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Gareth von Kallenbach (980 KP) rated Constantine (2005) in Movies
Aug 14, 2019
The battle between Heaven and Hell has been chronicled numerous times on film. Ranging from the “Omen” and “Exorcist” series to the recent “Hellboy” and “End of Days”, Hollywood has never shied away from the struggle between good and evil and audiences have usually responded by attending in droves.
The latest entry into the genre is Constantine, which chronicles the exploits of supernatural detective John Constantine (Keanu Reeves), who is tasked to walk the line between good and evil to make sure that balance is maintained. John is a very troubled individual and his transactions with angels and demons have warped his views on life, humanity, and the afterlife.
Due to things in his past, John is trying to right his wrongs so he can gain a place in heaven, toward that end, the forces of Hell are trying there best to ensure that John is unable to gain redemption so they will be able to collect his soul, and repay him for all of their minions that he has vanquished over the years.
As if this was not bad enough, the rules between Heaven and Hell seem to be blurring as there is a growing demon presence on Earth which does not bode well for the future of humanity. It is learned that there is an agreement in place that there can be no direct contact, only influence to humans giving them the freedom to pick between good and evil and thus the fate of ones soul.
When a local detective named Angela (Rachael Weisz), contacts John, she is desperate to learn the truth behind her twin sister’s apparent suicide. Although skeptical at first, John soon learns that he and Angela have become players in a much larger game with the very fate of humanity dependant upon their actions.
Before long, John and Angela are facing off against legions of Hell’s minions as they attempt to save the soul of Angela’s sister and save humanity.
The film will be different things to many viewers as on one hand; some many take exception to the story and the bland tone and mannerisms of Reeves, as well as some of the films theological stances.
That being said, the film works, the action is good without being in your face as the computer generated effects enhance the film, complimenting the story and actors rather than upstaging them. The film has a murky look to it which sets the tone perfectly as this is not a happy movie filled with lovable people, instead it is a tail of people trying to do what is right and staying true to their beliefs though surrounded by temptations and numerous chances to stray.
Reeves plays Constantine as a man who is dedicated to what he does, but also shows us that he is unhappy with his life and past choices as they have forever haunted him. John is forced to do things he would rather not do as it is the only chance he has left at redemption and this has seen him deteriorate as he feels he is a tool that is being used with no end in sight.
Weisz does a good job with a very limited role as she is able to keep up with the action without falling prey to the damsel in distress mode that haunted her character in the “Mummy Films”. Singer Gavin Rossdale does a good job as the smarmy demon Balthazar who is a constant bane to John.
Despite the occasional hiccups with the plot and Reeves inability to show range or expressions, for the most part Constantine works and looks to be a good starting point for what is likely to be a franchise series for Warner Bros.
The latest entry into the genre is Constantine, which chronicles the exploits of supernatural detective John Constantine (Keanu Reeves), who is tasked to walk the line between good and evil to make sure that balance is maintained. John is a very troubled individual and his transactions with angels and demons have warped his views on life, humanity, and the afterlife.
Due to things in his past, John is trying to right his wrongs so he can gain a place in heaven, toward that end, the forces of Hell are trying there best to ensure that John is unable to gain redemption so they will be able to collect his soul, and repay him for all of their minions that he has vanquished over the years.
As if this was not bad enough, the rules between Heaven and Hell seem to be blurring as there is a growing demon presence on Earth which does not bode well for the future of humanity. It is learned that there is an agreement in place that there can be no direct contact, only influence to humans giving them the freedom to pick between good and evil and thus the fate of ones soul.
When a local detective named Angela (Rachael Weisz), contacts John, she is desperate to learn the truth behind her twin sister’s apparent suicide. Although skeptical at first, John soon learns that he and Angela have become players in a much larger game with the very fate of humanity dependant upon their actions.
Before long, John and Angela are facing off against legions of Hell’s minions as they attempt to save the soul of Angela’s sister and save humanity.
The film will be different things to many viewers as on one hand; some many take exception to the story and the bland tone and mannerisms of Reeves, as well as some of the films theological stances.
That being said, the film works, the action is good without being in your face as the computer generated effects enhance the film, complimenting the story and actors rather than upstaging them. The film has a murky look to it which sets the tone perfectly as this is not a happy movie filled with lovable people, instead it is a tail of people trying to do what is right and staying true to their beliefs though surrounded by temptations and numerous chances to stray.
Reeves plays Constantine as a man who is dedicated to what he does, but also shows us that he is unhappy with his life and past choices as they have forever haunted him. John is forced to do things he would rather not do as it is the only chance he has left at redemption and this has seen him deteriorate as he feels he is a tool that is being used with no end in sight.
Weisz does a good job with a very limited role as she is able to keep up with the action without falling prey to the damsel in distress mode that haunted her character in the “Mummy Films”. Singer Gavin Rossdale does a good job as the smarmy demon Balthazar who is a constant bane to John.
Despite the occasional hiccups with the plot and Reeves inability to show range or expressions, for the most part Constantine works and looks to be a good starting point for what is likely to be a franchise series for Warner Bros.
Suswatibasu (1703 KP) rated The Book of the Unnamed Midwife in Books
Oct 24, 2017 (Updated Oct 24, 2017)
A dark dystopian tale about prejudice
This is a pretty excellent dystopian novel, almost like an amalgamation of The Road and The Handmaid's Tale, exploring women's role in an apocalyptic setting.
After a fever kills most of the Earth's population, specifically women and children, making childbirth deadly, a midwife attempts to survive an extremely precarious situation for her gender. In the new world, women are routinely raped and sold, used as baby making machines and commodified as a bartering tool.
Her only option is to disguise herself as a man and attempt to make her way across the country in search for a beacon of hope. She faces age-old prejudices, such as religion and patriarchy, while trying to be a guide to humanity.
No doubt, it is extremely dark, and some of it is very disturbing, so brace yourself for feeling a little queasy.
After a fever kills most of the Earth's population, specifically women and children, making childbirth deadly, a midwife attempts to survive an extremely precarious situation for her gender. In the new world, women are routinely raped and sold, used as baby making machines and commodified as a bartering tool.
Her only option is to disguise herself as a man and attempt to make her way across the country in search for a beacon of hope. She faces age-old prejudices, such as religion and patriarchy, while trying to be a guide to humanity.
No doubt, it is extremely dark, and some of it is very disturbing, so brace yourself for feeling a little queasy.
Cassie (47 KP) rated Dunkirk (2017) in Movies
Jul 31, 2017
Direction, duh (3 more)
Cinematography
Score, bless you, Hans Zimmer
Cast/Acting
The Stuff of Nolan Dreams
If you're a fan of Christopher Nolan, this is the stuff of your dreams. The film may be about WWII, but it is a departure from war films as we've come to know them, and this is a good thing! The film keeps you on the edge of your seat with it's amazing score and sound design and without any gratuitous shots of death. Nolan's decision to *purposely* omit backstories for the characters works because it has nothing to do with their lives before we meet them. This is a film about humanity and survival and I didn't feel any less connected to the characters because I "didn't know" them. If anything, it's a testament to Nolan's writing and intuition that you can feel so connected to characters without prior backstory.
Sean Farrell (9 KP) rated The Meaning of Human Existence in Books
Mar 15, 2018
This book may not be very long, but it does leave you with a lot to think about. The title is somewhat misleading, as of course that answer isn't really provided. I can't say I expected it would be as that is possibly something we can't ever really "know". That being said, the essays within leave you with a lot of pieces of the puzzle to help you piece it together as best as possible for yourself. Much of the book focuses on the scientific reasons for our existence, meaning evolution, but not just of the physical variety, but also the sociological, which provided for many of the book's most fascinating moments. I don't know that I feel all that much closer to understanding the meaning of human existence, but I do feel I learned some interesting things about the very nature of humanity, and that's something.
David McK (3652 KP) rated T2: The Future War (Gollancz) in Books
Jan 30, 2019 (Updated Dec 13, 2020)
Final part of S.M. Stirling's trilogy of books that present an alternate story than that told in <i>T3: Rise of the Machines</i> and <i>Terminator: Salvation</i>.
Unlike the previous two entries (<i>T2: Infiltrator</i> and <i>T2: Rising Storm</i>), this is not so much the one-on-one of the Connors versus a single Terminator, but is rather humanity versus Skynet which, remember, had become sentient at the end of the last novel. While the beginning of the novel does take place pre-Judgement day, the bulk of it actually takes place during the war itself: a war only hinted at in the first two films.
I quite enjoyed this read, and how it tied into both the films and earlier novels. In short, one of the better expanded universe novels out there (though you would have to read the first two first).
Unlike the previous two entries (<i>T2: Infiltrator</i> and <i>T2: Rising Storm</i>), this is not so much the one-on-one of the Connors versus a single Terminator, but is rather humanity versus Skynet which, remember, had become sentient at the end of the last novel. While the beginning of the novel does take place pre-Judgement day, the bulk of it actually takes place during the war itself: a war only hinted at in the first two films.
I quite enjoyed this read, and how it tied into both the films and earlier novels. In short, one of the better expanded universe novels out there (though you would have to read the first two first).
The Marinated Meeple (1853 KP) rated 1917 (2020) in Movies
Jan 29, 2020
Truly a movie worth seeing in the theater, best of this year by far!
I don't love war movies and I was hesitant to see it, as watching large amounts of people shooting and killing each other doesn't make me happy. But this movie is about surviving, and going on, and making the best of things, and doing your job. It's also about heroism, and humanity. Yes it is beautiful and gritty and uncomfortable, it's all things you think it should be. This might even be one of the best movies I've seen in multiple years.... I'd have to think on it some more, but this is one of the most satisfied times I've ever left a movie theater feeling. And a great date night film, ripe for discussion afterwards over dinner, or dessert.
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