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Lee (2222 KP) rated Toy Story 4 (2019) in Movies
Jun 24, 2019 (Updated Jun 24, 2019)
I really can't believe it's been 9 years since Toy Story 3! It's even more unbelievable to think that the first Toy Story came out in 1995, meaning these beloved characters have now been with us for nearly a quarter of a century! I don't think anybody really expected, or even thought we needed, yet another sequel to these movies, as Toy Story 3 seemed to give us a natural, and highly emotional conclusion to the series. And yet here we are with number 4. Interestingly, I felt the trailers for this Toy Story didn't really highlight anything new and exciting for the series, possibly only existing as a bit of a cash grab. Thankfully, there's a lot here that's new and exciting, and I'm sure it will make a tonne of money too!
Toy Story 4 begins by taking us back 9 years, to a scene which helps to explain the absence of Bo Peep from the last movie, before bringing us back to present day. The gang are all right where we left them, living with Bonnie and being played with regularly. Although, worryingly for Woody, he seems to be getting left behind in Bonnie's wardrobe on a more regular basis during the play sessions. Overlooked in favour of the other toys and, worse still, even having his sheriff badge removed and placed on Jessie!
Woody still feels a duty of care towards Bonnie though, so when a taster day at kindergarten arrives, Woody decides to accompany a very nervous Bonnie for the day, stowing away in her backpack. We then get to relive what all of us have been through at some point during our younger years - going somewhere new and feeling very alone, scared, out of your comfort zone and thinking that everyone dislikes you. Woody does his best to try and make the day more bearable for Bonnie, without being seen of course, throwing discarded craft items from the bin so that she has something to work with during craft time.
Back in Bonnie's room later on, Woody reveals to the rest of the toys the result of Bonnie's crafting session - a spork with googly eyes, pipe-cleaner arms and a broken ice lolly stick for feet. His name is Forky and, having effectively just been 'born', Forky struggles to understand who he is, what he is or why he is. He's also constantly drawn to trash bins, as that's where he came from. As Bonnie's new favourite toy, Woody takes on the role of guardian, repeatedly removing Forky from the bins and ensuring that he's never out of Bonnie's sight in what is a very funny 15 minutes or so. So when Bonnie and her parents head out on a road trip with all the toys, and Forky leaps from the back of the RV, it's up to Woody to go find him and bring him back to Bonnie before she notices.
The journey back to Bonnie isn't quite that straightforward though. Side plots involving an antique store and a fairground provide lots of opportunities for drama and humour and also introduce us to some great new characters. But, Toy Story 4 is primarily about Woody and his journey of self discovery. He learns about what it means to be a toy and his experiences throughout the movie give him an insight into the very different lives that the toys he encounters have all experienced. What it's like to be without a child, whether you desperately want to be with one or aren't really bothered. The only downside of all of this is that the rest of our core team of characters from the original movies are pretty much sidelined, serving only to remain together back in Bonnie's room or the RV while they wait for word back on whether or not Woody is OK. Buzz does get a bit more involved in things than the others do, but seems to have reverted to being slightly dumb in a way that we haven't seen since the first movie.
But these are all very minor negatives. Toy Story 4 is very funny, with much of that humour stemming from the new characters, particularly stunt-rider Duke Caboom and fairground fluffy toys Ducky and Bunny. It's definitely not as sad as Toy Story 3 was, but it does manage to be pretty emotional at times as it tugs at the heartstrings and makes you think a little bit deeper about life, death and creation. After nearly 25 years though, it's incredible that these characters still manage to deliver such satisfyingly enjoyable movies. And if this really is the end of Toy Story movies, it's a great way to end the series.
Toy Story 4 begins by taking us back 9 years, to a scene which helps to explain the absence of Bo Peep from the last movie, before bringing us back to present day. The gang are all right where we left them, living with Bonnie and being played with regularly. Although, worryingly for Woody, he seems to be getting left behind in Bonnie's wardrobe on a more regular basis during the play sessions. Overlooked in favour of the other toys and, worse still, even having his sheriff badge removed and placed on Jessie!
Woody still feels a duty of care towards Bonnie though, so when a taster day at kindergarten arrives, Woody decides to accompany a very nervous Bonnie for the day, stowing away in her backpack. We then get to relive what all of us have been through at some point during our younger years - going somewhere new and feeling very alone, scared, out of your comfort zone and thinking that everyone dislikes you. Woody does his best to try and make the day more bearable for Bonnie, without being seen of course, throwing discarded craft items from the bin so that she has something to work with during craft time.
Back in Bonnie's room later on, Woody reveals to the rest of the toys the result of Bonnie's crafting session - a spork with googly eyes, pipe-cleaner arms and a broken ice lolly stick for feet. His name is Forky and, having effectively just been 'born', Forky struggles to understand who he is, what he is or why he is. He's also constantly drawn to trash bins, as that's where he came from. As Bonnie's new favourite toy, Woody takes on the role of guardian, repeatedly removing Forky from the bins and ensuring that he's never out of Bonnie's sight in what is a very funny 15 minutes or so. So when Bonnie and her parents head out on a road trip with all the toys, and Forky leaps from the back of the RV, it's up to Woody to go find him and bring him back to Bonnie before she notices.
The journey back to Bonnie isn't quite that straightforward though. Side plots involving an antique store and a fairground provide lots of opportunities for drama and humour and also introduce us to some great new characters. But, Toy Story 4 is primarily about Woody and his journey of self discovery. He learns about what it means to be a toy and his experiences throughout the movie give him an insight into the very different lives that the toys he encounters have all experienced. What it's like to be without a child, whether you desperately want to be with one or aren't really bothered. The only downside of all of this is that the rest of our core team of characters from the original movies are pretty much sidelined, serving only to remain together back in Bonnie's room or the RV while they wait for word back on whether or not Woody is OK. Buzz does get a bit more involved in things than the others do, but seems to have reverted to being slightly dumb in a way that we haven't seen since the first movie.
But these are all very minor negatives. Toy Story 4 is very funny, with much of that humour stemming from the new characters, particularly stunt-rider Duke Caboom and fairground fluffy toys Ducky and Bunny. It's definitely not as sad as Toy Story 3 was, but it does manage to be pretty emotional at times as it tugs at the heartstrings and makes you think a little bit deeper about life, death and creation. After nearly 25 years though, it's incredible that these characters still manage to deliver such satisfyingly enjoyable movies. And if this really is the end of Toy Story movies, it's a great way to end the series.
Emma @ The Movies (1786 KP) rated Guns Akimbo (2019) in Movies
May 20, 2020
When I first heard about Guns Akimbo I was very interested in seeing it, when I next heard about it... well, it wasn't exactly a happy internet moment. Despite the actions of one person though you shouldn't write off something that so many people worked on, that meant I was still keen.
Miles likes to think of himself as a bit of an online warrior, really he's just trolling the trolls... and he's just annoyed the wrong people. Skizm are making a name for themselves in real-life gaming experiences, you can watch online as people battle to the death, and Miles' transgression means he's their next competitor.
The idea isn't a new one, there's Gamer and Nerve (I haven't seen the latter but it was mentioned to me), I personally get a few vibes from The Condemned too, but despite all of that it still feels like it has a fun twist to it.
Miles is a "mild mannered" nerd who gets thrown into the violent world of Skizm, well outside his comfort zone he's now tasked with killing their current champion before she kills him. There's shouldn't really be much of a contest because even with guns surgically attached to his hands he's still only a mild threat to Nix. In the real world an ill-matched pairing probably wouldn't work but with the extra story and some added movie magic in the form of dumb luck for Miles and it means we get an underdog battle that everyone enjoys.
The contest runs rampant through the streets and we mainly follow Miles on his journey with the occasional jump to fill in story. It sticks well to video game imagery and principles, I particularly liked the addition of health/1-up sound effects. Overall the filming of it is well presented and engaging with combat scenes changing pace for dramatic effect and cutting between angles to give you something to react to. There are a lot of Dutch angles used, which makes sense considering how much concussion and drugs are flying around. My only quibble with this would probably be that there seems to be every possible camera technique and angle used in the film, that isn't necessarily a bad thing, but at times it feels a bit much.
Daniel Radcliffe is in the main role of Miles, and this is more of a personal drawback for me because I'm never entirely convinced he can act... but he is very amusing in this. In the beginning his inner nerd is on point when faced with Nix for the first time and the pair have a good, if slightly bizarre, rapport. I can deal with the fact that Miles has a lot of dumb luck, but at one point in the film he suddenly develops skills out of nowhere and that one annoyed me even though it made for a great scene.
As I said, the chemistry between Miles and Nix is very entertaining and Samara Weaving is a solid choice in casting. Nix is the baddie that you can't really hate and with her dark humour and the back story they weave in she's probably my favourite character. There were two things that leapt out at me, the Ready Or Note laugh and the Harley Quinn/Birds Of Prey drug snorting... now, BoP and Guns Akimbo must have been filmed at similar times so I can't see how it could have been copied but there's a moment that makes me instantly think of BoP, and with Weaving always momentarily confusing my brain when I see her it threw me for a loop.
There's a really well chosen group of songs throughout and they fit well with the tone of the film and the levels of energy needed... but as with everything in this review there's a little thing to pick at, and again, it's only tiny but it bugged me. One of the songs is used twice... technically nothing wrong with that, but I noticed it and it mildly annoyed me.
We've got two great leads who work well together and lots of hidden pop culture references that really help the film along. There's potential for the ultra violent moments to become a bit too much but with the effects, humour and editing I think it stops it from becoming anything too graphic. Guns Akimbo was pretty entertaining throughout and it's definitely one I can see myself rewatching.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/05/guns-akimbo-movie-review.html
Miles likes to think of himself as a bit of an online warrior, really he's just trolling the trolls... and he's just annoyed the wrong people. Skizm are making a name for themselves in real-life gaming experiences, you can watch online as people battle to the death, and Miles' transgression means he's their next competitor.
The idea isn't a new one, there's Gamer and Nerve (I haven't seen the latter but it was mentioned to me), I personally get a few vibes from The Condemned too, but despite all of that it still feels like it has a fun twist to it.
Miles is a "mild mannered" nerd who gets thrown into the violent world of Skizm, well outside his comfort zone he's now tasked with killing their current champion before she kills him. There's shouldn't really be much of a contest because even with guns surgically attached to his hands he's still only a mild threat to Nix. In the real world an ill-matched pairing probably wouldn't work but with the extra story and some added movie magic in the form of dumb luck for Miles and it means we get an underdog battle that everyone enjoys.
The contest runs rampant through the streets and we mainly follow Miles on his journey with the occasional jump to fill in story. It sticks well to video game imagery and principles, I particularly liked the addition of health/1-up sound effects. Overall the filming of it is well presented and engaging with combat scenes changing pace for dramatic effect and cutting between angles to give you something to react to. There are a lot of Dutch angles used, which makes sense considering how much concussion and drugs are flying around. My only quibble with this would probably be that there seems to be every possible camera technique and angle used in the film, that isn't necessarily a bad thing, but at times it feels a bit much.
Daniel Radcliffe is in the main role of Miles, and this is more of a personal drawback for me because I'm never entirely convinced he can act... but he is very amusing in this. In the beginning his inner nerd is on point when faced with Nix for the first time and the pair have a good, if slightly bizarre, rapport. I can deal with the fact that Miles has a lot of dumb luck, but at one point in the film he suddenly develops skills out of nowhere and that one annoyed me even though it made for a great scene.
As I said, the chemistry between Miles and Nix is very entertaining and Samara Weaving is a solid choice in casting. Nix is the baddie that you can't really hate and with her dark humour and the back story they weave in she's probably my favourite character. There were two things that leapt out at me, the Ready Or Note laugh and the Harley Quinn/Birds Of Prey drug snorting... now, BoP and Guns Akimbo must have been filmed at similar times so I can't see how it could have been copied but there's a moment that makes me instantly think of BoP, and with Weaving always momentarily confusing my brain when I see her it threw me for a loop.
There's a really well chosen group of songs throughout and they fit well with the tone of the film and the levels of energy needed... but as with everything in this review there's a little thing to pick at, and again, it's only tiny but it bugged me. One of the songs is used twice... technically nothing wrong with that, but I noticed it and it mildly annoyed me.
We've got two great leads who work well together and lots of hidden pop culture references that really help the film along. There's potential for the ultra violent moments to become a bit too much but with the effects, humour and editing I think it stops it from becoming anything too graphic. Guns Akimbo was pretty entertaining throughout and it's definitely one I can see myself rewatching.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/05/guns-akimbo-movie-review.html
Emma @ The Movies (1786 KP) rated The Suicide Squad (2021) in Movies
Aug 15, 2021
Much like the recent Justice League redo we have Suicide Squad... sorry, The Suicide Squad.
The bad guys (and gals) club together to protect America... and by default, the world.
So it's not really a sequel, it's not really a reboot, but it's sort of a rebooted sequel while being a standalone film in the same universe. I've got no idea, but what we've got doesn't really bring out the same character dynamics as we've had previously.
Harley, Flag, Boomerang and Waller make repeat visits to the franchise. Harley and Boomerang are their usual, slightly off the wall, selves to bring the outlandish humour element. But Flag and Waller aren't anywhere near the versions they were in their last outing. Flag isn't sceptical, and that could be acceptance after the previous missions, but he's less of a leader and altogether more... bland. Waller on the other hand is still a hardass, but on a much different level. Before, she was sinister evil with a smidge of understated terrifying. Now... she's just shouty. It didn't make for a good viewing experience.
The dynamic change also left me cold. Harley and Boomerang have great chemistry together, what they did to her and Flag though, that was an odd mood. At least last time he was firm and decisive, now we're getting lingering camera shots that feel like they have romantic undertones. They also took Harley out of a lot of group activity, for a storyline that could easily have been summed up in another way.
Supporting the old familiars are a lot of new faces. In fact, there are over a dozen new named characters in The Suicide Squad.
Idris Elba is obviously a big pull in the advertising of this. Bloodsport isn't a character I know well, but it's handy that there are several, almost identical, characters they could swap in for Deadshot in case they want to bring Will Smith back later. But whether or not the comic book characters are the same, the story on the screen comes across almost identical.
And then there's Peacemaker, played by John Cena... another highly trained marksman. But this one with a penchant for tighty-whities. With this and F9, I'm not sure I have enough words. This is the last in a string of roles for him that I really haven't enjoyed. I'm even more distressed now that I know there's an 8 episode Peacemaker series coming in 2022. Heavy "do not want" vibes.
I couldn't go through this review without talking about King Shark... that would be criminal. Sylvester Stallone did this perfectly. Nanaue has humour, vulnerability, anger, wonder... and that was all conveyed with animation and a minimal script. I will not apologise for saying he was the best thing about the whole movie.
The rest of the characters are a steep learning curve. There was a lot of opportunity, but some rash decisions meant there was also a lot of wasted IP.
Our bad guys were a little all over the place. Front and centre we had Peter Capaldi as Thinker. He's not exactly a force to be reckoned with though, and honestly, I kind of expected more considering his prominence in the trailer. Starro was more of a challenger as a baddie, but they did ignore a lot of his abilities and left him as more of a novelty... and those armpits... *shudder*
Effects were as you'd expect for a DC film, not bad, but nothing that blows your mind. Animating a giant starfish is never going to look all that believable though, so there's a certain amount of leeway you need to give them for that.
The vibrant colours felt very on brand for James Gunn, and almost made this a bit of a companion piece to Birds of Prey... but those flowers... Yes, Harley has her hallucinatory moments, those flowers felt entirely pointless and out of place.
While The Suicide Squad was watchable, I really didn't find it to be the redemption that a lot of people are praising it to be. In fact, it felt like a solid step back for some characters and an excessive waste of others. Had they made the entire movie from King Shark's point of view then this obviously would have been a 5 star film, but as it was I didn't like the tone it had, and a lot of the action felt way too lighthearted for me. This wasn't an improvement on the previous iteration.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/the-suicide-squad-movie-review.html
The bad guys (and gals) club together to protect America... and by default, the world.
So it's not really a sequel, it's not really a reboot, but it's sort of a rebooted sequel while being a standalone film in the same universe. I've got no idea, but what we've got doesn't really bring out the same character dynamics as we've had previously.
Harley, Flag, Boomerang and Waller make repeat visits to the franchise. Harley and Boomerang are their usual, slightly off the wall, selves to bring the outlandish humour element. But Flag and Waller aren't anywhere near the versions they were in their last outing. Flag isn't sceptical, and that could be acceptance after the previous missions, but he's less of a leader and altogether more... bland. Waller on the other hand is still a hardass, but on a much different level. Before, she was sinister evil with a smidge of understated terrifying. Now... she's just shouty. It didn't make for a good viewing experience.
The dynamic change also left me cold. Harley and Boomerang have great chemistry together, what they did to her and Flag though, that was an odd mood. At least last time he was firm and decisive, now we're getting lingering camera shots that feel like they have romantic undertones. They also took Harley out of a lot of group activity, for a storyline that could easily have been summed up in another way.
Supporting the old familiars are a lot of new faces. In fact, there are over a dozen new named characters in The Suicide Squad.
Idris Elba is obviously a big pull in the advertising of this. Bloodsport isn't a character I know well, but it's handy that there are several, almost identical, characters they could swap in for Deadshot in case they want to bring Will Smith back later. But whether or not the comic book characters are the same, the story on the screen comes across almost identical.
And then there's Peacemaker, played by John Cena... another highly trained marksman. But this one with a penchant for tighty-whities. With this and F9, I'm not sure I have enough words. This is the last in a string of roles for him that I really haven't enjoyed. I'm even more distressed now that I know there's an 8 episode Peacemaker series coming in 2022. Heavy "do not want" vibes.
I couldn't go through this review without talking about King Shark... that would be criminal. Sylvester Stallone did this perfectly. Nanaue has humour, vulnerability, anger, wonder... and that was all conveyed with animation and a minimal script. I will not apologise for saying he was the best thing about the whole movie.
The rest of the characters are a steep learning curve. There was a lot of opportunity, but some rash decisions meant there was also a lot of wasted IP.
Our bad guys were a little all over the place. Front and centre we had Peter Capaldi as Thinker. He's not exactly a force to be reckoned with though, and honestly, I kind of expected more considering his prominence in the trailer. Starro was more of a challenger as a baddie, but they did ignore a lot of his abilities and left him as more of a novelty... and those armpits... *shudder*
Effects were as you'd expect for a DC film, not bad, but nothing that blows your mind. Animating a giant starfish is never going to look all that believable though, so there's a certain amount of leeway you need to give them for that.
The vibrant colours felt very on brand for James Gunn, and almost made this a bit of a companion piece to Birds of Prey... but those flowers... Yes, Harley has her hallucinatory moments, those flowers felt entirely pointless and out of place.
While The Suicide Squad was watchable, I really didn't find it to be the redemption that a lot of people are praising it to be. In fact, it felt like a solid step back for some characters and an excessive waste of others. Had they made the entire movie from King Shark's point of view then this obviously would have been a 5 star film, but as it was I didn't like the tone it had, and a lot of the action felt way too lighthearted for me. This wasn't an improvement on the previous iteration.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/the-suicide-squad-movie-review.html
Merissa (12894 KP) rated Finding Mr. Wrong in Books
Sep 27, 2017
Finding Mr. Wrong by Charlie Cochet
Finding Mr. Wrong starts off with Matthew having a near-death experience. He is the very successful owner of the family run firm Hart & Home. However, he isn't sure about his cousin, who is coming up with very strange ideas. Following his experience, he speaks to his best friend/PA, Adam, and they decide he is going to find Mr Right. They put down a few things, and then Adam wangles the story out of 'the one that got away'. It is obvious that Matthew has never got over this. Circumstances (and people) conspire, and Matthew and Jax end up meeting again. Jax can't believe his eyes, whilst Matthew is spitting feathers he is so angry. Don't worry, they do work it out... for a while at least.
This story just swept you along, and I thoroughly enjoyed every word. Charlie Cochet is an amazing author, and I have yet to read anything by her that I didn't like. There are a couple of side stories that help to make this the enjoyable read that it is - one is Jax's dad, and the other is Adam. Now, I won't say too much about Jax's dad (Dale), as I feel you should really read it and make up your own mind. As for me, I would say that Jax is a saint, and I honestly don't know if I could have done that. As for Adam, I really REALLY want to know his story. He comes across as very sweet and caring, but he has a history. I know he does. I just don't know what it is just yet. He knew immediately what Rai did for a living, whereas I didn't have a clue! He knows what it's like to be without money too. I really need to know!
With no editing or grammatical errors to disrupt my reading flow, this is one contemporary M/M romance that I have no hesitation in recommending. With humour, grit, action, misunderstandings, and a little twist that I never saw coming at the end, this was absolutely wonderful. Definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This story just swept you along, and I thoroughly enjoyed every word. Charlie Cochet is an amazing author, and I have yet to read anything by her that I didn't like. There are a couple of side stories that help to make this the enjoyable read that it is - one is Jax's dad, and the other is Adam. Now, I won't say too much about Jax's dad (Dale), as I feel you should really read it and make up your own mind. As for me, I would say that Jax is a saint, and I honestly don't know if I could have done that. As for Adam, I really REALLY want to know his story. He comes across as very sweet and caring, but he has a history. I know he does. I just don't know what it is just yet. He knew immediately what Rai did for a living, whereas I didn't have a clue! He knows what it's like to be without money too. I really need to know!
With no editing or grammatical errors to disrupt my reading flow, this is one contemporary M/M romance that I have no hesitation in recommending. With humour, grit, action, misunderstandings, and a little twist that I never saw coming at the end, this was absolutely wonderful. Definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Connor Sheffield (293 KP) rated Call of the Jersey Devil in Books
May 25, 2017
Brilliant humour (2 more)
Horror
Written by one of my favourite Gothic musicians, Aurelio Voltaire
Hilarious, Gruesome and a brilliantly written
Aurelio Voltaire has always been brilliantly funny and witty in his work. His music is something I'd recommend listening to if you haven't already, don't let the Goth genre allow your mine to judge before you listen to it, because I promise you, it's not what you expect.
This book of his, is as brilliantly written as his lyrics, and Voltaire knows how to write a gruesome, horrifying adventure that includes friendship, family curses, Himself (as the washed up Goth singer), the undead, and of course legendary beast known as The Jersey Devil. Voltaire was born and raised in New Jersey and he did not enjoy his years as a young Goth (though he didn't know he fit into a stereotype back then) as people ridiculed him, and the other kids bullied him. He has a son called 'Bomb New Jersey' and I believe he references these thoughts in other areas of his work as well.
Back to the book however, the tale begins by telling us how the Jersey Devil was banished from this realm on earth and then it jumps to present day. The first chapter is exciting and gripping, the next chapter is brilliant and hilarious, and includes a dildo lightsaber fight....yes you read that right. The mall rats are best friends, but they argue with one another a lot, and this is how the book gets your attention. You keep reading to see how their relationships evolve, and how they band together to help one another survive the hellish nightmare that unfolds in the Pine Barrens of New Jersey.
The detail in this book is written to give you gruesome images, of the grotesque undead, the large stature of the Jersey Devil, and the unearthly noise it makes.
I have met Aurelio Voltaire twice at Whitby Goth Weekend, and on the second time, I had the honour of being on stage with him, and a handful of other audience members, in order to be his Hellish choir that night, and it was incredible. I have my copy of the book signed and that makes it even more valuable to me. It's a great read, and I highly recommend to any fan of horror, and macabre.
This book of his, is as brilliantly written as his lyrics, and Voltaire knows how to write a gruesome, horrifying adventure that includes friendship, family curses, Himself (as the washed up Goth singer), the undead, and of course legendary beast known as The Jersey Devil. Voltaire was born and raised in New Jersey and he did not enjoy his years as a young Goth (though he didn't know he fit into a stereotype back then) as people ridiculed him, and the other kids bullied him. He has a son called 'Bomb New Jersey' and I believe he references these thoughts in other areas of his work as well.
Back to the book however, the tale begins by telling us how the Jersey Devil was banished from this realm on earth and then it jumps to present day. The first chapter is exciting and gripping, the next chapter is brilliant and hilarious, and includes a dildo lightsaber fight....yes you read that right. The mall rats are best friends, but they argue with one another a lot, and this is how the book gets your attention. You keep reading to see how their relationships evolve, and how they band together to help one another survive the hellish nightmare that unfolds in the Pine Barrens of New Jersey.
The detail in this book is written to give you gruesome images, of the grotesque undead, the large stature of the Jersey Devil, and the unearthly noise it makes.
I have met Aurelio Voltaire twice at Whitby Goth Weekend, and on the second time, I had the honour of being on stage with him, and a handful of other audience members, in order to be his Hellish choir that night, and it was incredible. I have my copy of the book signed and that makes it even more valuable to me. It's a great read, and I highly recommend to any fan of horror, and macabre.
The original is better
I received this book for free through Goodreads First Reads.
Six bestselling authors have taken on the task of writing modern retellings of the complete works of Jane Austen. Alexander McCall Smith has successfully taken on the challenge of bringing Emma into the 21st century. Although the settings and characters remain the same the contemporary clothing, vehicles and ideas are something that the reader can relate to.
As fans of Jane Austen will already know, Emma is about rich, single Emma Woodhouse who, despite the disapproval of her good friend George Knightley, enjoys interfering in the lives of others, particularly where romance is concerned. Her meddling backfires when her plan to match her friend Harriet Smith with the boring Philip Elton has disastrous consequences.
Alexander McCall Smith’s version of Emma has more focus on the life of Mr. Woodhouse, Emma’s father, than the original did. He gives an account of Henry Woodhouse’s history and over emphasizes his anxieties about health and safety. Mr. Woodhouse’s concerns are constantly cropping up throughout the novel adding a little humour to the story.
One concern about this modern adaptation is that the writing style was overly formal. If it were not for the references to the current clothing fashions, motorcars and women attending university, the book could have been set during Jane Austen’s lifetime. Take, for example, the character Anne Taylor. Mr. Woodhouse hires Miss Taylor as a governess for his motherless daughters. Miss Taylor’s approach to the girls and her prim and proper use of language made her seem antiquated. She would not have looked out of place amongst other well-known governesses or nannies such as Mary Poppins or Nurse Matilda.
Occasionally it felt that Alexander McCall Smith was mocking the modern world, for example the activities of the younger generation or the way people speak. Whilst this may appeal to older readers who may disapprove of the recent developments and changes in the Western world; it alienates the teenagers and young adults who have grown up with modern technology.
There is no doubt that Alexander McCall Smith has done an excellent job at retelling such a famous novel, however to be a complete modern retelling I think everything needs to be brought into the 21st century. This would include all the characters and the style of language it is written in.
Six bestselling authors have taken on the task of writing modern retellings of the complete works of Jane Austen. Alexander McCall Smith has successfully taken on the challenge of bringing Emma into the 21st century. Although the settings and characters remain the same the contemporary clothing, vehicles and ideas are something that the reader can relate to.
As fans of Jane Austen will already know, Emma is about rich, single Emma Woodhouse who, despite the disapproval of her good friend George Knightley, enjoys interfering in the lives of others, particularly where romance is concerned. Her meddling backfires when her plan to match her friend Harriet Smith with the boring Philip Elton has disastrous consequences.
Alexander McCall Smith’s version of Emma has more focus on the life of Mr. Woodhouse, Emma’s father, than the original did. He gives an account of Henry Woodhouse’s history and over emphasizes his anxieties about health and safety. Mr. Woodhouse’s concerns are constantly cropping up throughout the novel adding a little humour to the story.
One concern about this modern adaptation is that the writing style was overly formal. If it were not for the references to the current clothing fashions, motorcars and women attending university, the book could have been set during Jane Austen’s lifetime. Take, for example, the character Anne Taylor. Mr. Woodhouse hires Miss Taylor as a governess for his motherless daughters. Miss Taylor’s approach to the girls and her prim and proper use of language made her seem antiquated. She would not have looked out of place amongst other well-known governesses or nannies such as Mary Poppins or Nurse Matilda.
Occasionally it felt that Alexander McCall Smith was mocking the modern world, for example the activities of the younger generation or the way people speak. Whilst this may appeal to older readers who may disapprove of the recent developments and changes in the Western world; it alienates the teenagers and young adults who have grown up with modern technology.
There is no doubt that Alexander McCall Smith has done an excellent job at retelling such a famous novel, however to be a complete modern retelling I think everything needs to be brought into the 21st century. This would include all the characters and the style of language it is written in.
Rich, detailed, but strange narrative style at times!
I was sooo keen to read this - especially after watching the TV series, which I completely loved. For the most part, I wasn't disappointed. It's such a novel way of exploring Henry VIII's relationship with Anne Boleyn, not to mention the complex divorce proceedings that preceded it - through the eyes of Thomas Cromwell, the man partially responsible for orchestrating the whole thing.
Immediately, I was struck by Hilary Mantel's remarkable ability to capture life of that time - making it seem strangely familiar, despite the fact it was hundreds of years ago. She made it all seem so real, largely due to her richness of detail, not to mention expert knowledge of the era. The little notes of humour throughout are what really bring it to life - so often, history is treated with utmost seriousness, yet Mantel is absolutely correct - I'm sure people were cracking jokes and saying silly things in the Tudor era too!
The relationships were likewise beautifully illustrated, and the death of Cromwell's wife, genuinely moving. For me, this was one of the most impressive moments of the book, as Mantel captures grief so powerfully and yet so simply.
One thing I did find strange though - the way Mantel uses pronouns throughout the book. I pondered for ages about why it jarred on me every so often, and I think it's because the 3rd person narrative is so intimate, it almost feels like a 1st person in places. Then, when she uses 'he' again, rather than 'I', it is momentarily confusing. I found myself wondering what the book would have been like had she just told it in first person through Cromwell's eyes - my personal belief is that it might have worked better.
Also, although the richness of the detail was spectacular, there were times when I felt that it held up the narrative slightly. I appreciate her desire to capture every moment of these tumultuous historic events, but at times, I did find them a wee bit boring.
However, for the most part, I was really into this book, and loved the character of Cromwell to bits. A man from a humble background, unfailingly pragmatic and clever - fabulous stuff!
Immediately, I was struck by Hilary Mantel's remarkable ability to capture life of that time - making it seem strangely familiar, despite the fact it was hundreds of years ago. She made it all seem so real, largely due to her richness of detail, not to mention expert knowledge of the era. The little notes of humour throughout are what really bring it to life - so often, history is treated with utmost seriousness, yet Mantel is absolutely correct - I'm sure people were cracking jokes and saying silly things in the Tudor era too!
The relationships were likewise beautifully illustrated, and the death of Cromwell's wife, genuinely moving. For me, this was one of the most impressive moments of the book, as Mantel captures grief so powerfully and yet so simply.
One thing I did find strange though - the way Mantel uses pronouns throughout the book. I pondered for ages about why it jarred on me every so often, and I think it's because the 3rd person narrative is so intimate, it almost feels like a 1st person in places. Then, when she uses 'he' again, rather than 'I', it is momentarily confusing. I found myself wondering what the book would have been like had she just told it in first person through Cromwell's eyes - my personal belief is that it might have worked better.
Also, although the richness of the detail was spectacular, there were times when I felt that it held up the narrative slightly. I appreciate her desire to capture every moment of these tumultuous historic events, but at times, I did find them a wee bit boring.
However, for the most part, I was really into this book, and loved the character of Cromwell to bits. A man from a humble background, unfailingly pragmatic and clever - fabulous stuff!
Merissa (12894 KP) rated The Caretaker (The Sin Bin #2) in Books
Aug 3, 2017
The Caretaker (The Sin Bin #2) by Dahlia Donovan
The Caretaker takes us back to Cornwall, this time via Cardiff. Freddie has finally managed to leave home where his loving but interfering dads constantly try to suffocate him. Unfortunately, there are a couple of homophobic idiots living in the same house as him, and they delight in making his life a misery. This is something he doesn't need, not on top of his very stressful job. Freddie is the 'happy bunny' that was able to support Graham and BC through his cancer in The Wanderer. Of course, being a happy bunny for others doesn't mean that Freddie doesn't have deep emotions, it's just that he tries to keep everyone else's spirits high, to the detriment of his own at times. Taine is one of BC's rugby buddies, and sees Freddie for the first time at the hospital as he drops in to try and cheer up the young children on the oncology ward. Taine is convinced that Freddie is too young for him, but feels an attraction to him anyway. The attraction only deepens the more time they spend with each other. However, the interfering dads strike again and it could all be over before it really got started.
With appearances from old favourites, there is an abundance of characters in this book that will delight and frustrate you. It is very well written, showing Freddie's depths of emotions plus everything else that he is dealing with too. Taine is a bit of fool in parts of this, but to be fair, I could understand how he felt, given the insult that was thrown at him. The Caretaker is very well written, and draws you back into the world of The Sin Bin. Now we know what they are going to do with the name, so I'm sure it will be interesting reading in the future, to say the least!
Filled with humour and emotions, this book is a wonderful addition to both The Sin Bin series, and Dahlia Donovan's collective works. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
http://glbt.theromancereviews.com/viewbooks.php?bookid=24681
With appearances from old favourites, there is an abundance of characters in this book that will delight and frustrate you. It is very well written, showing Freddie's depths of emotions plus everything else that he is dealing with too. Taine is a bit of fool in parts of this, but to be fair, I could understand how he felt, given the insult that was thrown at him. The Caretaker is very well written, and draws you back into the world of The Sin Bin. Now we know what they are going to do with the name, so I'm sure it will be interesting reading in the future, to say the least!
Filled with humour and emotions, this book is a wonderful addition to both The Sin Bin series, and Dahlia Donovan's collective works. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
http://glbt.theromancereviews.com/viewbooks.php?bookid=24681
Janeeny (200 KP) rated Ever Alice in Books
May 9, 2019 (Updated Jun 10, 2019)
Unfortunately I was quite disappointed with this book. Mostly because it had potential, but just fell really short of the mark.
Alice is now 15 years old and after years of telling people about her adventures in Wonderland her parents are starting to question her sanity and take her to see a specialised doctor at an Asylum in Switzerland. Sadly things are not quite what they seem at the asylum, but just when things appear to be at their worst for Alice a familiar white rabbit helps her escape the asylum and she finds herself back in Wonderland. What follows is actually quite an intricate tale of suspicion and treachery, reality and fantasy. I’m just not sure it works as an ‘Alice in wonderland’ tale.
I was impressed at first as the author really did seem to capture the essence of the silliness of wonderland, with some scenes that wouldn’t be out of place in a Monty Python sketch or a Mel Brooks movie, but after a while it began to feel like the author was trying a bit too hard and it started to become a slightly repetitive and tedious.
The Character development didn’t really work for me either, especially The Queen of Hearts. For me she was a bit two-dimensional, and although the author tries to give her a bit of a back story it just doesn’t adhere to the character.
Some aspects of the language also grated on me. For instance, when parents are being referred to as Mum and Papa, it doesn’t sit well with me. It’s either going to be mum and dad or mama and papa. I know that is probably just a personal peeve of mine, but every time I came across that phrasing it just halted the story for me. Oh and don’t get me started on the Pop culture references! An actress named Marilyn Montague, who sounds very similar to another well know Marilyn, and a boyband called ‘Mice to men’. They may have been put in for humour, but they just didn’t seem to flow with the story.
As I said, in essence it was a good story, if a little predictable at the end, I just feel that using it as a ‘re-imagining’ of Alice left it with some expectations that it just couldn’t live up to.
Alice is now 15 years old and after years of telling people about her adventures in Wonderland her parents are starting to question her sanity and take her to see a specialised doctor at an Asylum in Switzerland. Sadly things are not quite what they seem at the asylum, but just when things appear to be at their worst for Alice a familiar white rabbit helps her escape the asylum and she finds herself back in Wonderland. What follows is actually quite an intricate tale of suspicion and treachery, reality and fantasy. I’m just not sure it works as an ‘Alice in wonderland’ tale.
I was impressed at first as the author really did seem to capture the essence of the silliness of wonderland, with some scenes that wouldn’t be out of place in a Monty Python sketch or a Mel Brooks movie, but after a while it began to feel like the author was trying a bit too hard and it started to become a slightly repetitive and tedious.
The Character development didn’t really work for me either, especially The Queen of Hearts. For me she was a bit two-dimensional, and although the author tries to give her a bit of a back story it just doesn’t adhere to the character.
Some aspects of the language also grated on me. For instance, when parents are being referred to as Mum and Papa, it doesn’t sit well with me. It’s either going to be mum and dad or mama and papa. I know that is probably just a personal peeve of mine, but every time I came across that phrasing it just halted the story for me. Oh and don’t get me started on the Pop culture references! An actress named Marilyn Montague, who sounds very similar to another well know Marilyn, and a boyband called ‘Mice to men’. They may have been put in for humour, but they just didn’t seem to flow with the story.
As I said, in essence it was a good story, if a little predictable at the end, I just feel that using it as a ‘re-imagining’ of Alice left it with some expectations that it just couldn’t live up to.
TheBookMother (105 KP) rated Because You'll Never Meet Me in Books
May 13, 2019
Electric charged teen angst meets Stranger Things sci fi
We've all heard that it is easier to tell a stranger something than it is your own family before but Because We'll Never Meet takes this onto a unique new level.
Ollie and Moritz are introduced as penpals and we find out they both have very special gifts that connects them together.
Throughout the story we begin to find out more about their interesting lives such as Ollie being allergic to electric and living in the woods, and Moritz being somewhat of a Daredevil character who has no eyes but can read and see despite this.
We begin to learn about their lives and the complex emotions that they are battling alongside the normal teenage angst.
Both are very isolated and alone with only each other for comfort. They each give one another a purpose in writing letters.
They find solace in one another and it really is endearing how they encourage and empower one another and confess their deepest darkest feelings that they feel they cannot speak to anyone else about.
The plot comes to a head when Moritz reveals how the boys are connected and there fall out on both sides changes both of the boys' lives forever.
You cannot help but love the characters and the humour element is one that is quite surprising but makes for a great read.
The hints towards how the boys' are connected is present throughout which makes you want to find out more and more.
I really did enjoy the book and it did remind me slightly of Stranger Things with a sci fi experiment feel to it and I very much appreciated the Marvel / superhero references.
This book highlights and brings home the troubles of finding yourself and where you fit in as a teenager but also that you shouldn't be ashamed of who you are no matter how different you may be.
It is fairly different from what I've read recently and I thoroughly enjoyed how the author set the tone and pace of the book.
It is certainly worth a read and makes you think twice about things we all likely take for granted everyday such as friendship, sight and electricity!
Ollie and Moritz are introduced as penpals and we find out they both have very special gifts that connects them together.
Throughout the story we begin to find out more about their interesting lives such as Ollie being allergic to electric and living in the woods, and Moritz being somewhat of a Daredevil character who has no eyes but can read and see despite this.
We begin to learn about their lives and the complex emotions that they are battling alongside the normal teenage angst.
Both are very isolated and alone with only each other for comfort. They each give one another a purpose in writing letters.
They find solace in one another and it really is endearing how they encourage and empower one another and confess their deepest darkest feelings that they feel they cannot speak to anyone else about.
The plot comes to a head when Moritz reveals how the boys are connected and there fall out on both sides changes both of the boys' lives forever.
You cannot help but love the characters and the humour element is one that is quite surprising but makes for a great read.
The hints towards how the boys' are connected is present throughout which makes you want to find out more and more.
I really did enjoy the book and it did remind me slightly of Stranger Things with a sci fi experiment feel to it and I very much appreciated the Marvel / superhero references.
This book highlights and brings home the troubles of finding yourself and where you fit in as a teenager but also that you shouldn't be ashamed of who you are no matter how different you may be.
It is fairly different from what I've read recently and I thoroughly enjoyed how the author set the tone and pace of the book.
It is certainly worth a read and makes you think twice about things we all likely take for granted everyday such as friendship, sight and electricity!
LeftSideCut (3776 KP) Jun 24, 2019