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Kristy H (1252 KP) rated Twenty-One Truths About Love in Books
Mar 19, 2020
Dan Mayrock is an obsessive list maker who has quit his job as a teacher and opened a bookstore. But now he's in financial trouble and afraid to tell his wife, Jill. Jill was previously married and Dan feels he can never quite live up to Jill's late husband. And then, Jill gets pregnant. Now Dan feels even more pressure to be the best he can be for Jill.
The shtick of this book is that it's told entirely in list form. No dialogue, no narrative, nothing. Just lists. It did wear a little thin at times, but it was an interesting way to learn about someone's life. You learn about Dan's finances, feelings, and amazingly, a lot about his past.
For me, what really got me about this book is that I just couldn't warm to Dan. I think most people find this book heartwarming and cute, but I found him--and it--annoying and whiny. He doesn't want to tell his wife about his financial problems with the store, so he concocts some ridiculous scheme to "help" the family instead. It was just too much for me. Man up, tell your wife, and take responsibility for your actions. I didn't find it cute, and if I was his wife, I would have kicked him to the curb.
It's a shame, because a lot of the book was filled with really funny and spot-on observations about life. I especially loved Dan's ruminations on teaching and meetings. They were incredibly true to life. There are a lot of humorous and touching moments in this book, but I could never really push past the fact that he was a spineless liar.
"'Let's start off with an icebreaker' are words no human being has ever wanted to hear."
Overall, I enjoyed pieces of this book, but found myself skimming others. I liked the idea of it, but could never warm to Dan and since the whole book was his lists and life, it was hard to enjoy without liking him. I need a book from the POV of his older Bingo buddy, Bill. Now he was a cool dude.
The shtick of this book is that it's told entirely in list form. No dialogue, no narrative, nothing. Just lists. It did wear a little thin at times, but it was an interesting way to learn about someone's life. You learn about Dan's finances, feelings, and amazingly, a lot about his past.
For me, what really got me about this book is that I just couldn't warm to Dan. I think most people find this book heartwarming and cute, but I found him--and it--annoying and whiny. He doesn't want to tell his wife about his financial problems with the store, so he concocts some ridiculous scheme to "help" the family instead. It was just too much for me. Man up, tell your wife, and take responsibility for your actions. I didn't find it cute, and if I was his wife, I would have kicked him to the curb.
It's a shame, because a lot of the book was filled with really funny and spot-on observations about life. I especially loved Dan's ruminations on teaching and meetings. They were incredibly true to life. There are a lot of humorous and touching moments in this book, but I could never really push past the fact that he was a spineless liar.
"'Let's start off with an icebreaker' are words no human being has ever wanted to hear."
Overall, I enjoyed pieces of this book, but found myself skimming others. I liked the idea of it, but could never warm to Dan and since the whole book was his lists and life, it was hard to enjoy without liking him. I need a book from the POV of his older Bingo buddy, Bill. Now he was a cool dude.
Gareth von Kallenbach (977 KP) rated The Overnight (2015) in Movies
Aug 6, 2019
In the mood for a quickie? Patrick Brice’s “The Overnight” is just that – a short in length, long in substance cinematic romp.
The film follows a laid back, somewhat boring Seattle couple, Alex (Adam Scott) and Emily (Taylor Schilling), who have just relocated to LA. As young parents they seem to be doing everything the “normal” way. They work hard, dote on their little boy, and their love life is rushed.
One afternoon while taking their son to the park, they have a chance meeting with, Kurt (Jason Schwartzman) and Charlotte (Judith Godrèche), an eccentric LA couple who have a son about the same age.
The two couples decide to get together again for a play date at Kurt and Charlotte’s house. Once the kids are put to bed by Kurt’s unique method of melodic keyboard playing, the adults decide to have a play date of their own.
At first the film seems to center on the mundane expectation of how life should be. A strategic starting point for the plot, as it develops into a raw and titillating experience.
Increasingly throughout the evening their blood alcohol levels rise and inhibitions wane, until the night turns into somewhat of a kinky party. Far from smooth and seductive, the interplay between the characters is uncomfortable and ridiculously funny.
The comedic style is unabashedly salacious. For example, at one point Kurt shares his unique paintings. They are the type one would expect to find somewhere like LA’s art scene. If you stare long enough into one, you realize they are all portraits of anuses – beautiful, colorful ass portraits.
The short length of the film in combination with a quick witted comedic style makes for a great date movie. It is both sensual and awkward, much like first dates can be. It will be an effective ice breaker, because it is sure to be the most awkward thing occurring in that moment.
People tend to lock themselves into boundaries which may not serve their best interest, simply because they believe that is how society works. This film pushes & explores those boundaries in a brilliantly humorous way without turning into a cheesy romantic comedy.
I give “The Overnight” 4.5 out of 5 stars
The film follows a laid back, somewhat boring Seattle couple, Alex (Adam Scott) and Emily (Taylor Schilling), who have just relocated to LA. As young parents they seem to be doing everything the “normal” way. They work hard, dote on their little boy, and their love life is rushed.
One afternoon while taking their son to the park, they have a chance meeting with, Kurt (Jason Schwartzman) and Charlotte (Judith Godrèche), an eccentric LA couple who have a son about the same age.
The two couples decide to get together again for a play date at Kurt and Charlotte’s house. Once the kids are put to bed by Kurt’s unique method of melodic keyboard playing, the adults decide to have a play date of their own.
At first the film seems to center on the mundane expectation of how life should be. A strategic starting point for the plot, as it develops into a raw and titillating experience.
Increasingly throughout the evening their blood alcohol levels rise and inhibitions wane, until the night turns into somewhat of a kinky party. Far from smooth and seductive, the interplay between the characters is uncomfortable and ridiculously funny.
The comedic style is unabashedly salacious. For example, at one point Kurt shares his unique paintings. They are the type one would expect to find somewhere like LA’s art scene. If you stare long enough into one, you realize they are all portraits of anuses – beautiful, colorful ass portraits.
The short length of the film in combination with a quick witted comedic style makes for a great date movie. It is both sensual and awkward, much like first dates can be. It will be an effective ice breaker, because it is sure to be the most awkward thing occurring in that moment.
People tend to lock themselves into boundaries which may not serve their best interest, simply because they believe that is how society works. This film pushes & explores those boundaries in a brilliantly humorous way without turning into a cheesy romantic comedy.
I give “The Overnight” 4.5 out of 5 stars
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LeftSideCut (3778 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Jun 25, 2021
We all know the drill with this series by now - it's loud and stupid and dumb, entertaining as fuck, but manages to keep a heart and sense of family, even if that motif is sometimes a little forced. Hobbs & Shaw carries over the vast majority of all of that into the franchise's first foray into spin-off territory - the action is suitably ridiculous, and it has a lot of fun with The Rock and Jason Statham, building on the humorous relationship we saw briefly in The Fate of the Furious.
However, H&S is the first time throughout all of these movies that I felt like it disappeared up its own arse a bit too much. The rest of these films know how silly they are for the most part, but the comedy always well balanced. There are some funny moments in H&S certainly, but it's a constant barrage of jokes that don't stick a lot of the time. Ryan Reynolds and Kevin Hart both appear in painfully unfunny supporting roles that serve no other purpose than be comic relief, in a movie that's already full of comic relief, and the insults that Hobbs and Shaw consistently hurl at eachother become tiresome after a while. The runtime is definitely over long, clocking in at just under 2 and 1/2 hours, when it could have easily been 40 minutes shorter without losing any substance, and it results in a narrative that is both bloated, and riddled with plot holes, especially in the final third. On top of all of this, despite good chemistry between the two leads, and a welcome addition in Vanessa Kirby, H&S lacks the heart and soul of the series that comes part and parcel with the main crew of characters.
There's plenty of criticism to be thrown at Hobbs & Shaw, but as expected, it's still pretty entertaining. Most of the set pieces are high octane, and it's an acceptable level of switch-your-brain-off fun, but it ultimately suffers from the knowledge of how genuinely good the Fast & Furious movies can be, and joins the huge pile of generic action comedies out there.
However, H&S is the first time throughout all of these movies that I felt like it disappeared up its own arse a bit too much. The rest of these films know how silly they are for the most part, but the comedy always well balanced. There are some funny moments in H&S certainly, but it's a constant barrage of jokes that don't stick a lot of the time. Ryan Reynolds and Kevin Hart both appear in painfully unfunny supporting roles that serve no other purpose than be comic relief, in a movie that's already full of comic relief, and the insults that Hobbs and Shaw consistently hurl at eachother become tiresome after a while. The runtime is definitely over long, clocking in at just under 2 and 1/2 hours, when it could have easily been 40 minutes shorter without losing any substance, and it results in a narrative that is both bloated, and riddled with plot holes, especially in the final third. On top of all of this, despite good chemistry between the two leads, and a welcome addition in Vanessa Kirby, H&S lacks the heart and soul of the series that comes part and parcel with the main crew of characters.
There's plenty of criticism to be thrown at Hobbs & Shaw, but as expected, it's still pretty entertaining. Most of the set pieces are high octane, and it's an acceptable level of switch-your-brain-off fun, but it ultimately suffers from the knowledge of how genuinely good the Fast & Furious movies can be, and joins the huge pile of generic action comedies out there.