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Thunder Force (2021)
Thunder Force (2021)
2021 | Action, Adventure, Comedy
2
5.5 (12 Ratings)
Movie Rating
Terrible and unfunny script (1 more)
Wasted talent.
Getting the crabs is never a laugh.
Positives:
- I laughed three times:
  o Jason Bateman's "Crab-man" talking about his ironic star-sign;
  o Jason Bateman and Melissa McCarthy's love-making scene: the most
    innovative use of butter since "Last Tango in Paris"!
o The duo struggling to get in and out of their Lamborghini supercar: purely
    because it looks just like me these days trying to get in and out of my wife's
    Mazda MX5!

Negatives:
- It singularly fails my "six laughs" test for a comedy. The script by Ben Falcone - McCarthy's husband - is just eye-rollingly unfunny. The pair must have laughed themselves silly over their own jokes. It's just a shame that their sense of humour diverges so wildly from mine (or indeed anyones?)
- Melissa McCarthy must be an acquired taste - one I've never acquired. "Can You Ever Forgive Me?" proves what a class act she can be.... but this does her reputation no good at all.
- It's criminal to have actors of the quality of Octavia Spencer, Jason Bateman and Melissa Leo and use them in such a poor way. Bateman is actually the funniest turn in the piece, but that's not saying much.

Summary Thoughts on "Thunderforce":
There are some movies that you just wish had been drowned at birth. This is one. I normally don't regret spending two hours watching a movie, but this one felt like wasted time. With "Twist" I thought I might have found my worst film of the year. But no, there's a new contender in town.

(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/05/09/thunderforce-getting-the-crabs-is-never-a-laugh/ . Thanks).
  
Abattoir Blues/Lyre of Orpheus by Nick Cave / Nick Cave & The Bad Seeds
Abattoir Blues/Lyre of Orpheus by Nick Cave / Nick Cave & The Bad Seeds
2004 | Alternative
(0 Ratings)
Album Favorite

"I think one of the main reasons I picked Abattoir Blues and Lyre Of Orpheus was because, as a double album, you get more bang for your buck. Abattoir Blues has a more gospel feel to it, background vocals and big crescendos. Lyre Of Orpheus was generally a quieter record except for the title track, which is one of my favourites. I love the lyrics to that song. One awesome thing about Nick Cave is the darkness and the humour in his stuff. On Abattoir Blues, I love 'There She Goes, My Beautiful World', 'Hiding All Away' and 'Nature Boy'. Just good tunes man. At this point you can hear the Warren Ellis influence. I've always been a Nick Cave fan, since The Birthday Party. My roommate at the time, Charles Peterson [Sub Pop photographer], had a copy of Prayers On Fire and I've been listening to and following Nick Cave ever since then. First time I got to see him he didn't play Seattle, so me and my friends drove three hours north to Vancouver and that was on the First Born Is Dead tour. My favourite ever Nick Cave lyric was going way back to 'Deep In The Woods' [from Mutiny/The Bad Seed] - where it ends with the line, "Tonight we sleep in separate ditches"; that always cracks me up. 20,000 Days On Earth was the best music documentary I've ever seen. It didn't follow the normal " and then he did this and then he did that" of those Behind The Music narratives, it was a surreal and cool peak in to Cave's world. Something I learned about him that I didn't know already is that he likes to eat pizza in front of the TV!"

Source
  
The Avengers (2012)
The Avengers (2012)
2012 | Action, Sci-Fi
The first Avengers movie is a real treat - it was at the time of the release and it is now. In 2012, the culmination of the first handful of MCU movies was just glorious, seeing all these heroes together for the first time. Now in 2020, we've become accustomed to that, spoilt by the more recent Infinity War and Endgame, it's easy to forget just how special Avengers is in it's comparative humbleness, especially for people who grew up reading these stories in comic books.

The main bulk of the cast, comprised of Robert Downey Jr, Chris Hemsworth, Chris Evans, Scarlett Johansson, Mark Ruffalo (in his first appearance as Bruce Banner/Hulk), Samuel L. Jackson, and Jeremy Renner all bounce off of each other so naturally. The balance of dramatic moments and back and forth humour on display laid the blueprint for many MCU films to come, most notably Guardians of the Galaxy.
Tom Hiddleston steps up his game from the first Thor film and gives us an instantly iconic villain in Loki, one that has only been rivalled since by Thanos in terms of character development and story.

The set pieces are fantastic as well, most memorably, the Hulk and Thor battle on the Helicarrier, and of course the huge and ridiculous final show down in Manhattan, and the CGI still looks great 8 years down the line. A big event movie such as this was only made possible by introducing the individual characters slowly over a number of years, and it's proof that patience pays off. A formula that Marvel Studios have since mastered.

I know that none of these films are The Shawshank Redemption or Citizen Kane, but fuck me, films like Avengers Assemble (it's UK title) are so stupidly entertaining, and everything a kid who grew up reading comics could possibly want.
  
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LeftSideCut (3778 KP) rated Vampires vs. the Bronx (2020) in Movies

Oct 12, 2020 (Updated Oct 12, 2020)  
Vampires vs. the Bronx (2020)
Vampires vs. the Bronx (2020)
2020 | Comedy, Horror
Starting with the positives for this one...
The three young leads are pretty likable, one of them wears a Ghost shirt at one point which was cool. Method Man plays a priest which is always going to be a good time. It has a diverse cast and deals with the issue of gentrification which you don't see often in movies.

But that was about it for me, everything else is just kind of shoddy. Although the whole cast seem to gel nicely, aside from a few moments that made me smile, none of the humour really landed.
The vampire aspect of this movie was just a bit lame. There's a lot of references to Blade, and a nod to The Lost Boys, but all that does is remind the audience that they could be watching a much better vampire film.
I appreciate that this a family friendly film, but I don't recall seeing a single drop of blood, which is weird considering the subject matter.

There aren't really any set pieces until the end, and honestly, the final showdown is woefully shit. The stakes never seem high throughout, and the twist regarding the vampire leader is telegraphed from the first moment they appear on screen.

Living in the UK, I can't comment on how well Vampires vs The Bronx represents The Bronx itself. In that regard, I've heard positive things, and the closing lines of the movie suggest that this is a film made for those who live there, which is a great thing, but it may somewhat explain why I just didn't connect with it in the way that others have.

As a commentary on several relevant social issues, it's not too bad. As a vampire film, it sucks, pun fully intended.
  
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Elizabeth (1521 KP) Oct 13, 2020

As someone who grew up in the Bronx, it was not the best representation. It was a cutesy movie that was happening in a generic urban area. It could have been any urban project in a major US city.

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LeftSideCut (3778 KP) Oct 13, 2020

Thank you for the insight 🙌

The Hate U Give (2018)
The Hate U Give (2018)
2018 | Crime, Drama
Let me start by saying that this is an incredibly powerful film. There's not a single member of the cast that I didn't believe in their role, and at no point during the film did I stop to wonder why something happened or what was going on. The whole thing flowed perfectly.

There are stellar performances from everyone, but I was really pleased to see Amandla Stenberg in this role. It's a strong lead which was a great relief as I wasn't overly enthusiastic after seeing some of her previous roles. Regina Hall really hit home for me too, I'm used to her as a comedic actor so this break from that was surprising and very welcome. She did still get the chance for moments of humour, they're just not as over the top as we might be used to.

This is an adaptation of the young adult book of the same name by Angie Thomas. While the protagonist is indeed a teenage girl the film certainly doesn't limit itself to that audience. Many adaptations before this have made it difficult to see its success past the intended age group but I can see this being popular on so many levels. It's a tough subject handled in an excellent way. This really feels like something special.

If I have to quibble about something it's that the ending feels a little too "and they all lived happily ever after". I don't know if that's how it ends in the book or not, I'm going to find out. It's still a good ending though, regardless.

What should you do?

See it. No haggling about ticket prices, it's worth every penny.

Movie thing you wish you could take home

The film doesn't quite fall into the category for this part of my post, but I'd really want Starr's determination and courage.