Search
Search results
Andrew Thomas (363 KP) rated The Purge (2013) in Movies
Aug 12, 2020 (Updated Aug 19, 2020)
My first exposure to smart horror.
Contains spoilers, click to show
With the exception of SAW, I didn't have a high regard for modern horror films for a longtime...until I saw The Purge.
For starters, we have quality actors like Ethan Hawke and Lena Headey that portray two seemingly unsympathetic and unrelatable rich yuppies. But eventually they prove themselves to be resourceful and in possession of some morals...unlike the crazies outside who actively celebrate The Purge.
While the very notion of The Purge is outlandish and unrealistic in our own society, the writer/director does an amazing job grounding it in reality and making it appear to be possible. It also forces you to ruminate about yourself and what you would be capable of doing if you could behave however you wish without consequences. It also makes you take a closer glance at your friends and neighbors, forcing you to ruminate about how they might act during The Purge.
The only complaint I have is that the film throws alot of lore at you without any explanation. For example, the emergency broadcast alert that announces the commencement of The Purge includes the quote "blessed be our New Founding Fathers and America, a nation reborn" First time I saw this part I said "I don't like the sound of that" Who were these New Founding Fathers? What the hell has happened to America where The Purge is now the new normal?
In conclusion, The Purge restored my enthusiasm for modern horror and captured my imagination. I highly recommend it to anyone who is interested in ultra violent crime thrillers or dystopian future stories.
For starters, we have quality actors like Ethan Hawke and Lena Headey that portray two seemingly unsympathetic and unrelatable rich yuppies. But eventually they prove themselves to be resourceful and in possession of some morals...unlike the crazies outside who actively celebrate The Purge.
While the very notion of The Purge is outlandish and unrealistic in our own society, the writer/director does an amazing job grounding it in reality and making it appear to be possible. It also forces you to ruminate about yourself and what you would be capable of doing if you could behave however you wish without consequences. It also makes you take a closer glance at your friends and neighbors, forcing you to ruminate about how they might act during The Purge.
The only complaint I have is that the film throws alot of lore at you without any explanation. For example, the emergency broadcast alert that announces the commencement of The Purge includes the quote "blessed be our New Founding Fathers and America, a nation reborn" First time I saw this part I said "I don't like the sound of that" Who were these New Founding Fathers? What the hell has happened to America where The Purge is now the new normal?
In conclusion, The Purge restored my enthusiasm for modern horror and captured my imagination. I highly recommend it to anyone who is interested in ultra violent crime thrillers or dystopian future stories.
LeftSideCut (3778 KP) rated Ma (2019) in Movies
May 14, 2020
Ma is a relatively predictable and a would-be run of the mill horror thriller, if it wasn't for the mostly decent cast, and well realised slow build up.
Ma revolves around a group of teens inadvertently befriending a lonely older woman whilst trying to buy alcohol. The woman's sweet nature leads to her letting the teens and their friends use the basement of her house for police-free partying, and she becomes something a mother figure to them, nicknaming her 'Ma'. Things start to go a little awry when Ma becomes possessive, and a much more sinister plot unravels.
The film doesn't go full blown horror until the final act, meaning that the main chunk of runtime is a fairly slow burning thriller. It's paced pretty well for the most part, drip feeding details and hints that Ma is quite clearly unwell. It's also features flashbacks here and there, going some way to explain why she is the way she is. It's actually quite sad at times, and definitely plays the sympathy card on occasion. This wouldn't have worked nearly as well as it did without Octavia Spencer. She's the obvious highlight of the film and her friendly demeanor makes her character all the more unsettling.
The teenage characters are actually surprisingly likable as well. They're not particular fleshed out too much, and lack substance, but usually they're exclusively hateable in these kind of films.
Add in Juliette Lewis, Missy Pyles, and Luke Evans, and the cast is pretty solid.
I guess the main problem with Ma, is that's it's nothing special. It's painfully predictable at times - there's a lot of typical people-doing-obviously-dumb-shit-in-a-horror-film going on, and it's in your face enough to impact the overall movie.
It's still worth a watch though, even if it's just for Octavia Spencer.
Ma revolves around a group of teens inadvertently befriending a lonely older woman whilst trying to buy alcohol. The woman's sweet nature leads to her letting the teens and their friends use the basement of her house for police-free partying, and she becomes something a mother figure to them, nicknaming her 'Ma'. Things start to go a little awry when Ma becomes possessive, and a much more sinister plot unravels.
The film doesn't go full blown horror until the final act, meaning that the main chunk of runtime is a fairly slow burning thriller. It's paced pretty well for the most part, drip feeding details and hints that Ma is quite clearly unwell. It's also features flashbacks here and there, going some way to explain why she is the way she is. It's actually quite sad at times, and definitely plays the sympathy card on occasion. This wouldn't have worked nearly as well as it did without Octavia Spencer. She's the obvious highlight of the film and her friendly demeanor makes her character all the more unsettling.
The teenage characters are actually surprisingly likable as well. They're not particular fleshed out too much, and lack substance, but usually they're exclusively hateable in these kind of films.
Add in Juliette Lewis, Missy Pyles, and Luke Evans, and the cast is pretty solid.
I guess the main problem with Ma, is that's it's nothing special. It's painfully predictable at times - there's a lot of typical people-doing-obviously-dumb-shit-in-a-horror-film going on, and it's in your face enough to impact the overall movie.
It's still worth a watch though, even if it's just for Octavia Spencer.
Neon's Nerd Nexus (360 KP) rated Halloween (2018) in Movies
May 13, 2019
I got chills
#halloween? while at times extremely #silly is a very enjoyable & fitting tribute to the #johncarpenter original. I must confess I hadn't seen the #original Halloween until a few weeks ago (its 4k release) & found it to be incredibly tense, dripping in dread, unnerving & extremely #creepy with an awesome soundtrack. #Halloween2018 manages to lovingly recreate everything people love about the first one but doesn't manage to do it quite as well. While I did enjoy this film a heck of a lot it does have a lot of problems - first of all the first half fails to create a chilling atmosphere & any tension for that matter, there's just far to many silly jokes/bad humour & the pacing is far to fast with scenes rushing by quicker than a #michaelbay movie. This leaves no time for dread, tension or the #chills the creepy lingering shots the first film brought us & I really hoped it would slow down at some point & thankfully it does. Approaching the second half things take a real turn & the movie really starts to have #fun feeling less like a tv movie & more like a #horror film, there are some great stationary camera shots, cool cinematography moments, great imagery, messy deaths & some really suspenseful stalking scenes with genuinely scary reveals/brutal attacks. Soundtrack wise it also switches it up a bit while still feeling #nostalgic too & there's an amazing garden scene where it really heightens the fear & dread. Themes of #depression & how it can make us feel cast out/alone & how our mental burdens can be passed down & effect our our children are handled well while metaphors for fighting our demons together as a family also feel refreshing & current. Overall its opening 10 minutes are brilliant then the film makes some really bad choices but recovers itself well enough to make it a film that's so worth seeing at the cinema. A big #nostalgia trip done right & with all its flaws looking at the film now as a whole I think it works well & is a great #love letter to #80s #slasher films & to #terminator2 haha. #odeon #odeonlimitless #jamieleecurtis #michaelmyers #killer #gore #horror #scary #retro #fridayfeeling #filmbuff #filmcritic #mask #frightnight
LeftSideCut (3778 KP) rated Mandy (2018) in Movies
Oct 30, 2019 (Updated Oct 30, 2019)
A ride from start to finish
Mandy is an utterly bizarre experience, but it's one that kept me absolutely enthralled from beginning to end.
The basic plot is pretty simple - Red (Nicolas Cage) and Mandy (Andrea Riseborough) live an idyllic and secluded life until a run in with a cult-like group lead by Jeremiah Sand (Linus Roache).
After a night of terror falls on the couple, Red takes it upon himself to exact bloody vengeance on those who have harmed them.
This straightforward horror-revenge narrative however is washed in a truly striking example of filmaking.
The cinematography throughout is gorgeous, from huge sweeping shots, to grainier settings full of fog and red light. Director Panos Cosmatos lands numerous memorable shots and presents with a surreal visual experience with a continuous 80s vibe under the surface.
This distinct style paired with a beautiful synth heavy score from the late Jóhann Jóhannsson (which constantly reminded me of Twin Peaks) gives the movie a dream-like coating that gives the movie a really unsettling and downright creepy presence.
King Crimson plays over the opening credits also, which is always going to win me over!
The first half is a slow burner (the title card doesn't appear until 70 minutes in!), really taking advantage of everything mentioned above, before taking a pretty crazy, LSD drenched turn.
The gorier moments of Mandy happen here, and they're pretty effective, outlandish, but at the same time realistic. It certainly sticks with you as the movie slips further into a drug fuelled bloody nightmare. (there's a goddamn chainsaw duel!)
The cast are all pretty decent - Linus Roache makes for a menacing villain during his limited screentime, and his followers are suitably weird (the whole thing has a horrible Charles Manson vibe to it), and Nicolas Cage is both unnervingly restrained at times (even when drenched in blood) with the odd moment of full blown Cage that we've come to know and love.
Mandy deals with themes of love, revenge, toxic masculinity, religion, and cultism, all wrapped up in a truly outlandish and violent fever dream.
Some people love it, some people hate it, but it's certainly unlike any horror I've seen before and I though it's was pretty damn good.
The basic plot is pretty simple - Red (Nicolas Cage) and Mandy (Andrea Riseborough) live an idyllic and secluded life until a run in with a cult-like group lead by Jeremiah Sand (Linus Roache).
After a night of terror falls on the couple, Red takes it upon himself to exact bloody vengeance on those who have harmed them.
This straightforward horror-revenge narrative however is washed in a truly striking example of filmaking.
The cinematography throughout is gorgeous, from huge sweeping shots, to grainier settings full of fog and red light. Director Panos Cosmatos lands numerous memorable shots and presents with a surreal visual experience with a continuous 80s vibe under the surface.
This distinct style paired with a beautiful synth heavy score from the late Jóhann Jóhannsson (which constantly reminded me of Twin Peaks) gives the movie a dream-like coating that gives the movie a really unsettling and downright creepy presence.
King Crimson plays over the opening credits also, which is always going to win me over!
The first half is a slow burner (the title card doesn't appear until 70 minutes in!), really taking advantage of everything mentioned above, before taking a pretty crazy, LSD drenched turn.
The gorier moments of Mandy happen here, and they're pretty effective, outlandish, but at the same time realistic. It certainly sticks with you as the movie slips further into a drug fuelled bloody nightmare. (there's a goddamn chainsaw duel!)
The cast are all pretty decent - Linus Roache makes for a menacing villain during his limited screentime, and his followers are suitably weird (the whole thing has a horrible Charles Manson vibe to it), and Nicolas Cage is both unnervingly restrained at times (even when drenched in blood) with the odd moment of full blown Cage that we've come to know and love.
Mandy deals with themes of love, revenge, toxic masculinity, religion, and cultism, all wrapped up in a truly outlandish and violent fever dream.
Some people love it, some people hate it, but it's certainly unlike any horror I've seen before and I though it's was pretty damn good.
BobbiesDustyPages (1259 KP) rated Dorothy Must Die in Books
Jul 23, 2017
the description of OZ (2 more)
The cowardly lion
the rest if the original gang
the plot just went in circles (2 more)
no real heroes
never really found it's footing
Not so Wonderful Oz (read in 2014)
This book had so much potential to be really amazing and different but in the end it just fell short. The characters were bland and the plot just felt like it was going around in circles trying to find a point where the real plot could take off. I know this is the first in the series so I am holding out a little hope that maybe the second book will be better.
The only thing I really liked was the description of OZ and it's more horror induced characters. I feel like this has more potential to be a good TV show or movie over a book.
The only thing I really liked was the description of OZ and it's more horror induced characters. I feel like this has more potential to be a good TV show or movie over a book.
Dean (6926 KP) rated Attack the Block (2011) in Movies
Feb 11, 2018
Original
A great little low budget, English comedy horror! This has a good B movie feel to it, featuring a young, largely unknown cast it has a good balance of laughs at the silliness of it all, followed by moments of danger. I also like these type of films when they are grounded in a real setting, this being an every day council estate in South London. Also unexpected for this type of film is how well shot it is, good use of light and cinematography is plain to see in most scenes. The creature design while simple is pretty good. The only downer for me was some of the over use, of so much slang, but again there are teenagers who do talk like that! An enjoyable small budget film that will put a big smile on your face!
Book Divas (227 KP) rated Frank Made Lunch in Books
Jul 16, 2019
This is definitely not a read for people who have a delicate stomach or are repulsed by graphic and descriptive reads.
I myself loved the fact that this book really turned my stomach and the horrific story line blew away all rational thinking. This author found the darkest recesses of his mind and invited us in for an exclusive look.
My only con with Frank Made Lunch is that it is in need of editing but even that didn't stop me from giving it the rating that I felt it deserved.
This is the BEST horror book I've read this year and trust me...... you WANT to read this. I HIGHLY recommend you read this book and would love this made into a movie. I'll end this review by saying that Frank will remain inside my mind for many years to come.
I myself loved the fact that this book really turned my stomach and the horrific story line blew away all rational thinking. This author found the darkest recesses of his mind and invited us in for an exclusive look.
My only con with Frank Made Lunch is that it is in need of editing but even that didn't stop me from giving it the rating that I felt it deserved.
This is the BEST horror book I've read this year and trust me...... you WANT to read this. I HIGHLY recommend you read this book and would love this made into a movie. I'll end this review by saying that Frank will remain inside my mind for many years to come.
Awix (3310 KP) rated Little Joe (2019) in Movies
Mar 14, 2020
Offbeat Anglo-Austrian contribution to the botanical horror subgenre possibly makes too much of a virtue of understatement. A dedicated researcher breeds a special new flower with the ability to affect its owner's mood. But has she underestimated her creation's influence?
Clearly a movie which has been made with the greatest care and thought; every camera move and composition has obviously been planned for a reason. The plot is ultimately a somewhat derivative one (elements of Invasion of the Body Snatchers and perhaps even Rosemary's Baby are in the mix), but the slow-burning slide from normality into something rather unsettling is impeccably done, helped a lot by a strong performance from Emily Beecham in the lead role. The lack of a big, obvious genre climax is probably going to be an issue for many people, but very creepy and watchable nevertheless.
Clearly a movie which has been made with the greatest care and thought; every camera move and composition has obviously been planned for a reason. The plot is ultimately a somewhat derivative one (elements of Invasion of the Body Snatchers and perhaps even Rosemary's Baby are in the mix), but the slow-burning slide from normality into something rather unsettling is impeccably done, helped a lot by a strong performance from Emily Beecham in the lead role. The lack of a big, obvious genre climax is probably going to be an issue for many people, but very creepy and watchable nevertheless.
LeftSideCut (3778 KP) rated What We Do In The Shadows (2014) in Movies
Sep 27, 2020
What We Do in the Shadows is just great.
Pretty much every line of dialogue is hilarious, and very subtle most of the time.
There's a lot of funny dry humour here, excentuated wholeheartedly by the New Zealand accent.
Taika Waititi and Jemaine Clement are fantastic both behind and in front of camera, and the rest of the cast, in particular Cori Gonzalez-Macuer and Jonny Brugh are brilliant as well. Special kudos to Stu Rutherford for giving us a character that even vampires don't want to die.
The horror element is pretty good also. It plays on many vampire tropes well still managing to be suitably bloody when it needs to be.
What We Do in the Shadows is just an all round wonderful movie, something I find myself thinking for most things that Taika Waititi touches.
Pretty much every line of dialogue is hilarious, and very subtle most of the time.
There's a lot of funny dry humour here, excentuated wholeheartedly by the New Zealand accent.
Taika Waititi and Jemaine Clement are fantastic both behind and in front of camera, and the rest of the cast, in particular Cori Gonzalez-Macuer and Jonny Brugh are brilliant as well. Special kudos to Stu Rutherford for giving us a character that even vampires don't want to die.
The horror element is pretty good also. It plays on many vampire tropes well still managing to be suitably bloody when it needs to be.
What We Do in the Shadows is just an all round wonderful movie, something I find myself thinking for most things that Taika Waititi touches.
Kim Pook (101 KP) rated To All The Boys I've Loved Before (2018) in Movies
Aug 25, 2020
Contains spoilers, click to show
Imagine writing down your deepest darkest thoughts about your crush, and those thoughts get out to your crush. Well that's exactly what happens to Lara Jean, not once, not twice bit five times! You see, growing up Lara Jean wrote letters to any boy she developed a crush on and kept them hidden away for her eyes only. That is until her sister finds them and decides to mail them to the boys, the horror!
One of her ex crushes, Peter, uses this to his advantage and they both agree to pretend to date to make Peters ex girlfriend jealous. If like me, you're mad for romance films then you can pretty much guess where it goes from there. It is a feel good movie though and one that can be watched over and over again.
One of her ex crushes, Peter, uses this to his advantage and they both agree to pretend to date to make Peters ex girlfriend jealous. If like me, you're mad for romance films then you can pretty much guess where it goes from there. It is a feel good movie though and one that can be watched over and over again.