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Sarah (7798 KP) rated Green Book (2018) in Movies
Mar 28, 2019
Deserving of the Oscar
I knew very little about Green Book heading in to it, other than the basic plot and that it had won the Oscar. I hadn't even seen a trailer, but when deciding what to watch on an afternoon off work, it seemed like a good choice. And I can honestly say that this is the best 2 hours I've spent in the cinema recently that didn't involve a Marvel film. It really is that good.
Right from the opening scene, this film was captivating and engaging. It's funny and heartwarming and really quite sad at times, without ever becoming dull or drawn out. It's such a beautiful story of a journey between two polar opposite characters. Viggo Mortensen's brash and uncultured Tony is a loveable rogue, and his clashes against the cultured, prim and proper pianist played by Mahershala Ali are a delight and often humorous to watch. It's the interaction and development of these two characters that make this film brilliant. Both actors are superb, and both would have been deserving of an Oscar in their own rights for their performances. The scene with them discussing KFC had me in stitches and is possibly the funniest thing I've seen in quite a long time.
The film itself is beautifully made and shot, and I cannot believe that this film has come from Peter Farrelly, who's previous films with his brother Bobby were as far from Oscar winners as you could get. The entire film from the costumes and soundtrack to the script were well done and altogether faultless. The film also does very well to get across the important attitudes and messages about racism and it does so in a very subtle yet powerful way.
I spent the entirety of this film with a smile on my face and a warm fuzzy feeling inside, which I still have now writing this review just thinking about unexpectedly brilliant this film was. I usually think most Oscar winners and nominees are entirely overrated, but not Green Book - this deserves every accolade it can get and more.
Right from the opening scene, this film was captivating and engaging. It's funny and heartwarming and really quite sad at times, without ever becoming dull or drawn out. It's such a beautiful story of a journey between two polar opposite characters. Viggo Mortensen's brash and uncultured Tony is a loveable rogue, and his clashes against the cultured, prim and proper pianist played by Mahershala Ali are a delight and often humorous to watch. It's the interaction and development of these two characters that make this film brilliant. Both actors are superb, and both would have been deserving of an Oscar in their own rights for their performances. The scene with them discussing KFC had me in stitches and is possibly the funniest thing I've seen in quite a long time.
The film itself is beautifully made and shot, and I cannot believe that this film has come from Peter Farrelly, who's previous films with his brother Bobby were as far from Oscar winners as you could get. The entire film from the costumes and soundtrack to the script were well done and altogether faultless. The film also does very well to get across the important attitudes and messages about racism and it does so in a very subtle yet powerful way.
I spent the entirety of this film with a smile on my face and a warm fuzzy feeling inside, which I still have now writing this review just thinking about unexpectedly brilliant this film was. I usually think most Oscar winners and nominees are entirely overrated, but not Green Book - this deserves every accolade it can get and more.
Kristy H (1252 KP) rated The Next to Die in Books
Apr 4, 2019
OK, I won't lie, this was a really strange book. But, I also found it oddly captivating. I didn't realize until I started it--my mistake--that this was book #10 in a series. I am not a fan of picking up mid-series, though Goodreads tells me I read books #1 and #3 a while back. And I do somewhat remember Simon Waterhouse. Still, I felt like an outsider looking in somewhat, and I bet I would have enjoyed this one more if I knew more of the backstory of Simon, his wife, Charlie, and their investigative team.
However, the mystery here stands alone, and while it's bizarre (I can guarantee the motive in this one will be one of the most strange and enjoyable you'll have seen in quite some time), it's compelling and even funny. The story unfolds from the point of view of Kim, who is telling things via a self-written true crime book that details her involvement in the Billy Dead Mates murder investigation. Then we get Simon and Charlie's view of the Billy investigation. And, finally, the writings of a rather crazed feminist reporter named Sondra Halliday who claims Billy is killing women due to misogynist reasons.
It all culminates in a detailed yet surprisingly suspenseful story--Kim is center stage, but also a suspect in some ways. She's a bitter, funny comedian, and I really liked her character. Hannah captures interactions well, and I enjoyed both Kim and grumpy yet brilliant Simon. The whole book was very different for a thriller, but oddly enjoyable too. There were definitely times when I wished things would hurry along; there's a side plot where Charlie obsesses about her sister, which just seems annoying, and some of Sondra's rants are just a bit too much. Still, it's easy to get caught up in the story, especially Kim's book and Charlie and Simon's investigation. The format is different but engaging.
Overall, while this one was a little strange and slow, I did enjoy it. Hannah is a great writer, and her characters are vivid, flawed, and humorous. The plot is definitely different, but it will draw you in. 3.5+ stars.
However, the mystery here stands alone, and while it's bizarre (I can guarantee the motive in this one will be one of the most strange and enjoyable you'll have seen in quite some time), it's compelling and even funny. The story unfolds from the point of view of Kim, who is telling things via a self-written true crime book that details her involvement in the Billy Dead Mates murder investigation. Then we get Simon and Charlie's view of the Billy investigation. And, finally, the writings of a rather crazed feminist reporter named Sondra Halliday who claims Billy is killing women due to misogynist reasons.
It all culminates in a detailed yet surprisingly suspenseful story--Kim is center stage, but also a suspect in some ways. She's a bitter, funny comedian, and I really liked her character. Hannah captures interactions well, and I enjoyed both Kim and grumpy yet brilliant Simon. The whole book was very different for a thriller, but oddly enjoyable too. There were definitely times when I wished things would hurry along; there's a side plot where Charlie obsesses about her sister, which just seems annoying, and some of Sondra's rants are just a bit too much. Still, it's easy to get caught up in the story, especially Kim's book and Charlie and Simon's investigation. The format is different but engaging.
Overall, while this one was a little strange and slow, I did enjoy it. Hannah is a great writer, and her characters are vivid, flawed, and humorous. The plot is definitely different, but it will draw you in. 3.5+ stars.
Erika Kehlet (21 KP) rated Oh Say Can You Fudge (Candy-Coated, #3) in Books
Feb 21, 2018
Rating ( of 5 stars)
***NOTE: I received a free review copy of this book from NetGalley***
Book #3 in the Candy Coated Mystery series
Allie McMurphy runs the historic McMurphy Hotel and Fudge Shop on Mackinac Island. Still seen by some as an outsider, she's worked hard to get onto the Star Spangled Fourth Committee to help plan the island's Fourth of July celebration. After missing several calls from her fireworks expert while working out a recipe for a new red, white, and blue fudge, Allie finally tries to return his call but gets no answer. Worried that something might go wrong with the fireworks show she is in charge of, she heads over to the warehouse where the fireworks are being stored and arrives just minutes before the building explodes.
With several recent fires and now an explosion, it appears that there may be an arsonist running around the Island. As if that wasn't enough to keep Allie busy, the committee is insistent that finding replacement fireworks at the last minute is her responsibility, since she is the one who wanted to hire someone new for this year's fireworks show. Allie has to make sure the fireworks go off without a hitch and stay out of the way of an arsonist who seems more and more determined to stop her from finding the culprit.
This was the third book in the series, but the first I had read. I was happy to find that the author briefly re-introduced returning characters so I had no trouble keeping up with the cast and their relations to Allie. The mystery kept me guessing until near the end of the book. It was suspenseful and humorous, with just a touch of romance thrown in for good measure. The heroine herself is a likable person, and her puppy Mal makes her that much more endearing.
There are several very yummy sounding fudge recipes included in the book as well. The recipes in this volume were all pie-flavor themed. I can't wait to try the Coconut Cream No Bake Fudge or the Strawberry Cream Pie Fudge, and to read more books from this series.
***NOTE: I received a free review copy of this book from NetGalley***
Book #3 in the Candy Coated Mystery series
Allie McMurphy runs the historic McMurphy Hotel and Fudge Shop on Mackinac Island. Still seen by some as an outsider, she's worked hard to get onto the Star Spangled Fourth Committee to help plan the island's Fourth of July celebration. After missing several calls from her fireworks expert while working out a recipe for a new red, white, and blue fudge, Allie finally tries to return his call but gets no answer. Worried that something might go wrong with the fireworks show she is in charge of, she heads over to the warehouse where the fireworks are being stored and arrives just minutes before the building explodes.
With several recent fires and now an explosion, it appears that there may be an arsonist running around the Island. As if that wasn't enough to keep Allie busy, the committee is insistent that finding replacement fireworks at the last minute is her responsibility, since she is the one who wanted to hire someone new for this year's fireworks show. Allie has to make sure the fireworks go off without a hitch and stay out of the way of an arsonist who seems more and more determined to stop her from finding the culprit.
This was the third book in the series, but the first I had read. I was happy to find that the author briefly re-introduced returning characters so I had no trouble keeping up with the cast and their relations to Allie. The mystery kept me guessing until near the end of the book. It was suspenseful and humorous, with just a touch of romance thrown in for good measure. The heroine herself is a likable person, and her puppy Mal makes her that much more endearing.
There are several very yummy sounding fudge recipes included in the book as well. The recipes in this volume were all pie-flavor themed. I can't wait to try the Coconut Cream No Bake Fudge or the Strawberry Cream Pie Fudge, and to read more books from this series.
<i>I received this book for free through Goodreads First Reads.</i>
Have you ever wondered how your body works? Author Mark Murphy has his theory. The human body is full of little creatures known as min, and it is no different for 34 year old Will. Min live in every part of the body doing different jobs to make each part of the body work they way it should. However, these min are much like the humans they inhabit: they have their own jobs, their own lives, their own feelings and their own opinions.
Penelope Potts is a bored 15 year old min living in the left ear department with nothing much to do. Yet one day life becomes much more exciting when she and her best friend Henry are selected to take part in the trials to try and win themselves a position in Central Head.
Whilst this is taking place, however, the evil leader of the min, Sananab (incidentally bananas spelt backwards) has come up with a malicious plan that may change the life of the min forever. When Sananab discovers that Penelope is doing very well in the trials he becomes very interested in her. But when Penelope discovers his evil plan her life is immediately in danger.
Murphy’s ideas are very imaginative but are also similar to the <i>Numbskulls</i> in the <i>Beano</i> – perhaps this even had some influence on his novel? It is fun to envisage tiny beings living in human bodies making sure every organ works properly. The min themselves are an interesting bunch. Apart from Penelope, none appear to be that intelligent leading to humorous scenes, which could have the reader laughing out loud.
<i>Minology</i> despite the <i>“ology”</i> is not a heavy read and can be taken at the reader’s own pace. Whether they want something to read leisurely or something to read quickly this book will be more than adequate. And, if you like the min so much and want to read even more about their funny lives, there is a second book!
Have you ever wondered how your body works? Author Mark Murphy has his theory. The human body is full of little creatures known as min, and it is no different for 34 year old Will. Min live in every part of the body doing different jobs to make each part of the body work they way it should. However, these min are much like the humans they inhabit: they have their own jobs, their own lives, their own feelings and their own opinions.
Penelope Potts is a bored 15 year old min living in the left ear department with nothing much to do. Yet one day life becomes much more exciting when she and her best friend Henry are selected to take part in the trials to try and win themselves a position in Central Head.
Whilst this is taking place, however, the evil leader of the min, Sananab (incidentally bananas spelt backwards) has come up with a malicious plan that may change the life of the min forever. When Sananab discovers that Penelope is doing very well in the trials he becomes very interested in her. But when Penelope discovers his evil plan her life is immediately in danger.
Murphy’s ideas are very imaginative but are also similar to the <i>Numbskulls</i> in the <i>Beano</i> – perhaps this even had some influence on his novel? It is fun to envisage tiny beings living in human bodies making sure every organ works properly. The min themselves are an interesting bunch. Apart from Penelope, none appear to be that intelligent leading to humorous scenes, which could have the reader laughing out loud.
<i>Minology</i> despite the <i>“ology”</i> is not a heavy read and can be taken at the reader’s own pace. Whether they want something to read leisurely or something to read quickly this book will be more than adequate. And, if you like the min so much and want to read even more about their funny lives, there is a second book!
Gareth von Kallenbach (971 KP) rated Kick-Ass (2010) in Movies
Aug 8, 2019
Kick-Ass starts out as a clever action movie with good humor interspersed throughout the first half, but by the second half the jokes trail off as the movie takes a blacker turn toward a mindless and confusing tale of morality.
Viewing this movie as a mindless action flick, it is impressive and at times humorous, albeit that humor, in the immersive first half, is deadened by the much darker scenes toward the end of the film. But if you’re trying to find a deeper message hidden behind the motivations and actions of the characters on screen, you perhaps would be better served by reading the comic first. The violence was surprisingly graphic for what started out as a clever and somewhat endearing highschool drama about not fitting in and trying to change the world for the better.
As the director of Layer Cake and Stardust, Matthew Vaughn has shown before that he knows how to do action and fantasy, and in this movie, the action scenes are tight and gripping and slightly surreal. You may even recognize a few cameos if you’re familiar with Guy Ritchie films.
Aaron Johnson, as the title character, brings a smart vulnerability to his part. As an overly ambitious, but well meaning comic book fan, his stabs at super-heroics were quite believable.
This movie may be titled Kick-Ass, but the most interesting character is Hit-Girl, played by Chloë Grace Moretz. Quite a few child actors come across as precocious, and Moretz is a welcome change. She shares some great scenes with Nicolas Cage, a vengeful father who has turned his 11 year-old daughter into a killing machine. Cage’s deadpan humor as Big Daddy matches surprisingly well with the giddy, foul-mouthed, black humor of Hit-Girl.
In a way, I may be doing the movie a disservice if I were to dwell on the plot holes, morality, and thematic elements of this movie which are clearly not the focused intent of the director. Not every movie is intended to be a deep and meaningful reflection on life, so in that regard, this movie is simply a blood-drenched charmer.
Viewing this movie as a mindless action flick, it is impressive and at times humorous, albeit that humor, in the immersive first half, is deadened by the much darker scenes toward the end of the film. But if you’re trying to find a deeper message hidden behind the motivations and actions of the characters on screen, you perhaps would be better served by reading the comic first. The violence was surprisingly graphic for what started out as a clever and somewhat endearing highschool drama about not fitting in and trying to change the world for the better.
As the director of Layer Cake and Stardust, Matthew Vaughn has shown before that he knows how to do action and fantasy, and in this movie, the action scenes are tight and gripping and slightly surreal. You may even recognize a few cameos if you’re familiar with Guy Ritchie films.
Aaron Johnson, as the title character, brings a smart vulnerability to his part. As an overly ambitious, but well meaning comic book fan, his stabs at super-heroics were quite believable.
This movie may be titled Kick-Ass, but the most interesting character is Hit-Girl, played by Chloë Grace Moretz. Quite a few child actors come across as precocious, and Moretz is a welcome change. She shares some great scenes with Nicolas Cage, a vengeful father who has turned his 11 year-old daughter into a killing machine. Cage’s deadpan humor as Big Daddy matches surprisingly well with the giddy, foul-mouthed, black humor of Hit-Girl.
In a way, I may be doing the movie a disservice if I were to dwell on the plot holes, morality, and thematic elements of this movie which are clearly not the focused intent of the director. Not every movie is intended to be a deep and meaningful reflection on life, so in that regard, this movie is simply a blood-drenched charmer.
JT (287 KP) rated Ready or Not (2019) in Movies
Mar 3, 2020
Original story (1 more)
Solid tension
White wedding goes full bloodshed
Grace (Samara Weaving) is about to marry the man of her dreams, Alex Le Domas (Mark O’Brien). But her new in-laws, as it turns out, are going to be a real nightmare.
After a long sweeping shot through a gothic house 30-years earlier which sets up the back story to what is going to unfold, Grace is tasked with drawing a card from a mysterious mechanical box.
The premise is simple, whatever game is on the card she has to play in order to be accepted into the family – a tradition which must be accepted.
Innocently believing that it is just a harmless game of Hide-and-Seek Grace sets off to hide. The family, however, arming themselves with a variety of antique weaponry, must kill poor Grace before sunrise or they will all perish.
The family is an eclectic mix of batshit crazed parents, eccentric grandparents, troublesome daughters and drunken sons. When merged they come across as a psychopath’s answer to the Keystone Cops, all flair but no clue whatsoever.
Ready or Not manages to balance horror and comedy nicely. It is gory when it needs to be with several grotesque and humorous scenes that will leave viewers squirming in their seats.
The remainder of the film is a tense game of cat and mouse with Grace now realising what the real motives of the family are. She must hold her nerve to see out the night and make it to morning.
The setting is perfect for this type of caper and the gothic mansion provides plenty of twists and turns; from secret doors and passages to outhouses filled with decaying corpses.
Grace turns from the bride in white to the bride in blood as she battles the family – the tension rarely lets up for a second. Ready or Not gets just about everything spot on and it never suffers from horror cliches or boredom.
Weaving gives a good account of herself as a modern-day scream queen turned badass, running around in a torn wedding dress and trainers dispelling the myth ‘till death do us part‘.
After a long sweeping shot through a gothic house 30-years earlier which sets up the back story to what is going to unfold, Grace is tasked with drawing a card from a mysterious mechanical box.
The premise is simple, whatever game is on the card she has to play in order to be accepted into the family – a tradition which must be accepted.
Innocently believing that it is just a harmless game of Hide-and-Seek Grace sets off to hide. The family, however, arming themselves with a variety of antique weaponry, must kill poor Grace before sunrise or they will all perish.
The family is an eclectic mix of batshit crazed parents, eccentric grandparents, troublesome daughters and drunken sons. When merged they come across as a psychopath’s answer to the Keystone Cops, all flair but no clue whatsoever.
Ready or Not manages to balance horror and comedy nicely. It is gory when it needs to be with several grotesque and humorous scenes that will leave viewers squirming in their seats.
The remainder of the film is a tense game of cat and mouse with Grace now realising what the real motives of the family are. She must hold her nerve to see out the night and make it to morning.
The setting is perfect for this type of caper and the gothic mansion provides plenty of twists and turns; from secret doors and passages to outhouses filled with decaying corpses.
Grace turns from the bride in white to the bride in blood as she battles the family – the tension rarely lets up for a second. Ready or Not gets just about everything spot on and it never suffers from horror cliches or boredom.
Weaving gives a good account of herself as a modern-day scream queen turned badass, running around in a torn wedding dress and trainers dispelling the myth ‘till death do us part‘.
Kristy H (1252 KP) rated Twenty-One Truths About Love in Books
Mar 19, 2020
Dan Mayrock is an obsessive list maker who has quit his job as a teacher and opened a bookstore. But now he's in financial trouble and afraid to tell his wife, Jill. Jill was previously married and Dan feels he can never quite live up to Jill's late husband. And then, Jill gets pregnant. Now Dan feels even more pressure to be the best he can be for Jill.
The shtick of this book is that it's told entirely in list form. No dialogue, no narrative, nothing. Just lists. It did wear a little thin at times, but it was an interesting way to learn about someone's life. You learn about Dan's finances, feelings, and amazingly, a lot about his past.
For me, what really got me about this book is that I just couldn't warm to Dan. I think most people find this book heartwarming and cute, but I found him--and it--annoying and whiny. He doesn't want to tell his wife about his financial problems with the store, so he concocts some ridiculous scheme to "help" the family instead. It was just too much for me. Man up, tell your wife, and take responsibility for your actions. I didn't find it cute, and if I was his wife, I would have kicked him to the curb.
It's a shame, because a lot of the book was filled with really funny and spot-on observations about life. I especially loved Dan's ruminations on teaching and meetings. They were incredibly true to life. There are a lot of humorous and touching moments in this book, but I could never really push past the fact that he was a spineless liar.
"'Let's start off with an icebreaker' are words no human being has ever wanted to hear."
Overall, I enjoyed pieces of this book, but found myself skimming others. I liked the idea of it, but could never warm to Dan and since the whole book was his lists and life, it was hard to enjoy without liking him. I need a book from the POV of his older Bingo buddy, Bill. Now he was a cool dude.
The shtick of this book is that it's told entirely in list form. No dialogue, no narrative, nothing. Just lists. It did wear a little thin at times, but it was an interesting way to learn about someone's life. You learn about Dan's finances, feelings, and amazingly, a lot about his past.
For me, what really got me about this book is that I just couldn't warm to Dan. I think most people find this book heartwarming and cute, but I found him--and it--annoying and whiny. He doesn't want to tell his wife about his financial problems with the store, so he concocts some ridiculous scheme to "help" the family instead. It was just too much for me. Man up, tell your wife, and take responsibility for your actions. I didn't find it cute, and if I was his wife, I would have kicked him to the curb.
It's a shame, because a lot of the book was filled with really funny and spot-on observations about life. I especially loved Dan's ruminations on teaching and meetings. They were incredibly true to life. There are a lot of humorous and touching moments in this book, but I could never really push past the fact that he was a spineless liar.
"'Let's start off with an icebreaker' are words no human being has ever wanted to hear."
Overall, I enjoyed pieces of this book, but found myself skimming others. I liked the idea of it, but could never warm to Dan and since the whole book was his lists and life, it was hard to enjoy without liking him. I need a book from the POV of his older Bingo buddy, Bill. Now he was a cool dude.
Gareth von Kallenbach (971 KP) rated The Overnight (2015) in Movies
Aug 6, 2019
In the mood for a quickie? Patrick Brice’s “The Overnight” is just that – a short in length, long in substance cinematic romp.
The film follows a laid back, somewhat boring Seattle couple, Alex (Adam Scott) and Emily (Taylor Schilling), who have just relocated to LA. As young parents they seem to be doing everything the “normal” way. They work hard, dote on their little boy, and their love life is rushed.
One afternoon while taking their son to the park, they have a chance meeting with, Kurt (Jason Schwartzman) and Charlotte (Judith Godrèche), an eccentric LA couple who have a son about the same age.
The two couples decide to get together again for a play date at Kurt and Charlotte’s house. Once the kids are put to bed by Kurt’s unique method of melodic keyboard playing, the adults decide to have a play date of their own.
At first the film seems to center on the mundane expectation of how life should be. A strategic starting point for the plot, as it develops into a raw and titillating experience.
Increasingly throughout the evening their blood alcohol levels rise and inhibitions wane, until the night turns into somewhat of a kinky party. Far from smooth and seductive, the interplay between the characters is uncomfortable and ridiculously funny.
The comedic style is unabashedly salacious. For example, at one point Kurt shares his unique paintings. They are the type one would expect to find somewhere like LA’s art scene. If you stare long enough into one, you realize they are all portraits of anuses – beautiful, colorful ass portraits.
The short length of the film in combination with a quick witted comedic style makes for a great date movie. It is both sensual and awkward, much like first dates can be. It will be an effective ice breaker, because it is sure to be the most awkward thing occurring in that moment.
People tend to lock themselves into boundaries which may not serve their best interest, simply because they believe that is how society works. This film pushes & explores those boundaries in a brilliantly humorous way without turning into a cheesy romantic comedy.
I give “The Overnight” 4.5 out of 5 stars
The film follows a laid back, somewhat boring Seattle couple, Alex (Adam Scott) and Emily (Taylor Schilling), who have just relocated to LA. As young parents they seem to be doing everything the “normal” way. They work hard, dote on their little boy, and their love life is rushed.
One afternoon while taking their son to the park, they have a chance meeting with, Kurt (Jason Schwartzman) and Charlotte (Judith Godrèche), an eccentric LA couple who have a son about the same age.
The two couples decide to get together again for a play date at Kurt and Charlotte’s house. Once the kids are put to bed by Kurt’s unique method of melodic keyboard playing, the adults decide to have a play date of their own.
At first the film seems to center on the mundane expectation of how life should be. A strategic starting point for the plot, as it develops into a raw and titillating experience.
Increasingly throughout the evening their blood alcohol levels rise and inhibitions wane, until the night turns into somewhat of a kinky party. Far from smooth and seductive, the interplay between the characters is uncomfortable and ridiculously funny.
The comedic style is unabashedly salacious. For example, at one point Kurt shares his unique paintings. They are the type one would expect to find somewhere like LA’s art scene. If you stare long enough into one, you realize they are all portraits of anuses – beautiful, colorful ass portraits.
The short length of the film in combination with a quick witted comedic style makes for a great date movie. It is both sensual and awkward, much like first dates can be. It will be an effective ice breaker, because it is sure to be the most awkward thing occurring in that moment.
People tend to lock themselves into boundaries which may not serve their best interest, simply because they believe that is how society works. This film pushes & explores those boundaries in a brilliantly humorous way without turning into a cheesy romantic comedy.
I give “The Overnight” 4.5 out of 5 stars
LeftSideCut (3778 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Jun 25, 2021
We all know the drill with this series by now - it's loud and stupid and dumb, entertaining as fuck, but manages to keep a heart and sense of family, even if that motif is sometimes a little forced. Hobbs & Shaw carries over the vast majority of all of that into the franchise's first foray into spin-off territory - the action is suitably ridiculous, and it has a lot of fun with The Rock and Jason Statham, building on the humorous relationship we saw briefly in The Fate of the Furious.
However, H&S is the first time throughout all of these movies that I felt like it disappeared up its own arse a bit too much. The rest of these films know how silly they are for the most part, but the comedy always well balanced. There are some funny moments in H&S certainly, but it's a constant barrage of jokes that don't stick a lot of the time. Ryan Reynolds and Kevin Hart both appear in painfully unfunny supporting roles that serve no other purpose than be comic relief, in a movie that's already full of comic relief, and the insults that Hobbs and Shaw consistently hurl at eachother become tiresome after a while. The runtime is definitely over long, clocking in at just under 2 and 1/2 hours, when it could have easily been 40 minutes shorter without losing any substance, and it results in a narrative that is both bloated, and riddled with plot holes, especially in the final third. On top of all of this, despite good chemistry between the two leads, and a welcome addition in Vanessa Kirby, H&S lacks the heart and soul of the series that comes part and parcel with the main crew of characters.
There's plenty of criticism to be thrown at Hobbs & Shaw, but as expected, it's still pretty entertaining. Most of the set pieces are high octane, and it's an acceptable level of switch-your-brain-off fun, but it ultimately suffers from the knowledge of how genuinely good the Fast & Furious movies can be, and joins the huge pile of generic action comedies out there.
However, H&S is the first time throughout all of these movies that I felt like it disappeared up its own arse a bit too much. The rest of these films know how silly they are for the most part, but the comedy always well balanced. There are some funny moments in H&S certainly, but it's a constant barrage of jokes that don't stick a lot of the time. Ryan Reynolds and Kevin Hart both appear in painfully unfunny supporting roles that serve no other purpose than be comic relief, in a movie that's already full of comic relief, and the insults that Hobbs and Shaw consistently hurl at eachother become tiresome after a while. The runtime is definitely over long, clocking in at just under 2 and 1/2 hours, when it could have easily been 40 minutes shorter without losing any substance, and it results in a narrative that is both bloated, and riddled with plot holes, especially in the final third. On top of all of this, despite good chemistry between the two leads, and a welcome addition in Vanessa Kirby, H&S lacks the heart and soul of the series that comes part and parcel with the main crew of characters.
There's plenty of criticism to be thrown at Hobbs & Shaw, but as expected, it's still pretty entertaining. Most of the set pieces are high octane, and it's an acceptable level of switch-your-brain-off fun, but it ultimately suffers from the knowledge of how genuinely good the Fast & Furious movies can be, and joins the huge pile of generic action comedies out there.
Kelly Knows (95 KP) rated Big Top Pee-wee (1988) in Movies
Jun 30, 2019
The People VS Pee-wee
Big Top Pee-wee is that rare movie that some will find irresistible and charming, while others will see it as utterly irritating. I revel in the glory that is the truth. It is both. Pee-wee started from the bottom of the playhouse, had a big adventure and wound up facing the real world in this movie. Pee-wee's world has always been goofy, surreal, and over the top. That is the draw of it, in my humble opinion. Unfortunately, this doesn't translate well when you slap our bow-tie bedecked hero in the midst of regular folk. Even the cast seems to be in a perpetual state of almost breaking character either due to intentional awkwardness in the writing, or some mix of inability to handle Pee-wee outside of his playhouse. I lean toward the latter. Looking back on the memory of this movie with a warm nostalgic lens, I was a bit taken aback on more recent viewing. Paul Reubens is in fine form as always, and all the jokes landed with a familiarity that had me cracking up at the same time I was wincing. It is a very humorous movie if you watch it with the kids, and turn your brain off. Even watching it on a "so bad it's good" mindset can be a good decision here. Nothing too crazy for the parents to watch out for. There is a love triangle storyline that felt like a betrayal of the innocence of the original themes but this movie does feel like an attempt to have Pee-wee grow up a bit, so agree to disagree on that one. The historical fact is that Pee-wee will always be an outstanding character brought to life by a talented actor. Big Top Pee-wee might not be one of the finest movies ever made, but if you have it locked in your memory banks under a soft sepia tone light. Keep it there.