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Phillip McSween (751 KP) rated Rear Window (1954) in Movies
Dec 24, 2018
Great Mystery
A photojournalist is wheelchair-ridden, watching people in his apartment complex from his window for hours. He’s thrown for a loop when he witnesses what he thinks is a murder. He wants to get to the bottom of it or die trying.
Acting: 10
Beginning: 10
Characters: 10
I’ll start with Stella (Thelma Ritter) who is easily my favorite character in the entire movie. She is an in-home nurse who is taking care of main character L.B. Jeffries (James Stewart). Out of all the characters in the story, she has the brightest sense of humor. I also loved that she takes zero guff from L.B., sometimes even making it seem like he works for her. She was stern and went beyond the parameters of her job doing everything from offering love advice to helping L.B. dive into the murder.
Of course I appreciated a number of the other characters as well, including the creepy Lars Thorwald (Raymond Burr). He is the object of L.B.’s accusation. Lars does a great job of making you think L.B. could be right. At other times, Lars seems like just a normal guy going about his daily routine. He takes strange to new heights. Each of the characters, the important ones anyway, help to frame the story and keep you intrigued.
Cinematography/Visuals: 10
Conflict: 8
Genre: 5
Memorability: 10
Pace: 9
Plot: 10
Rear Window succeeds with a script that’s extremely crisp and engaging. Mystery and tension abound as you try and figure out what’s going to happen next. The story is simple, yet is peeled back in layers. Very well done.
Resolution: 10
I won’t dive in too much here but I will say that the ending is perfect to the point that it answers all the right questions. It doesn’t overdo things and try and unnecessarily put a bow on things. We find out what we need to know and that’s that.
Overall: 92
Alfred Hitchcock puts together stories like a boxer puts together a fight. He hits you with little jabs that wake you up. Eventually he goes in for the kill with harder punches that you’re not ready for. He is definitely one of the greats and Rear Window is yet another one of his classics to show for it.
Acting: 10
Beginning: 10
Characters: 10
I’ll start with Stella (Thelma Ritter) who is easily my favorite character in the entire movie. She is an in-home nurse who is taking care of main character L.B. Jeffries (James Stewart). Out of all the characters in the story, she has the brightest sense of humor. I also loved that she takes zero guff from L.B., sometimes even making it seem like he works for her. She was stern and went beyond the parameters of her job doing everything from offering love advice to helping L.B. dive into the murder.
Of course I appreciated a number of the other characters as well, including the creepy Lars Thorwald (Raymond Burr). He is the object of L.B.’s accusation. Lars does a great job of making you think L.B. could be right. At other times, Lars seems like just a normal guy going about his daily routine. He takes strange to new heights. Each of the characters, the important ones anyway, help to frame the story and keep you intrigued.
Cinematography/Visuals: 10
Conflict: 8
Genre: 5
Memorability: 10
Pace: 9
Plot: 10
Rear Window succeeds with a script that’s extremely crisp and engaging. Mystery and tension abound as you try and figure out what’s going to happen next. The story is simple, yet is peeled back in layers. Very well done.
Resolution: 10
I won’t dive in too much here but I will say that the ending is perfect to the point that it answers all the right questions. It doesn’t overdo things and try and unnecessarily put a bow on things. We find out what we need to know and that’s that.
Overall: 92
Alfred Hitchcock puts together stories like a boxer puts together a fight. He hits you with little jabs that wake you up. Eventually he goes in for the kill with harder punches that you’re not ready for. He is definitely one of the greats and Rear Window is yet another one of his classics to show for it.
BankofMarquis (1832 KP) rated Zombieland: Double Tap (2019) in Movies
Nov 1, 2019
I ended up enjoying this film
I really enjoyed the 2009 Horror/Comedy ZOMBIELAND - a truly unique and original film that blends the trendy (at the time) Zombie genre with really smart comedy populated by some truly charismatic comedic performers and a GREAT surprise cameo.
So...I greeted the news that there would be a sequel - 10 years later - with a shrug. Why would they want to revisit this tired (at this time) genre with performers that have (for the most part) gone on to "bigger and better" things (including a few Oscar nominations and 1 Oscar win). But...I enjoyed the first, so I figured I'd check it out. And...for the first 20 minutes or so of this film, I sat there with my arms folded across my chest thinking "they are just trying too hard to replicate the first film". And then an interesting thing happened...
I chuckled to myself. Then I chuckled some more, and then I started laughing out loud and at about the 1 hour mark, I realized, "I'm really enjoying myself".
Credit, I think, has to go the charm, charisma and chemistry between the 4 returning leads - Emma Stone, Jesse Eisenberg, Abigail Breslin and Woody Harrelson. It was like running into 4 old friends and old, comfortable, patterns re-emerge (kind of liking eating comfort food). These are ably assisted by good, fun turns by the likes of Rosario Dawson, Luke Wilson and Thomas Middleditch. Special mention has to be made of Zoey Deutsch's turn as blonde air-head, Madison. This could have easily been a one-note, annoyance. but she brings something more to role that makes her endearing, not cloying.
The original creative team - Director Ruben Fleischer and Writers Rhett Reese and Paul Wernick - are back as well, so the style and humor are similar to the first film - not really bringing much new to the proceedings, but not just "getting a paycheck" either.
This film is "nothing new", but I enjoyed it anyway - so if you liked the first Zombieland, you'll like this one as well. ONE NOTE - there is a "credits scene" as well as a "button scene" at the end of the credits that are MUST WATCH. So stick around for those, you'll be glad you did.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
So...I greeted the news that there would be a sequel - 10 years later - with a shrug. Why would they want to revisit this tired (at this time) genre with performers that have (for the most part) gone on to "bigger and better" things (including a few Oscar nominations and 1 Oscar win). But...I enjoyed the first, so I figured I'd check it out. And...for the first 20 minutes or so of this film, I sat there with my arms folded across my chest thinking "they are just trying too hard to replicate the first film". And then an interesting thing happened...
I chuckled to myself. Then I chuckled some more, and then I started laughing out loud and at about the 1 hour mark, I realized, "I'm really enjoying myself".
Credit, I think, has to go the charm, charisma and chemistry between the 4 returning leads - Emma Stone, Jesse Eisenberg, Abigail Breslin and Woody Harrelson. It was like running into 4 old friends and old, comfortable, patterns re-emerge (kind of liking eating comfort food). These are ably assisted by good, fun turns by the likes of Rosario Dawson, Luke Wilson and Thomas Middleditch. Special mention has to be made of Zoey Deutsch's turn as blonde air-head, Madison. This could have easily been a one-note, annoyance. but she brings something more to role that makes her endearing, not cloying.
The original creative team - Director Ruben Fleischer and Writers Rhett Reese and Paul Wernick - are back as well, so the style and humor are similar to the first film - not really bringing much new to the proceedings, but not just "getting a paycheck" either.
This film is "nothing new", but I enjoyed it anyway - so if you liked the first Zombieland, you'll like this one as well. ONE NOTE - there is a "credits scene" as well as a "button scene" at the end of the credits that are MUST WATCH. So stick around for those, you'll be glad you did.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
MaryAnn (14 KP) rated LuLu’s Cafe in Books
Nov 1, 2019
Contemporary Romance
When a damaged young woman is given a chance to reclaim her life in a small South Carolina town, she must reckon with the dark secrets she left behind in order to accept the love she deserves. On the run from a violent past, Leah Allen arrived in tiny Rivertown, South Carolina, battered and broken, but ready to reinvent herself. By a stroke of fate, Leah is drawn to the Southern hospitality of a small café, looking for a warm meal but finding so much more. Lulu, the owner, offers her a job, a place to stay and a new lease on life. Through Lulu’s tenacious warmth and generosity, Leah quickly finds herself embraced by the quaint community as she tries to put herself back together. Given she’s accustomed to cruelty, the kindness is overwhelming. Soon Leah meets Crowley Mason, the most eligible bachelor in town. A lawyer and friend of Lulu’s, Crowley is wary of Leah’s sudden, mysterious arrival. Despite his reserve, something sparks between them that can’t be denied. But after all she’s been through, can Leah allow herself to truly love and be loved, especially when her first urge is to run? Exploring the resiliency of both the heart and the spirit, Lulu’s Café gorgeously illustrates how old scars can finally heal no matter how deep they seem.
My Thoughts: This is such an enjoyable read; it was hard to put this novel down; the author's writing draws the reader into the story and jkeeps the readers attention. This is a book about overcoming abuse, finding love, kindness, and healing. It's about people learning patience with those who are broken and giving people second chances. Leah is a broken abused woman who finds solace and healing in a small southern town. She slowly learns that she can trust those who have shown her nothing but kindness and love. The readers will love Lulu, a woman who is grounded in Christ's love who pours kindness and love on those around her. She always seems to have the right answer and always has a cheerful attitude.
This is a book that although it deals with the topic of abuse, it is full of humor, romance, and love. The readers will fall in love with this small southern town and its townspeople. A wonderful story of a woman who finally finds the meaning of true love.
My Thoughts: This is such an enjoyable read; it was hard to put this novel down; the author's writing draws the reader into the story and jkeeps the readers attention. This is a book about overcoming abuse, finding love, kindness, and healing. It's about people learning patience with those who are broken and giving people second chances. Leah is a broken abused woman who finds solace and healing in a small southern town. She slowly learns that she can trust those who have shown her nothing but kindness and love. The readers will love Lulu, a woman who is grounded in Christ's love who pours kindness and love on those around her. She always seems to have the right answer and always has a cheerful attitude.
This is a book that although it deals with the topic of abuse, it is full of humor, romance, and love. The readers will fall in love with this small southern town and its townspeople. A wonderful story of a woman who finally finds the meaning of true love.
Gareth von Kallenbach (980 KP) rated The Twilight Saga: Eclipse (2010) in Movies
Aug 8, 2019
The beautiful people of Forks, Washington, are back in the latest installment of the Twilight saga. This time around there’s a little bit more story and a lot more action. Still, not nearly enough of either to make this movie compelling for anyone but diehard fans. Oh, I’m sorry..Twi-hard fans.
Edward Cullen (Robert Pattinson) and Bella Swann (Kirsten Stewart) are reunited and still very much in love, to the brokenhearted dismay of Jacob Black (Tayor Lautner). As Edward and Bella prepare for graduation and contemplate marriage, Victoria, a vengeful vampire now played by Brice Howard, is creating an army to destroy Bella and the Cullen family. Because of this, the Cullen and the werewolves form an uneasy alliance to keep Bella from harm. Bella finds herself struggling with her desire to be with Edward and have him “change” her and her feelings for Jacob. Not your typical teenage angst, but in Bella’s world of vampires and werewolves, these are actually the least of her worries.
Directed by David Slade, of Hard Candy and 30 Days of Night, Eclipse at least makes attempts to flesh out the supporting characters, which helped keep the movie interesting because, honestly, if it just focused on the love triangle of Edward, Bella and Jacob, it would have felt interminably slower. While Pattinson, Stewart and Lautner play tortured, awkward and earnest well, they play it too much. Thank goodness for Chief Swan, portrayed with perfect unease by Billy Burke and the stories of Jasper (Jackson Rathbone) and Rosalie (Nikki Reed) and the first Quileute werewolves.
When there was action, it was fast and furious and and when there was humor it was usually when Jacob was around, but I’m sure there were a couple of funny lines that were missed because of the collective sighs and moans the predominantly female audience emitted every time Jacob graced the screen in all his shirtless splendor. A slowly paced tale that picks up speed towards the end, Eclipse is definitely easier to watch than the previous two movies. While no true Twi-hard will care what critics say about the movie, if you’re on the fence about watching this movie, stay on it, especially if you haven’t read the series or watched the previoius two.
Edward Cullen (Robert Pattinson) and Bella Swann (Kirsten Stewart) are reunited and still very much in love, to the brokenhearted dismay of Jacob Black (Tayor Lautner). As Edward and Bella prepare for graduation and contemplate marriage, Victoria, a vengeful vampire now played by Brice Howard, is creating an army to destroy Bella and the Cullen family. Because of this, the Cullen and the werewolves form an uneasy alliance to keep Bella from harm. Bella finds herself struggling with her desire to be with Edward and have him “change” her and her feelings for Jacob. Not your typical teenage angst, but in Bella’s world of vampires and werewolves, these are actually the least of her worries.
Directed by David Slade, of Hard Candy and 30 Days of Night, Eclipse at least makes attempts to flesh out the supporting characters, which helped keep the movie interesting because, honestly, if it just focused on the love triangle of Edward, Bella and Jacob, it would have felt interminably slower. While Pattinson, Stewart and Lautner play tortured, awkward and earnest well, they play it too much. Thank goodness for Chief Swan, portrayed with perfect unease by Billy Burke and the stories of Jasper (Jackson Rathbone) and Rosalie (Nikki Reed) and the first Quileute werewolves.
When there was action, it was fast and furious and and when there was humor it was usually when Jacob was around, but I’m sure there were a couple of funny lines that were missed because of the collective sighs and moans the predominantly female audience emitted every time Jacob graced the screen in all his shirtless splendor. A slowly paced tale that picks up speed towards the end, Eclipse is definitely easier to watch than the previous two movies. While no true Twi-hard will care what critics say about the movie, if you’re on the fence about watching this movie, stay on it, especially if you haven’t read the series or watched the previoius two.
Gareth von Kallenbach (980 KP) rated The Hangover (2009) in Movies
Aug 9, 2019
The road trip gone awry has been a staple of Hollywood comedies for years. Bing Crosby and Bob Hope provided tons of laughs with their “Road To” films which have continued with films ranging from “Road Trip” to the Chevy Chase “Vacation” film series. In the new movie “The Hangover”, Director Todd Phillips follows upon his many successes which include “Old School”, and “Starsky and Hutch” to create one of the funniest films in recent memory.
When Doug (Justin Bartha) is about to be married, his friends Stu (Ed Helms) and Phil (Bradley Cooper) decide to give Doug a bachelor party. With his eccentric future brother-in-law Alan (Zach Galifinakis) in tow, the guys hit the town for a night to remember. Or maybe not.
After a rooftop toast overlooking the scenic Las Vegas strip, Stu, Phil, and Alan awaken to find their lavish suite at Ceasar’s Palace destroyed and everything from a tiger to a chicken sharing their room. Henpecked Stu panics, having told his girlfriend they were going to wine country and is at a loss to explain the state of the room as well as his missing tooth. With all three men nursing a severe hangover and Doug nowhere to be found, things take a turn for the worse when a baby is discovered in the closet of their suite. Desperate to get to the bottom of the previous night and locate Doug, the guys try to piece together their lost night.
As the plot unfolds, the guys go from a wedding chapel to a hospital and police station, and trying to stay ahead of new threats and complications that arise. With Doug’s wedding looming in a few hours, the group takes extreme measures to find their friend and get him to the alter on time.
What follows is a hysterical and highly enjoyable comedy that rarely lets up long enough for you to stop laughing before unleashing even more comedy. The ensemble cast is strong and have great camaraderie and chemistry. The film loses some momentum in the final act but rebounds nicely with the final segments. Make sure you stay for the credits for some hysterical stuff and some great celebrity cameos. While some may find the humor crude and sophomoric, if you are not easily offended, you will laugh loud and often at this comedic delight.
When Doug (Justin Bartha) is about to be married, his friends Stu (Ed Helms) and Phil (Bradley Cooper) decide to give Doug a bachelor party. With his eccentric future brother-in-law Alan (Zach Galifinakis) in tow, the guys hit the town for a night to remember. Or maybe not.
After a rooftop toast overlooking the scenic Las Vegas strip, Stu, Phil, and Alan awaken to find their lavish suite at Ceasar’s Palace destroyed and everything from a tiger to a chicken sharing their room. Henpecked Stu panics, having told his girlfriend they were going to wine country and is at a loss to explain the state of the room as well as his missing tooth. With all three men nursing a severe hangover and Doug nowhere to be found, things take a turn for the worse when a baby is discovered in the closet of their suite. Desperate to get to the bottom of the previous night and locate Doug, the guys try to piece together their lost night.
As the plot unfolds, the guys go from a wedding chapel to a hospital and police station, and trying to stay ahead of new threats and complications that arise. With Doug’s wedding looming in a few hours, the group takes extreme measures to find their friend and get him to the alter on time.
What follows is a hysterical and highly enjoyable comedy that rarely lets up long enough for you to stop laughing before unleashing even more comedy. The ensemble cast is strong and have great camaraderie and chemistry. The film loses some momentum in the final act but rebounds nicely with the final segments. Make sure you stay for the credits for some hysterical stuff and some great celebrity cameos. While some may find the humor crude and sophomoric, if you are not easily offended, you will laugh loud and often at this comedic delight.
BankofMarquis (1832 KP) rated Inside Out (2015) in Movies
Apr 1, 2020
The Most Emotionally Resonant Pixar Film
When listing the PIXAR films that have the most emotional resonance, the films I hear mentioned most often are TOY STORY 3, WALL-E and the first 20 minutes of UP. While all of those are most definitely emotionally resonant, I would argue that INSIDE OUT is the most emotionally resonant of all the Pixar films.
And not just because the main characters in the film are emotions.
Telling the tale of 11 year old Riley, who's life is upended when her family moves from Minnesota to San Fransico, INSIDE OUT follows this journey through the eyes of Riley's 5 chief emotions - Joy, Sadness, Anger, Disgust and Fear.
As is customary in Pixar films, the voice cast in this film is outstanding. Amy Poehler (well known as the ever-optimistic Leslie Knope in the marvelous TV Series PARKS & RECREATION) is perfectly cast as Joy. Her never ending well of optimism is perfectly placed - and never gets tiresome. As does the voice work of Lewis Black (Anger), Bill Hader (Fear) and Mindy Kahling (Disgust). They are all marvelous. But the revelation of this film for me is the voicework of Phyllis Smith (THE OFFICE) as Sadness. She brings just the right amount of weight and...well...sadness...to her character without bogging down (and bringing down) the proceedings. These 5 work together well (especially Poehler and Smith).
Special notice needs to be made of the voice work of the unique talent that is Richard Kind as the character BingBong. I will not ruin any of the surprise of this character, but I will say I could not think of any other voice for this character - he is that perfect for it.
Credit, of course, for all of this needs to be given to Director Pete Docter (currently the Chief Creative Officer at Pixar). He has shown he has the ability to really tug at the heartstrings with his previous Pixar effort, UP, and he expands on this promise in this film bringing an emotionally rich film that has many, many moments of humor spliced within. He'll be at the helm of the upcoming SOUL and I can't wait to see it.
I'm glad I revisited INSIDE OUT, it is a stronger, better film than I remembered. You'll like it - and your kids will, too!
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank (ofMarquis)
And not just because the main characters in the film are emotions.
Telling the tale of 11 year old Riley, who's life is upended when her family moves from Minnesota to San Fransico, INSIDE OUT follows this journey through the eyes of Riley's 5 chief emotions - Joy, Sadness, Anger, Disgust and Fear.
As is customary in Pixar films, the voice cast in this film is outstanding. Amy Poehler (well known as the ever-optimistic Leslie Knope in the marvelous TV Series PARKS & RECREATION) is perfectly cast as Joy. Her never ending well of optimism is perfectly placed - and never gets tiresome. As does the voice work of Lewis Black (Anger), Bill Hader (Fear) and Mindy Kahling (Disgust). They are all marvelous. But the revelation of this film for me is the voicework of Phyllis Smith (THE OFFICE) as Sadness. She brings just the right amount of weight and...well...sadness...to her character without bogging down (and bringing down) the proceedings. These 5 work together well (especially Poehler and Smith).
Special notice needs to be made of the voice work of the unique talent that is Richard Kind as the character BingBong. I will not ruin any of the surprise of this character, but I will say I could not think of any other voice for this character - he is that perfect for it.
Credit, of course, for all of this needs to be given to Director Pete Docter (currently the Chief Creative Officer at Pixar). He has shown he has the ability to really tug at the heartstrings with his previous Pixar effort, UP, and he expands on this promise in this film bringing an emotionally rich film that has many, many moments of humor spliced within. He'll be at the helm of the upcoming SOUL and I can't wait to see it.
I'm glad I revisited INSIDE OUT, it is a stronger, better film than I remembered. You'll like it - and your kids will, too!
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank (ofMarquis)
Gareth von Kallenbach (980 KP) rated The Intern (2015) in Movies
Aug 6, 2019
Ben is a widower who has tried to fill his time with routine and travel since his wife passed, but he is stuck in a rut. He feels unnecessary and lonely. On his way out of a grocery store Ben spies a flier for “Senior Interns”. He discovers that they actually mean Senior Citizens and not high school seniors, and he creates a video application outlining his qualifications and telling about himself.
Jules runs her company, which she started out of her home, with an attention to detail that insists on perfection, all the while it’s strangling her home life.
She neither remembers she agreed to, nor wants to utilize, an intern of any sort, let alone an out-to-pasture one as Ben appears to be.
With quiet persistence, a good dose of humor, and genuine caring, expertise and talent, Ben goes about proving to Jules just how much she needs his brand of help and how much value he can add to her operation.
I really enjoyed this film. For me, it had just the right amount of funny and sad and even a bit of action (entrenched in a totally impossible situation, and obviously for pure comic relief sake) that made it completely enjoyable to watch.
It is rated PG-13, but I think that even a youngster in the 10 or 11 year old range, provided they were mature enough to deal with the idea of infidelity inside a marriage, would be ok to see it too. The rating was given in part due to “brief strong language” but to be honest I can’t recall any very strong language, which honestly in this day & age is a refreshing change.
I love DeNiro in almost anything I see him in, and this was no exception. I have never had strong feelings either way regarding Anne Hathaway, but I liked her in this, paired against DeNiro. The rest of the cast did their job well, but for me sort of faded into the background against the 2 main characters.
I would give this film 4 out of 5 stars, and the 4 stars is only because it wasn’t a movie I came away with a feeling of “oh my gosh that was AMAZING”, and more that I came away thinking “that was really good, I really enjoyed it and I’m glad that I got to see it.”
Jules runs her company, which she started out of her home, with an attention to detail that insists on perfection, all the while it’s strangling her home life.
She neither remembers she agreed to, nor wants to utilize, an intern of any sort, let alone an out-to-pasture one as Ben appears to be.
With quiet persistence, a good dose of humor, and genuine caring, expertise and talent, Ben goes about proving to Jules just how much she needs his brand of help and how much value he can add to her operation.
I really enjoyed this film. For me, it had just the right amount of funny and sad and even a bit of action (entrenched in a totally impossible situation, and obviously for pure comic relief sake) that made it completely enjoyable to watch.
It is rated PG-13, but I think that even a youngster in the 10 or 11 year old range, provided they were mature enough to deal with the idea of infidelity inside a marriage, would be ok to see it too. The rating was given in part due to “brief strong language” but to be honest I can’t recall any very strong language, which honestly in this day & age is a refreshing change.
I love DeNiro in almost anything I see him in, and this was no exception. I have never had strong feelings either way regarding Anne Hathaway, but I liked her in this, paired against DeNiro. The rest of the cast did their job well, but for me sort of faded into the background against the 2 main characters.
I would give this film 4 out of 5 stars, and the 4 stars is only because it wasn’t a movie I came away with a feeling of “oh my gosh that was AMAZING”, and more that I came away thinking “that was really good, I really enjoyed it and I’m glad that I got to see it.”
Gareth von Kallenbach (980 KP) rated Mr. Peabody & Sherman (2014) in Movies
Aug 6, 2019
Mr. Peabody and Sherman were first introduced to the world via the
1950s-1960s legendary kids cartoon "The Rocky and Bullwinkle Show." Mr.
Peabody (Ty Burell), a Nobel prize winning brainiac canine, whose
intelligence is beyond that of any human being; there is nothing this
Beagle cannot do. He was able to put his brilliant mind to use and adopt
a young boy named Sherman (Max Charles) and he also invents a time
travelling machine he calls the WABAC (pronounced way-back). He uses the
WABAC as a teaching tool by travelling back in time with Sherman to
experience some of the most famous moments in history.
On Sherman's first day school, he finds that some of the history lessons
being taught in school were not accurate to how the events actually took
place. Remember, he traveled in time and witnessed it all first hand.
Sherman finds himself clashing with his classmate Penny (Ariel Winter),
who spends most of her time teasing and bullying Sherman for 'knowing too
much' and for being raised by a dog. In an attempt to bring peace among
Sherman's classmates and to also avoid the impending threat from child
services who would like nothing more than to prove that a dog does not have
the right to raise human child, Mr. Peabody invites Penny and her parents
over to their home for dinner. Sherman tries to impress Penny by breaking
Mr. Peabody's rules and introduces Penny to the WABAC. Nothing good comes
of two kids travelling in time and disrupting the space time continuum.
Enter Mr. Peabody, who uses the WABAC to try and rectify the disruptions
that were caused by Penny and Sherman's adventure through time.
This movie is not the story of "man's best friend!" It is geared more
towards the father-son relationship. A very likeable film that brings us
back to some significant moments in history, such as Leonardo DaVinci's
painting of the Mona Lisa, the Trojan War, the time when King Tut ruled
Ancient Egypt, and the French Revolution. In true Dreamwork fashion, there
was just the perfect of amount of humor for kids and adults alike to
enjoy. What sets this movie apart from others is its ability to embrace
education as an adventure and how it challenges the 'traditional' family
stereotype and that love can be found in all creatures and at any time.
4 out of 5 stars.
1950s-1960s legendary kids cartoon "The Rocky and Bullwinkle Show." Mr.
Peabody (Ty Burell), a Nobel prize winning brainiac canine, whose
intelligence is beyond that of any human being; there is nothing this
Beagle cannot do. He was able to put his brilliant mind to use and adopt
a young boy named Sherman (Max Charles) and he also invents a time
travelling machine he calls the WABAC (pronounced way-back). He uses the
WABAC as a teaching tool by travelling back in time with Sherman to
experience some of the most famous moments in history.
On Sherman's first day school, he finds that some of the history lessons
being taught in school were not accurate to how the events actually took
place. Remember, he traveled in time and witnessed it all first hand.
Sherman finds himself clashing with his classmate Penny (Ariel Winter),
who spends most of her time teasing and bullying Sherman for 'knowing too
much' and for being raised by a dog. In an attempt to bring peace among
Sherman's classmates and to also avoid the impending threat from child
services who would like nothing more than to prove that a dog does not have
the right to raise human child, Mr. Peabody invites Penny and her parents
over to their home for dinner. Sherman tries to impress Penny by breaking
Mr. Peabody's rules and introduces Penny to the WABAC. Nothing good comes
of two kids travelling in time and disrupting the space time continuum.
Enter Mr. Peabody, who uses the WABAC to try and rectify the disruptions
that were caused by Penny and Sherman's adventure through time.
This movie is not the story of "man's best friend!" It is geared more
towards the father-son relationship. A very likeable film that brings us
back to some significant moments in history, such as Leonardo DaVinci's
painting of the Mona Lisa, the Trojan War, the time when King Tut ruled
Ancient Egypt, and the French Revolution. In true Dreamwork fashion, there
was just the perfect of amount of humor for kids and adults alike to
enjoy. What sets this movie apart from others is its ability to embrace
education as an adventure and how it challenges the 'traditional' family
stereotype and that love can be found in all creatures and at any time.
4 out of 5 stars.
Gareth von Kallenbach (980 KP) rated Broken City (2013) in Movies
Aug 7, 2019
In Broken City, Russell Crowe and Mark Wahlberg wade into the streets of a
fictional New York, portraying its mayor and a tormented cop, respectively. This film is very political, and it drives to the heart of an issue found all around our country: corruption at every level, especially the highest.
The story starts with a shooting. As one might imagine, officers are easily found innocent in shootings because of the nature of their job, and thus Billy Taggart(Wahlberg) is found innocent after facing accusations of murder. Unfortunately, Mayor Nicholas Hostetler (Crowe) has damning evidence that would cause considerable harm to the officer — who’s earned a reputation as a hero — as well
as the city leaders, if it were brought to light. He decides to let Taggart go, and allow everyone to save face, with a handshake and a promise of future remembrance.
Seven years later the tides turn, as Private Eye Taggart is asked by Mayor
Hostetler to investigate his wife (Catherine Zeta-Jones) for a hefty sum of money.
The cash-strapped Taggart takes the job, but finds himself diving headfirst into a political feeding frenzy two weeks prior to the election. Naturally, drama ensues.
Broken City is not a bad film. The problem is: it’s also not a great film. It has many of the elements of a good movie, but something is missing. It’s hard to blame the writing, as there was well-balanced humor and drama. It’s hard to blame
the cinematography, because the key shots are there. (But some awkward shots are there, too. For example, there’s an odd, segmented spinning shot of Crowe and Wahlberg in the mayor’s office.) It’s hard to blame the acting; everyone does a great job in that regard. But there was just something missing. I wasn’t drawn in.
The movie felt rushed in certain areas, and too long in others. It had major plot holes, like when (spoiler alert) Taggart’s girlfriend disappears, but never resurfaces. The main character never gets a true, deep, passionate call-to-action, which all heroes are supposed to have.
I enjoyed the role of Taggart’s assistant. Even the ending was a fresh take (though somewhat expected, because the main character wasn’t conflicted and chaotic enough to merit an unknown response).
All in all, Broken City is a good movie, but not a great one. You would be well-served to rent or stream it, and save your theater dollars.
fictional New York, portraying its mayor and a tormented cop, respectively. This film is very political, and it drives to the heart of an issue found all around our country: corruption at every level, especially the highest.
The story starts with a shooting. As one might imagine, officers are easily found innocent in shootings because of the nature of their job, and thus Billy Taggart(Wahlberg) is found innocent after facing accusations of murder. Unfortunately, Mayor Nicholas Hostetler (Crowe) has damning evidence that would cause considerable harm to the officer — who’s earned a reputation as a hero — as well
as the city leaders, if it were brought to light. He decides to let Taggart go, and allow everyone to save face, with a handshake and a promise of future remembrance.
Seven years later the tides turn, as Private Eye Taggart is asked by Mayor
Hostetler to investigate his wife (Catherine Zeta-Jones) for a hefty sum of money.
The cash-strapped Taggart takes the job, but finds himself diving headfirst into a political feeding frenzy two weeks prior to the election. Naturally, drama ensues.
Broken City is not a bad film. The problem is: it’s also not a great film. It has many of the elements of a good movie, but something is missing. It’s hard to blame the writing, as there was well-balanced humor and drama. It’s hard to blame
the cinematography, because the key shots are there. (But some awkward shots are there, too. For example, there’s an odd, segmented spinning shot of Crowe and Wahlberg in the mayor’s office.) It’s hard to blame the acting; everyone does a great job in that regard. But there was just something missing. I wasn’t drawn in.
The movie felt rushed in certain areas, and too long in others. It had major plot holes, like when (spoiler alert) Taggart’s girlfriend disappears, but never resurfaces. The main character never gets a true, deep, passionate call-to-action, which all heroes are supposed to have.
I enjoyed the role of Taggart’s assistant. Even the ending was a fresh take (though somewhat expected, because the main character wasn’t conflicted and chaotic enough to merit an unknown response).
All in all, Broken City is a good movie, but not a great one. You would be well-served to rent or stream it, and save your theater dollars.
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