Search
Search results
James Dean Bradfield recommended Welsh-Connection by Man in Music (curated)
Kristy H (1252 KP) rated Relativity in Books
Feb 8, 2018
Twelve-year-old Ethan is a bright boy, who loves physics and science. His mom, Claire, loves him with a fierceness that she can barely fathom sometimes. It's just Ethan and Claire living happily together in Sydney. However, a sudden accident forces Claire to confront her past, especially what happened with Ethan's father, Mark. At the same time, Ethan must deal with his own emotions about his absent father.
Hayes' book is well-written, with strongly developed, complicated characters who jump off the page. It's a small cast of characters: Ethan, Mark, Claire, and a few others. I fell immediately for Ethan, who is lovable, sweet, and slightly nerdy. Claire and Mark are slightly more problematic. Mark especially is a very difficult character with whom it is hard to sympathize. Hayes does an excellent job of unfurling her plot in such a way that the reader is as perplexed as the characters. The storyline is tense and runs the gamut of emotions.
The book revolves a lot around science. While much of the storyline uses science and physics to its advantage--for instance, I found the idea of genetic memory fascinating--at times, I also found my eyes glazing over at the scientific passages. Sometimes the science overshadowed the actual plot. Still, overall this is a sharp, well-written novel with in-depth characters. A strong 3.5 stars.
I received an ARC of this novel from Netgalley in return for an unbiased review (thank you!); it is available everywhere on 5/3/2016.
Hayes' book is well-written, with strongly developed, complicated characters who jump off the page. It's a small cast of characters: Ethan, Mark, Claire, and a few others. I fell immediately for Ethan, who is lovable, sweet, and slightly nerdy. Claire and Mark are slightly more problematic. Mark especially is a very difficult character with whom it is hard to sympathize. Hayes does an excellent job of unfurling her plot in such a way that the reader is as perplexed as the characters. The storyline is tense and runs the gamut of emotions.
The book revolves a lot around science. While much of the storyline uses science and physics to its advantage--for instance, I found the idea of genetic memory fascinating--at times, I also found my eyes glazing over at the scientific passages. Sometimes the science overshadowed the actual plot. Still, overall this is a sharp, well-written novel with in-depth characters. A strong 3.5 stars.
I received an ARC of this novel from Netgalley in return for an unbiased review (thank you!); it is available everywhere on 5/3/2016.
Kristy H (1252 KP) rated Before He Finds Her in Books
Feb 8, 2018
In 1991, Ramsey Miller holds a huge block party for his neighborhood. Then, the story goes, he drunkenly and angrily murdered his wife and young daughter.
However, that's not exactly the case: his daughter got away, via the Witness Protection Program, and is living in a small town in West Virginia. Renamed Melanie, she lives with her father's close friend and his wife; it's a cautious life, as her father was never found. However, as she nears 18, Melanie is tired of this life of secrets and hiding. Finding herself pregnant, she decides she doesn't want this life for her own child, so she heads back to her hometown to find her father herself.
The book weaves in Melanie's current life and discoveries with narrative of Ramsey's life leading up to the days of the block party, allowing us to figure out what happened along with Melanie.
This novel started out really well, and for a while, I was thinking it was going to be one of my favorites read so far this year. However, it soon petered out a bit, and the more I thought about it, I liked it less. There are just some odd plot holes that doesn't really make sense and leave you wondering. Further, even accounting for her upbringing, Melanie as a main character is so "blah" and doesn't stand up for herself, thereby making it very hard to root for her. I really found myself pulling for Ramsey at many points. Lots of potential, but doesn't really follow through.
However, that's not exactly the case: his daughter got away, via the Witness Protection Program, and is living in a small town in West Virginia. Renamed Melanie, she lives with her father's close friend and his wife; it's a cautious life, as her father was never found. However, as she nears 18, Melanie is tired of this life of secrets and hiding. Finding herself pregnant, she decides she doesn't want this life for her own child, so she heads back to her hometown to find her father herself.
The book weaves in Melanie's current life and discoveries with narrative of Ramsey's life leading up to the days of the block party, allowing us to figure out what happened along with Melanie.
This novel started out really well, and for a while, I was thinking it was going to be one of my favorites read so far this year. However, it soon petered out a bit, and the more I thought about it, I liked it less. There are just some odd plot holes that doesn't really make sense and leave you wondering. Further, even accounting for her upbringing, Melanie as a main character is so "blah" and doesn't stand up for herself, thereby making it very hard to root for her. I really found myself pulling for Ramsey at many points. Lots of potential, but doesn't really follow through.
Debbiereadsbook (1554 KP) rated Markov (Tangled Tentacles #4) in Books
Oct 6, 2022
thoroughly enjoying this series!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book for in the Tangled Tentacles series, and you really do need to read the other three, Alexi, Victor and Todd, before you read this one. There is an on-going story arc that is not really fully recapped here.
The first three books were fab, great and I really loved and enjoyed them. While I did enjoy this one, though, I found it missing. . . .something!
When I sat down to write this, I knew something was off, and I couldn't quite put my finger on it, but now I'm here, I have had a bit of a light bulb moment and I will come back to it in a mo!
We knew Markov had issues with Cassius, and that they were mates and Cassius had rejected him, so poor Cassius was not seen in a good light up to this point. But when we find out just WHY Cassius did what he did, you fully understand. Markov does too, and that's the most important thing. Once Markov knows the full story, he lets Cassius in, and it really was wonderful to read, them getting to be open with their feelings for each other. How THAT all resolved itself was amazing though.
We find out more about the missing shifters and what's been happening to them. Markov got first-hand experience of that. It does something, though, to his kraken and the result is both amusing and powerful, and both Markov AND Cassius benefit from that.
The other brothers all take part, and we get a lead into what is the final book . . .maybe. . . in this series. Given what happens here, at the bottom of the Mariana Trench, makes me wonder! It's clear from previous books that Kelvin, the last brother, and the F-B-freaking-I-guy who has got him all a-fluster will get together, but I wonder why they didn't get that message before now!
Back to what I felt was missing, and it really did just hit me as I started to type! Markov is a kraken and Cassius is a Hammerhead shark. They do get their smexy times in the sea, but what I really missed, and I've no idea WHY I felt it should be here, but, book feelings, people, was there was no time in the pool at the bottom of the Thalassa building and I missed that! There were no beautiful descriptions of singing from the kraken either. Oh, don't get me, he gets himself HEARD loud and clear, in more ways than one, but in the other books, pool time involves kraken singing and I don't get that here.
Still a very good read, and I am thoroughly enjoying watching these brothers fall one by one. Can't wait for Kelvin and what's gonna happen there!
4 very good stars
*same worded review will appear elsewhere
This is book for in the Tangled Tentacles series, and you really do need to read the other three, Alexi, Victor and Todd, before you read this one. There is an on-going story arc that is not really fully recapped here.
The first three books were fab, great and I really loved and enjoyed them. While I did enjoy this one, though, I found it missing. . . .something!
When I sat down to write this, I knew something was off, and I couldn't quite put my finger on it, but now I'm here, I have had a bit of a light bulb moment and I will come back to it in a mo!
We knew Markov had issues with Cassius, and that they were mates and Cassius had rejected him, so poor Cassius was not seen in a good light up to this point. But when we find out just WHY Cassius did what he did, you fully understand. Markov does too, and that's the most important thing. Once Markov knows the full story, he lets Cassius in, and it really was wonderful to read, them getting to be open with their feelings for each other. How THAT all resolved itself was amazing though.
We find out more about the missing shifters and what's been happening to them. Markov got first-hand experience of that. It does something, though, to his kraken and the result is both amusing and powerful, and both Markov AND Cassius benefit from that.
The other brothers all take part, and we get a lead into what is the final book . . .maybe. . . in this series. Given what happens here, at the bottom of the Mariana Trench, makes me wonder! It's clear from previous books that Kelvin, the last brother, and the F-B-freaking-I-guy who has got him all a-fluster will get together, but I wonder why they didn't get that message before now!
Back to what I felt was missing, and it really did just hit me as I started to type! Markov is a kraken and Cassius is a Hammerhead shark. They do get their smexy times in the sea, but what I really missed, and I've no idea WHY I felt it should be here, but, book feelings, people, was there was no time in the pool at the bottom of the Thalassa building and I missed that! There were no beautiful descriptions of singing from the kraken either. Oh, don't get me, he gets himself HEARD loud and clear, in more ways than one, but in the other books, pool time involves kraken singing and I don't get that here.
Still a very good read, and I am thoroughly enjoying watching these brothers fall one by one. Can't wait for Kelvin and what's gonna happen there!
4 very good stars
*same worded review will appear elsewhere
Kristy H (1252 KP) rated The Next to Die in Books
Apr 4, 2019
OK, I won't lie, this was a really strange book. But, I also found it oddly captivating. I didn't realize until I started it--my mistake--that this was book #10 in a series. I am not a fan of picking up mid-series, though Goodreads tells me I read books #1 and #3 a while back. And I do somewhat remember Simon Waterhouse. Still, I felt like an outsider looking in somewhat, and I bet I would have enjoyed this one more if I knew more of the backstory of Simon, his wife, Charlie, and their investigative team.
However, the mystery here stands alone, and while it's bizarre (I can guarantee the motive in this one will be one of the most strange and enjoyable you'll have seen in quite some time), it's compelling and even funny. The story unfolds from the point of view of Kim, who is telling things via a self-written true crime book that details her involvement in the Billy Dead Mates murder investigation. Then we get Simon and Charlie's view of the Billy investigation. And, finally, the writings of a rather crazed feminist reporter named Sondra Halliday who claims Billy is killing women due to misogynist reasons.
It all culminates in a detailed yet surprisingly suspenseful story--Kim is center stage, but also a suspect in some ways. She's a bitter, funny comedian, and I really liked her character. Hannah captures interactions well, and I enjoyed both Kim and grumpy yet brilliant Simon. The whole book was very different for a thriller, but oddly enjoyable too. There were definitely times when I wished things would hurry along; there's a side plot where Charlie obsesses about her sister, which just seems annoying, and some of Sondra's rants are just a bit too much. Still, it's easy to get caught up in the story, especially Kim's book and Charlie and Simon's investigation. The format is different but engaging.
Overall, while this one was a little strange and slow, I did enjoy it. Hannah is a great writer, and her characters are vivid, flawed, and humorous. The plot is definitely different, but it will draw you in. 3.5+ stars.
However, the mystery here stands alone, and while it's bizarre (I can guarantee the motive in this one will be one of the most strange and enjoyable you'll have seen in quite some time), it's compelling and even funny. The story unfolds from the point of view of Kim, who is telling things via a self-written true crime book that details her involvement in the Billy Dead Mates murder investigation. Then we get Simon and Charlie's view of the Billy investigation. And, finally, the writings of a rather crazed feminist reporter named Sondra Halliday who claims Billy is killing women due to misogynist reasons.
It all culminates in a detailed yet surprisingly suspenseful story--Kim is center stage, but also a suspect in some ways. She's a bitter, funny comedian, and I really liked her character. Hannah captures interactions well, and I enjoyed both Kim and grumpy yet brilliant Simon. The whole book was very different for a thriller, but oddly enjoyable too. There were definitely times when I wished things would hurry along; there's a side plot where Charlie obsesses about her sister, which just seems annoying, and some of Sondra's rants are just a bit too much. Still, it's easy to get caught up in the story, especially Kim's book and Charlie and Simon's investigation. The format is different but engaging.
Overall, while this one was a little strange and slow, I did enjoy it. Hannah is a great writer, and her characters are vivid, flawed, and humorous. The plot is definitely different, but it will draw you in. 3.5+ stars.
Bubblesreview (110 KP) rated All That Remains: A Life in Death in Books
Apr 7, 2019
Pros:
▪ Descriptive
▪ Very fascinating
▪ Surprisingly life-affirming
Cons:
▪ Could be a possible military/trauma PTSD trigger
What an incredible book. When I first picked this up I was sceptical about reading it right now, I thought this was going to be a dark, depressing read about death. It certainly is about death but surprisingly not in a dark or depressing way.
I've been suffering with a bereavement since November after my best friend was killed in a road accident, hit by a drunk driver. I have been struggling quite a bit with this and there doesn't seem to be any support for people struggling with bereavement, there is one local charity that provides free counselling but I'm currently on a 16+ week waiting list before they can even assess me to see if they can help me.
So you can see why I was hesitant to read this, however, after reading some reviews on it i took the risk and dived in. I'm glad I did.
I found this actually very refreshing and life-affirming, it's made me see life and death in a different way and I feel like it's helped me cope a little better whilst I wait for counselling.
The chapter about the authors personal experience with bereavements was nice to be reminded that everyone deals with grief in their own ways, even if it may seem odd to others.
I really enjoyed reading the scientific parts of this book aswell, as detailed as some of it was it was actually really interesting. It was also nice to learn about all the different options available now days for what happens to our bodies. Donating your body to a medical school is one option I wasn't even aware of.
The epilogue was a tear jerker, I admit I struggled to read through those last pages. It was very personal to Blacks family and very detailed about her wishes when her time comes.
I highly respect Black for making such a personal memoir published.
This was an emotional, uplifting, scientific memoir that I highly recommend.
▪ Descriptive
▪ Very fascinating
▪ Surprisingly life-affirming
Cons:
▪ Could be a possible military/trauma PTSD trigger
What an incredible book. When I first picked this up I was sceptical about reading it right now, I thought this was going to be a dark, depressing read about death. It certainly is about death but surprisingly not in a dark or depressing way.
I've been suffering with a bereavement since November after my best friend was killed in a road accident, hit by a drunk driver. I have been struggling quite a bit with this and there doesn't seem to be any support for people struggling with bereavement, there is one local charity that provides free counselling but I'm currently on a 16+ week waiting list before they can even assess me to see if they can help me.
So you can see why I was hesitant to read this, however, after reading some reviews on it i took the risk and dived in. I'm glad I did.
I found this actually very refreshing and life-affirming, it's made me see life and death in a different way and I feel like it's helped me cope a little better whilst I wait for counselling.
The chapter about the authors personal experience with bereavements was nice to be reminded that everyone deals with grief in their own ways, even if it may seem odd to others.
I really enjoyed reading the scientific parts of this book aswell, as detailed as some of it was it was actually really interesting. It was also nice to learn about all the different options available now days for what happens to our bodies. Donating your body to a medical school is one option I wasn't even aware of.
The epilogue was a tear jerker, I admit I struggled to read through those last pages. It was very personal to Blacks family and very detailed about her wishes when her time comes.
I highly respect Black for making such a personal memoir published.
This was an emotional, uplifting, scientific memoir that I highly recommend.
BookInspector (124 KP) rated The House Swap in Books
Sep 24, 2020
I had such high hopes for this book, it had so much praise from famous authors, but I was left quite disappointed.
The whole story was told from multiple perspectives, but Caroline is the main lead. It is mainly her story, and her life events, which are discussed. Even though I would not praise Caroline’s actions in this book, I could not blame her for them either. She had to endure quite a lot in her marriage, and I am really surprised that they decided to make it work because it should be a really hard job to do. I really enjoyed Francis’s story in this book as well, had a good insight into addict’s mind.
The narrative of this novel was interesting and quite original, outlining domestic problems and emotions that these events create, but I would not be able to call this book a thriller, because it did not give me any thrills whatsoever. I did like the twists and turns in this book, they did wake my curiosity of what these events are all about. I missed the suspense and more action. I found the topics, such as cheating on your spouse, drug addiction, really amusing to read about. I enjoyed the insight into these problems and the effect it has on different people.
The book is set in London, and narrative travels between present and past, slowly revealing more with every chapter. So, even though the story built up my curiosity pretty well, the climax left me incredibly disappointed. I was expecting some juicy bits to fulfill my expectations, but all I got was “Meh” :/ I did like the length of the chapters and the way R. Fleet ended every chapter with a cliffhanger. (Very smart, very smart indeed…) The writing style and language used were pleasant and easy to read. I would like to throw in a DISCLAIMER, there is plenty of detailed sex scenes in this book followed by substance addiction. So, to conclude, it is an absorbing family drama, filled with mystery, plenty of emotions, and if you are a mystery fan, who is looking for something lighter and less intense, this would be a good choice, I think. Enjoy 🙂
The whole story was told from multiple perspectives, but Caroline is the main lead. It is mainly her story, and her life events, which are discussed. Even though I would not praise Caroline’s actions in this book, I could not blame her for them either. She had to endure quite a lot in her marriage, and I am really surprised that they decided to make it work because it should be a really hard job to do. I really enjoyed Francis’s story in this book as well, had a good insight into addict’s mind.
The narrative of this novel was interesting and quite original, outlining domestic problems and emotions that these events create, but I would not be able to call this book a thriller, because it did not give me any thrills whatsoever. I did like the twists and turns in this book, they did wake my curiosity of what these events are all about. I missed the suspense and more action. I found the topics, such as cheating on your spouse, drug addiction, really amusing to read about. I enjoyed the insight into these problems and the effect it has on different people.
The book is set in London, and narrative travels between present and past, slowly revealing more with every chapter. So, even though the story built up my curiosity pretty well, the climax left me incredibly disappointed. I was expecting some juicy bits to fulfill my expectations, but all I got was “Meh” :/ I did like the length of the chapters and the way R. Fleet ended every chapter with a cliffhanger. (Very smart, very smart indeed…) The writing style and language used were pleasant and easy to read. I would like to throw in a DISCLAIMER, there is plenty of detailed sex scenes in this book followed by substance addiction. So, to conclude, it is an absorbing family drama, filled with mystery, plenty of emotions, and if you are a mystery fan, who is looking for something lighter and less intense, this would be a good choice, I think. Enjoy 🙂
Merissa (13379 KP) rated The Kiss (The Cotiere Chronicles #1) in Books
Apr 14, 2023
I was a bit wary when starting this book as I knew from the synopsis that there were three people involved and my immediate fear was a love triangle, which I'm really fed up with reading about! However, my fears were groundless as this book took a turn that I never saw coming and by this point, I was totally engrossed in the story.
Liesl, Baden and Koen all change and grow in this book, no stagnation for any of these characters! However, Liesl is the one who grows the most. She has been lied to and manipulated for most of her life but once the truth is given to her, she makes her stand in her own quiet way, showing a strength of will and character where you might have thought of weakness. I loved her! Baden and Koen are both fantastic characters and I loved both of them. One thing I will point out in particular though, and it's about Koen. He has asthma and I LOVED that. He was not an Alpha Male absolutely perfect in every way. Instead, he has a debilitating illness (that I also suffer with so my chest tightened every time I read about his suffering!) and STILL manages to be an Alpha Male absolutely perfect in every way! He is romantic, funny, caring, protective, and loving - everything a romantic like me needs to read about.
The plot was fantastic and was very smoothly written. There is enough depth to this to make it a fantastic book and, speaking as an English transplant in Germany, I loved reading the German sentences because I understood them without the translation. Trust me, this means that it is simple enough for anyone but the translation is there just in case.
Overall, this book swept me away. Well written, edited and with no grammatical mistakes that I found, I was lost within this book and certainly didn't want it to end. Absolutely brilliant and highly recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jul 26, 2015
Liesl, Baden and Koen all change and grow in this book, no stagnation for any of these characters! However, Liesl is the one who grows the most. She has been lied to and manipulated for most of her life but once the truth is given to her, she makes her stand in her own quiet way, showing a strength of will and character where you might have thought of weakness. I loved her! Baden and Koen are both fantastic characters and I loved both of them. One thing I will point out in particular though, and it's about Koen. He has asthma and I LOVED that. He was not an Alpha Male absolutely perfect in every way. Instead, he has a debilitating illness (that I also suffer with so my chest tightened every time I read about his suffering!) and STILL manages to be an Alpha Male absolutely perfect in every way! He is romantic, funny, caring, protective, and loving - everything a romantic like me needs to read about.
The plot was fantastic and was very smoothly written. There is enough depth to this to make it a fantastic book and, speaking as an English transplant in Germany, I loved reading the German sentences because I understood them without the translation. Trust me, this means that it is simple enough for anyone but the translation is there just in case.
Overall, this book swept me away. Well written, edited and with no grammatical mistakes that I found, I was lost within this book and certainly didn't want it to end. Absolutely brilliant and highly recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jul 26, 2015
Merissa (13379 KP) rated Leo (Three Divisions #1) in Books
Apr 25, 2023
Having been a mahoosive fan of Celeste Prater's Fueled by Lust series, I had a few trepidations about reading this one. For starters, the BDSM scene isn't really my thing, and the few books I have read involving it didn't do anything for me at all. BUT!!! being as how I loved her Sci-Fi, I thought I would give it a go... and I'm glad I did!
Whether or not it rings true doesn't matter to me. What matters is that I found it completely believable within the constraints of the story. The definition of 'Three Divisions' made so much sense, and it made a nice change to have it spelt out in a way that was understandable without being condescending. It actually gave me the warm fuzzies to think that there is someone out there who would be able to take control but also put someone else's needs above their own. I absolutely loved how Leo took care of Jillian, in all ways! The humour was witty and well-timed. I really enjoyed watching Jillian grow, both in the playroom and out. Her put down of Brent was fantastic and I was giving her a high-five at the time!
The suspense side of it was exceedingly well-written, with surprises coming left, right and centre. You knew something was up with the amount of 'air time' that Jillian's client got, but the actual outcome, I didn't see coming. Jillian's handling of said event, and the aftermath, were superb - cool, calm and collected.
Hopefully, without giving anything away, I loved the wrap-up to this book. Everything was as it should be, and I am very much looking forward to the next book in this series. For not liking BDSM books, to giving this one a 5-star and feeling the fuzzies, I can highly recommend it to anyone considering reading about BDSM, or who just wants a steamy, sexy, suspenseful, romantic read. LOVED IT!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Nov 22, 2015
Whether or not it rings true doesn't matter to me. What matters is that I found it completely believable within the constraints of the story. The definition of 'Three Divisions' made so much sense, and it made a nice change to have it spelt out in a way that was understandable without being condescending. It actually gave me the warm fuzzies to think that there is someone out there who would be able to take control but also put someone else's needs above their own. I absolutely loved how Leo took care of Jillian, in all ways! The humour was witty and well-timed. I really enjoyed watching Jillian grow, both in the playroom and out. Her put down of Brent was fantastic and I was giving her a high-five at the time!
The suspense side of it was exceedingly well-written, with surprises coming left, right and centre. You knew something was up with the amount of 'air time' that Jillian's client got, but the actual outcome, I didn't see coming. Jillian's handling of said event, and the aftermath, were superb - cool, calm and collected.
Hopefully, without giving anything away, I loved the wrap-up to this book. Everything was as it should be, and I am very much looking forward to the next book in this series. For not liking BDSM books, to giving this one a 5-star and feeling the fuzzies, I can highly recommend it to anyone considering reading about BDSM, or who just wants a steamy, sexy, suspenseful, romantic read. LOVED IT!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Nov 22, 2015
Emma @ The Movies (1786 KP) rated Aladdin (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Oh. My. This was always going to be a tough one for me, and I've been thinking long and hard about how on earth I was going to review this. I love the original, anyone who even remotely enjoys it would be able to sing you at least one of the songs, and therein lies one of the problems. Would I have had a different opinion about some of the elements had I not seen the original so many times? After a lot of contemplating I think the answer in most cases is no.
Note: I went to see this for a second time so I'm going to edit what I previously wrote up as I go because on second viewing it was better. Once the initial shock and annoyance had passed after seeing it the first time it was much easier to watch for the second time.
Remaking something that's peak Disney has so many issues, recasting roles, changing social views and cultural sensitivities, are probably the biggest ones.
Let's talk about the (blue) elephant in the room... although I guess that phrase isn't really accurate as we all want to talk about it. Oh Genie, my Genie. I don't think anyone would have been able to fill that lamp the way Robin Williams did, he was larger than life and brought such a sense of fun whenever he did roles like this. The man is a comedic legend. Recasting this was always going to be difficult, and honestly, I don't know if there's anyone I would have been happy with taking over the mantle.
When I found out that Will Smith was on board I wasn't completely put off. On paper he's got everything you'd need for this role. He had one of two choices, stick to the original faithfully or take it your own way. I just don't think Smith actually had a choice though, he was going to have to do a reinterpretation of the role, but how could you ever follow Williams?
The thing I'm most surprised about with Genie is just how bad the CGI is. It's not like this is something Disney are unfamiliar with. Why did some of it even need to be CGId? I obviously don't know the ins and outs of these techniques or options, but if people can make Robbie Coltrane look larger than life in Harry Potter without mucking it up then why aren't they smurfing Will Smith up and doing the same?
Casting across the rest of the film wasn't such an epic task, Mena Massoud as Aladdin and Navid Negahban as the Sultan hit exactly the right spot. I had issues with Jafar, that's nothing to do with Marwan Kenzari's acting which was very good, but it was the fact that in my head Jafar should have been older. (Dream casting: Ben Kingsley.) I'm sure I won't be popular saying this but I didn't really like Naomi Scott as Jasmine, I don't think she brought enough sass to the role, I also felt that some of the new inclusions into the film around Jasmine negatively affected my view of her.
By far and away my favourite from the live action cast was Nasim Pedrad as Dalia, Jasmine's lady in waiting. I don't know why they felt the need to bring this character in, but I'm really glad they did. She's funny and a welcome break in some scenes. She completely outshines Jasmine as almost every point in the film... actually, I retract the word "almost". While I might not be happy about part of her character's story (ask me for the spoilers) she was definitely the best added extra in the film.
Our group of sidekicks, Abu, Iago, Rajah and Carpet all come out with varying degrees of success. Abu wasn't entirely lucky with the CGI and didn't get such a fun part as before. Iago was much more bird-like than previously which meant less actual talking so I have to wonder why they hired Alan Tudyk if they weren't going to use him properly. Rajah while less quizzical than in the original was entertaining and luckily wasn't mutilated by the CGI. Carpet though, I loved Carpet. He was super cute and absolutely adorable with Abu.
I'm not going to go over every change they made to the original, but one tweak particularly bugged me. They change the way that Aladdin gets out of the cave of wonders. The verbal trickery that Aladdin uses in the original is gone and they switch it out for a much more deceitful moment. The idea isn't as clever as its predecessor and also means that later in the film when Aladdin tricks Jafar you don't get that same connection, watching Genie working out what was going on was painful viewing.
I can't really put off talking about the songs anymore.
As trailers and sneak peeks appeared online I became increasingly nervous about the songs. Prince Ali seemed to be less upbeat than before, and while the sequence looked like it had potential all of it together didn't feel as vibrant. I appreciate that they tried to keep all those little Genie added extra in but it felt like they went with a "safe" option.
I enjoy Will Smith's singing, but I'm not a fan of it in this. I don't think the change in style is suited to these songs. I've seen people saying about how he's rapping in it... but I wouldn't have identified it as rapping. If anything it felt like they went "you should get some rapping in there, but we're Disney so tone it down... a lot."
We get a new offering on the soundtrack in the shape of Speechless, Jasmine's empowering song. I like the song, it certainly has the Disney vibe, and Scott sings it beautifully... but it didn't give me those goosebumps that I expect from power songs. I probably would have given the song a pass had it not been for the way it was included in the film. The frozen scenes with Jasmine dramatically moving in and out of the cast and set... ugh... that just didn't work for me.
Massoud had originally given me so much hope for the music when I heard One Jump Ahead at the beginning. It was excellent, and throughout the film I loved his singing.
Here's where my opinion changed a bit after my second visit... the songs weren't all as bad as I'd felt after the first viewing. I still didn't enjoy Genie's offering, but Aladdin and Jasmine both felt like an excellent choice. The main thing that didn't change was the fact that I didn't feel the songs fit well into the scenes. Part of the draw of Disney is the toe-tapping singalong vibe you get from the music, and there was a lack of pizzaz in most of the sequences that left my toes untapped.
I could probably go on for a very long time about this film. (I already have.) Ultimately, I don't think it's an improvement on the original, I don't think these modern rehashes really add a lot when you have to adjust for the modern culture. I'm not saying that you shouldn't take the changing times into consideration, I just think you should do it in a way that doesn't just come across as trying to score points with the audience to prove how "with it" you are. I also don't think that coming up with 30 minutes of extra footage is ever a sensible idea. If that's what you want to do then perhaps you need to really mix things up and come up with a whole new concept for the story.
What you should do
You're either a Disney nut or you're not. Personally, I would recommend staying at home and having a binge of old Disney classics, starting with the one true Genie.
Movie thing you wish you could take home
Could I get Genie powers without the itty-bitty living space?
Note: I went to see this for a second time so I'm going to edit what I previously wrote up as I go because on second viewing it was better. Once the initial shock and annoyance had passed after seeing it the first time it was much easier to watch for the second time.
Remaking something that's peak Disney has so many issues, recasting roles, changing social views and cultural sensitivities, are probably the biggest ones.
Let's talk about the (blue) elephant in the room... although I guess that phrase isn't really accurate as we all want to talk about it. Oh Genie, my Genie. I don't think anyone would have been able to fill that lamp the way Robin Williams did, he was larger than life and brought such a sense of fun whenever he did roles like this. The man is a comedic legend. Recasting this was always going to be difficult, and honestly, I don't know if there's anyone I would have been happy with taking over the mantle.
When I found out that Will Smith was on board I wasn't completely put off. On paper he's got everything you'd need for this role. He had one of two choices, stick to the original faithfully or take it your own way. I just don't think Smith actually had a choice though, he was going to have to do a reinterpretation of the role, but how could you ever follow Williams?
The thing I'm most surprised about with Genie is just how bad the CGI is. It's not like this is something Disney are unfamiliar with. Why did some of it even need to be CGId? I obviously don't know the ins and outs of these techniques or options, but if people can make Robbie Coltrane look larger than life in Harry Potter without mucking it up then why aren't they smurfing Will Smith up and doing the same?
Casting across the rest of the film wasn't such an epic task, Mena Massoud as Aladdin and Navid Negahban as the Sultan hit exactly the right spot. I had issues with Jafar, that's nothing to do with Marwan Kenzari's acting which was very good, but it was the fact that in my head Jafar should have been older. (Dream casting: Ben Kingsley.) I'm sure I won't be popular saying this but I didn't really like Naomi Scott as Jasmine, I don't think she brought enough sass to the role, I also felt that some of the new inclusions into the film around Jasmine negatively affected my view of her.
By far and away my favourite from the live action cast was Nasim Pedrad as Dalia, Jasmine's lady in waiting. I don't know why they felt the need to bring this character in, but I'm really glad they did. She's funny and a welcome break in some scenes. She completely outshines Jasmine as almost every point in the film... actually, I retract the word "almost". While I might not be happy about part of her character's story (ask me for the spoilers) she was definitely the best added extra in the film.
Our group of sidekicks, Abu, Iago, Rajah and Carpet all come out with varying degrees of success. Abu wasn't entirely lucky with the CGI and didn't get such a fun part as before. Iago was much more bird-like than previously which meant less actual talking so I have to wonder why they hired Alan Tudyk if they weren't going to use him properly. Rajah while less quizzical than in the original was entertaining and luckily wasn't mutilated by the CGI. Carpet though, I loved Carpet. He was super cute and absolutely adorable with Abu.
I'm not going to go over every change they made to the original, but one tweak particularly bugged me. They change the way that Aladdin gets out of the cave of wonders. The verbal trickery that Aladdin uses in the original is gone and they switch it out for a much more deceitful moment. The idea isn't as clever as its predecessor and also means that later in the film when Aladdin tricks Jafar you don't get that same connection, watching Genie working out what was going on was painful viewing.
I can't really put off talking about the songs anymore.
As trailers and sneak peeks appeared online I became increasingly nervous about the songs. Prince Ali seemed to be less upbeat than before, and while the sequence looked like it had potential all of it together didn't feel as vibrant. I appreciate that they tried to keep all those little Genie added extra in but it felt like they went with a "safe" option.
I enjoy Will Smith's singing, but I'm not a fan of it in this. I don't think the change in style is suited to these songs. I've seen people saying about how he's rapping in it... but I wouldn't have identified it as rapping. If anything it felt like they went "you should get some rapping in there, but we're Disney so tone it down... a lot."
We get a new offering on the soundtrack in the shape of Speechless, Jasmine's empowering song. I like the song, it certainly has the Disney vibe, and Scott sings it beautifully... but it didn't give me those goosebumps that I expect from power songs. I probably would have given the song a pass had it not been for the way it was included in the film. The frozen scenes with Jasmine dramatically moving in and out of the cast and set... ugh... that just didn't work for me.
Massoud had originally given me so much hope for the music when I heard One Jump Ahead at the beginning. It was excellent, and throughout the film I loved his singing.
Here's where my opinion changed a bit after my second visit... the songs weren't all as bad as I'd felt after the first viewing. I still didn't enjoy Genie's offering, but Aladdin and Jasmine both felt like an excellent choice. The main thing that didn't change was the fact that I didn't feel the songs fit well into the scenes. Part of the draw of Disney is the toe-tapping singalong vibe you get from the music, and there was a lack of pizzaz in most of the sequences that left my toes untapped.
I could probably go on for a very long time about this film. (I already have.) Ultimately, I don't think it's an improvement on the original, I don't think these modern rehashes really add a lot when you have to adjust for the modern culture. I'm not saying that you shouldn't take the changing times into consideration, I just think you should do it in a way that doesn't just come across as trying to score points with the audience to prove how "with it" you are. I also don't think that coming up with 30 minutes of extra footage is ever a sensible idea. If that's what you want to do then perhaps you need to really mix things up and come up with a whole new concept for the story.
What you should do
You're either a Disney nut or you're not. Personally, I would recommend staying at home and having a binge of old Disney classics, starting with the one true Genie.
Movie thing you wish you could take home
Could I get Genie powers without the itty-bitty living space?