"Godfather one and two, as one movie — but not blended together; I don’t think that worked when they tried to combine them [for the TV version]. I have to just say that The Godfather is a quintessential American film, where it’s absolutely satisfying. The writing is so excellent — what is being said, and the nuance of what is being said, is so understood. And the color, again, situates you in a particular moment in time. It’s a portrait of America. It’s one of those things where storytelling and acting found one of those magical, elegant solutions…"

"I remember when I was in high school someone signed my yearbook - this guy Guy Blakeslee who's now in the band The Entrance - amazing guitarist and he told me how to play the A minor chord. He signed my yearbook, "Hey hey, my my, rock and roll will never die", and I remember thinking, oh my god this guy's a genius, and then I found out it was the genius Neil Young. A genius steal. He probably thought I should have known it, but anyway I think I got the album after I found that out and it became one of those albums that feel like they're your own secret album. My mum listened to Harvest a lot so I knew the 'Heart Of Gold' era, which I also love. Rust Never Sleeps became my personal Neil Young treasure. It has such a raw sound, I guess because it was recorded live. I didn't even know there were overdubs on it. Actually a lot of the albums I chose were those live albums that are what is live, what isn't live?. But on one song on the musical we were stuck on the opening and I went back to Rust Never Sleeps and pretty much ripped off the song 'Thrasher' - the opening to that song. That was 'Fathers And Brothers' - it's just a stupid little simple [thing], we were just going for something really simple and I remember we worked on it all night, trying to get this arpeggiated thing working and we just went for the straight strum in the end, and the engineer/mixer guy came back and said, "Thank god you you went for the simple thing". 'Powderfinger', 'Pocahontas', they're all great. Young is somehow able to pull off these songs all about the plight of American man that would just seem so cheesy nowadays, but I think there was this experimentation with subject matter in 70s songwriting that was kind of innocent and is not really done today. I enjoy the storytelling of Neil Young, the simplicity of it all, and just that voice [that] can sing just about anything and make it sound good."

"""This would've been in my top five for sure - it's a big, big record for me. It's incredible on so many levels. If you want a record that illustrates what music can do in a very different sense, this is it. It's progressive and weird, but it shows you can make a concept album that isn't awful. I grew up in this little town called Dundas in Ontario - actually, I lived outside it, but all my friends lived in town. And this record is like a mythical record in Dundas, because one of my friends found a copy of it in the middle of the road - just lying there - and he brought it home. I wasn't doing any drugs at that point, but it was around that time my friends were smoking weed and doing mushrooms and whatever, so finding a beat-up copy of this record and putting it on it was like: ""HOLY SHIT!!!"" I still can't really listen to that track that's just an infinity symbol - I find it uncomfortable. And then there's 'The Four Horsemen' - that's like the Dundas theme as far as I'm concerned. It captures something of the eccentric spirit of this weird place that I grew up in. At the time that I found out about this record, the only reason I knew about Vangelis was because of the Chariots Of Fire theme, which was pretty terrible or definitely naff. But I love introducing people to this record because it's so far away from what they think Vangelis or Demis Roussos would do, even if you know the Blade Runner soundtrack. It's so far removed from anything that either of those guys was involved in. The music on there is so diverse; each track is completely different. Leading up to the release of the new album I was doing a DJ mix, and because of doing this feature there are now two tracks from this record on that mix! I'd forgotten how fucking good all these tracks are."""