Nicole Hadley (380 KP) rated The Exact Location of Home in Books
Jun 18, 2018
Messner has given us a compassionate and necessary middle grade story about the reality of homelessness for many children today. This story has a unique premise with the geocaching theme and I love that while the main character is in 8th grade he will be relatable for students both much younger and much older than he is. I would love to get this book into the hands of all teachers and administrators who struggle to understand how difficult school can be for children without a stable home life, and who make well-intended but thoughtless comments about the homeless population.
I received this ARC from Bloomsbury USA Children's Books and Bloomsbury USA Childrens via NetGalley in exchange for an honest review.
Bong Mines Entertainment (15 KP) rated Blue on Blue - Single by Just Loud in Music
Jun 17, 2019
The Ben Guzman-directed audiovisual is all about getting to know who Just Loud is and his constantly changing character. The music video reflects him as an entertainer, artist, and his real self.
‘Blue on Blue’ tells an interesting tale which echoes the aftermath of a toxic relationship and downward spiral of a young guy who self-medicates.
The likable tune contains a relatable storyline, Prince-style falsetto vocals, and neo-funk instrumentation scented with an alternative-pop fragrance.
Written by Just Loud with Dave Katz “Sluggo” (Neon Trees, Good Charlotte) and Patrick Nissley (Thirty Seconds to Mars, Yungblud.
Just Loud was raised around a small county church, but his rebellious and inquisitive nature saw him cast away at the age of 15. Shortly afterward, he found himself homeless in New York on a pursuit to pursue music.
Not too long ago, he released his debut EP, entitled, “Episode 1”. The pleasant project features the Top 25 US Alternative Radio hit, “Electrified”, which has amassed millions of streams online.
https://www.bongminesentertainment.com/just-loud-blue-on-blue/
Awix (3310 KP) rated Sorry We Missed You (2019) in Movies
Nov 5, 2019
A fairly typical Loach movie, in that it doesn't really aspire to entertain, nor does it attempt to be impartial. The film's thesis - that zero-hours contracts and the gig economy are just mechanisms to exploit the most vulnerable section of the workforce - is left implicit, but is put across with the customary power. This is no-frills film-making, and rough around the edges in places - but the decision to cast non-professionals in key roles pays off as they give deeply affecting performances. I have seen movies about homeless children in Syria which were less emotionally wrenching to watch than this one. An angry film, and one which seeks to communicate that anger to the audience; quite possibly a very important film, but not at all easy viewing.
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