Search
Search results
The original is better
I received this book for free through Goodreads First Reads.
Six bestselling authors have taken on the task of writing modern retellings of the complete works of Jane Austen. Alexander McCall Smith has successfully taken on the challenge of bringing Emma into the 21st century. Although the settings and characters remain the same the contemporary clothing, vehicles and ideas are something that the reader can relate to.
As fans of Jane Austen will already know, Emma is about rich, single Emma Woodhouse who, despite the disapproval of her good friend George Knightley, enjoys interfering in the lives of others, particularly where romance is concerned. Her meddling backfires when her plan to match her friend Harriet Smith with the boring Philip Elton has disastrous consequences.
Alexander McCall Smith’s version of Emma has more focus on the life of Mr. Woodhouse, Emma’s father, than the original did. He gives an account of Henry Woodhouse’s history and over emphasizes his anxieties about health and safety. Mr. Woodhouse’s concerns are constantly cropping up throughout the novel adding a little humour to the story.
One concern about this modern adaptation is that the writing style was overly formal. If it were not for the references to the current clothing fashions, motorcars and women attending university, the book could have been set during Jane Austen’s lifetime. Take, for example, the character Anne Taylor. Mr. Woodhouse hires Miss Taylor as a governess for his motherless daughters. Miss Taylor’s approach to the girls and her prim and proper use of language made her seem antiquated. She would not have looked out of place amongst other well-known governesses or nannies such as Mary Poppins or Nurse Matilda.
Occasionally it felt that Alexander McCall Smith was mocking the modern world, for example the activities of the younger generation or the way people speak. Whilst this may appeal to older readers who may disapprove of the recent developments and changes in the Western world; it alienates the teenagers and young adults who have grown up with modern technology.
There is no doubt that Alexander McCall Smith has done an excellent job at retelling such a famous novel, however to be a complete modern retelling I think everything needs to be brought into the 21st century. This would include all the characters and the style of language it is written in.
Six bestselling authors have taken on the task of writing modern retellings of the complete works of Jane Austen. Alexander McCall Smith has successfully taken on the challenge of bringing Emma into the 21st century. Although the settings and characters remain the same the contemporary clothing, vehicles and ideas are something that the reader can relate to.
As fans of Jane Austen will already know, Emma is about rich, single Emma Woodhouse who, despite the disapproval of her good friend George Knightley, enjoys interfering in the lives of others, particularly where romance is concerned. Her meddling backfires when her plan to match her friend Harriet Smith with the boring Philip Elton has disastrous consequences.
Alexander McCall Smith’s version of Emma has more focus on the life of Mr. Woodhouse, Emma’s father, than the original did. He gives an account of Henry Woodhouse’s history and over emphasizes his anxieties about health and safety. Mr. Woodhouse’s concerns are constantly cropping up throughout the novel adding a little humour to the story.
One concern about this modern adaptation is that the writing style was overly formal. If it were not for the references to the current clothing fashions, motorcars and women attending university, the book could have been set during Jane Austen’s lifetime. Take, for example, the character Anne Taylor. Mr. Woodhouse hires Miss Taylor as a governess for his motherless daughters. Miss Taylor’s approach to the girls and her prim and proper use of language made her seem antiquated. She would not have looked out of place amongst other well-known governesses or nannies such as Mary Poppins or Nurse Matilda.
Occasionally it felt that Alexander McCall Smith was mocking the modern world, for example the activities of the younger generation or the way people speak. Whilst this may appeal to older readers who may disapprove of the recent developments and changes in the Western world; it alienates the teenagers and young adults who have grown up with modern technology.
There is no doubt that Alexander McCall Smith has done an excellent job at retelling such a famous novel, however to be a complete modern retelling I think everything needs to be brought into the 21st century. This would include all the characters and the style of language it is written in.
Rich, detailed, but strange narrative style at times!
I was sooo keen to read this - especially after watching the TV series, which I completely loved. For the most part, I wasn't disappointed. It's such a novel way of exploring Henry VIII's relationship with Anne Boleyn, not to mention the complex divorce proceedings that preceded it - through the eyes of Thomas Cromwell, the man partially responsible for orchestrating the whole thing.
Immediately, I was struck by Hilary Mantel's remarkable ability to capture life of that time - making it seem strangely familiar, despite the fact it was hundreds of years ago. She made it all seem so real, largely due to her richness of detail, not to mention expert knowledge of the era. The little notes of humour throughout are what really bring it to life - so often, history is treated with utmost seriousness, yet Mantel is absolutely correct - I'm sure people were cracking jokes and saying silly things in the Tudor era too!
The relationships were likewise beautifully illustrated, and the death of Cromwell's wife, genuinely moving. For me, this was one of the most impressive moments of the book, as Mantel captures grief so powerfully and yet so simply.
One thing I did find strange though - the way Mantel uses pronouns throughout the book. I pondered for ages about why it jarred on me every so often, and I think it's because the 3rd person narrative is so intimate, it almost feels like a 1st person in places. Then, when she uses 'he' again, rather than 'I', it is momentarily confusing. I found myself wondering what the book would have been like had she just told it in first person through Cromwell's eyes - my personal belief is that it might have worked better.
Also, although the richness of the detail was spectacular, there were times when I felt that it held up the narrative slightly. I appreciate her desire to capture every moment of these tumultuous historic events, but at times, I did find them a wee bit boring.
However, for the most part, I was really into this book, and loved the character of Cromwell to bits. A man from a humble background, unfailingly pragmatic and clever - fabulous stuff!
Immediately, I was struck by Hilary Mantel's remarkable ability to capture life of that time - making it seem strangely familiar, despite the fact it was hundreds of years ago. She made it all seem so real, largely due to her richness of detail, not to mention expert knowledge of the era. The little notes of humour throughout are what really bring it to life - so often, history is treated with utmost seriousness, yet Mantel is absolutely correct - I'm sure people were cracking jokes and saying silly things in the Tudor era too!
The relationships were likewise beautifully illustrated, and the death of Cromwell's wife, genuinely moving. For me, this was one of the most impressive moments of the book, as Mantel captures grief so powerfully and yet so simply.
One thing I did find strange though - the way Mantel uses pronouns throughout the book. I pondered for ages about why it jarred on me every so often, and I think it's because the 3rd person narrative is so intimate, it almost feels like a 1st person in places. Then, when she uses 'he' again, rather than 'I', it is momentarily confusing. I found myself wondering what the book would have been like had she just told it in first person through Cromwell's eyes - my personal belief is that it might have worked better.
Also, although the richness of the detail was spectacular, there were times when I felt that it held up the narrative slightly. I appreciate her desire to capture every moment of these tumultuous historic events, but at times, I did find them a wee bit boring.
However, for the most part, I was really into this book, and loved the character of Cromwell to bits. A man from a humble background, unfailingly pragmatic and clever - fabulous stuff!
Merissa (11643 KP) rated The Caretaker (The Sin Bin #2) in Books
Aug 3, 2017
The Caretaker (The Sin Bin #2) by Dahlia Donovan
The Caretaker takes us back to Cornwall, this time via Cardiff. Freddie has finally managed to leave home where his loving but interfering dads constantly try to suffocate him. Unfortunately, there are a couple of homophobic idiots living in the same house as him, and they delight in making his life a misery. This is something he doesn't need, not on top of his very stressful job. Freddie is the 'happy bunny' that was able to support Graham and BC through his cancer in The Wanderer. Of course, being a happy bunny for others doesn't mean that Freddie doesn't have deep emotions, it's just that he tries to keep everyone else's spirits high, to the detriment of his own at times. Taine is one of BC's rugby buddies, and sees Freddie for the first time at the hospital as he drops in to try and cheer up the young children on the oncology ward. Taine is convinced that Freddie is too young for him, but feels an attraction to him anyway. The attraction only deepens the more time they spend with each other. However, the interfering dads strike again and it could all be over before it really got started.
With appearances from old favourites, there is an abundance of characters in this book that will delight and frustrate you. It is very well written, showing Freddie's depths of emotions plus everything else that he is dealing with too. Taine is a bit of fool in parts of this, but to be fair, I could understand how he felt, given the insult that was thrown at him. The Caretaker is very well written, and draws you back into the world of The Sin Bin. Now we know what they are going to do with the name, so I'm sure it will be interesting reading in the future, to say the least!
Filled with humour and emotions, this book is a wonderful addition to both The Sin Bin series, and Dahlia Donovan's collective works. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
http://glbt.theromancereviews.com/viewbooks.php?bookid=24681
With appearances from old favourites, there is an abundance of characters in this book that will delight and frustrate you. It is very well written, showing Freddie's depths of emotions plus everything else that he is dealing with too. Taine is a bit of fool in parts of this, but to be fair, I could understand how he felt, given the insult that was thrown at him. The Caretaker is very well written, and draws you back into the world of The Sin Bin. Now we know what they are going to do with the name, so I'm sure it will be interesting reading in the future, to say the least!
Filled with humour and emotions, this book is a wonderful addition to both The Sin Bin series, and Dahlia Donovan's collective works. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
http://glbt.theromancereviews.com/viewbooks.php?bookid=24681
Janeeny (200 KP) rated Ever Alice in Books
May 9, 2019 (Updated Jun 10, 2019)
Unfortunately I was quite disappointed with this book. Mostly because it had potential, but just fell really short of the mark.
Alice is now 15 years old and after years of telling people about her adventures in Wonderland her parents are starting to question her sanity and take her to see a specialised doctor at an Asylum in Switzerland. Sadly things are not quite what they seem at the asylum, but just when things appear to be at their worst for Alice a familiar white rabbit helps her escape the asylum and she finds herself back in Wonderland. What follows is actually quite an intricate tale of suspicion and treachery, reality and fantasy. I’m just not sure it works as an ‘Alice in wonderland’ tale.
I was impressed at first as the author really did seem to capture the essence of the silliness of wonderland, with some scenes that wouldn’t be out of place in a Monty Python sketch or a Mel Brooks movie, but after a while it began to feel like the author was trying a bit too hard and it started to become a slightly repetitive and tedious.
The Character development didn’t really work for me either, especially The Queen of Hearts. For me she was a bit two-dimensional, and although the author tries to give her a bit of a back story it just doesn’t adhere to the character.
Some aspects of the language also grated on me. For instance, when parents are being referred to as Mum and Papa, it doesn’t sit well with me. It’s either going to be mum and dad or mama and papa. I know that is probably just a personal peeve of mine, but every time I came across that phrasing it just halted the story for me. Oh and don’t get me started on the Pop culture references! An actress named Marilyn Montague, who sounds very similar to another well know Marilyn, and a boyband called ‘Mice to men’. They may have been put in for humour, but they just didn’t seem to flow with the story.
As I said, in essence it was a good story, if a little predictable at the end, I just feel that using it as a ‘re-imagining’ of Alice left it with some expectations that it just couldn’t live up to.
Alice is now 15 years old and after years of telling people about her adventures in Wonderland her parents are starting to question her sanity and take her to see a specialised doctor at an Asylum in Switzerland. Sadly things are not quite what they seem at the asylum, but just when things appear to be at their worst for Alice a familiar white rabbit helps her escape the asylum and she finds herself back in Wonderland. What follows is actually quite an intricate tale of suspicion and treachery, reality and fantasy. I’m just not sure it works as an ‘Alice in wonderland’ tale.
I was impressed at first as the author really did seem to capture the essence of the silliness of wonderland, with some scenes that wouldn’t be out of place in a Monty Python sketch or a Mel Brooks movie, but after a while it began to feel like the author was trying a bit too hard and it started to become a slightly repetitive and tedious.
The Character development didn’t really work for me either, especially The Queen of Hearts. For me she was a bit two-dimensional, and although the author tries to give her a bit of a back story it just doesn’t adhere to the character.
Some aspects of the language also grated on me. For instance, when parents are being referred to as Mum and Papa, it doesn’t sit well with me. It’s either going to be mum and dad or mama and papa. I know that is probably just a personal peeve of mine, but every time I came across that phrasing it just halted the story for me. Oh and don’t get me started on the Pop culture references! An actress named Marilyn Montague, who sounds very similar to another well know Marilyn, and a boyband called ‘Mice to men’. They may have been put in for humour, but they just didn’t seem to flow with the story.
As I said, in essence it was a good story, if a little predictable at the end, I just feel that using it as a ‘re-imagining’ of Alice left it with some expectations that it just couldn’t live up to.
TheBookMother (105 KP) rated Because You'll Never Meet Me in Books
May 13, 2019
Electric charged teen angst meets Stranger Things sci fi
We've all heard that it is easier to tell a stranger something than it is your own family before but Because We'll Never Meet takes this onto a unique new level.
Ollie and Moritz are introduced as penpals and we find out they both have very special gifts that connects them together.
Throughout the story we begin to find out more about their interesting lives such as Ollie being allergic to electric and living in the woods, and Moritz being somewhat of a Daredevil character who has no eyes but can read and see despite this.
We begin to learn about their lives and the complex emotions that they are battling alongside the normal teenage angst.
Both are very isolated and alone with only each other for comfort. They each give one another a purpose in writing letters.
They find solace in one another and it really is endearing how they encourage and empower one another and confess their deepest darkest feelings that they feel they cannot speak to anyone else about.
The plot comes to a head when Moritz reveals how the boys are connected and there fall out on both sides changes both of the boys' lives forever.
You cannot help but love the characters and the humour element is one that is quite surprising but makes for a great read.
The hints towards how the boys' are connected is present throughout which makes you want to find out more and more.
I really did enjoy the book and it did remind me slightly of Stranger Things with a sci fi experiment feel to it and I very much appreciated the Marvel / superhero references.
This book highlights and brings home the troubles of finding yourself and where you fit in as a teenager but also that you shouldn't be ashamed of who you are no matter how different you may be.
It is fairly different from what I've read recently and I thoroughly enjoyed how the author set the tone and pace of the book.
It is certainly worth a read and makes you think twice about things we all likely take for granted everyday such as friendship, sight and electricity!
Ollie and Moritz are introduced as penpals and we find out they both have very special gifts that connects them together.
Throughout the story we begin to find out more about their interesting lives such as Ollie being allergic to electric and living in the woods, and Moritz being somewhat of a Daredevil character who has no eyes but can read and see despite this.
We begin to learn about their lives and the complex emotions that they are battling alongside the normal teenage angst.
Both are very isolated and alone with only each other for comfort. They each give one another a purpose in writing letters.
They find solace in one another and it really is endearing how they encourage and empower one another and confess their deepest darkest feelings that they feel they cannot speak to anyone else about.
The plot comes to a head when Moritz reveals how the boys are connected and there fall out on both sides changes both of the boys' lives forever.
You cannot help but love the characters and the humour element is one that is quite surprising but makes for a great read.
The hints towards how the boys' are connected is present throughout which makes you want to find out more and more.
I really did enjoy the book and it did remind me slightly of Stranger Things with a sci fi experiment feel to it and I very much appreciated the Marvel / superhero references.
This book highlights and brings home the troubles of finding yourself and where you fit in as a teenager but also that you shouldn't be ashamed of who you are no matter how different you may be.
It is fairly different from what I've read recently and I thoroughly enjoyed how the author set the tone and pace of the book.
It is certainly worth a read and makes you think twice about things we all likely take for granted everyday such as friendship, sight and electricity!
Neon's Nerd Nexus (360 KP) rated The First Purge (2018) in Movies
May 14, 2019
Purge the purge
#thefirstpurge starts off with so much promise but quickly descends into one big messy brainless #shootemup. When the credits started to roll at the end of this film I found myself feeling confused as to what I'd just watched. It was like I'd just sat through the new #diehard film not a horror movie & as I stood up to leave thats when I saw in big letters ''PRODUCED BY #MICHAELBAY'. For the first 20 minutes I was really digging this film, it was slow with very interesting set up & seemingly going in a really intelligent direction with its strong social commentary themes & its portrails of human behaviour. See you have the government glamourising & rewarding #violence to secretly encourage the poor to eliminate each other, killing not even being a choice for most people or people not taking the #purge seriously, hate groups using the purge as opportunity to commit racially motivated killings, people embracing religion or using it as a excuse to commit violence. Then theres the people who commit crime outside of the purge & get away with it on daily basis who are never punished making the over all question does the purge do more harm than good or vice'versa?. All these themes/subjects are so fascinating but other than at the start of the movie they are not explored or developed with any depth at all. Tone is a mixed bag here too, theres very very light horror elements mixed with humour thats just so out of place & the shoot out heavy third act just feels like they ran out of ideas or didnt know what direction to go. Theres also no real tension or scares here & the costumes/masks are sparse & unimaginative this time around too bringing no fear or haunting imagery to the film either. Acting is fine but no character has a clear drive or a fleshed out back story making them disposable. If your looking for a good horror film the first purge is to action packed, if your looking for action the film is to generic & if your looking for a good time its pacing & mixed tone is to all over place. Watch #electionyear instead its by far the best purge. #odeon #odeonlimitless #horror #scary #gore #fun #mask #jumpscare #halloween #silly #wednesdaywisdom #filmcritic #filmbuff
Lee (2222 KP) rated The Shape of Water (2017) in Movies
Feb 8, 2018
Sally Hawkins (1 more)
Michael Shannon
Beautiful and Enchanting
The Shape of Water really is one of those movies where I feel the trailer doesn't really do it justice. From seeing the trailer, I wasn't really sure how much I was going to enjoy the movie. Like I'm sure many others will be, I was persuaded that I might be wrong by the 13 Oscar nominations it recently received. I shouldn't have had any doubts to be honest. Pan's Labyrinth, also directed by Guillermo del Toro, is one of my favourite movies and The Shape of Water shares many similarities with that. A beautiful and enchanting mix of fairy tale, love story and monster movie.
Sally Hawkins plays Elisa Esposito, a mute woman who works nights as a janitor for Occam Aerospace Research Center along with friend Zelda Fuller (Octavia Spencer). At home she lives a simple life, watching musicals with her gay neighbour Giles (Richard Jenkins) and finding joy in the simple things in life. One day a strange creature is brought into the research center to be studied, surrounded by military and medical personnel. Colonel Richard Strickland has accompanied 'the asset' from it's previous location, and appears to have developed a serious dislike to it. He carries an electrified cattle prod, which he takes great delight in using on the creature. In return though, the creature does manage to remove two of Stricklands fingers, and also inflicts serious injuries on others.
But Elisa takes pity on the creature and over time tries to befriend it, bringing him hard-boiled eggs and teaching him sign language. When she learns that plans for the creature involve vivisection, she hatches a plan to help him escape, and from that point their feelings for each other develop into love. A true Beauty and the Beast style fairy tale.
I found myself absolutely captivated, swept along by the story, and everything about it is just beautiful. Sally Hawkins is incredible, portraying such varied emotions without speaking, she provides much of the films humour, and shines in the more serious scenes too. Doug Jones does what he does best as the creature, but the real monster of the movie is Michael Shannon as Colonel Strickland. Terrifyingly brilliant.
For me, I'm not sure if this beats Pan's Labyrinth, but The Shape of Water is certainly worthy of all the praise, and hopefully the awards, it receives.
Sally Hawkins plays Elisa Esposito, a mute woman who works nights as a janitor for Occam Aerospace Research Center along with friend Zelda Fuller (Octavia Spencer). At home she lives a simple life, watching musicals with her gay neighbour Giles (Richard Jenkins) and finding joy in the simple things in life. One day a strange creature is brought into the research center to be studied, surrounded by military and medical personnel. Colonel Richard Strickland has accompanied 'the asset' from it's previous location, and appears to have developed a serious dislike to it. He carries an electrified cattle prod, which he takes great delight in using on the creature. In return though, the creature does manage to remove two of Stricklands fingers, and also inflicts serious injuries on others.
But Elisa takes pity on the creature and over time tries to befriend it, bringing him hard-boiled eggs and teaching him sign language. When she learns that plans for the creature involve vivisection, she hatches a plan to help him escape, and from that point their feelings for each other develop into love. A true Beauty and the Beast style fairy tale.
I found myself absolutely captivated, swept along by the story, and everything about it is just beautiful. Sally Hawkins is incredible, portraying such varied emotions without speaking, she provides much of the films humour, and shines in the more serious scenes too. Doug Jones does what he does best as the creature, but the real monster of the movie is Michael Shannon as Colonel Strickland. Terrifyingly brilliant.
For me, I'm not sure if this beats Pan's Labyrinth, but The Shape of Water is certainly worthy of all the praise, and hopefully the awards, it receives.
Heather Cranmer (2721 KP) rated god-chaser in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>.)
This is my first time reviewing a poetry book, so hopefully my review will do this book justice as it's a wonderful and well written book of poetry.
god-chaser by Sari Krosinsky is a short book of mainly poetry and some prose. The main subject of this book are gods although there are a few prose and poetry from the author's memories.
I think the title of this book suits it. Most of the prose and poetry contained in this book deal with all sorts of gods, so the title "god-chaser" works perfectly. It's even mentioned in one of the poems.
I like the simplistic design of the cover. I assume the photo of the woman on the cover is the author. I love the tree in the background as well. The cover, to me, symbolises the whole "what you see is what you get with this book." Yes, the cover could've been more decorated with pictures of gods and goddesses but this cover works for this book.
The pacing of each poem and story is perfect. I found myself devouring each story and poem as I read them. Not once did I grow bored with this little book of prose and poetry.
When it comes to dialogue, most of it is easy to understand. There are a few words that I didn't know what they meant, but over all, the prose and poetry is easy to understand. I must mention here that the poems and stories spoke to my soul!! There are a few swear words in it, but not many.
My favourite piece in this book is a prose piece entitled "Election Day Memorial, 1984." I can't pinpoint why it's my favourite but I just love the way it's written. I also like the dry humour used in it.
This is definitely a great book for fans of prose and poetry as well as those that are into mythology. When I heard this book dealt with mythological gods and goddesses, I had to read it! The author does a fantastic job with the wording. It is beautifully written.
I'd recommend this book mostly to fans of prose and poetry aged 16+, but I think mostly everyone could benefit from reading it as it's a lovely read!
This is my first time reviewing a poetry book, so hopefully my review will do this book justice as it's a wonderful and well written book of poetry.
god-chaser by Sari Krosinsky is a short book of mainly poetry and some prose. The main subject of this book are gods although there are a few prose and poetry from the author's memories.
I think the title of this book suits it. Most of the prose and poetry contained in this book deal with all sorts of gods, so the title "god-chaser" works perfectly. It's even mentioned in one of the poems.
I like the simplistic design of the cover. I assume the photo of the woman on the cover is the author. I love the tree in the background as well. The cover, to me, symbolises the whole "what you see is what you get with this book." Yes, the cover could've been more decorated with pictures of gods and goddesses but this cover works for this book.
The pacing of each poem and story is perfect. I found myself devouring each story and poem as I read them. Not once did I grow bored with this little book of prose and poetry.
When it comes to dialogue, most of it is easy to understand. There are a few words that I didn't know what they meant, but over all, the prose and poetry is easy to understand. I must mention here that the poems and stories spoke to my soul!! There are a few swear words in it, but not many.
My favourite piece in this book is a prose piece entitled "Election Day Memorial, 1984." I can't pinpoint why it's my favourite but I just love the way it's written. I also like the dry humour used in it.
This is definitely a great book for fans of prose and poetry as well as those that are into mythology. When I heard this book dealt with mythological gods and goddesses, I had to read it! The author does a fantastic job with the wording. It is beautifully written.
I'd recommend this book mostly to fans of prose and poetry aged 16+, but I think mostly everyone could benefit from reading it as it's a lovely read!
LilyLovesIndie (123 KP) rated The Assassin's Mark in Books
Nov 5, 2018
Firstly I must thank Ebsworth not only for providing a complimentary copy of this book in return for an honest review, but also for having immense patience in waiting for me to provide him with that review. I must also point out how much I have enjoyed reading this book, even if I did struggle to get into the book at first.
There are several aspects which I feel to be major strengths in this book, particularly the characterisation. The assembled cast of characters are all extravagantly wonderful in their own ways, working well together and being entirely believable in the context of the text. In addition, it is worth commenting that they work as well individually as they do collectively, a great testament to Ebsworth's writing style. Jack Telford, as the main character, is a wonderful example of manhood and his cynicism in the tour breathes a breath of fresh air, prompting much thought by the reader on the matters discussed.
A further strength of this book is it's intricate and well developed plot. It is brilliantly put together, with mystery and thought provoking elements all combined with some humour and great history. I can't compliment enough the many well written twists and turns in this novel, whether it's sudden and unexpected deaths or mysterious figures appearing at odd intervals, there's always something that keeps the reader on the edge of their seats and thinking of what could be happening behind closed doors. It's a fantastic read for making you think about what you are reading, however, this is an occasional downside as it makes it a difficult book to read when you only have a few minutes spare.
Perhaps, for me, the best aspect of this book is the detailed research that shines through on every page. It is evident, even to someone with a limited knowledge of the Spanish Civil War, that there is much to learn in this book and that it has been incredibly well researched. Clearly, Ebsworth put much time into his research, and to his credit, as it adds an extra dimension to this story.
Finally, there is little else for me to say other than to recommend this book to all who enjoy history, a good mystery and a strong leading character.
There are several aspects which I feel to be major strengths in this book, particularly the characterisation. The assembled cast of characters are all extravagantly wonderful in their own ways, working well together and being entirely believable in the context of the text. In addition, it is worth commenting that they work as well individually as they do collectively, a great testament to Ebsworth's writing style. Jack Telford, as the main character, is a wonderful example of manhood and his cynicism in the tour breathes a breath of fresh air, prompting much thought by the reader on the matters discussed.
A further strength of this book is it's intricate and well developed plot. It is brilliantly put together, with mystery and thought provoking elements all combined with some humour and great history. I can't compliment enough the many well written twists and turns in this novel, whether it's sudden and unexpected deaths or mysterious figures appearing at odd intervals, there's always something that keeps the reader on the edge of their seats and thinking of what could be happening behind closed doors. It's a fantastic read for making you think about what you are reading, however, this is an occasional downside as it makes it a difficult book to read when you only have a few minutes spare.
Perhaps, for me, the best aspect of this book is the detailed research that shines through on every page. It is evident, even to someone with a limited knowledge of the Spanish Civil War, that there is much to learn in this book and that it has been incredibly well researched. Clearly, Ebsworth put much time into his research, and to his credit, as it adds an extra dimension to this story.
Finally, there is little else for me to say other than to recommend this book to all who enjoy history, a good mystery and a strong leading character.
Kevin Wilson (179 KP) rated God of War in Video Games
Nov 9, 2018 (Updated Nov 14, 2018)
Great story (3 more)
Incredible acting, fantastic chemistry
Amazing bear mccreary score
Fun combat
A serious contender for game of the year
2018 has blown me away with video game releases. I believe this year and next year are going to be the highest point of this generation and currently my pick for game of the year.
I cannot praise this game enough. The main focus here is the acting and the chemistry between these characters. This game is not about the destination, it is about the journey. The journey of a father and son and their relationship and seeing it grow throughout the game. Their relationship is believable and honest and this is all thanks to the incredible acting. They give so much emotion and power in their performances that you are gripped all the way to the end. They show emotion, humour, anger, resentment and loyalty in a way you believe this is a father and son going through something difficult and showing their struggles. The writing was fantastic. Kratos struggling to find a connection with his son and atreus actually being written like a real kid that was actually likable and helpful in battle and in other gameplay elements.
Bear Mccreary provides the incredible score that only heightens all these moments which left me mouth hanging open for longer than I care to admit. But don't get me wrong this game doesn't just grip with with these characters. All of the side characters are as amazing. They provide a sense of comic relief when the emotion between the 2 main characters become intense.
The game is beautiful, I cant fault it visually. I'd have liked more blood but I wasnt missing it. I'd have liked more boss battles but at this point I'm trying to nitpick but I didn't miss them either because I dont think the game needed them. Maybe the sequel. The environments looked beautiful and varied. The gameplay also very fun and varied with a few shocks along the way, both story based and gameplay wise. A companion that was actually helpful in and out of battle while providing a lot of character building when travelling.
A must have for any ps4 owner and by far one of the best of this generation or even of playstation overall.
I cannot praise this game enough. The main focus here is the acting and the chemistry between these characters. This game is not about the destination, it is about the journey. The journey of a father and son and their relationship and seeing it grow throughout the game. Their relationship is believable and honest and this is all thanks to the incredible acting. They give so much emotion and power in their performances that you are gripped all the way to the end. They show emotion, humour, anger, resentment and loyalty in a way you believe this is a father and son going through something difficult and showing their struggles. The writing was fantastic. Kratos struggling to find a connection with his son and atreus actually being written like a real kid that was actually likable and helpful in battle and in other gameplay elements.
Bear Mccreary provides the incredible score that only heightens all these moments which left me mouth hanging open for longer than I care to admit. But don't get me wrong this game doesn't just grip with with these characters. All of the side characters are as amazing. They provide a sense of comic relief when the emotion between the 2 main characters become intense.
The game is beautiful, I cant fault it visually. I'd have liked more blood but I wasnt missing it. I'd have liked more boss battles but at this point I'm trying to nitpick but I didn't miss them either because I dont think the game needed them. Maybe the sequel. The environments looked beautiful and varied. The gameplay also very fun and varied with a few shocks along the way, both story based and gameplay wise. A companion that was actually helpful in and out of battle while providing a lot of character building when travelling.
A must have for any ps4 owner and by far one of the best of this generation or even of playstation overall.