Search
Search results
Emma @ The Movies (1786 KP) rated Pet Sematary (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Yes, I'm a scared cat and bailed out on the Unlimited Screening of this. Those of you on Twitter know that I prefer my horrors to be brightly lit with ample opportunity to scream at the idiots on the screen who are quite clearly going to get themselves killed. That being said, I did decide to see it after reading some general comments after the screening. I believe the phrase I used was "Suck it up, Emma. You can do this."
Pet Sematary is obviously a remake but as I understand it they've made a fair few tweaks to give viewers something a bit different. The premise is still the same though.
After the Creeds move into their new home they discover that the woods on their property are home to a pet cemetery that has quite a local tradition. When their cat, Church, dies on the road outside their house the neighbour overs to help Louis find a spot to bury him. Jud realises that Ellie will be devastated at the loss and leads Louis out to a remote and unusual spot to bury Church. What he doesn't tell him is that Church won't stay buried for long.
Jason Clarke is getting some great screen time this year what with The Aftermath and Serenity (which I hope to catch sometime soon). I liked how he managed to play the sceptic in this, he's a man of science which has a set of rules but the longer he spends in their new surrounds the more he becomes changed by them. He's also a great contrast with his wife and watching them trying to explain death to their daughter was captured in a very interesting way.
Amy Seimetz as Rachel felt a little underwhelming as a character, the backstory she has is odd on its own but having it pop up sporadically through the film felt confusing. I don't know whether it's the same storyline as was in the book but something a little less bizarre felt like it would have worked better and left you with less unanswered questions.
John Lithgow is always a favourite of mine and this performance was no exception. Sort of like the old man shovelling snow in Home Alone he comes across as scary until you realise he's not so bad after all. I'm intrigued by his character though, Jud should surely be much less friendly and changed because of his experiences with the woods, and yet he's fairly normal. The only thing that I was a little disappointed with was that his backstory was very obvious... and to be honest given all the trouble he's had you'd think he'd be a little more cautious.
Our little leading lady certainly has a flair for the demonic and I actually found her to be a much better offering after her unfortunate incident. From what I understand it's her little brother that dies in the original, but in my head I can't see that working very well. They do try and bring him into the story with a slightly supernatural ability to see the dead but it felt a little forced and perhaps it would have been better to just bypass it completely.
If you read my reviews every so often I'm sure you're aware of my dislike for cameras that move erratically. I was aware that we felt to be constantly on the move and it made for a challenging watch. Pet Sematary also featured my least favourite of all the shots, the overhead pan that sets off my motion sickness. Opening the film with a sweeping shot of the forest nearly had me passed out on the floor, and to my joy we also get a brief reprise of this towards the end.
Apart from the camera work that wasn't to my liking there wasn't a lot that I found out of place with the production itself apart from one moment that jumped out at me. When that monstrous little bastard of a cat lured Ellie out into the road we get what is a surprisingly well thought out scene, I was onboard and engrossed and then there were some terrible digital effects involving the truck that stuck out like a sore thumb.
Stephen King and I have a very patchy history with adaptations. I often feel like he writes a fantastic story and then realises he hasn't worked out how to end it and just goe "Boom! Aliens!" I'm looking hard at Under The Dome here, nearly 40 hours of my life... for aliens! Needless to say I was quite pleased that there was some "reasonable" explanation for everything that was happening. Not a single alien in sight and the ending wrapped with a nice ominous vibe that made me glad they hadn't gone with a happily ever after scenario.
Apart from the camera work and the cheap ass jumping scares this wasn't such a bad film. If you ignore the things that don't make sense, like why are parents letting their creepy children give their dead pets a procession through another person's property... or why does the "pet sematary" actually have nothing to do with the resurrections... or why do they walk through about five miles of Star Wars-esque forest and swamp to a random mountain to do the ritual... yeah, if you ignore those things it isn't too bad.
What you should do
It's not a bad horror to watch and if you aren't a big ol' chicken like me then you might want to see it on the big screen.
Movie thing you wish you could take home
What I would like is something very specific, like genie wish specific, I want Church... but I want him in his curly looking death state... without the death. No smell, no blood, no guts, no demonic hell beast, just the regular cat type of hell beast.
Pet Sematary is obviously a remake but as I understand it they've made a fair few tweaks to give viewers something a bit different. The premise is still the same though.
After the Creeds move into their new home they discover that the woods on their property are home to a pet cemetery that has quite a local tradition. When their cat, Church, dies on the road outside their house the neighbour overs to help Louis find a spot to bury him. Jud realises that Ellie will be devastated at the loss and leads Louis out to a remote and unusual spot to bury Church. What he doesn't tell him is that Church won't stay buried for long.
Jason Clarke is getting some great screen time this year what with The Aftermath and Serenity (which I hope to catch sometime soon). I liked how he managed to play the sceptic in this, he's a man of science which has a set of rules but the longer he spends in their new surrounds the more he becomes changed by them. He's also a great contrast with his wife and watching them trying to explain death to their daughter was captured in a very interesting way.
Amy Seimetz as Rachel felt a little underwhelming as a character, the backstory she has is odd on its own but having it pop up sporadically through the film felt confusing. I don't know whether it's the same storyline as was in the book but something a little less bizarre felt like it would have worked better and left you with less unanswered questions.
John Lithgow is always a favourite of mine and this performance was no exception. Sort of like the old man shovelling snow in Home Alone he comes across as scary until you realise he's not so bad after all. I'm intrigued by his character though, Jud should surely be much less friendly and changed because of his experiences with the woods, and yet he's fairly normal. The only thing that I was a little disappointed with was that his backstory was very obvious... and to be honest given all the trouble he's had you'd think he'd be a little more cautious.
Our little leading lady certainly has a flair for the demonic and I actually found her to be a much better offering after her unfortunate incident. From what I understand it's her little brother that dies in the original, but in my head I can't see that working very well. They do try and bring him into the story with a slightly supernatural ability to see the dead but it felt a little forced and perhaps it would have been better to just bypass it completely.
If you read my reviews every so often I'm sure you're aware of my dislike for cameras that move erratically. I was aware that we felt to be constantly on the move and it made for a challenging watch. Pet Sematary also featured my least favourite of all the shots, the overhead pan that sets off my motion sickness. Opening the film with a sweeping shot of the forest nearly had me passed out on the floor, and to my joy we also get a brief reprise of this towards the end.
Apart from the camera work that wasn't to my liking there wasn't a lot that I found out of place with the production itself apart from one moment that jumped out at me. When that monstrous little bastard of a cat lured Ellie out into the road we get what is a surprisingly well thought out scene, I was onboard and engrossed and then there were some terrible digital effects involving the truck that stuck out like a sore thumb.
Stephen King and I have a very patchy history with adaptations. I often feel like he writes a fantastic story and then realises he hasn't worked out how to end it and just goe "Boom! Aliens!" I'm looking hard at Under The Dome here, nearly 40 hours of my life... for aliens! Needless to say I was quite pleased that there was some "reasonable" explanation for everything that was happening. Not a single alien in sight and the ending wrapped with a nice ominous vibe that made me glad they hadn't gone with a happily ever after scenario.
Apart from the camera work and the cheap ass jumping scares this wasn't such a bad film. If you ignore the things that don't make sense, like why are parents letting their creepy children give their dead pets a procession through another person's property... or why does the "pet sematary" actually have nothing to do with the resurrections... or why do they walk through about five miles of Star Wars-esque forest and swamp to a random mountain to do the ritual... yeah, if you ignore those things it isn't too bad.
What you should do
It's not a bad horror to watch and if you aren't a big ol' chicken like me then you might want to see it on the big screen.
Movie thing you wish you could take home
What I would like is something very specific, like genie wish specific, I want Church... but I want him in his curly looking death state... without the death. No smell, no blood, no guts, no demonic hell beast, just the regular cat type of hell beast.
Haley Mathiot (9 KP) rated One Scream Away (Sheridan, #1) in Books
Apr 27, 2018
Seven years ago, Chevy Bankes did something horrific to Beth. She’s been living with her ghosts ever since then. Beth has learned to live on her own and has raised her daughter by herself. But she isn’t prepared to face Bankes when she finds out that he’s been released from prison, and that now he’s after her. Neil, an ex-FBI agent, has somehow gotten himself roped into the case. Now it’s causing him to have to dig up his own ghosts and face them, too. Can two people who lost love earlier in their lives learn to love each other, can Beth keep her daughter out of Bankes’ hands, and can Neil save the woman he loves from her worst nightmare?
One Scream Away was one of those books that you stay up late reading and that you can’t put down, and that you yell at whoever interrupts you because it was so addicting good. It was exciting, suspenseful, romantic, mysterious… everything a book should be.
Without giving away anything, there were many parts in this book that I felt my heart rip when I read what happened. The characters were tangible, like I could pluck them out of the book and set them on my table and watch the rest of the story play out. But they were also relatable, so most of the time I felt like the characters themselves.
Pacing and plot were fantastic in this one. It was impossible to see what would happen next, and Kate Brady keeps you guessing until the very last page, and surprises you at the end.
The writing was not the strongest point. It wasn’t bad per se, it just wasn’t very good either. Acceptably mediocre is the best phrase I can think of, because it wasn’t Dante, but it wasn’t hard to read.
My only other complaint was that a lot of the times, Brady describes what things look like, but not what things feel like. Although the characters were very relatable, I found my own imagination supplying the feelings of the characters while I read this.
Content: There was no elicit sex in this book, although scenes are mentioned and skipped over. There was a lot of language (hey, we’re talking about FBI agents and Police officers and Serial Killers here.) and some rather vulgar details. Murder is not exactly pleasant. Although it wasn’t mapped out in extreme detail, the images left in the reader’s mind are ones that are not for the faint of heart. Or stomach.
Recommendation: Ages 18+
One Scream Away was one of those books that you stay up late reading and that you can’t put down, and that you yell at whoever interrupts you because it was so addicting good. It was exciting, suspenseful, romantic, mysterious… everything a book should be.
Without giving away anything, there were many parts in this book that I felt my heart rip when I read what happened. The characters were tangible, like I could pluck them out of the book and set them on my table and watch the rest of the story play out. But they were also relatable, so most of the time I felt like the characters themselves.
Pacing and plot were fantastic in this one. It was impossible to see what would happen next, and Kate Brady keeps you guessing until the very last page, and surprises you at the end.
The writing was not the strongest point. It wasn’t bad per se, it just wasn’t very good either. Acceptably mediocre is the best phrase I can think of, because it wasn’t Dante, but it wasn’t hard to read.
My only other complaint was that a lot of the times, Brady describes what things look like, but not what things feel like. Although the characters were very relatable, I found my own imagination supplying the feelings of the characters while I read this.
Content: There was no elicit sex in this book, although scenes are mentioned and skipped over. There was a lot of language (hey, we’re talking about FBI agents and Police officers and Serial Killers here.) and some rather vulgar details. Murder is not exactly pleasant. Although it wasn’t mapped out in extreme detail, the images left in the reader’s mind are ones that are not for the faint of heart. Or stomach.
Recommendation: Ages 18+
Phillip McSween (751 KP) rated Europa Europa (1992) in Movies
Nov 5, 2019
A Steady Boil That Produces a Successful Stew
A Jewish boy tries to survive the holocaust by pretending he is a German soldier.
Acting: 10
This movie can’t be found in many places. In fact, I had to watch the full version on Youtube, something I typically hate to do. We can get into supporting art later. The point I’m trying to make is, I didn’t really know many of these actors, but I was captivated by a lot of their performances, especially the main actor Marco Hofschneider playing the role of Solomon the Jewish boy trying to survive. He captures such a wave of emotions, sometimes in the same scene and you can feel him throughout his entire journey. Before the end of it, his character seemingly feels like a friend that you want to reach out to and help. It wasn’t hard to connect with the characters here.
Beginning: 10
We learn early on why Solomon ends up having to become a German. Essentially everything around him is destroyed and we get to see that in the first ten minutes of the movie. There were a couple of hard scenes involving explosions that really leant themselves to the reality of the movie as a whole.
Characters: 10
Cinematography/Visuals: 10
There is a heartbreaking scene towards the beginning of the movie where men are trying to escape the gruesome war by boat. One of the men jumps back into the ocean as he decides it would be better to go back to the fate they were trying to escape. It’s a scene shot so well in such a bleak fashion of hopelessness as you see throughout the movie.
Conflict: 10
Entertainment Value: 10
Keeps you engaged from beginning to end. Just about everything a movie should be. This action-drama war mix definitely does not disappoint.
Memorability: 8
Pace: 8
Just over an hour in, things start to slow down a taste and you feel the conflict starting to fade. Fortunately it doesn’t take too long for the pace to pick right back up. There is a lingering intensity here from the threat of Solomon being uncovered that keeps the movie at a steady boil.
Plot: 10
Resolution: 10
Overall: 96
I honestly had no idea I would like Europa Europa as much as I did, but was pleasantly surprised. It’s not only thought-provoking but it tugs at your heartstrings while giving you a unique look at a dark time. A highly recommended classic.
Acting: 10
This movie can’t be found in many places. In fact, I had to watch the full version on Youtube, something I typically hate to do. We can get into supporting art later. The point I’m trying to make is, I didn’t really know many of these actors, but I was captivated by a lot of their performances, especially the main actor Marco Hofschneider playing the role of Solomon the Jewish boy trying to survive. He captures such a wave of emotions, sometimes in the same scene and you can feel him throughout his entire journey. Before the end of it, his character seemingly feels like a friend that you want to reach out to and help. It wasn’t hard to connect with the characters here.
Beginning: 10
We learn early on why Solomon ends up having to become a German. Essentially everything around him is destroyed and we get to see that in the first ten minutes of the movie. There were a couple of hard scenes involving explosions that really leant themselves to the reality of the movie as a whole.
Characters: 10
Cinematography/Visuals: 10
There is a heartbreaking scene towards the beginning of the movie where men are trying to escape the gruesome war by boat. One of the men jumps back into the ocean as he decides it would be better to go back to the fate they were trying to escape. It’s a scene shot so well in such a bleak fashion of hopelessness as you see throughout the movie.
Conflict: 10
Entertainment Value: 10
Keeps you engaged from beginning to end. Just about everything a movie should be. This action-drama war mix definitely does not disappoint.
Memorability: 8
Pace: 8
Just over an hour in, things start to slow down a taste and you feel the conflict starting to fade. Fortunately it doesn’t take too long for the pace to pick right back up. There is a lingering intensity here from the threat of Solomon being uncovered that keeps the movie at a steady boil.
Plot: 10
Resolution: 10
Overall: 96
I honestly had no idea I would like Europa Europa as much as I did, but was pleasantly surprised. It’s not only thought-provoking but it tugs at your heartstrings while giving you a unique look at a dark time. A highly recommended classic.
Push-Up Routines PRO+ Muscle Body-Building Workout
Health & Fitness and Sports
App
Learn the most effective way to do pushups and sculpt your upper body in just minutes/day. Whether...
Lucy Buglass (45 KP) rated King of Thieves (2018) in Movies
Jun 20, 2019
A Surprisingly Disappointing Heist Film
Upon seeing King of Thieves listed as a Limitless preview screening, I immediately snapped up the opportunity to see it because I had been looking forward to it since the first trailer I saw. With a well-known cast, an iconic real life heist story, and a classic ‘British crime’ aura, I was anticipating something great. I really can’t understand how they managed to mess that combo up, but here we are. Out of all the reviews I’ve ever written, this one is probably the hardest because of how disappointed I feel. As a film fan it’s difficult when you get yourself hyped up, only to be let down by the finished result.
For me, King of Thieves started off promising then rapidly declined into a bit of a mess. If it weren’t for a few redeeming features, I would’ve rated it even lower. One of the positives to come out of this film is the performances; it’s no surprise to any of you that these are actors at the top of their game, and I believe they worked as hard as they could with what they had. I don’t have a problem with any of the actors, my main problem lies with how utterly awful and cringe-worthy the screenplay was. They had an opportunity to work with some brilliant talent, but even they couldn’t save this film.
I appreciate the script was trying to encapsulate the ‘tough, working class London’ stereotype through these characters, but for me there was too much swearing and casual racism/homophobia than actual exposition. We learn barely anything about these characters, with the exception of Michael Caine’s, so all we see for almost two hours is a bunch of old men arguing and swearing constantly. We aren’t encouraged to connect or sympathise with any of them, none of them are particularly three dimensional, so you find yourself hating everyone on screen. Even a little emotional moment here and there would’ve been nice. With no chemistry between characters, the heist becomes very dull indeed.
If the weak script wasn’t bad enough, I wasn’t impressed with the cinematography either. The film seems confused throughout, not really sure what visual styles it wants to settle on so it jumps about here and there. As a result, this is very jarring and I found it hard to watch. The camera is all over the place, it doesn’t seem to have any fixed techniques, and it becomes a nuisance more than anything. That being said, the heist scenes themselves were very well-shot which is even more frustrating for me. How can you shoot certain things brilliantly, then mess up others? It doesn’t make any sense. If anything, it’s proven that the people involved did have the potential to create something great, but somehow managed to throw it all away.
King of Thieves feels a lot like a straight-to-DVD crime film that you might watch on a lazy Sunday afternoon when you’re a bit tired or hungover. It’s certainly not the kind of cinematic, high-quality film I would expect to see on the big screen. It’s mildly entertaining and delivered a few laughs, but ultimately it’s forgettable. My advice for this film would be: don’t let them rob you of a ticket, catch it on TV instead.
https://lucygoestohollywood.com/2018/09/08/king-of-thieves-a-surprisingly-disappointing-heist-film/
For me, King of Thieves started off promising then rapidly declined into a bit of a mess. If it weren’t for a few redeeming features, I would’ve rated it even lower. One of the positives to come out of this film is the performances; it’s no surprise to any of you that these are actors at the top of their game, and I believe they worked as hard as they could with what they had. I don’t have a problem with any of the actors, my main problem lies with how utterly awful and cringe-worthy the screenplay was. They had an opportunity to work with some brilliant talent, but even they couldn’t save this film.
I appreciate the script was trying to encapsulate the ‘tough, working class London’ stereotype through these characters, but for me there was too much swearing and casual racism/homophobia than actual exposition. We learn barely anything about these characters, with the exception of Michael Caine’s, so all we see for almost two hours is a bunch of old men arguing and swearing constantly. We aren’t encouraged to connect or sympathise with any of them, none of them are particularly three dimensional, so you find yourself hating everyone on screen. Even a little emotional moment here and there would’ve been nice. With no chemistry between characters, the heist becomes very dull indeed.
If the weak script wasn’t bad enough, I wasn’t impressed with the cinematography either. The film seems confused throughout, not really sure what visual styles it wants to settle on so it jumps about here and there. As a result, this is very jarring and I found it hard to watch. The camera is all over the place, it doesn’t seem to have any fixed techniques, and it becomes a nuisance more than anything. That being said, the heist scenes themselves were very well-shot which is even more frustrating for me. How can you shoot certain things brilliantly, then mess up others? It doesn’t make any sense. If anything, it’s proven that the people involved did have the potential to create something great, but somehow managed to throw it all away.
King of Thieves feels a lot like a straight-to-DVD crime film that you might watch on a lazy Sunday afternoon when you’re a bit tired or hungover. It’s certainly not the kind of cinematic, high-quality film I would expect to see on the big screen. It’s mildly entertaining and delivered a few laughs, but ultimately it’s forgettable. My advice for this film would be: don’t let them rob you of a ticket, catch it on TV instead.
https://lucygoestohollywood.com/2018/09/08/king-of-thieves-a-surprisingly-disappointing-heist-film/
Haley Mathiot (9 KP) rated My Heart and Soul in Books
Apr 27, 2018
Randall has done something scary and risky: She has taken her interior monologue, her thoughts, her hopes and dreams, insecurities, fears, loves and hates, and written them out into long picturesque poems for the world to see. I know I could never expose myself the way she has… It was encouraging to read her works, to get inside her head. It was uplifting to see the trust and the security she has in God, and encouraging to know that there are people out there who feel like you do. She wrote about painful subjects like cancer, doubt, death, but also had some more touchy subjects like fear of never being loved again, racism, and sex—though she did it all in a way that doesn't feel uncomfortable.
I greatly enjoyed these poems, and have found myself flipping through the pages on several occasions, just re-experiencing the things she has to say and the experiences she has to share. My Heart and Soul is well worth the buy.
I greatly enjoyed these poems, and have found myself flipping through the pages on several occasions, just re-experiencing the things she has to say and the experiences she has to share. My Heart and Soul is well worth the buy.
Mark @ Carstairs Considers (2672 KP) rated Prose and Cons (Magical Bookshop, #2) in Books
Mar 9, 2018
It’s time for the annual Food and Wine festival in town, and this year Violet Waverly is adding a Poe-try reading at Charming Books to the week’s line up. However, when one of the readers is found dead at the bottom of the shop’s steep stairs during the event, things take a tragic turn. The police quickly decide it was murder and start looking at Violet’s friend Sadie. An Violet prove her friend is innocent?
I absolutely love the bookstore in this series, a shop where the perfect book finds you. That’s really the only bit of magic in the series, and Violet is left to use old fashion methods to sift through clues and motives to find the killer. I did feel some of the characters could be stronger, but the mystery is strong with plenty of red herrings before things fall into place at the end.
NOTE: I received a copy of this book.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2016/12/book-review-prose-and-cons-by-amanda.html">Carstairs Considers</a>.
I absolutely love the bookstore in this series, a shop where the perfect book finds you. That’s really the only bit of magic in the series, and Violet is left to use old fashion methods to sift through clues and motives to find the killer. I did feel some of the characters could be stronger, but the mystery is strong with plenty of red herrings before things fall into place at the end.
NOTE: I received a copy of this book.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2016/12/book-review-prose-and-cons-by-amanda.html">Carstairs Considers</a>.
Mark @ Carstairs Considers (2672 KP) rated Killer Cocktail in Books
Mar 9, 2018
Nic and Nigel have recently discovered some home movies from the production of A Winter’s Night, a huge movie from 20 years ago famous not only for the wonderful story but the behind the scenes drama, including the death of the original star. They are the talk of the Oscars, but a break in convince the couple that there is someone on those tapes someone doesn’t want seen. Can they figure out what that is?
This is a second delightful romp with a modern day homage to The Thin Man, not that you need to be familiar with the original to enjoy this book. The book includes portions of the tapes that have been found, and since they introduce us to the suspects and motives, they are important. I thought I had things figured out early on, but I turned out to be wrong. The characters are a lot of fun, and the banter kept me grinning if not laughing outright.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2017/06/book-review-killer-cocktail-by-tracy.html">Carstairs Considers</a>.
This is a second delightful romp with a modern day homage to The Thin Man, not that you need to be familiar with the original to enjoy this book. The book includes portions of the tapes that have been found, and since they introduce us to the suspects and motives, they are important. I thought I had things figured out early on, but I turned out to be wrong. The characters are a lot of fun, and the banter kept me grinning if not laughing outright.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2017/06/book-review-killer-cocktail-by-tracy.html">Carstairs Considers</a>.
Charley (64 KP) rated The Mermaid in Books
Jan 28, 2019
Unusual and left you wanting more
This author is truly amazing. She is able to take well know tales/ folk lores and turn them into gripping novels. This book is no different. I found this enchanting tale after reading her Chronicles of Alice series of books.
She has taken the story of Bo Burnham and the little mermaid and amalgamated them into what is an amazing read.
In short the story is about a mermaid who wants to see the world. She is taken in by Burnham with a promise of money to show the world her mermaid tricks. Safe to say that like all of Christina Henry's other books it takes a dark and twisted turn however seems to work out well in the end.
There are definitely some moments in the book where i was worried to read on as i thought something really bad was going to happen.
It kept me on the edge of my seat through out and was a wonderful tale of the darkness of men and magic.
She has taken the story of Bo Burnham and the little mermaid and amalgamated them into what is an amazing read.
In short the story is about a mermaid who wants to see the world. She is taken in by Burnham with a promise of money to show the world her mermaid tricks. Safe to say that like all of Christina Henry's other books it takes a dark and twisted turn however seems to work out well in the end.
There are definitely some moments in the book where i was worried to read on as i thought something really bad was going to happen.
It kept me on the edge of my seat through out and was a wonderful tale of the darkness of men and magic.
Without a Word
Book
I was there when it happened. I watched her disappear...An emotional psychological drama from the...




