithful in any degree to the source material. (There’s rumors that my favorite Japanese horror flick, Audition, will soon fall prey to this too.) Honestly, they should just stop.
This version of Death Note takes place in Seattle, thus localizing it to the US. There is also no second notebook, which in the anime and manga are used to misdirect law enforcement. Because there’s only one notebook, there’s no Shinigami Rem, either. There are plot holes out the wazoo in Netflix’s adaptation, including modification of rules for no apparent reason (such as the days the Death Note can be lost).
Overall, I regret watching this. It was a waste of my time.
First, it should be noted that with this film, Netflix joined the ranks of the Hollywood studios that have white-washed and bastardized several remakes of Asian horror films. From Oldboy to The Grudge to Ghost in the Shell (and countless others), it’s like these companies have an aversion to actually remaining faithful in any degree to the source material. (There’s rumors that my favorite Japanese horror flick, Audition, will soon fall prey to this too.) Honestly, they should just stop.
This version of Death Note takes place in Seattle, thus localizing it to the US. There is also no second notebook, which in the anime and manga are used to misdirect law enforcement. Because there’s only one notebook, there’s no Shinigami Rem, either. There are plot holes out the wazoo in Netflix’s adaptation, including modification of rules for no apparent reason (such as the days the Death Note can be lost).
Overall, I regret watching this. It was a waste of my time.
Rachel King (13 KP) rated Lover Eternal (Black Dagger Brotherhood, #2) in Books
Feb 11, 2019
First off, I enjoyed this book much more than the first book. I was familiar with the background, so I did not need to take time to understand everything, and I was already familiar with the main characters of the brotherhood, so I knew who I liked and wanted to know more about.
This book focused on Rhage and his love interest, Mary. Rhage is the one nicknamed "Hollywood" for both his good looks and promiscuous behavior. That, plus the violent habits of the brotherhood allow him to keep the dragon-like beast inside in check, but the appearance of Mary puts a new spin on an old curse. Just like the theme in the first book, the desire to claim Mary for his wife changes Rhage permanently - I detect a commonality throughout the series with this theme.
Rhage has a very frank and forward way of communicating, which I like, though it can sometimes throw me off in the reading. Mary sometimes got quite annoying with how low her self-image is. The way that the book ends and how the Scribe Virgin plays into Rhage and Mary's romance seemed a bit out of place and over-compensating, but it did cause things to work out well, so I won't complain.
The subplot of the lessers also progresses with the introduction of a secondary character under Mr. X, a Mr. O who seems to resent being a lesser and possesses a weakness. This, combined with a subplot dedicated to the brother, Zsadist, leads into the next book in the series, Lover Awakened.
This book focused on Rhage and his love interest, Mary. Rhage is the one nicknamed "Hollywood" for both his good looks and promiscuous behavior. That, plus the violent habits of the brotherhood allow him to keep the dragon-like beast inside in check, but the appearance of Mary puts a new spin on an old curse. Just like the theme in the first book, the desire to claim Mary for his wife changes Rhage permanently - I detect a commonality throughout the series with this theme.
Rhage has a very frank and forward way of communicating, which I like, though it can sometimes throw me off in the reading. Mary sometimes got quite annoying with how low her self-image is. The way that the book ends and how the Scribe Virgin plays into Rhage and Mary's romance seemed a bit out of place and over-compensating, but it did cause things to work out well, so I won't complain.
The subplot of the lessers also progresses with the introduction of a secondary character under Mr. X, a Mr. O who seems to resent being a lesser and possesses a weakness. This, combined with a subplot dedicated to the brother, Zsadist, leads into the next book in the series, Lover Awakened.
Tim McGuire (301 KP) rated Honey Boy (2019) in Movies
Mar 3, 2020
392. Honey Boy. A story about a boy, who's dad made a living off him, by pimping him out to Hollywood, ensuring he would grow up to be a weirdo, the Shia LeBeouf story. Ok, it's written by him, oh and it stars him as Tom Cruise's character from Born on the Fourth of July, only he's not in a wheel chair, he has a son. Dad, James and son, Otis live in a motel, close by the movie studios where Otis is a child actor, doing child actor things...insert Corey Feldman stories here... while his dad, lives off him, and doing other shady things and not being a good dad, and how the two deal with that. Movie also tells the tale of twenty-something Otis, and his adult acting life is... insert Shia LeBeouf stories here... where he relives the memories we are watching. Guy who plays older Otis, Lucas Hedges, has LeBeouf's super annoying way of aggressive, spit-talking and mannerisms down pact, even though it's not supposed to be him in the first place...ooops. I really did enjoy the movie I just felt there were several places where I felt the filmmakers were patting themselves on the back, saying to themselves 'yea man, this is deep. stretch this out a little longer, man, really show that this 12 year old boy's relationship with the prostitute across the way is beautiful, not creepy in any way at all.' Worth the watch, check it out! Filmbufftim on FB
Given the calibre of talent on show here you’d be forgiven for thinking that this film might have been a little more popular.
Most of them play second fiddle to Vince (Riley) who finds himself in a spot of bother when he takes the place of someone in an organised game of Russian roulette were people gamble on the outcome.
Along for the ride in this barrel spinning thriller is Ray Winstone and Mickey Rourke who themselves are part of the circle of men putting their lives on the line for a potential big payout.
Michael Shannon is cast as the adjudicator making sure that everyone follows the rules and has the right amount of bullets in the chamber, he’s hardly pushing his acting talents to any great length. Statham avoids kicking anyone’s head in for an entire film as the brother of Winestone’s character, Ronald.
The film in fact is a remake of Babluani’s original 13 Tzameti, in which his son plays the lead role, that film faired a lot better with critics. Obviously that meant Babluani remaking the film and testing it out on the English speaking audience, getting a few house hold names to try and sell it.
Aside from the Russian roulette scenes the film generally falls flat, the ending is awful and there is no real pay off, you could almost see what was going to happen mile off.
I think directors should start sticking to the originals only and avoid the Hollywood remake for the sake of having their reputation tarnished in anyway.
Most of them play second fiddle to Vince (Riley) who finds himself in a spot of bother when he takes the place of someone in an organised game of Russian roulette were people gamble on the outcome.
Along for the ride in this barrel spinning thriller is Ray Winstone and Mickey Rourke who themselves are part of the circle of men putting their lives on the line for a potential big payout.
Michael Shannon is cast as the adjudicator making sure that everyone follows the rules and has the right amount of bullets in the chamber, he’s hardly pushing his acting talents to any great length. Statham avoids kicking anyone’s head in for an entire film as the brother of Winestone’s character, Ronald.
The film in fact is a remake of Babluani’s original 13 Tzameti, in which his son plays the lead role, that film faired a lot better with critics. Obviously that meant Babluani remaking the film and testing it out on the English speaking audience, getting a few house hold names to try and sell it.
Aside from the Russian roulette scenes the film generally falls flat, the ending is awful and there is no real pay off, you could almost see what was going to happen mile off.
I think directors should start sticking to the originals only and avoid the Hollywood remake for the sake of having their reputation tarnished in anyway.
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