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JT (287 KP) rated Risky Business (1983) in Movies
Mar 10, 2020
That shot of Tom Cruise sliding across the hall in his trademark shades, pink shirt and the tightest pair of white briefs is synonymous with the spring board that launched his career.
A film that may have proved the inspiration for Ferris Bueller’s Day Off is one of Cruise’s most famous roles, and it has all the hall marks of a classic 80s comedy with an influx of drama that proved the catalyst for a great film.
Joel Goodsen (Cruise) is just your average American teen, when his parents go out of town for a few days he and fellow buddies look to have a little fun, in part by turning the homestead into a working brothel.
Of course there is a method behind the madness with Cruise hooking up with call girl Lana (De Mornay), they both have their problems and agree on a mutual business deal which also involves engaging in sex every now and again.
If you ever wonder what to do on the subway one night Cruise and De Mornay lead the lesson. That scene in itself is draped in 80s clichés, soft rock music and a strobe lighting effect from the train, it delivers on the steam factor.
The subject matter throughout is strong and covered across all angles. A highly sexed teenage boy, drug use, what not to do to your father’s Porche and being hunted down by a killer pimp, its all in there.
Cruise’s acting display is not the best, but he has the early raw talent to get him through, and of course as we know, the rest is history. What is always similar about teenage kids of this era getting into trouble is that they always seem to get away with it in the end, Ferris Bueller a prime example.
To think that anyone in this day and age would be as lucky is highly unlikely, and that goes for sliding around in tight white under garments.
A film that may have proved the inspiration for Ferris Bueller’s Day Off is one of Cruise’s most famous roles, and it has all the hall marks of a classic 80s comedy with an influx of drama that proved the catalyst for a great film.
Joel Goodsen (Cruise) is just your average American teen, when his parents go out of town for a few days he and fellow buddies look to have a little fun, in part by turning the homestead into a working brothel.
Of course there is a method behind the madness with Cruise hooking up with call girl Lana (De Mornay), they both have their problems and agree on a mutual business deal which also involves engaging in sex every now and again.
If you ever wonder what to do on the subway one night Cruise and De Mornay lead the lesson. That scene in itself is draped in 80s clichés, soft rock music and a strobe lighting effect from the train, it delivers on the steam factor.
The subject matter throughout is strong and covered across all angles. A highly sexed teenage boy, drug use, what not to do to your father’s Porche and being hunted down by a killer pimp, its all in there.
Cruise’s acting display is not the best, but he has the early raw talent to get him through, and of course as we know, the rest is history. What is always similar about teenage kids of this era getting into trouble is that they always seem to get away with it in the end, Ferris Bueller a prime example.
To think that anyone in this day and age would be as lucky is highly unlikely, and that goes for sliding around in tight white under garments.
Hazel (1853 KP) rated A Place Called Winter in Books
May 28, 2017
Loosely based on truth
This eBook was provided by the publisher via NetGalley in exchange for an honest review
Loosely based upon a true story, one of Patrick Gale’s ancestors in fact, A Place Called Winter follows the life of Harry Cane during the early 1900s. The book begins with Harry being transferred from a mental asylum to a therapeutic community called Bethel Ranch. The story then backtracks to Harry’s life as a young, nervous, motherless boy and the time he met his future wife, Winnie.
Throughout the book the reader is trying to guess the reason Harry eventually finds himself at Bethel Ranch. Gale describes Harry’s marriage, his discovery of homosexuality and his move to Canada to his final stop at a homestead in a place called Winter. Does Harry develop a mental illness or is it something to do with his scandalous desires? Or, does something else happen later in the book?
After moving to Canada, Harry does not exactly have it easy and the reader feels for him as he perseveres with his new life style. We watch him grow from a timid young man into someone with his own farm and independence. It makes it all the more upsetting to read when certain things take a turn for the worse.
In this historical novel, Patrick Gale emphasizes on the way homosexuality was regarded in society. Entire families cut people out of their lives at the slightest hint of a scandal. Gale also touches on the techniques used within mental asylums during this period as well as racial discrimination.
Occasionally, the story was difficult to read as it alternated between being really interesting and then slightly dull. Overall, regardless of how much was based on actual events, it was a good storyline, and once you have started reading you feel the need to continue to find out what happens to Harry. I have only read one other book by Patrick Gale – Notes From an Exhibition – that I struggled with a little. A Place Called Winter, however, was a lot better than I was expecting.
Loosely based upon a true story, one of Patrick Gale’s ancestors in fact, A Place Called Winter follows the life of Harry Cane during the early 1900s. The book begins with Harry being transferred from a mental asylum to a therapeutic community called Bethel Ranch. The story then backtracks to Harry’s life as a young, nervous, motherless boy and the time he met his future wife, Winnie.
Throughout the book the reader is trying to guess the reason Harry eventually finds himself at Bethel Ranch. Gale describes Harry’s marriage, his discovery of homosexuality and his move to Canada to his final stop at a homestead in a place called Winter. Does Harry develop a mental illness or is it something to do with his scandalous desires? Or, does something else happen later in the book?
After moving to Canada, Harry does not exactly have it easy and the reader feels for him as he perseveres with his new life style. We watch him grow from a timid young man into someone with his own farm and independence. It makes it all the more upsetting to read when certain things take a turn for the worse.
In this historical novel, Patrick Gale emphasizes on the way homosexuality was regarded in society. Entire families cut people out of their lives at the slightest hint of a scandal. Gale also touches on the techniques used within mental asylums during this period as well as racial discrimination.
Occasionally, the story was difficult to read as it alternated between being really interesting and then slightly dull. Overall, regardless of how much was based on actual events, it was a good storyline, and once you have started reading you feel the need to continue to find out what happens to Harry. I have only read one other book by Patrick Gale – Notes From an Exhibition – that I struggled with a little. A Place Called Winter, however, was a lot better than I was expecting.
Hazel (1853 KP) rated A Place Called Winter in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
Loosely based upon a true story, one of Patrick Gale’s ancestors in fact, <i>A Place Called Winter</i> follows the life of Harry Cane during the early 1900s. The book begins with Harry being transferred from a mental asylum to a therapeutic community called Bethel Ranch. The story then backtracks to Harry’s life as a young, nervous, motherless boy and the time he met his future wife, Winnie.
Throughout the book the reader is trying to guess the reason Harry eventually finds himself at Bethel Ranch. Gale describes Harry’s marriage, his discovery of homosexuality and his move to Canada to his final stop at a homestead in a place called Winter. Does Harry develop a mental illness or is it something to do with his scandalous desires? Or, does something else happen later in the book?
After moving to Canada, Harry does not exactly have it easy and the reader feels for him as he perseveres with his new life style. We watch him grow from a timid young man into someone with his own farm and independence. It makes it all the more upsetting to read when certain things take a turn for the worse.
In this historical novel, Patrick Gale emphasizes on the way homosexuality was regarded in society. Entire families cut people out of their lives at the slightest hint of a scandal. Gale also touches on the techniques used within mental asylums during this period as well as racial discrimination.
Occasionally, the story was difficult to read as it alternated between being really interesting and then slightly dull. Overall, regardless of how much was based on actual events, it was a good storyline, and once you have started reading you feel the need to continue to find out what happens to Harry. I have only read one other book by Patrick Gale –<i> Notes From an Exhibition</i> – that I struggled with a little. <i>A Place Called Winter, however, was a lot better than I was expecting. </i>
Loosely based upon a true story, one of Patrick Gale’s ancestors in fact, <i>A Place Called Winter</i> follows the life of Harry Cane during the early 1900s. The book begins with Harry being transferred from a mental asylum to a therapeutic community called Bethel Ranch. The story then backtracks to Harry’s life as a young, nervous, motherless boy and the time he met his future wife, Winnie.
Throughout the book the reader is trying to guess the reason Harry eventually finds himself at Bethel Ranch. Gale describes Harry’s marriage, his discovery of homosexuality and his move to Canada to his final stop at a homestead in a place called Winter. Does Harry develop a mental illness or is it something to do with his scandalous desires? Or, does something else happen later in the book?
After moving to Canada, Harry does not exactly have it easy and the reader feels for him as he perseveres with his new life style. We watch him grow from a timid young man into someone with his own farm and independence. It makes it all the more upsetting to read when certain things take a turn for the worse.
In this historical novel, Patrick Gale emphasizes on the way homosexuality was regarded in society. Entire families cut people out of their lives at the slightest hint of a scandal. Gale also touches on the techniques used within mental asylums during this period as well as racial discrimination.
Occasionally, the story was difficult to read as it alternated between being really interesting and then slightly dull. Overall, regardless of how much was based on actual events, it was a good storyline, and once you have started reading you feel the need to continue to find out what happens to Harry. I have only read one other book by Patrick Gale –<i> Notes From an Exhibition</i> – that I struggled with a little. <i>A Place Called Winter, however, was a lot better than I was expecting. </i>
An Amish Christmas Love: Four Novellas
Beth Wiseman, Amy Clipston, Ruth Reid and Kelly Irvin
10.0
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Winter Kisses by Beth Wiseman Three generations of Stoltzfus women are all living under the same...
Rachel King (13 KP) rated Sixteen Brides in Books
Feb 11, 2019
I had a hard time getting into this book as the number of characters created chaos in the plot and point-of-view for the first few chapters. I could not keep track of who I was supposed to be following, and I felt like I needed a chart to keep them all straight in my head as I read. I kept wanting to ask the author, "Are 16 women really necessary?"
Luckily, that number was cut by more than half when the train stops in Plum Grove, Nebraska, leaving behind the important characters and sending the expendible ones away - how convenient. This is where I feel that the plot actually begins, as the women carve out lives for themselves, even as they experience character growth and rejuvenation. The men are also introduced at this point, and I found them to be more imaginative and unique than the females in the book. The dynamics between Michael Ransom and Lucas Gray, cousins, are very interesting, as Whitson only reveals a bit at a time about their relationship with each other. I wished that more had been written about Jeb Cooper, as the paradox that he lives daily was very entertaining to read.
The background information and historical details were interesting, as I knew little before reading this book about frontier towns and the founding and running of a homestead. I find it ironic that although all of the women are strongly opposed to being hitched to a man again, given that they all claim to be widows, romance seems to be necessary to each of their character developments. The romance was the most predictable aspect of the novel, with almost every woman gravitating noticeably to a man.
The idea that war widows were shipped out to the frontier as prospective brides made for excellent novel potential, but I felt the idea fell a bit short, as the man responsible in the book for these sixteen women was not followed in point-of-view passed his departure from Plum Grove. Neither was much said about the other women that went on to Cayote with him. I would have liked to be a fly on the wall at those women's proposals from strangers and hear their rationale behind making such a choice to be delivered and bid on like so many heads of cattle.
Luckily, that number was cut by more than half when the train stops in Plum Grove, Nebraska, leaving behind the important characters and sending the expendible ones away - how convenient. This is where I feel that the plot actually begins, as the women carve out lives for themselves, even as they experience character growth and rejuvenation. The men are also introduced at this point, and I found them to be more imaginative and unique than the females in the book. The dynamics between Michael Ransom and Lucas Gray, cousins, are very interesting, as Whitson only reveals a bit at a time about their relationship with each other. I wished that more had been written about Jeb Cooper, as the paradox that he lives daily was very entertaining to read.
The background information and historical details were interesting, as I knew little before reading this book about frontier towns and the founding and running of a homestead. I find it ironic that although all of the women are strongly opposed to being hitched to a man again, given that they all claim to be widows, romance seems to be necessary to each of their character developments. The romance was the most predictable aspect of the novel, with almost every woman gravitating noticeably to a man.
The idea that war widows were shipped out to the frontier as prospective brides made for excellent novel potential, but I felt the idea fell a bit short, as the man responsible in the book for these sixteen women was not followed in point-of-view passed his departure from Plum Grove. Neither was much said about the other women that went on to Cayote with him. I would have liked to be a fly on the wall at those women's proposals from strangers and hear their rationale behind making such a choice to be delivered and bid on like so many heads of cattle.
Kristy H (1252 KP) rated We Are All the Same in the Dark in Books
Sep 24, 2020
Stunning, shocking thriller filled with dark twists
Ten years ago, Trumanell Branson disappeared, along with her no-good daddy. But it's beautiful Trumanell her Texas town remembers and mourns. And, despite no arrests, they blame her brother, Wyatt, who lives alone on the old Branson homestead, hated by the entire town. When Wyatt, a trucker, finds a girl in a field of dandelions, he thinks it's a sign. As for the town cop, Odette--who has a long history with Wyatt--she fears the discovery of this girl will only turn the town against Wyatt fully and permanently. But when she goes to retrieve her, she feels drawn to the girl. Odette is haunted by Trumanell's disappearance, and now, the arrival of this mystery girl. As she digs into the past and the present, she uncovers shocking secrets about her town and the night that forever changed it.
"She has a bad, bad mystery to her. I can feel it deep in the hollow of my spook bone, the one my dad broke when I was a kid. My arm is never wrong."
This is an amazing, absorbing thriller that draws you in from the first page. Heaberlin writes so beautifully and lyrically--all these dark and horrific moments unfold in such beautiful prose. Her words astound me.
"There's no chatter about why I'm alone, scared, speeding on a prairie road with trees scattered like sailboats, thinking how my daddy, the town's late great top cop, told me to never come back to this little Texas hellhole unless it was to bury his ashes. Don't try to find the truth about Trumanell. Some answers are left to the by and by."
The characters here are beautiful--flawed, damaged, tender, and painted with a depth that will astound you. Troubled Odette, lost Wyatt, and Angel, the girl found in the field. They form a trio that one is unlikely to forget for quite some time.
This is a dark read--atmospheric and sad, and not always easy to read. Bad things happen in this town. Heaberlin's twists are true stunners. It's rare when a thriller takes me by surprise, but wow, I found myself shocked several times, and even better, unaware of the true culprit. How nice to read a mystery without guessing the ultimate ending.
Overall, this is a superb tale of a town held captive by its own secrets and tragedy. The characters come to life before your eyes through Heaberlin's elegant writing. It's shocking and twisted and one that shouldn't be missed. 4.5 stars.
"She has a bad, bad mystery to her. I can feel it deep in the hollow of my spook bone, the one my dad broke when I was a kid. My arm is never wrong."
This is an amazing, absorbing thriller that draws you in from the first page. Heaberlin writes so beautifully and lyrically--all these dark and horrific moments unfold in such beautiful prose. Her words astound me.
"There's no chatter about why I'm alone, scared, speeding on a prairie road with trees scattered like sailboats, thinking how my daddy, the town's late great top cop, told me to never come back to this little Texas hellhole unless it was to bury his ashes. Don't try to find the truth about Trumanell. Some answers are left to the by and by."
The characters here are beautiful--flawed, damaged, tender, and painted with a depth that will astound you. Troubled Odette, lost Wyatt, and Angel, the girl found in the field. They form a trio that one is unlikely to forget for quite some time.
This is a dark read--atmospheric and sad, and not always easy to read. Bad things happen in this town. Heaberlin's twists are true stunners. It's rare when a thriller takes me by surprise, but wow, I found myself shocked several times, and even better, unaware of the true culprit. How nice to read a mystery without guessing the ultimate ending.
Overall, this is a superb tale of a town held captive by its own secrets and tragedy. The characters come to life before your eyes through Heaberlin's elegant writing. It's shocking and twisted and one that shouldn't be missed. 4.5 stars.
Tiny Farm: Animal & Tractor App for Kids
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You in the farmyard: animals, tractors and lots of adventures. Explore life in the country in our...
Fantasy Ranch
7.5
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Welcome to Fantasy Ranch! Kick off your boots and pull up a chair for a game where all your dreams...
Andy K (10821 KP) rated The Devil's Rejects (2005) in Movies
Oct 16, 2019
Chinese, Japanese, Dirty knees, look at these!
Shortly after the events of House of 1,000 Corpses, Sheriff Wydell and his band of deputies approach and surround the homestead occupied by everyone's favorite murderous, diabolical, psychotic family. Inside, lazy slumbering quickly turns to mounting a counter offensive when the family realizes what is about to happen. The ensuring shootout claims several victims before the aid of tear gas precedes a law enforcement home invasion. Unfortunately, only one family member is captured while Baby and Otis escape out the back. Baby calls their father, Captain Spaulding, to inform him of the pending doom on his way so he can meet up with them subsequently.
The two siblings arrive at a local motel only to perform their brand of debauchery on two couples and friends staying there. They are forced to be in constant fear for their lives whilst their kidnappers decide what to do with them while waiting on their matriarch. The torture endured by their victims is heinous, cruel and unnecessary, but is their way of life.
The law is tightly on their trail waiting for that lead which will lead them to the felons. This is growing personal for the sheriff as he discovers the "rejects" were responsible for the death of his brother. The sheriff decides to hire some disreputable men of his own to use whatever methods they can to acquire the location of his targets.
The inevitable stand off leaves other casualties and a position it will be difficult for the sheriff to return from. The "rejects" always seem to find a way to survive no matter their degree of peril.
This film takes a different direction than that of House of 1,000 Corpses. That film being more of a standard "teenagers wander into a house of horrors" situation, whereas this film feels more like a "Natural Born Killers" type.
The total lack of any sort of normal human decency for the family is truly revolting and is on display every time they interact with anyone including women and children. They even don't really like each other very much and are constantly arguing with one other; their visceral hatred always right on the edge of bubbling over.
The unspeakable cruelty they enact on their victims can seem excessive at times; however, if you have lived through the events of the first film, you know what you are getting into here. When they are attached to their motel guests, you are just waiting for the next moment of panic when their guests start to figure out exactly what type of monsters they are dealing with.
I loved the gritty look of the film along with the mostly 1970s classic rock soundtrack. The scenery and landscapes of the sparse countryside fit the film well as well.
Not too many sequels build or are as good or better than their predecessor, but this film could be one of those for sure.
The two siblings arrive at a local motel only to perform their brand of debauchery on two couples and friends staying there. They are forced to be in constant fear for their lives whilst their kidnappers decide what to do with them while waiting on their matriarch. The torture endured by their victims is heinous, cruel and unnecessary, but is their way of life.
The law is tightly on their trail waiting for that lead which will lead them to the felons. This is growing personal for the sheriff as he discovers the "rejects" were responsible for the death of his brother. The sheriff decides to hire some disreputable men of his own to use whatever methods they can to acquire the location of his targets.
The inevitable stand off leaves other casualties and a position it will be difficult for the sheriff to return from. The "rejects" always seem to find a way to survive no matter their degree of peril.
This film takes a different direction than that of House of 1,000 Corpses. That film being more of a standard "teenagers wander into a house of horrors" situation, whereas this film feels more like a "Natural Born Killers" type.
The total lack of any sort of normal human decency for the family is truly revolting and is on display every time they interact with anyone including women and children. They even don't really like each other very much and are constantly arguing with one other; their visceral hatred always right on the edge of bubbling over.
The unspeakable cruelty they enact on their victims can seem excessive at times; however, if you have lived through the events of the first film, you know what you are getting into here. When they are attached to their motel guests, you are just waiting for the next moment of panic when their guests start to figure out exactly what type of monsters they are dealing with.
I loved the gritty look of the film along with the mostly 1970s classic rock soundtrack. The scenery and landscapes of the sparse countryside fit the film well as well.
Not too many sequels build or are as good or better than their predecessor, but this film could be one of those for sure.
Bob Mann (459 KP) rated Passengers (2016) in Movies
Sep 29, 2021
Guilt trip.
“Passengers” is not a film that you can really talk about in much depth without straying into spoiler territory, so I will break my normal tradition of my reviews being entirely “Spoiler Free” and add a further discussion (but below the Fad Rating, so you are safe ‘til there).
The backdrop for “Passengers” is the spaceship “Avalon”, on a 120 year trip taking Earth colonists to the new world of “Homestead 2”. Following an ‘incident’ the story finds two individuals – Jim Preston, played by Chris “Jurassic World” Pratt, and Jennifer “Joy” Lawrence – as the only passengers awake on the automated ship among 5000+ other slumbering souls. It rather goes without saying that with two attractive and bankable Hollywood stars and nothing else to do, the two ‘get it on’. With things on the ship going from bad to worse, the two must work as a team to try to save the ship, crew and fellow passengers from disaster.
As a fan of sci-fi, I’ll start with a positive that the Avalon is a gloriously rendered spacecraft, and many of the scenes of space walking present beautiful cinematography (by Rodrigo Prieto of “The Wolf of Wall Street” and “Argo”). Many of the other special effects in the film – led by special effects supervisor Daniel Sudick, of the Marvel franchise – are spectacularly good, especially one which demonstrates why the lifeguards closed the pool on the International Space Station!
The overall premise of the film is also original and well-conceived, setting up the backdrop for some serious post-watch ethical debate (see spoiler section).
Where the wheels came off for me though is with the script by Jon Spaihts (“Prometheus”, “Doctor Strange”). Some of the dialogue is just appallingly trite, and some of the supposed capabilities of our hero, Preston, are laughable. For example, he possesses an uncanny ability as “an engineer” to open a cabinet of electronics, scan the circuits and say “Nope – that all looks fine”: the next time my washing machine controller packs in, he’s going to be on my speed-dial for sure! And (cue trite line – “every component on the ship has a spare”) Preston immediately finds the required part (curiously, it’s right next to the failing component and not in Bay 67 on cargo deck 327!) and knows how to plug and play it as required.
Chris Pratt; Jennifer Lawrence
Pratt and Lawrence, with Pratt about to debug my washing machine controller just by looking at it.
But, for me, there was one particularly dire point in the script where Spaihts obviously forgets which film he’s writing the scene for and ‘goes superhero’: oh, hang on, Preston doesn’t HAVE any superhero powers! For me, any goodwill the story had built up through to that point get vented into space.
The director is Morten Tyldum, whose “Headhunters” I really enjoyed but who is probably more famous for “The Imitation Game”. Not overawed by the production’s scale, he does a great job of getting good performances out of the rather wooden action hunk that is Chris Pratt and the reliable Oscar-winner Jennifer Lawrence who (apart from one dramatic and emotional scene) the script doesn’t really stretch. Michael Sheen is also a great watch as the witty and dry android bar-tender.
In summary, this was a nice premise with great special effects and gorgeous production design, but frustratingly let down with a weak screenplay. With a better script and another 10% of tweaking, this could have been a real sci-fi classic.
The backdrop for “Passengers” is the spaceship “Avalon”, on a 120 year trip taking Earth colonists to the new world of “Homestead 2”. Following an ‘incident’ the story finds two individuals – Jim Preston, played by Chris “Jurassic World” Pratt, and Jennifer “Joy” Lawrence – as the only passengers awake on the automated ship among 5000+ other slumbering souls. It rather goes without saying that with two attractive and bankable Hollywood stars and nothing else to do, the two ‘get it on’. With things on the ship going from bad to worse, the two must work as a team to try to save the ship, crew and fellow passengers from disaster.
As a fan of sci-fi, I’ll start with a positive that the Avalon is a gloriously rendered spacecraft, and many of the scenes of space walking present beautiful cinematography (by Rodrigo Prieto of “The Wolf of Wall Street” and “Argo”). Many of the other special effects in the film – led by special effects supervisor Daniel Sudick, of the Marvel franchise – are spectacularly good, especially one which demonstrates why the lifeguards closed the pool on the International Space Station!
The overall premise of the film is also original and well-conceived, setting up the backdrop for some serious post-watch ethical debate (see spoiler section).
Where the wheels came off for me though is with the script by Jon Spaihts (“Prometheus”, “Doctor Strange”). Some of the dialogue is just appallingly trite, and some of the supposed capabilities of our hero, Preston, are laughable. For example, he possesses an uncanny ability as “an engineer” to open a cabinet of electronics, scan the circuits and say “Nope – that all looks fine”: the next time my washing machine controller packs in, he’s going to be on my speed-dial for sure! And (cue trite line – “every component on the ship has a spare”) Preston immediately finds the required part (curiously, it’s right next to the failing component and not in Bay 67 on cargo deck 327!) and knows how to plug and play it as required.
Chris Pratt; Jennifer Lawrence
Pratt and Lawrence, with Pratt about to debug my washing machine controller just by looking at it.
But, for me, there was one particularly dire point in the script where Spaihts obviously forgets which film he’s writing the scene for and ‘goes superhero’: oh, hang on, Preston doesn’t HAVE any superhero powers! For me, any goodwill the story had built up through to that point get vented into space.
The director is Morten Tyldum, whose “Headhunters” I really enjoyed but who is probably more famous for “The Imitation Game”. Not overawed by the production’s scale, he does a great job of getting good performances out of the rather wooden action hunk that is Chris Pratt and the reliable Oscar-winner Jennifer Lawrence who (apart from one dramatic and emotional scene) the script doesn’t really stretch. Michael Sheen is also a great watch as the witty and dry android bar-tender.
In summary, this was a nice premise with great special effects and gorgeous production design, but frustratingly let down with a weak screenplay. With a better script and another 10% of tweaking, this could have been a real sci-fi classic.