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Roxanne (13 KP) rated The Turtle Boy (Timmy Quinn #1) in Books
Nov 9, 2018
<b>5 STARS TO YOU</b>
Now THIS is an author that you need to keep your eye on!
I would just like to say first that I know the whole 'back from the dead to seek revenge for my death' story has been done and done...and done again, however, that doesn't stop this book from being a fantastic read. It is a novella, so expect a very short read in the sense you may be disappointed that you're just starting to get into it and then BAM! The End! On the other hand, this book is the first in a series so you'll be able to satisfy your cravings for the next installment.
At the time of purchase this book was free to download for Kindle...I am not sure if it still free as it's such a quality read.
The themes of this story may seem as if they are being somewhat retold again but I believe the author breathes new life into this story-line and makes you hang on for dear life and really want to complete the book, it never crossed my mind to stop reading at any point because I have read similar plot lines before.
It is a very creepy story, so I recommend it to fans of the horror genre and perhaps to those who enjoy murder mysteries and thrillers too due to the nice quick pace and the acts of revenge brought down upon unsuspecting characters.
I found the story had a really nice flow to it, sometimes nothing annoys me more than when i'm enjoying a book and suddenly a 'hiccup' of some sort appears within the pages which makes me want to throw it at a wall...interest lost...may return to it...maybe not...will take a while to read and get back into again. I am so glad that didn't happen to me with this book, the pace was too fast and the atmosphere too creepy.
Well done!
Now THIS is an author that you need to keep your eye on!
I would just like to say first that I know the whole 'back from the dead to seek revenge for my death' story has been done and done...and done again, however, that doesn't stop this book from being a fantastic read. It is a novella, so expect a very short read in the sense you may be disappointed that you're just starting to get into it and then BAM! The End! On the other hand, this book is the first in a series so you'll be able to satisfy your cravings for the next installment.
At the time of purchase this book was free to download for Kindle...I am not sure if it still free as it's such a quality read.
The themes of this story may seem as if they are being somewhat retold again but I believe the author breathes new life into this story-line and makes you hang on for dear life and really want to complete the book, it never crossed my mind to stop reading at any point because I have read similar plot lines before.
It is a very creepy story, so I recommend it to fans of the horror genre and perhaps to those who enjoy murder mysteries and thrillers too due to the nice quick pace and the acts of revenge brought down upon unsuspecting characters.
I found the story had a really nice flow to it, sometimes nothing annoys me more than when i'm enjoying a book and suddenly a 'hiccup' of some sort appears within the pages which makes me want to throw it at a wall...interest lost...may return to it...maybe not...will take a while to read and get back into again. I am so glad that didn't happen to me with this book, the pace was too fast and the atmosphere too creepy.
Well done!
Gareth von Kallenbach (965 KP) rated Orphan (2009) in Movies
Aug 9, 2019
For the Coleman family the idea of adopting a beautiful little Russian orphan girl is no easy task, having overcome a number of heart breaking obstacles from alcoholism to the loss of a child. But Ester (Isabelle Fuhrman) seems to be a perfect fit for the family; she is independent, clever, and interested in the arts. When a series of dangerous yet untraceable events begin to occur whenever Ester is around, the Coleman’s wonder if their bad luck is over.
When I entered the theater I expected a creepy female version of Damien adorned in a lacey Victorian dress. But “Orphan” was surprising and interesting in ways than I ever could have expected. More like the 2002 film “He Loves Me… He Loves Me Not” than part of the “Omen” series, “Orphan” packs a punch… and a stab and a gunshot or two.
The full-bodied story starts straight from the films shocking beginning. Yes at times the plot does take some significant suspended belief, a recently recovering alcoholic adopting a child, for instance.
But “Orphan” is an emotional roller coaster splicing unexpected comedic moments with stabbing suspense.
The mix of hauntingly familiar music and color filled imagery make this not just another suspense film but a more artistic take on the genre. Film themes range from love, trust, and childhood, to the ongoing questions of good and evil.
Additionally reoccurring use of color, sex, and connection to family are well woven into the film. Not to mention the use of classic horror elements such as the creepy tree house used in conjunction with newer style choices such as some subtitling and scare turned laughter moments.
A thrilling and full-bodied story “Orphan” is a chilling tale with an interesting while not entirely believable plotline. People will talk about this one.
The DVD release offers sharp sound and picture quality and numerous bonus features including an alternate ending to the film.
When I entered the theater I expected a creepy female version of Damien adorned in a lacey Victorian dress. But “Orphan” was surprising and interesting in ways than I ever could have expected. More like the 2002 film “He Loves Me… He Loves Me Not” than part of the “Omen” series, “Orphan” packs a punch… and a stab and a gunshot or two.
The full-bodied story starts straight from the films shocking beginning. Yes at times the plot does take some significant suspended belief, a recently recovering alcoholic adopting a child, for instance.
But “Orphan” is an emotional roller coaster splicing unexpected comedic moments with stabbing suspense.
The mix of hauntingly familiar music and color filled imagery make this not just another suspense film but a more artistic take on the genre. Film themes range from love, trust, and childhood, to the ongoing questions of good and evil.
Additionally reoccurring use of color, sex, and connection to family are well woven into the film. Not to mention the use of classic horror elements such as the creepy tree house used in conjunction with newer style choices such as some subtitling and scare turned laughter moments.
A thrilling and full-bodied story “Orphan” is a chilling tale with an interesting while not entirely believable plotline. People will talk about this one.
The DVD release offers sharp sound and picture quality and numerous bonus features including an alternate ending to the film.
Gareth von Kallenbach (965 KP) rated The Conjuring 2 (2016) in Movies
Aug 6, 2019
Horror and Suspense movies always intrigued me, especially the ones based on true events or are historically based. The fact that it happened to someone actually made me more invested in the story and prompted me to think of the ways that I would deal with that situation should it arise. After watching The Conjuring 2, I hope that day never happens.
Conjuring 2 finds us catching up with Ed and Lorraine Warren as they travel to Enfield, England to help a family suffering from a paranormal encounter. After gaining a measure of fame for their experience, the Hodgson family is sought out by the Catholic Church and the Warrens in order to determine if the incidents are real or fabricated. They discover that this case pushes them to the limits of their faith and results in them becoming the targets of this demonic possession.
The film itself is a stronger story, filled with more suspense and depth than the first film and goes far beyond Annabelle, which, at times had me not connect at all with the family and I found myself cheering for the doll. The chemistry between Patrick Wilson (The Conjuring, Insidious series) and Vera Farmiga (The Departed, The Conjuring) and Frances O’Connor drive the story and ensure that audiences become invested within the storyline and circumstances and not just for the “frights.”
Sequels can often be plagued with problems, tropes, and going overboard with certain themes and ideas in order to retain its core audience. This is not the case with The Conjuring 2. The story and approach are fresh. Aspects of the film are not predictable. There are no massive holes within the plot. Time was invested within the writing and filming to ensure a solid story, suspense, and impact on viewers beyond their exit from the theater. The Conjuring series looks as though it is just getting started. Personally, I look forward to the remaining stories of the Warren family even if it means sleeping with the lights on after viewing.
Conjuring 2 finds us catching up with Ed and Lorraine Warren as they travel to Enfield, England to help a family suffering from a paranormal encounter. After gaining a measure of fame for their experience, the Hodgson family is sought out by the Catholic Church and the Warrens in order to determine if the incidents are real or fabricated. They discover that this case pushes them to the limits of their faith and results in them becoming the targets of this demonic possession.
The film itself is a stronger story, filled with more suspense and depth than the first film and goes far beyond Annabelle, which, at times had me not connect at all with the family and I found myself cheering for the doll. The chemistry between Patrick Wilson (The Conjuring, Insidious series) and Vera Farmiga (The Departed, The Conjuring) and Frances O’Connor drive the story and ensure that audiences become invested within the storyline and circumstances and not just for the “frights.”
Sequels can often be plagued with problems, tropes, and going overboard with certain themes and ideas in order to retain its core audience. This is not the case with The Conjuring 2. The story and approach are fresh. Aspects of the film are not predictable. There are no massive holes within the plot. Time was invested within the writing and filming to ensure a solid story, suspense, and impact on viewers beyond their exit from the theater. The Conjuring series looks as though it is just getting started. Personally, I look forward to the remaining stories of the Warren family even if it means sleeping with the lights on after viewing.
Hazel (1853 KP) rated Summer Days and Summer Nights: Twelve Summer Romances in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Stephanie Perkins, the best selling author of <i>Anna and the French Kiss</i> has compiled a second anthology of short stories. Twelve selected tales have been included from a variety of young adult authors including: Libba Bray, Veronica Roth, Cassandra Clare and Jennifer E. Smith. For those that have read Perkins’ previous anthology, <i>My True Love Gave To Me</i>, the concept is the same. Twelve love stories set in, as the title, <i>Summer Days and Summer Nights</i>, strongly suggests, the summer.
What can be expected from all the stories in this collection is that they fit snuggly into the Romance genre of young adult fiction. The way the authors decided to tackle this, however, was up to their own interpretations. Thus, the final outcome is a selection of works that fall into a variety of categories: fantasy, contemporary, LGBT, horror, sci-fi etc.
As a result there are a number of different character types and storylines, suggesting that there is bound to be something for everyone. There are lovey-dovey stories, heart-wrenching stories, exciting action stories, implying that there will be at least one you will favour, and hopefully make purchase worthwhile.
It is not merely love that can be found between these pages, so if you are, like me, not overly impressed with teenage love stories, there are other themes to focus on. Many of the main characters are nearing the end of their schooling and thinking about the future: college, perhaps. Readers discover, and possibly relate to, their hopes, doubts and fears of what is to come. Yet while these thoughts are buzzing in their heads they are also trying to enjoy their summers, some with summer jobs, others hanging out with friends. Alongside all of this are darker issues of depression, cancer and parents divorcing; events that many teenagers unfortunately have to deal with. So, throughout all the make-ups and break-ups, there is so much more going on under the surface.
It is always difficult to decide what age range “Young Adult” refers to. Some may assume it is anyone in their teens, however in the case of <i>Summer Days and Summer Nights</i> I would label it a book for older teenagers, those of similar ages to the characters depicted: sixteen to nineteen. This is due to the slightly adult themes of a few of the stories and the amount of swearing many of the authors resort to.
Unfortunately for me, I did not find a perfect story within this collection. There were some I enjoyed more than others; likewise there were some I was not keen on at all. It is for this reason I have only given a rating of three stars. I do not want to put prospective readers off however as this is merely a case of personal preferences and not a true reflection of the authors’ exceptional writing skills.
Stephanie Perkins, the best selling author of <i>Anna and the French Kiss</i> has compiled a second anthology of short stories. Twelve selected tales have been included from a variety of young adult authors including: Libba Bray, Veronica Roth, Cassandra Clare and Jennifer E. Smith. For those that have read Perkins’ previous anthology, <i>My True Love Gave To Me</i>, the concept is the same. Twelve love stories set in, as the title, <i>Summer Days and Summer Nights</i>, strongly suggests, the summer.
What can be expected from all the stories in this collection is that they fit snuggly into the Romance genre of young adult fiction. The way the authors decided to tackle this, however, was up to their own interpretations. Thus, the final outcome is a selection of works that fall into a variety of categories: fantasy, contemporary, LGBT, horror, sci-fi etc.
As a result there are a number of different character types and storylines, suggesting that there is bound to be something for everyone. There are lovey-dovey stories, heart-wrenching stories, exciting action stories, implying that there will be at least one you will favour, and hopefully make purchase worthwhile.
It is not merely love that can be found between these pages, so if you are, like me, not overly impressed with teenage love stories, there are other themes to focus on. Many of the main characters are nearing the end of their schooling and thinking about the future: college, perhaps. Readers discover, and possibly relate to, their hopes, doubts and fears of what is to come. Yet while these thoughts are buzzing in their heads they are also trying to enjoy their summers, some with summer jobs, others hanging out with friends. Alongside all of this are darker issues of depression, cancer and parents divorcing; events that many teenagers unfortunately have to deal with. So, throughout all the make-ups and break-ups, there is so much more going on under the surface.
It is always difficult to decide what age range “Young Adult” refers to. Some may assume it is anyone in their teens, however in the case of <i>Summer Days and Summer Nights</i> I would label it a book for older teenagers, those of similar ages to the characters depicted: sixteen to nineteen. This is due to the slightly adult themes of a few of the stories and the amount of swearing many of the authors resort to.
Unfortunately for me, I did not find a perfect story within this collection. There were some I enjoyed more than others; likewise there were some I was not keen on at all. It is for this reason I have only given a rating of three stars. I do not want to put prospective readers off however as this is merely a case of personal preferences and not a true reflection of the authors’ exceptional writing skills.
Sass Perilla (36 KP) rated Frankenstein in Books
Aug 9, 2019
The plot and major themes. (1 more)
Further work it inspired.
Readable, but disjointed and repetitive in parts.
Contains spoilers, click to show
Fundamentally, the problem with this book is the narrator, Victor. He is thoroughly detestable. A selfish, cowardly, irresponsible, excuse ridden, narcissistic d****e-bag of the highest order. And unfortunately, it is Victor Frankenstein’s POV that we are forced into for the majority of the novel.
My hatred for and frustration with the self-pitying, feckless behaviour of the (pseudo)
protagonist made this an irritating read for me- and to an extent I think this was Shelley’s intention. Victor isn’t designed to be the likable, affable, morally “good” man fallen from grace he believes himself to be, and the horrific events that befall those around him are of his making.
However, this doesn’t make him any less grating! The "monster" (to me reminiscent of Caliban with his lyrical speech and enforced isolation, being neither man nor not man) is eloquent and persuasive when he asks his creator to account for his misdoings. So, you’ve got to ask yourself, if an infanticidal, demonic, bag of sew together corpses is actually more engaging than the main storyteller, is that storyteller really the
right character to be telling the story?
Now, with all that said, it is an important book. A work by a female author with strong female characters (albeit background characters) who was only nineteen when she wrote the initial draft. Very impressive. But, for me her youth is evident. When we teach secondary school pupils to write creatively, we often give them the ambiguous instruction “show don’t tell”, and for me the book is more of a list of horrible and horrific events told in a Chinese puzzle box style story within a story, rather than an engaging and “complete” narrative. It feels like she chooses to place focus on the wrong “bits”- for example the whole of chapter nineteen where Victor travels the British Isles, comments briefly on the local architecture of each town and city and
then repetitively reminds us that he couldn’t enjoy the surroundings because of his angst.
And I would have at least like to have seen some of the courtroom drama when Victor is tried for the death of Clerval...
So, I hate to be “that” gal, who poo-poos these fantastic works of fiction (we know they’re great because some clever-britches told us they were) but in all honesty, the novel ain’t that good, and I’ll maintain that stance no matter how clever the britches of the opposing schools of thought.
I think the continuing appeal is in it’s universal themes: parenting, nature versus
nurture; morality and scientific advancement- and the whole idea of stitching a creature out of
corpse-parts and electrocuting it to life is pretty darn cool. And there are some really effective
horror scenes, such as the vignette of Victor ripping apart project lady-monster (I kind wish she had a name- a working title- but given he can’t even be bothered to name monster number one I guess this was all too much to hope for).
It’s readable, but it’s value, for me at any rate, lies in the offshoots and creativity it has spawned, rather than the work itself.
My hatred for and frustration with the self-pitying, feckless behaviour of the (pseudo)
protagonist made this an irritating read for me- and to an extent I think this was Shelley’s intention. Victor isn’t designed to be the likable, affable, morally “good” man fallen from grace he believes himself to be, and the horrific events that befall those around him are of his making.
However, this doesn’t make him any less grating! The "monster" (to me reminiscent of Caliban with his lyrical speech and enforced isolation, being neither man nor not man) is eloquent and persuasive when he asks his creator to account for his misdoings. So, you’ve got to ask yourself, if an infanticidal, demonic, bag of sew together corpses is actually more engaging than the main storyteller, is that storyteller really the
right character to be telling the story?
Now, with all that said, it is an important book. A work by a female author with strong female characters (albeit background characters) who was only nineteen when she wrote the initial draft. Very impressive. But, for me her youth is evident. When we teach secondary school pupils to write creatively, we often give them the ambiguous instruction “show don’t tell”, and for me the book is more of a list of horrible and horrific events told in a Chinese puzzle box style story within a story, rather than an engaging and “complete” narrative. It feels like she chooses to place focus on the wrong “bits”- for example the whole of chapter nineteen where Victor travels the British Isles, comments briefly on the local architecture of each town and city and
then repetitively reminds us that he couldn’t enjoy the surroundings because of his angst.
And I would have at least like to have seen some of the courtroom drama when Victor is tried for the death of Clerval...
So, I hate to be “that” gal, who poo-poos these fantastic works of fiction (we know they’re great because some clever-britches told us they were) but in all honesty, the novel ain’t that good, and I’ll maintain that stance no matter how clever the britches of the opposing schools of thought.
I think the continuing appeal is in it’s universal themes: parenting, nature versus
nurture; morality and scientific advancement- and the whole idea of stitching a creature out of
corpse-parts and electrocuting it to life is pretty darn cool. And there are some really effective
horror scenes, such as the vignette of Victor ripping apart project lady-monster (I kind wish she had a name- a working title- but given he can’t even be bothered to name monster number one I guess this was all too much to hope for).
It’s readable, but it’s value, for me at any rate, lies in the offshoots and creativity it has spawned, rather than the work itself.
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Acanthea Grimscythe (300 KP) rated Festival in Books
May 16, 2018
A fast and entertaining read is always a plus for busy readers. Aaron J. French's Festival is just that: a quick, fun read, even if it does not appear so at first glance. Totaling 142 pages, I completed the book within 24 hours. Because of my current health issues, that's pretty impressive.
Festival begins on the slower side of things with flashbacks to Steve's abusive childhood with an alcoholic mother. His present-day girlfriend, though pretty, isn't much better. In a desperate bid to save their failing relationship, the two take an impromptu outing in search of a romantic vacation. They end up at Serenity Sanctum, a small campground and hot springs resort run by two women. The two quickly learn that they aren't alone. What begins as a dreadfully boring, typical last resort for a failing relationship quickly culminates in an action packed ending that fans of horror films like Teeth will love.
Though the plot is fairly intriguing, I must admit that the characters aren't anything special. At least, not the protagonist and his girlfriend. Cherie is far from perfect, as stated previously. Her alcoholism and her penchant for putting herself in risky situations undoes her, but Steve is no better. His misogynistic attitude justifies his blaming of Cherie for a past incident, which I won't go into detail. I don't like to give out spoilers, after all.
When I read books, I do it mostly for entertainment. On occasion, I may read something in hopes of gleaning something educational (such as non-fiction). Because of that, I don't tend to spend time looking for themes in a piece of material. That said, I would like to point my readers in the direction of <a href="https://vaguevisages.com/2017/05/08/book-review-gender-and-genre-in-aaron-j-frenchs-festival/"; target="_new">this excellently written review by Mike Thorn.</a>
Though I wouldn't place Festival among my favorite reads, it is definitely a book to look into. It's perfect if you only have a short amount of time and has enough of the occult in it to appease readers like me. I would like to thank Unnerving for providing me with a free copy for the purpose of unbiased review.
Festival begins on the slower side of things with flashbacks to Steve's abusive childhood with an alcoholic mother. His present-day girlfriend, though pretty, isn't much better. In a desperate bid to save their failing relationship, the two take an impromptu outing in search of a romantic vacation. They end up at Serenity Sanctum, a small campground and hot springs resort run by two women. The two quickly learn that they aren't alone. What begins as a dreadfully boring, typical last resort for a failing relationship quickly culminates in an action packed ending that fans of horror films like Teeth will love.
Though the plot is fairly intriguing, I must admit that the characters aren't anything special. At least, not the protagonist and his girlfriend. Cherie is far from perfect, as stated previously. Her alcoholism and her penchant for putting herself in risky situations undoes her, but Steve is no better. His misogynistic attitude justifies his blaming of Cherie for a past incident, which I won't go into detail. I don't like to give out spoilers, after all.
When I read books, I do it mostly for entertainment. On occasion, I may read something in hopes of gleaning something educational (such as non-fiction). Because of that, I don't tend to spend time looking for themes in a piece of material. That said, I would like to point my readers in the direction of <a href="https://vaguevisages.com/2017/05/08/book-review-gender-and-genre-in-aaron-j-frenchs-festival/"; target="_new">this excellently written review by Mike Thorn.</a>
Though I wouldn't place Festival among my favorite reads, it is definitely a book to look into. It's perfect if you only have a short amount of time and has enough of the occult in it to appease readers like me. I would like to thank Unnerving for providing me with a free copy for the purpose of unbiased review.
Neon's Nerd Nexus (360 KP) rated The House with a Clock in Its Walls (2018) in Movies
May 13, 2019
Hostle
#thehousewithaclockinitswalls is #hilarious, #mysterious & possibly one of the most #fun #family films I've seen in a while. Directed by #EliRoth (who is well know for his films #hostel, #cabinfever, #greeninferno, #knockknock & his small role in #ingloriousbastards) who wasn't really someone i expected to see directing a family movie at all, but im pleased to say i think he's found his forte here in what id say is quite possibly his best film in years. What Eli seems to just nail with this film is the mystery, suspense, discovery & #magic that so many #kids films try to pull of nowadays & fail. With clear influences from old #1930s films hwaciiw is #exciting, mysterious & creepy with a big sense of awe & wonder. Roth makes a great #cameo too in a scene that not only tells us what type of film he was going for but also showing us he really does have a knack for this too. Infact this film almost makes me look back at his other work with different eyes now realising his films are mostly throwbacks to the art of older film making when films were designed purely just to shock, dazzle, frighten & entertain the audience as if they were being watched live on a stage or in an old picturehouse. Bringing his #horror knowledge to this film too it has some quite generally #creepy scenes & some quite disturbing #creature design, make up & effects to. Acting is great & extremely over the top but its better for it with #jackblack being a constant absolute joy to watch. Themes of being yourself, standing up to people, confidence, taking responsibility & grieving are all handled well & a great subtle way of teaching kids that watch the film that life can be tough. Sets & props all look great giving the film a nice #vintage/#steampunk vibe & will cgi is alright there are some instances where it feels a tad cheap looking. Music is also magical & the film even made me feel quite #nostalgic at times too like i was watching an episode of #goosebumps or #areyouafraidofthedark. I pleasantly enjoyed this movie its #creative, #funny & filled me with the type of magical wonder i havent felt since maybe watching a #harrypotter film in the cinema. #odeon #odeonlimitless
Neon's Nerd Nexus (360 KP) rated Revenge (2018) in Movies
May 13, 2019
Doin it for the kill
#revengemovie is without question the best looking movie of #2018, its so slick & #stylish I'd go as far as saying its this years #drive. #Revenge has a standard #rape/revenge plot we've all seen a million times before but you'd be greatly mistaken by passing up on this one believe me. Part #horror part drama Revenge has one of the most amazing visual styles ive seen in a while. Colours are blinding at times almost to the point of over saturation giving the film heat & vibrancy. This mixed with some insanely #beautiful cinematography had me literally sat with my mouth open in amazement. Every scene seems meticulously shot with such purpose & precision that its hard to not feel like your watching a piece of #art. Top that with a #comicbook/#80s feel & tone & what you have here is film that feels so fresh you forget that this genre hasnt been done to death already. #Soundtrack wise its pure perfection too with synth music pulsing throughout its intoxicating & keeps the films momentum flowing well. Metaphors are absolutely everywhere but the main one i picked up on is #femaleempowerment. At the start of the film #male character are chauvinistic & dominant treating her as a possession rather than a person but once she gets impaled by a tree roles seem to reverse & we see her become the man in a kind of #twisted rebirth (the tree implement scene i also see as a metaphor for the pain they put her through & even while walking around she has severed tree branch sticking out of her stomach almost like it represents that she's the man now with the tree branch representing male genitalia). Even the tagline suggests themes of fighting domestic abuse too. Acting is superb with #matildaannaingridlutz literally dominating the #film not only with her acting but with her incredible #beauty too. Right from the start i was sucked right in by its beauty, unnerved by its atmosphere & repulsed by its gore but theres not a second of it i didnt #love. Half #french subtitled half #english dialog Revenge is a #violent, unnerving, grisly & down right #gorgeous piece of #cinema that i cant recommend enough. Perfection. #odeon #odeonlimitless #filmbuff #filmcritic #fridayfeeling #gore
Heather Cranmer (2721 KP) rated Final Girls in Books
Aug 20, 2018
Forgettable Book (1 more)
Overdone Plot
Just Okay
Final Girls by Riley Sager came highly recommended to. I was looking for a good horror book to read. While Final Girls wasn't a great read, it wasn't bad. Final Girls was just an okay read and nothing more.
The pacing is okay in Final Girls. It's not fast paced, but it's not slow either. I didn't hurry to finish this book at all. Every now and then the pacing would get better, but most times it was just okay.
The plot was alright. It's like every other slasher survival type books. Final Girls did have a few plot twists. Most were pretty predictable such as the one with Sam. I just felt like I had read and seen this plot line so many times before. Nothing really stood out with the plot of Final Girls.
The world building was done well. It was easy for me to be transported to the world of Final Girls. Even the attacks on the girls seemed realistic.
I liked the characters enough and felt that they were fairly well written. I did feel that Quincy was a little too gullible and trusting. There were times I had to shake my head at her. For example, I felt like she was too trusting of Samantha. It's like she just took her at her word all the time. Saying all that, I did love Quincy though. She did have a fighting spirit about her, and I loved her determination. Sam annoyed me. She was written well, but she annoyed me with how she said "babe" almost all the time. She was always so shady, and I never trusted her. Even though Jeff and Coop weren't major characters, I still liked them a lot. They just seemed like really nice guys.
There are some themes in this book such as violence, smoking, prescription drug abuse, alcohol, sex, and swearing. Nothing is too over the top, and it fits in with the book perfectly.
All in all, I feel as if Final Girls by Riley Sager is a forgettable book. Nothing really stands out plot wise or character wise. It's just an okay read, but it's been done before.
The pacing is okay in Final Girls. It's not fast paced, but it's not slow either. I didn't hurry to finish this book at all. Every now and then the pacing would get better, but most times it was just okay.
The plot was alright. It's like every other slasher survival type books. Final Girls did have a few plot twists. Most were pretty predictable such as the one with Sam. I just felt like I had read and seen this plot line so many times before. Nothing really stood out with the plot of Final Girls.
The world building was done well. It was easy for me to be transported to the world of Final Girls. Even the attacks on the girls seemed realistic.
I liked the characters enough and felt that they were fairly well written. I did feel that Quincy was a little too gullible and trusting. There were times I had to shake my head at her. For example, I felt like she was too trusting of Samantha. It's like she just took her at her word all the time. Saying all that, I did love Quincy though. She did have a fighting spirit about her, and I loved her determination. Sam annoyed me. She was written well, but she annoyed me with how she said "babe" almost all the time. She was always so shady, and I never trusted her. Even though Jeff and Coop weren't major characters, I still liked them a lot. They just seemed like really nice guys.
There are some themes in this book such as violence, smoking, prescription drug abuse, alcohol, sex, and swearing. Nothing is too over the top, and it fits in with the book perfectly.
All in all, I feel as if Final Girls by Riley Sager is a forgettable book. Nothing really stands out plot wise or character wise. It's just an okay read, but it's been done before.