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Eamon T.Hennedy (4 KP) rated The Mindy Project - Season 1 in TV
Jun 21, 2019 (Updated Jun 21, 2019)
The first season of Mindy Kaling's comedy drama, along with its second, is probably one of the best romantic comedies to come from American network television in a while. In fact, the one that is equal to it is New Girl and they were both on Fox at the same time and shared the same night in the UK where they aired on E4.
In a time when adult flavoured romantic comedies are dying at the box office and are finding a home on streaming services such as Netflix, it's good to see that there is a conventional home for themand right from its opening episode, The Mindy Project is all about someone who has watched too many romantic comedies and wants their life to be one.
There are many references throughout to the works of Nora Ephron and Garry Marshall, and with Kaling on writing and lead acting duties, the series work wonders. Even better, it's filled with an ensemble cast that works brilliantly. The series will have a rotating cast throughout its six season on the air, but it says something that at this stage that Ike Barinholtz is a scene stealer from the point he shows up.
The cast does rotate around the place until it settles down in season two, the most notable high profile member of the first season being Anna Camp who disappears halfway through, while Amanda Setton's character Shauna also disappears without a mention.
It would be nothing without Kaling who holds it together brilliantly. The first two seasons are a lighter concoction compared to where the series will go post-season two, not to mention its move to Hulu, but with rom-com successes like Crazy Rich Asians being all too rare nowadays, it's good to know a series with charm, sophistication, and not afraid of the odd fart joke every now and then could find a home on a mainstream network, even if it was for three seasons.
In a time when adult flavoured romantic comedies are dying at the box office and are finding a home on streaming services such as Netflix, it's good to see that there is a conventional home for themand right from its opening episode, The Mindy Project is all about someone who has watched too many romantic comedies and wants their life to be one.
There are many references throughout to the works of Nora Ephron and Garry Marshall, and with Kaling on writing and lead acting duties, the series work wonders. Even better, it's filled with an ensemble cast that works brilliantly. The series will have a rotating cast throughout its six season on the air, but it says something that at this stage that Ike Barinholtz is a scene stealer from the point he shows up.
The cast does rotate around the place until it settles down in season two, the most notable high profile member of the first season being Anna Camp who disappears halfway through, while Amanda Setton's character Shauna also disappears without a mention.
It would be nothing without Kaling who holds it together brilliantly. The first two seasons are a lighter concoction compared to where the series will go post-season two, not to mention its move to Hulu, but with rom-com successes like Crazy Rich Asians being all too rare nowadays, it's good to know a series with charm, sophistication, and not afraid of the odd fart joke every now and then could find a home on a mainstream network, even if it was for three seasons.
Charlie Cobra Reviews (1840 KP) rated The Promised Neverland in TV
Jul 7, 2020
A Stand Out From This Spring Season Anime
The Promised Neverland is a 2019 dark fantasy/sci-fi/thriller anime directed by Mamoru Kanbe and written by Toshiya Ono, and music by Takahiro Obata. It was animated by CloverWorks Studio and originally aired in Japan from January to March. The series was streamed on Crunchyroll, Hulu, FunimationNow and Hidive by Animplex of America and aired on Toonami in April. A second season was announced and planned for 2020.
For Emma, an 11-year old orphan living in Grace Field House, life has never been better. Her and 37 other orphans enjoy gourmet food, plush beds, clean clothes, games, and the love of their "Mother", Isabella, the caretaker. The orphans are allowed complete freedom, except to venture beyond the grounds or the gate, which connects the house to the outside world. One night Emma and Norman (another orphan) find the dead body of an orphan who was sent away to be adopted at the gate. This is where they realize the truth of their existence in the orphanage and become determined to break out of Grace Field House and escape along with their other siblings.
This show was a welcomed change for me from the normal anime I watch and very different. I enjoy anime like this that make you think and have a bit of mystery to them. For those looking for something that doesn't involve fighting, powering up, blasts or transformations then this is something that you might want to check out. This anime intrigued me right away from the first episode by it's premise and what it alluded to. I really liked the characters and their personalities and they way they used their intelligence especially since they are all portrayed as children. I kept trying to figure out where the plot was going with it and happily surprised that I couldn't always guess where it was going. This is definitely one of the stand outs from the spring anime season. I give it a 8/10 and it gets my "Must See Seal Of Approval".
For Emma, an 11-year old orphan living in Grace Field House, life has never been better. Her and 37 other orphans enjoy gourmet food, plush beds, clean clothes, games, and the love of their "Mother", Isabella, the caretaker. The orphans are allowed complete freedom, except to venture beyond the grounds or the gate, which connects the house to the outside world. One night Emma and Norman (another orphan) find the dead body of an orphan who was sent away to be adopted at the gate. This is where they realize the truth of their existence in the orphanage and become determined to break out of Grace Field House and escape along with their other siblings.
This show was a welcomed change for me from the normal anime I watch and very different. I enjoy anime like this that make you think and have a bit of mystery to them. For those looking for something that doesn't involve fighting, powering up, blasts or transformations then this is something that you might want to check out. This anime intrigued me right away from the first episode by it's premise and what it alluded to. I really liked the characters and their personalities and they way they used their intelligence especially since they are all portrayed as children. I kept trying to figure out where the plot was going with it and happily surprised that I couldn't always guess where it was going. This is definitely one of the stand outs from the spring anime season. I give it a 8/10 and it gets my "Must See Seal Of Approval".
Erika (17788 KP) rated Kindred (2020) in Movies
Jul 10, 2021
Kindred is a psychological thriller/horror about the reluctantly pregnant Charlotte (Tamara Lawrance) after her boyfriend, Ben (Edward Holcroft), dies in a workplace accident. After this accident, Charlotte is taken in by Ben’s mother (Fiona Shaw), and creepy stepbrother, Thomas (Jack Lowden). They proceed to basically torture her and question her sanity.
Prior to the accident, Charlotte and Ben visit the decrepit family home to announce they’re moving to Australia for a new start. It obviously did not go over well. After this visit, Charlotte finds out she’s pregnant, and that news gets passed around the small town, and that's how Ben finds out. Charlotte expresses that she doesn’t necessarily want the baby, but it was pretty much brushed aside – red flag, RUN GIRL!
This is when the main portion of the film begins, and they take her in under the guise of taking care of her and the baby. It was pretty obvious the only reason they took care of her, because she was the incubator for the grandchild.
This was basically a 21st Century version of Gaslight (1940/1944). The film wasn’t necessarily unique, and the ending was as expected. As always with films now, it’s about the journey, since you already know the end. There was very heavy-handed symbolism with the crow, which for me, began to get a little tedious, but I understood why it was there.
Full disclosure, I only watched the film because Jack Lowden was in it. I figured, if it’s not good, at least there was someone pretty to look at. As I watched this, I asked myself, is Thomas just a really beautiful dummy who constantly announces he’s making lunch? Hmm.
Tamara Lawrance was great in the film, she was compelling, and you did hope that she would be successful in escaping from the creepy family, and wallpaper-peeling house. Also, I liked that she correctly portrayed the serious frustration of expressing concern to doctors and other medical personnel, and not being taken seriously because the issues are related to female reproductive organs.
My curiosity was what made me keep watching, but I wasn’t necessarily completely engaged the entire time. The tension didn’t really stay the entire time. Although I did have the issues with the predictability, I did still surprising like the film. I’m glad I didn’t let it Rest in Peace in my Hulu watchlist graveyard.
Prior to the accident, Charlotte and Ben visit the decrepit family home to announce they’re moving to Australia for a new start. It obviously did not go over well. After this visit, Charlotte finds out she’s pregnant, and that news gets passed around the small town, and that's how Ben finds out. Charlotte expresses that she doesn’t necessarily want the baby, but it was pretty much brushed aside – red flag, RUN GIRL!
This is when the main portion of the film begins, and they take her in under the guise of taking care of her and the baby. It was pretty obvious the only reason they took care of her, because she was the incubator for the grandchild.
This was basically a 21st Century version of Gaslight (1940/1944). The film wasn’t necessarily unique, and the ending was as expected. As always with films now, it’s about the journey, since you already know the end. There was very heavy-handed symbolism with the crow, which for me, began to get a little tedious, but I understood why it was there.
Full disclosure, I only watched the film because Jack Lowden was in it. I figured, if it’s not good, at least there was someone pretty to look at. As I watched this, I asked myself, is Thomas just a really beautiful dummy who constantly announces he’s making lunch? Hmm.
Tamara Lawrance was great in the film, she was compelling, and you did hope that she would be successful in escaping from the creepy family, and wallpaper-peeling house. Also, I liked that she correctly portrayed the serious frustration of expressing concern to doctors and other medical personnel, and not being taken seriously because the issues are related to female reproductive organs.
My curiosity was what made me keep watching, but I wasn’t necessarily completely engaged the entire time. The tension didn’t really stay the entire time. Although I did have the issues with the predictability, I did still surprising like the film. I’m glad I didn’t let it Rest in Peace in my Hulu watchlist graveyard.
Kristy H (1252 KP) rated Little Fires Everywhere in Books
Mar 19, 2020
Truly, I've been meaning to read this one for ages, but those Hulu promos with Reese Witherspoon and Kerry Washington really did push me over the edge. Shaker Heights is a planned community in Ohio, focused on perfection. No one loves the community more than Elena Richardson, who has lived there most of her life. She and her husband have four children, and Elena works as a reporter for a local paper. They also rent a townhouse to deserving tenants. Their latest project is Mia Warren and her daughter, Pearl. Mia is an artist and Pearl goes to high school with the Richardson kids. Mia is everything Shaker is not--mysterious, interesting, and different. When Elena's friends try to adopt a Chinese-American baby, a battle erupts within Shaker Heights that splits the town--and Mia and Elena. Elena starts digging into Mia's past, but her obsession with this woman will soon put both Mia and herself at risk.
I'm not sure there's much I can say about this popular book that hasn't been said before. I'm often hesitant to read hyped books, fearing a letdown, but I really enjoyed this one. It's mesmerizing, drawing you into Shaker Heights, as one event keeps leading to another, things unfolding before your eyes. Disaster, you know, is waiting right around the corner.
Ng flirts constantly with the idea of being different--Pearl, for instance, isn't sure she likes being different--and loves spending time with the Richardson kids, who seem so average and normal. There are others who are scared of being different. We see different ideas of conformity. And the thread of fires--big and small--real and metaphorical--throughout the entire novel. Ng is an excellent writer; I was really impressed with how everything tied together. She captures the everyday moments so well.
The whole book was incredibly compelling; I had not realized that there was a mystery element to this one, as Elena digs into Mia's past. I was fascinated, and I loved how real each of the characters seemed. The four Richardson kids are unique in their own way, and of course, Mia, Elena, and Pearl are quite captivating. The world-building and storytelling here is amazing.
Overall, this book is just fascinating. I was hooked from the beginning and awed by the excellent writing, as well. I'm extremely curious how this will translate to tv (and what liberties they will take with the story). 4.5 stars.
I'm not sure there's much I can say about this popular book that hasn't been said before. I'm often hesitant to read hyped books, fearing a letdown, but I really enjoyed this one. It's mesmerizing, drawing you into Shaker Heights, as one event keeps leading to another, things unfolding before your eyes. Disaster, you know, is waiting right around the corner.
Ng flirts constantly with the idea of being different--Pearl, for instance, isn't sure she likes being different--and loves spending time with the Richardson kids, who seem so average and normal. There are others who are scared of being different. We see different ideas of conformity. And the thread of fires--big and small--real and metaphorical--throughout the entire novel. Ng is an excellent writer; I was really impressed with how everything tied together. She captures the everyday moments so well.
The whole book was incredibly compelling; I had not realized that there was a mystery element to this one, as Elena digs into Mia's past. I was fascinated, and I loved how real each of the characters seemed. The four Richardson kids are unique in their own way, and of course, Mia, Elena, and Pearl are quite captivating. The world-building and storytelling here is amazing.
Overall, this book is just fascinating. I was hooked from the beginning and awed by the excellent writing, as well. I'm extremely curious how this will translate to tv (and what liberties they will take with the story). 4.5 stars.
Charlie Cobra Reviews (1840 KP) rated Smashbomb in Apps
Jul 9, 2020
Smashbomb Review
Smashbomb is a pretty cool social media app for entertainment recommendations. What do I mean? Well, you can rate and review all kinds of things like movies, tv shows, books and more; as well as discover things through recommendations too. You can also recommend stuff to your friends and follow each other to see what stuff they've recently reviewed. Find out what they love or what they hate, or what they really felt about a certain movie/tv show, etc.. You can even join "Orbs" which are groups where you can talk with other members about different topics related to recommendations. You earn points for adding reviews and rating things and even earn different badges for contributing that show off your status in the community. There's even a system of points called Kudos points that you earn for adding reviews and ratings and the more you earn the more you can give to friends and followers. These points are used to enter giveaways where you can win all kinds of prizes from Funko Pops, DVDs, table top games and even video games.
So in conclusion, I think this app is pretty awesome. I've been using it now for a couple of weeks and have really been enjoying it. It's pretty fun adding reviews for movies and shows I've seen, earning points towards winning awards and also giving points to other people writing reviews helping them get more points to win stuff too. And the best is just finding something cool that you haven't heard about before like a movie or tv show you were thinking about watching but weren't sure about. Because there's nothing that sucks like staring at the menu screen at Netflix/Hulu/Prime etc... and not knowing what to watch and just staring at that screen for 15 mins. Especially with things like fake reviews and trolls out there and paid reviews that hype up a movie that you wind up spending good money on seeing in theaters only to feel like you were robbed. It's a cool place to get some good opinions and if you get your friends to join or add in the fun then you will be able to see and share your reviews, ratings with each other and actually know who they're coming from.
So in conclusion, I think this app is pretty awesome. I've been using it now for a couple of weeks and have really been enjoying it. It's pretty fun adding reviews for movies and shows I've seen, earning points towards winning awards and also giving points to other people writing reviews helping them get more points to win stuff too. And the best is just finding something cool that you haven't heard about before like a movie or tv show you were thinking about watching but weren't sure about. Because there's nothing that sucks like staring at the menu screen at Netflix/Hulu/Prime etc... and not knowing what to watch and just staring at that screen for 15 mins. Especially with things like fake reviews and trolls out there and paid reviews that hype up a movie that you wind up spending good money on seeing in theaters only to feel like you were robbed. It's a cool place to get some good opinions and if you get your friends to join or add in the fun then you will be able to see and share your reviews, ratings with each other and actually know who they're coming from.
BankofMarquis (1832 KP) rated Prey (2022) in Movies
Aug 12, 2022
Less Is More - And It Works!
In 1987, at the height of the ‘80’s action movie craze with the likes of Stallone, Van Damme, Segal, Norris and Willis, Arnold Schwarzenegger came out with what on the surface looked like a throw away macho, sci-fi action flick, PREDATOR. What it turned out to be was one of the all-time classic action films.
It has taken 35 years for a sequel (in this case, a prequel) to be mentioned in the same stratosphere as the first.
While the other 5 sequels (if you count the Alien vs. Predator cross-over films) delve deeper and harder into the science fiction and macho-action of the first film, the straight-to-streaming prequel PREY (on Hulu and now on Disney+) decided to go in the other direction, it simplified the Predator/Prey dynamic, eschewing deep sci-fi mythology and settled on the “less is more” dictum of storytelling to great affect.
Set in the Midwestern Plains in the 1710’s, PREY follows a group of Comanches as they live their unassuming lifestyle - living off and giving back to the land. A lifestyle that is slowly being encroached upon by foreign entities. At first these “aliens” are terrestrial in nature (the approach of the White Man, in this case, they are in the guise of French Voyageurs), but later, in it takes the form of the extraterrestrial Predator. It’s an interesting juxtaposition of the duo forces outside of what this tribe of Native Americans know - and how they deal with it.
Leading us into the conflict are the main protagonists - the brother/sister combo of Naru (Amber Midthunder, HELL OR HIGHWATER) and her older brother, Taabe (Dakota Beavers, in what is his feature film debut). These 2 - along with their Comanche brethren track and then begin to understand what they are encountering and since they know they are out-gunned, they need to outsmart the Predator.
This could have devolved, quickly, into a gorey, CGI-fest of carnage, but in the careful hands of Director Dan Trachtenberg (10 CLOVERFIELD LANE) and with an interesting screenplay by Trachtenberg and Patrick Aison, this film becomes a thoughtful, intelligence game of wits that is satisfying on both sides.
Midthunder and Beavers are very strong in their roles of the brother and sister Comanches and they are 2 characters that you quickly start rooting for in their battle. These characters are drawn in an interesting, 3-dimensional, way and are a pair that you want to spend these 2 hours of struggle with.
Trachtenberg helps these 2 - and the story - by setting a deliberate pace, as if you the audience are thinking and encountering things along with these 2. There are long bits of thought and talk highlighted by spikes of action that are well choreographed and interesting, but really add to the depths of the characters.
I am as surprised as you are that I encountered an interesting character study in disguise in an action-packed Predator film - but that is just what this is…and very well done to boot.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
It has taken 35 years for a sequel (in this case, a prequel) to be mentioned in the same stratosphere as the first.
While the other 5 sequels (if you count the Alien vs. Predator cross-over films) delve deeper and harder into the science fiction and macho-action of the first film, the straight-to-streaming prequel PREY (on Hulu and now on Disney+) decided to go in the other direction, it simplified the Predator/Prey dynamic, eschewing deep sci-fi mythology and settled on the “less is more” dictum of storytelling to great affect.
Set in the Midwestern Plains in the 1710’s, PREY follows a group of Comanches as they live their unassuming lifestyle - living off and giving back to the land. A lifestyle that is slowly being encroached upon by foreign entities. At first these “aliens” are terrestrial in nature (the approach of the White Man, in this case, they are in the guise of French Voyageurs), but later, in it takes the form of the extraterrestrial Predator. It’s an interesting juxtaposition of the duo forces outside of what this tribe of Native Americans know - and how they deal with it.
Leading us into the conflict are the main protagonists - the brother/sister combo of Naru (Amber Midthunder, HELL OR HIGHWATER) and her older brother, Taabe (Dakota Beavers, in what is his feature film debut). These 2 - along with their Comanche brethren track and then begin to understand what they are encountering and since they know they are out-gunned, they need to outsmart the Predator.
This could have devolved, quickly, into a gorey, CGI-fest of carnage, but in the careful hands of Director Dan Trachtenberg (10 CLOVERFIELD LANE) and with an interesting screenplay by Trachtenberg and Patrick Aison, this film becomes a thoughtful, intelligence game of wits that is satisfying on both sides.
Midthunder and Beavers are very strong in their roles of the brother and sister Comanches and they are 2 characters that you quickly start rooting for in their battle. These characters are drawn in an interesting, 3-dimensional, way and are a pair that you want to spend these 2 hours of struggle with.
Trachtenberg helps these 2 - and the story - by setting a deliberate pace, as if you the audience are thinking and encountering things along with these 2. There are long bits of thought and talk highlighted by spikes of action that are well choreographed and interesting, but really add to the depths of the characters.
I am as surprised as you are that I encountered an interesting character study in disguise in an action-packed Predator film - but that is just what this is…and very well done to boot.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Phillip McSween (751 KP) rated Hannie Caulder (1971) in Movies
Oct 31, 2019
You'll Have a Blast Watching This
Set in the western frontier days, a woman seeks revenge after a gang of bandits abuse her and kill her husband.
Acting: 8
No one is winning any awards, but they get the job done. Raquel Welch holds her own in her primary role as Hannie Caulder. She’s tough as nails and I love the perfect timing with which she delivers her quips. It’s fun watching her kick all the ass. Shout-out to Robert Culp as well playing the role of gunslinger Thomas Luther Price. He approaches his role with the calm demeanor of one that only kills when he has to. Both actors killed it.
The ones playing the bandits, however, did not. it was like watching the Three Stooges try and be bad guys. Fortunately they didn’t ruin the enjoyment of the movie as it made me want them to get theirs even more.
Beginning: 10
First ten minutes does the job of a true beginning: Sets up the plot while getting you excited to watch the rest of the movie. By the end of it, you know who’s bad, who’s good, and who needs to be avenged. Let the rest of the movie commence!
Characters: 8
Loved the protagonists as characters, not so much the bad guys as mentioned above. The villains were bumbling idiots who seemed to do bad things off sheer luck. Fortunately Hannie and her motivation for revenge was enough to carry the story. While I thought they could’ve put more clothes on the poor girl (she spends most of the movie in a poncho with nothing underneath), her rise to becoming a gunslinger was fun to watch.
Cinematography/Visuals: 8
There are some really beautiful shots I adored in the movie. At the very beginning, we see Hannie standing over her dead husband against the backdrop of her burning home. It feels almost poetic. Beautiful shots of the landscape are captured so perfectly. The gun battles were also shot in such a way that the deaths felt more realistic which was a nice touch.
Conflict: 10
Entertainment Value: 9
You want fun? Check! Cool gun fights? Check! A quest for revenge that you can get behind? Done and done. I would be surprised if you didn’t have a blast during the film’s 85-minute runtime.
Memorability: 6
Pace: 10
Plot: 8
Much like Wonder Woman, the only thing this movie really suffers from is an unnecessary romance. it felt forced and happened way too quick. Hannie, like Diana, doesn’t need a man, not even in the slightest. Even if Thomas hadn’t trained her, I feel like she would have learned her way around a gun as her desire for revenge was so strong. You don’t need to fall in love to have a desire to kick ass. If anything, throwing love into the mix should have made Hannie question her motives. The rest of the story, though linear, was solid.
Resolution: 10
Overall: 87
I don’t say this lightly: I really enjoyed this movie. As campy as it can feel at times, a strong female lead makes it unique and memorable. If you like westerns, or even if you just like good movies, check this one out now for free on Amazon Prime Video or Hulu.
Acting: 8
No one is winning any awards, but they get the job done. Raquel Welch holds her own in her primary role as Hannie Caulder. She’s tough as nails and I love the perfect timing with which she delivers her quips. It’s fun watching her kick all the ass. Shout-out to Robert Culp as well playing the role of gunslinger Thomas Luther Price. He approaches his role with the calm demeanor of one that only kills when he has to. Both actors killed it.
The ones playing the bandits, however, did not. it was like watching the Three Stooges try and be bad guys. Fortunately they didn’t ruin the enjoyment of the movie as it made me want them to get theirs even more.
Beginning: 10
First ten minutes does the job of a true beginning: Sets up the plot while getting you excited to watch the rest of the movie. By the end of it, you know who’s bad, who’s good, and who needs to be avenged. Let the rest of the movie commence!
Characters: 8
Loved the protagonists as characters, not so much the bad guys as mentioned above. The villains were bumbling idiots who seemed to do bad things off sheer luck. Fortunately Hannie and her motivation for revenge was enough to carry the story. While I thought they could’ve put more clothes on the poor girl (she spends most of the movie in a poncho with nothing underneath), her rise to becoming a gunslinger was fun to watch.
Cinematography/Visuals: 8
There are some really beautiful shots I adored in the movie. At the very beginning, we see Hannie standing over her dead husband against the backdrop of her burning home. It feels almost poetic. Beautiful shots of the landscape are captured so perfectly. The gun battles were also shot in such a way that the deaths felt more realistic which was a nice touch.
Conflict: 10
Entertainment Value: 9
You want fun? Check! Cool gun fights? Check! A quest for revenge that you can get behind? Done and done. I would be surprised if you didn’t have a blast during the film’s 85-minute runtime.
Memorability: 6
Pace: 10
Plot: 8
Much like Wonder Woman, the only thing this movie really suffers from is an unnecessary romance. it felt forced and happened way too quick. Hannie, like Diana, doesn’t need a man, not even in the slightest. Even if Thomas hadn’t trained her, I feel like she would have learned her way around a gun as her desire for revenge was so strong. You don’t need to fall in love to have a desire to kick ass. If anything, throwing love into the mix should have made Hannie question her motives. The rest of the story, though linear, was solid.
Resolution: 10
Overall: 87
I don’t say this lightly: I really enjoyed this movie. As campy as it can feel at times, a strong female lead makes it unique and memorable. If you like westerns, or even if you just like good movies, check this one out now for free on Amazon Prime Video or Hulu.