Search
Search results
Neon's Nerd Nexus (360 KP) rated A Beautiful Day in the Neighborhood (2019) in Movies
Feb 2, 2020 (Updated Feb 2, 2020)
Hello Neighbor
A Beautiful Day In The Neighborhood is an inspiring and delightful film about a man that was oh so smart and oh so pleasant. I just want to say from the start what an absolute joy this film was to watch, there was something so warm and wonderful there constantly that kept my full attention the entire time and when it ended I almost felt sad there wasnt more of it. Tom Hanks plays Fred Rogers aka Mr Rogers as hes known by most. An intriguing man who is almost investigated/interrogated by writer Lloyd Voge who has many troubles of his own. Hanks transforms seamlessly into Rogers with all his mannerisms replicated flawlessly even down to whats going on behined his eyes. Rogers may seem like theres something more sinister behined him at times but truth is he had a troubled past too and while maybe not a war veteran its almost as if you can see signs of depression or ptsd behined those eyes from the way he was treated in his youth of from the general weight of his job. But its the way the way hes learnt to deal with his anger, frustrations and demons thats so fascinating and how he manages to keep stong/humble so he can teach other children to overcome the harshness of life and the dark times they may face ahead of them thats trully inspiring and commendable. Llyods transformation during the film is also depicted amazingly too, hes so troubled hes almost beyond help, struggling with such emotions as grief, hatred and stress hes seemingly stuck on an ever declining path of sadness. That is until he meets rogers and the on screen interactions between these two are the absolute bread and butter to watch here as rogers uses his philosophy and good nature to help him find happiness in himself once again. See the thing is adults tend to dismiss anything they consider 'childish' but more often than not these so called childish things they dismiss contain more answers, escapism and advise for our problems than anything else be it by nostalgia, wisdom or philosophy or simple innocence. I loved how the tv show scenes felt so nostalgic that you could swear they were filmed way back in the past and the choice to use a different aspect ratio for them was smart. Its odd to say but theres definitely a subbtle element of horror and creepiness I found here too especially with some of the almost fever dream type scenes which worked extreamly well and broke up the film nicely. Lastly I would say if you are planning to see this be prepared to cry as its not only incredibly heartfelt it also constantly deals with very depressing subject matter too. So many times I found It depicted problems, situations, feelings and nostalgia to things that I have faced in my own life leading to me to tear up like it was speaking specifically to only me as I questioned my own life, feelings, relationships and decisions in my head. A splendid film that teaches us how life is to short to waste time on anger/hate and that we should instead spend and cherish the time we have here with the ones we love before its to late.
Kristy H (1252 KP) rated Plain Bad Heroines in Books
Dec 17, 2020
Plain Bad Heroines was one of my most anticipated reads of the year. I am a sucker for a lesbian tale. Add in a Gothic New England boarding school for girls? Sold.
The story centers around two time periods. The first, 1902, at the Brookhants School for Girls, run by Libbie Brookhants. A book by a young writer, Mary MacLane has come out--one that's incredibly scandalous for the times. Two Brookhants girls, Flo and Clara, are obsessed with it and establish The Plain Bad Heroine Society. The two are in love, meeting in secret--until they are attacked by yellow jackets at their hiding spot, a copy of the book found with them. A few years later the school closes, but not until after more scandal and death. Now, our second period, over a hundred years later, where Merritt Emmons, a young writer, publishes a book about Flo and Clara's story. It inspires a horror film starring Harper Harper, a famous lesbian actress. Harper will be playing Flo and B-list actress Audrey Wells, Clara. Filming on-site at the abandoned Brookhants site, the three women converge. But soon, weird things start happening, and the curse of Brookhants seems back to haunt the set--and our three modern-day heroines.
This book is absolutely enthralling at times. I flew through these 619 pages, that's for sure. My notes state "very lesbian," which is, of course, a major plus for me. Believe me, we don't get a lot of books starring ourselves. And you know, where we are killed off by swarms of yellow jackets. I honestly found both storylines compelling. It's hard not to fall a bit in love with Harper Harper, the charismatic celebrity (out!) lesbian. And 1902 isn't just about Clara and Flo, but Libbie Brookhants and her life trying to run a cursed school in the early 1900s. Honestly, the pages really flew by most of the time. Though, there are certainly moments where I felt some of the story could have been cut.
And yes, the narrative style is different, though it really adds to the uniqueness of the book. It's basically told by an omnipresent narrator, talking directly to the reader. There are footnotes, often humorous ones, and the end result is something you don't often find. For the most part, I felt like Danforth pulled it off, too. I do think Libbie was a little more fully developed than Merritt, Harper, and Audrey, but that also may have been because that trio could come across as a bit spoiled at times.
Probably my two biggest issues with this book (regretfully): for a Gothic horror novel, it's not really that scary. There are a few creepy and eerie moments, especially in the beginning, but it never really builds up to that terrifying moment that you're expecting. And, somewhat related, the ending. We read and stick with our various tales for the entire time and then... poof! Everything just fizzles out. I was so bummed. The ending was such a disappointment after all I'd read and kept this from being a full-fledged 4 or 4.5-star read. I couldn't believe it after what we'd been through. It was like even the author was tired.
So, overall, this is an original and fascinating read. I'm certainly still advising you to read it (especially if you're queer or enjoy reading queer fiction). Just be prepared that the ending may not have that big scary moment you're expecting. 3.5 stars.
The story centers around two time periods. The first, 1902, at the Brookhants School for Girls, run by Libbie Brookhants. A book by a young writer, Mary MacLane has come out--one that's incredibly scandalous for the times. Two Brookhants girls, Flo and Clara, are obsessed with it and establish The Plain Bad Heroine Society. The two are in love, meeting in secret--until they are attacked by yellow jackets at their hiding spot, a copy of the book found with them. A few years later the school closes, but not until after more scandal and death. Now, our second period, over a hundred years later, where Merritt Emmons, a young writer, publishes a book about Flo and Clara's story. It inspires a horror film starring Harper Harper, a famous lesbian actress. Harper will be playing Flo and B-list actress Audrey Wells, Clara. Filming on-site at the abandoned Brookhants site, the three women converge. But soon, weird things start happening, and the curse of Brookhants seems back to haunt the set--and our three modern-day heroines.
This book is absolutely enthralling at times. I flew through these 619 pages, that's for sure. My notes state "very lesbian," which is, of course, a major plus for me. Believe me, we don't get a lot of books starring ourselves. And you know, where we are killed off by swarms of yellow jackets. I honestly found both storylines compelling. It's hard not to fall a bit in love with Harper Harper, the charismatic celebrity (out!) lesbian. And 1902 isn't just about Clara and Flo, but Libbie Brookhants and her life trying to run a cursed school in the early 1900s. Honestly, the pages really flew by most of the time. Though, there are certainly moments where I felt some of the story could have been cut.
And yes, the narrative style is different, though it really adds to the uniqueness of the book. It's basically told by an omnipresent narrator, talking directly to the reader. There are footnotes, often humorous ones, and the end result is something you don't often find. For the most part, I felt like Danforth pulled it off, too. I do think Libbie was a little more fully developed than Merritt, Harper, and Audrey, but that also may have been because that trio could come across as a bit spoiled at times.
Probably my two biggest issues with this book (regretfully): for a Gothic horror novel, it's not really that scary. There are a few creepy and eerie moments, especially in the beginning, but it never really builds up to that terrifying moment that you're expecting. And, somewhat related, the ending. We read and stick with our various tales for the entire time and then... poof! Everything just fizzles out. I was so bummed. The ending was such a disappointment after all I'd read and kept this from being a full-fledged 4 or 4.5-star read. I couldn't believe it after what we'd been through. It was like even the author was tired.
So, overall, this is an original and fascinating read. I'm certainly still advising you to read it (especially if you're queer or enjoy reading queer fiction). Just be prepared that the ending may not have that big scary moment you're expecting. 3.5 stars.
Beckie Shelton (40 KP) rated Close To Me in Books
Feb 8, 2018
Reviewed By Beckie Bookworm
https://www.beckiebookworm.com
<a href="http://s1376.photobucket.com/user/rosella1974/media/BookReview_zpsdq9da8x6.jpg.html"; target="_blank"><img src="http://i1376.photobucket.com/albums/ah5/rosella1974/BookReview_zpsdq9da8x6.jpg~original"; border="0" alt=" photo BookReview_zpsdq9da8x6.jpg"/></a>
Really enjoyed Close To Me by Amanda Reynolds, wasn't sure what to expect this being a debut author but I certainly wasn't disappointed.
Close To Me tells the story of Jo Harding after she falls down stairs hitting her head and losing her memory of the past year.
On coming home things feel different and disjointed, Jo feels there is an undercurrent of deceit, secrets being kept from her by her husband and children and as she unravels the mysteries of the past year things escalate to a shocking conclusion.
So this was a great psychological read, it kept my interest and pulled me in, the writing was superb, and the storyline very easy to follow.
Close to me is told in two parts, real-time and snippets of the past year, though it has a slow build this is not a bad thing as you get to understand Jo's life and how she is the person she is.
The characters here felt real and human, some you could sympathise with others not so much.
If I had to pick my least favourite person in this, it would have to be the daughter I found her very self-centred and immature, but she's a product of her overindulged upbringing.
I myself have grown up children there is no way on this planet I would be paying for their accommodation.
what a right spoilt brat Sash is.
<a href="http://s1376.photobucket.com/user/rosella1974/media/056f5b7_zps2sesp0wq.jpg.html"; target="_blank"><img src="http://i1376.photobucket.com/albums/ah5/rosella1974/056f5b7_zps2sesp0wq.jpg~original"; border="0" alt=" photo 056f5b7_zps2sesp0wq.jpg"/></a>
Close to me delves into the dynamics of family and the resulting aftermath when things ultimately implode.
I did kind of guess where this was going but it didn't detract from my overall enjoyment reading this.
Would I recommend this? Hell Yeah!!!
It was an engaging read.
Thank you to NetGalley, publisher and the author for providing me with an arc of Close to me
This is my own honest unbiased opinion.
<a href="http://s1376.photobucket.com/user/rosella1974/media/Happy-Reading-1_zpsvky3whcs.png.html"; target="_blank"><img src="http://i1376.photobucket.com/albums/ah5/rosella1974/Happy-Reading-1_zpsvky3whcs.png~original"; border="0" alt=" photo Happy-Reading-1_zpsvky3whcs.png"/></a>
Reviewed By Beckie Bookworm
https://www.beckiebookworm.com/
https://www.facebook.com/beckiebookworm/
https://www.beckiebookworm.com
<a href="http://s1376.photobucket.com/user/rosella1974/media/BookReview_zpsdq9da8x6.jpg.html"; target="_blank"><img src="http://i1376.photobucket.com/albums/ah5/rosella1974/BookReview_zpsdq9da8x6.jpg~original"; border="0" alt=" photo BookReview_zpsdq9da8x6.jpg"/></a>
Really enjoyed Close To Me by Amanda Reynolds, wasn't sure what to expect this being a debut author but I certainly wasn't disappointed.
Close To Me tells the story of Jo Harding after she falls down stairs hitting her head and losing her memory of the past year.
On coming home things feel different and disjointed, Jo feels there is an undercurrent of deceit, secrets being kept from her by her husband and children and as she unravels the mysteries of the past year things escalate to a shocking conclusion.
So this was a great psychological read, it kept my interest and pulled me in, the writing was superb, and the storyline very easy to follow.
Close to me is told in two parts, real-time and snippets of the past year, though it has a slow build this is not a bad thing as you get to understand Jo's life and how she is the person she is.
The characters here felt real and human, some you could sympathise with others not so much.
If I had to pick my least favourite person in this, it would have to be the daughter I found her very self-centred and immature, but she's a product of her overindulged upbringing.
I myself have grown up children there is no way on this planet I would be paying for their accommodation.
what a right spoilt brat Sash is.
<a href="http://s1376.photobucket.com/user/rosella1974/media/056f5b7_zps2sesp0wq.jpg.html"; target="_blank"><img src="http://i1376.photobucket.com/albums/ah5/rosella1974/056f5b7_zps2sesp0wq.jpg~original"; border="0" alt=" photo 056f5b7_zps2sesp0wq.jpg"/></a>
Close to me delves into the dynamics of family and the resulting aftermath when things ultimately implode.
I did kind of guess where this was going but it didn't detract from my overall enjoyment reading this.
Would I recommend this? Hell Yeah!!!
It was an engaging read.
Thank you to NetGalley, publisher and the author for providing me with an arc of Close to me
This is my own honest unbiased opinion.
<a href="http://s1376.photobucket.com/user/rosella1974/media/Happy-Reading-1_zpsvky3whcs.png.html"; target="_blank"><img src="http://i1376.photobucket.com/albums/ah5/rosella1974/Happy-Reading-1_zpsvky3whcs.png~original"; border="0" alt=" photo Happy-Reading-1_zpsvky3whcs.png"/></a>
Reviewed By Beckie Bookworm
https://www.beckiebookworm.com/
https://www.facebook.com/beckiebookworm/
Purple Phoenix Games (2266 KP) rated Holi: Festival of Colors in Tabletop Games
Apr 16, 2022
I absolutely love a beautiful game. Being a gamer, I have seen and played many gorgeous games. However, the first time I set up Holi: Festival of Colors (just Holi from here), both my 5 year old son and my slightly older mother-in-law both commented on how awesome it looked setup on the table. It has been a while since I last was so impressed by the sheer glamour of a game – and I only have the base retail version! I HAVE to get my hands on an upgrade pack or something… Just checked. I’ll have to buy the Deluxe version. Okay, placing order.
Holi is an abstract, area control, card-driven action selection (akin to Onitama) game for two to four players. In it, players are attendees at the Holi Festival and the goal is spread their favorite color onto the plaza and other players in order to increase their joy (earn VP). The winner is the player who is best able to throw their color and score joy, all while enjoying the festival!
To setup, the game owner will assemble the three-tiered board and place the appropriate sweets tokens on their spaces. The score track and Rivalry cards are set nearby so all can see. Each player receives their color’s player markers (in four delightful animal shapes), color tokens, color cards, and a helper card. The first player receives the cool lotus flower (I think) marker and the game may begin!
Holi is played over a series of turns, and continues until every player has either run out of color tokens or color cards to play. Each turn, players will take one to three actions in any order, with only one action being absolutely mandatory. This is the Throw Color action. In order to Throw Color, the active player will choose a color card from their hand of three cards to play. On these cards are indications of where a player’s marker/piece/animeeple must be located and the spaces near it to throw color tokens on the board. These color cards are reminiscent of those found in Onitama, where players may only move to specific spaces based on card grid iconography. Players will be littering the squares of the play area with their color tokens as well as attempting to hit other players’ animeeples with their color.
Players may also optionally Move at any point during the turn. This is an easy one: players may Move to any space on the current level of the board they are on, except any space inhabited by an opponent’s animeeple. These spaces could already contain sweets tokens, which can be collected by the player, or even color tokens. When a player lands in a space with their own color token, they take it back to their supply to be used again. However, landing on an opponent’s color token causes the active player to also take it into their supply, thus scoring the opponent points at the end of the game.
Finally, a player, if in a space surrounded on four edges by color tokens, may Climb Up to the next higher level. Players on the middle level will score 2 joy (VP) at the end of the game for each color token placed, while tokens on the top level will score 3 joy. Care should be taken when throwing color on the upper levels, because should an empty space reside on the level below where the token has been placed, the token will fall through to the lower level! Therefore, only color tokens will only remain placed on higher levels when another token is blocking its fall below it.
Once all players have played their cards and thrown their color tokens, the game is over and the score is tallied. 1 point is earned for each color token on the bottom level, 2 points for the middle level, and 3 points for tokens on the upper level. Players score 2 more points for each of their color tokens that found their way into opponents’ supplies. Remember those sweets tokens that players were collecting? Players will score 5 points for every player that has less sweets tokens at the end of the game. If playing with the Rivalry cards, points are also scored for any of their special circumstances (ie color tokens scoring 4 instead of 3 on the top level, or hitting opponents with colors score 2 points immediately instead of the normal 1 point, or even 10 bonus points to the player with the most color tokens on the bottom level). The player with the most points at the end of this scoring phase wins the game!
Components. I kind of already made my point about this game being a flat out stunner on the table. I will sing its praises from here to India and then back again. I normally acknowledge the artist(s) on a game once I open it for the first time, but seeing that this is a total Vincent Dutrait masterpiece, I just had to see which other games of his I own. I have made my claims in the past for my favorite board game artists and I had not included Dutrait. No more. This is brilliant and just a wonderful experience throughout. The components are all great, and that multi-layered board? I mean, come on! The intricacies found throughout and within this box are immeasurable, and I will surely be adding the Deluxe version to my collection.
Holi is a game I can pull out with almost any person or group of people and feel confident that it will give an extremely satisfying experience. The rules are relatively simple, and games are very quick. This is not a filler, but runs so smoothly and briskly that one may miscategorize it as such. The options of movement are so unrestricted, and having the ability to craft spatial situations with the cards in your hand to allow only your animeeple to climb up to the next level is just delicious. Speaking of, the sweets tokens, and really ALL of the components, are just so cute and well-illustrated. I really am finding it difficult to point out any flaws in this game. Every time I have played it I have simply had the best time with my opponents. Yeah, there’s some minor take that, but it’s all in good fun, and if you know anything about the actual celebration of Holi, participants relish coming home just covered head to toe in paint, colored water, and other colorful materials. It’s a great theme that shines through, and I look forward to each of my coming plays.
Currently, eight games we have published reviews for have earned the Golden Feather Award. At the time of this writing, I know one other will be joining that list soon, and now Holi will as well. So that is 10 total games over the 495 we have published and are sitting in queue to be published. That said, it is no surprise, I’m sure, that Holi has earned its spot among the best we have played, and I am incredibly relieved that I was able to grab a copy when I did. This will remain a favorite of mine for many years, I know it. If you are like me and appreciate an amazing production value with a comparably wonderful game underneath, then you owe it to yourself to pick up a copy of Holi as soon as you can. Or come play my copy with me. I will always be up for a play.
Holi is an abstract, area control, card-driven action selection (akin to Onitama) game for two to four players. In it, players are attendees at the Holi Festival and the goal is spread their favorite color onto the plaza and other players in order to increase their joy (earn VP). The winner is the player who is best able to throw their color and score joy, all while enjoying the festival!
To setup, the game owner will assemble the three-tiered board and place the appropriate sweets tokens on their spaces. The score track and Rivalry cards are set nearby so all can see. Each player receives their color’s player markers (in four delightful animal shapes), color tokens, color cards, and a helper card. The first player receives the cool lotus flower (I think) marker and the game may begin!
Holi is played over a series of turns, and continues until every player has either run out of color tokens or color cards to play. Each turn, players will take one to three actions in any order, with only one action being absolutely mandatory. This is the Throw Color action. In order to Throw Color, the active player will choose a color card from their hand of three cards to play. On these cards are indications of where a player’s marker/piece/animeeple must be located and the spaces near it to throw color tokens on the board. These color cards are reminiscent of those found in Onitama, where players may only move to specific spaces based on card grid iconography. Players will be littering the squares of the play area with their color tokens as well as attempting to hit other players’ animeeples with their color.
Players may also optionally Move at any point during the turn. This is an easy one: players may Move to any space on the current level of the board they are on, except any space inhabited by an opponent’s animeeple. These spaces could already contain sweets tokens, which can be collected by the player, or even color tokens. When a player lands in a space with their own color token, they take it back to their supply to be used again. However, landing on an opponent’s color token causes the active player to also take it into their supply, thus scoring the opponent points at the end of the game.
Finally, a player, if in a space surrounded on four edges by color tokens, may Climb Up to the next higher level. Players on the middle level will score 2 joy (VP) at the end of the game for each color token placed, while tokens on the top level will score 3 joy. Care should be taken when throwing color on the upper levels, because should an empty space reside on the level below where the token has been placed, the token will fall through to the lower level! Therefore, only color tokens will only remain placed on higher levels when another token is blocking its fall below it.
Once all players have played their cards and thrown their color tokens, the game is over and the score is tallied. 1 point is earned for each color token on the bottom level, 2 points for the middle level, and 3 points for tokens on the upper level. Players score 2 more points for each of their color tokens that found their way into opponents’ supplies. Remember those sweets tokens that players were collecting? Players will score 5 points for every player that has less sweets tokens at the end of the game. If playing with the Rivalry cards, points are also scored for any of their special circumstances (ie color tokens scoring 4 instead of 3 on the top level, or hitting opponents with colors score 2 points immediately instead of the normal 1 point, or even 10 bonus points to the player with the most color tokens on the bottom level). The player with the most points at the end of this scoring phase wins the game!
Components. I kind of already made my point about this game being a flat out stunner on the table. I will sing its praises from here to India and then back again. I normally acknowledge the artist(s) on a game once I open it for the first time, but seeing that this is a total Vincent Dutrait masterpiece, I just had to see which other games of his I own. I have made my claims in the past for my favorite board game artists and I had not included Dutrait. No more. This is brilliant and just a wonderful experience throughout. The components are all great, and that multi-layered board? I mean, come on! The intricacies found throughout and within this box are immeasurable, and I will surely be adding the Deluxe version to my collection.
Holi is a game I can pull out with almost any person or group of people and feel confident that it will give an extremely satisfying experience. The rules are relatively simple, and games are very quick. This is not a filler, but runs so smoothly and briskly that one may miscategorize it as such. The options of movement are so unrestricted, and having the ability to craft spatial situations with the cards in your hand to allow only your animeeple to climb up to the next level is just delicious. Speaking of, the sweets tokens, and really ALL of the components, are just so cute and well-illustrated. I really am finding it difficult to point out any flaws in this game. Every time I have played it I have simply had the best time with my opponents. Yeah, there’s some minor take that, but it’s all in good fun, and if you know anything about the actual celebration of Holi, participants relish coming home just covered head to toe in paint, colored water, and other colorful materials. It’s a great theme that shines through, and I look forward to each of my coming plays.
Currently, eight games we have published reviews for have earned the Golden Feather Award. At the time of this writing, I know one other will be joining that list soon, and now Holi will as well. So that is 10 total games over the 495 we have published and are sitting in queue to be published. That said, it is no surprise, I’m sure, that Holi has earned its spot among the best we have played, and I am incredibly relieved that I was able to grab a copy when I did. This will remain a favorite of mine for many years, I know it. If you are like me and appreciate an amazing production value with a comparably wonderful game underneath, then you owe it to yourself to pick up a copy of Holi as soon as you can. Or come play my copy with me. I will always be up for a play.
Amy Louise Davison (118 KP) rated The Umbrella Academy in TV
Mar 4, 2019 (Updated Mar 4, 2019)
Contains spoilers, click to show
I loved the first season of this show. Especially the characters of Klaus and Five. Five is meant to be 58 (due to getting trapped in the future for 45years) and when coming back from the future returns to his 13 year old body. His siblings are all 30 years old so technically he is 28 years older. The actor who plays Five is only 15 in real life but is absolutely brilliant in his role. It must have been daunting for him to act among much older actors and have to act so much older than his actual age but he did it remarkably. He is so believable and witty.
Klaus is eccentric and loveable, tormented and sad. I was willing him on in the season to be okay and stay sober. The actor portraying Klaus (Robert Sheehan) is Irish in real life - his American accent in this show is flawless. Remarkable.
Varnya, although she may be the centre of the show in some ways is in my opinion very unlikeable. I do not know if that was on purpose or not but I found her boring and whiny and a little annoying!
Allison, Diego, Luther and Ben are all good characters, rounded and likeable.
The show does not spoon feed you information either. Pogo is never explained... Why is he an intelligent, talking monkey? It is assumed Hargreeves made him like this but it is never touched upon.
It is never explained why Five kept his name and the others did not but it suits his character. Delores is never thrown in Five's face by any of his siblings which is unusual but brilliant. The Umbrella Academy doesn't take the route you usually suspect most of the time.
I recommend this season to everyone, young and old. There is humour, drama, sadness, violence, mystery, sci-fi themes, super powers, magic briefcases and a hell of a lot of doughnuts.
Klaus is eccentric and loveable, tormented and sad. I was willing him on in the season to be okay and stay sober. The actor portraying Klaus (Robert Sheehan) is Irish in real life - his American accent in this show is flawless. Remarkable.
Varnya, although she may be the centre of the show in some ways is in my opinion very unlikeable. I do not know if that was on purpose or not but I found her boring and whiny and a little annoying!
Allison, Diego, Luther and Ben are all good characters, rounded and likeable.
The show does not spoon feed you information either. Pogo is never explained... Why is he an intelligent, talking monkey? It is assumed Hargreeves made him like this but it is never touched upon.
It is never explained why Five kept his name and the others did not but it suits his character. Delores is never thrown in Five's face by any of his siblings which is unusual but brilliant. The Umbrella Academy doesn't take the route you usually suspect most of the time.
I recommend this season to everyone, young and old. There is humour, drama, sadness, violence, mystery, sci-fi themes, super powers, magic briefcases and a hell of a lot of doughnuts.
Hazel (2934 KP) rated Silent Night in Books
Nov 8, 2020
This is the second book featuring the British Sign Language interpreter, Paige Northwood, and the second I have read and although you don't particularly have to have read the first (The Silent House), it does help.
Here we have a complex story of the murder of a teacher and the disappearance of one of his pupils; the police employ Paige as the interpreter but she soon becomes embroiled in the investigation whilst she is also having to deal with a lot of angst in her own life and herein lies the problem for me. The story already covers a lot of themes; the deaf community, bullying, coercion, domestic abuse, relationships and that's before we get to the murder and the missing child! On top of all this, there is a lot of time taken up about Paige and, I felt, it was just too much and I found it became more and more tedious, repetitive and annoying so by the end, it had an impact on my enjoyment of the book. I am sure however that there are many out there who will find this focus on the main character and her story appealing as opposed to the crime itself but it just spoiled it a bit for me I'm afraid.
Putting that aside, the twists and red herrings were excellent and I was constantly trying to guess who-done-it. The characters were well developed and interesting. The pace was a little slow to begin with but picked up in the second half/final third. The look into the frustrations experienced by the police when witnesses/suspects don't cooperate and withhold vital information was infuriating and probably pretty accurate!
Overall, a pretty solid book but just a bit too much focus on the main character for me.
Thank you to Avon Books UK via NetGalley for providing me with an advance copy in return for an unbiased review.
Here we have a complex story of the murder of a teacher and the disappearance of one of his pupils; the police employ Paige as the interpreter but she soon becomes embroiled in the investigation whilst she is also having to deal with a lot of angst in her own life and herein lies the problem for me. The story already covers a lot of themes; the deaf community, bullying, coercion, domestic abuse, relationships and that's before we get to the murder and the missing child! On top of all this, there is a lot of time taken up about Paige and, I felt, it was just too much and I found it became more and more tedious, repetitive and annoying so by the end, it had an impact on my enjoyment of the book. I am sure however that there are many out there who will find this focus on the main character and her story appealing as opposed to the crime itself but it just spoiled it a bit for me I'm afraid.
Putting that aside, the twists and red herrings were excellent and I was constantly trying to guess who-done-it. The characters were well developed and interesting. The pace was a little slow to begin with but picked up in the second half/final third. The look into the frustrations experienced by the police when witnesses/suspects don't cooperate and withhold vital information was infuriating and probably pretty accurate!
Overall, a pretty solid book but just a bit too much focus on the main character for me.
Thank you to Avon Books UK via NetGalley for providing me with an advance copy in return for an unbiased review.
LeftSideCut (3776 KP) rated Friday the 13th Part III (1982) in Movies
Aug 4, 2020
Disclaimer: I still like this film, in the same way I like the whole franchise for better or worse, but man, Part III is a struggle to get through at times.
The main issue is the pacing and dialogue. I always found Part 2 Jason to be pretty intimidating, almost like a feral animal, but this time around, he's sneaking about Higgin's Haven, causing all kinds of hijinks and skulking in the distance. Leave that shit to Michael Myers and give me the Jason that's an unstoppable bull in a china shop!
This approach to Jason means that there is a ludicrous number of fake out scares in the first half of the film. It becomes trying pretty quickly.
The script is absolutely piss poor, no two ways about it - although I do appreciate the more frequent attempts at humour than what came before. Some of the characters are memorable in their own way - Shelley and Fox to name a couple, but none of the characters are developed much - watching the special features, it was made clear that the use of 3D and the increased technical issues that came with it took up most of the attention whilst filming - a classic case of actors doing the best with what they were given, which wasn't much in this instance!
Although all of this ensures that the end product doesn't begin to touch the first two in terms of quality, there are still some positives of course. This was the entry that gave Jason his iconic hockey mask for starters, and the make up work done on actor Richard Brooker is impressive even today. The practical work put into the films many death scenes is easy to appreciate, and the overall look of the film is pure 80s slasher, which is never a bad thing.
It's not the best film in the series, and certainly not the worst, and if you like slashers as much as I do, then there's definitely something for you here, even if the end result feels a bit aimless.
The main issue is the pacing and dialogue. I always found Part 2 Jason to be pretty intimidating, almost like a feral animal, but this time around, he's sneaking about Higgin's Haven, causing all kinds of hijinks and skulking in the distance. Leave that shit to Michael Myers and give me the Jason that's an unstoppable bull in a china shop!
This approach to Jason means that there is a ludicrous number of fake out scares in the first half of the film. It becomes trying pretty quickly.
The script is absolutely piss poor, no two ways about it - although I do appreciate the more frequent attempts at humour than what came before. Some of the characters are memorable in their own way - Shelley and Fox to name a couple, but none of the characters are developed much - watching the special features, it was made clear that the use of 3D and the increased technical issues that came with it took up most of the attention whilst filming - a classic case of actors doing the best with what they were given, which wasn't much in this instance!
Although all of this ensures that the end product doesn't begin to touch the first two in terms of quality, there are still some positives of course. This was the entry that gave Jason his iconic hockey mask for starters, and the make up work done on actor Richard Brooker is impressive even today. The practical work put into the films many death scenes is easy to appreciate, and the overall look of the film is pure 80s slasher, which is never a bad thing.
It's not the best film in the series, and certainly not the worst, and if you like slashers as much as I do, then there's definitely something for you here, even if the end result feels a bit aimless.
Kristy H (1252 KP) rated The Girl in the Spider's Web: Continuing Stieg Larsson's Millennium Series in Books
Feb 13, 2018
This book picks up, time-wise, after the last of Stieg Larsson's Millennium books ended. Mikael Blomkvist is struggling - his career is being debated in the press and his beloved Millennium magazine is floundering. He receives a tip from a source about a story. Mikael reluctantly follows up, but becomes more intrigued when it sounds like the story might involve Lisbeth Salander. Mikael immediately gets sucked into a plot of intrigue with implications far beyond his greatest expectations.
I was hesitant to read this novel, knowing the fights between Larsson's girlfriend and his family over his material. Eventually, I chose to read it, as I think of Blomkvist and Salander as dear friends and it was difficult to pass up the chance to continue to read further about their lives. I think Lagercrantz does a good job picking up with the material. No one can fill Larsson's shoes, in any way, but he does an excellent job of staying true to the characters and creating a highly suspenseful and interesting tale.
It's apparent you're not reading a Larsson novel at times - the plot is almost too quickly paced, versus Larsson's meandering writing. Lagercrantz goes into a lot of backstory, which is very interesting, but did leave me wondering how much was "true" (hard to leave behind the whole author dispute at times). But mostly, the plot was so well paced and well-written and Blomkvist seemed so like himself, that I just found myself immersed in the story. The story flips between Sweden and the USA -- bringing in an element of the NSA -- and it's exciting and fun. Lagercrantz does a strong job of bringing the series into the present day with this plotline. He also writes about an autistic child, August, so clearly, that you just find yourself rooting for the kid.
Blomkvist, as I mentioned, seems much his usual self. I love him so, so it was a little easier to overlook the lack of Lisbeth in this novel, but I do have to point it out - there's definitely not as much Lisbeth as one might want. She's around, of course, and amazing and strong (of course!), but you'll find yourself wishing for more Lisbeth scenes.
Finally, the end left me wishing for more in the series, so I figure that's a sign Lagercrantz did his job well, despite all the tumult associated with the book. I appreciate the care he took with Lisbeth and Blomkvist, and I was glad to spend some time with them again. I have to admit - I hope they'll be back. In the meantime, it was fun to catch up with them again.
I was hesitant to read this novel, knowing the fights between Larsson's girlfriend and his family over his material. Eventually, I chose to read it, as I think of Blomkvist and Salander as dear friends and it was difficult to pass up the chance to continue to read further about their lives. I think Lagercrantz does a good job picking up with the material. No one can fill Larsson's shoes, in any way, but he does an excellent job of staying true to the characters and creating a highly suspenseful and interesting tale.
It's apparent you're not reading a Larsson novel at times - the plot is almost too quickly paced, versus Larsson's meandering writing. Lagercrantz goes into a lot of backstory, which is very interesting, but did leave me wondering how much was "true" (hard to leave behind the whole author dispute at times). But mostly, the plot was so well paced and well-written and Blomkvist seemed so like himself, that I just found myself immersed in the story. The story flips between Sweden and the USA -- bringing in an element of the NSA -- and it's exciting and fun. Lagercrantz does a strong job of bringing the series into the present day with this plotline. He also writes about an autistic child, August, so clearly, that you just find yourself rooting for the kid.
Blomkvist, as I mentioned, seems much his usual self. I love him so, so it was a little easier to overlook the lack of Lisbeth in this novel, but I do have to point it out - there's definitely not as much Lisbeth as one might want. She's around, of course, and amazing and strong (of course!), but you'll find yourself wishing for more Lisbeth scenes.
Finally, the end left me wishing for more in the series, so I figure that's a sign Lagercrantz did his job well, despite all the tumult associated with the book. I appreciate the care he took with Lisbeth and Blomkvist, and I was glad to spend some time with them again. I have to admit - I hope they'll be back. In the meantime, it was fun to catch up with them again.
Acanthea Grimscythe (300 KP) rated LOW in Books
Jan 31, 2019
I received a copy of LOW by Mike Duke in the mail a few months back and I’ve finally finished reading it–my health has gotten in the way not just once, but twice. For the most part, I enjoyed reading the book, but I do have a single bone to pick with it. You’ll see that towards the end of my review.
The two main characters are Mark Adams and Chad Bigleby. While Adams is a bit flat, Chad Bigleby is dynamic. Officer Adams is a good guy, through and through and does what’s right. Chad, on the other hand, is a man with no moral conscience. He’s a cheater, an abuser, and all around, a piece of shit. Mr. Phailees and Phobos are real pieces of work, showing that Duke’s definitely got the ability to create some pretty crazy characters.
Plotwise, the book is steady. There’s always something going on, even in the lulls between major events. That said, you might wonder why it took me so long to read the book if I found it interesting, and in that regard, I admit that I’ve been in a bit of a slump when it comes to reading. On top of that, I’ve had some severe concentration issues as of late.
I loved the way Duke writes his monsters. Some of them have a Lovecraftian feel to them, which I really like. Others are horrifying in other ways, such as Charon and Mortis which are demon-like and massive in their appearance.
Earlier I said I have a bone to pick, and here it is: the women in this book are unbelievably unrealistic. It’s because of this that I cannot give LOW a five-star rating. None of them are strong or independent, and for the most part, they seem like puppets controlled by their men. I would have liked to see Samantha stand up to Chad, or Amy grow a backbone despite her mistakes. It’s actually quite appalling how meek and sexualized the female characters are in this book. Granted, one of the points of view is from a misogynistic asshole of a man.
LOW is a good book and definitely falls into the horror category. In its pages, Mike Duke’s command of language is strong and his words come together beautifully to create a horrifying scene. It makes the reader question their own morality and wonder whether or not their sins would be so grievous as to be judged by Mr. Phailees. I know one thing for sure: I wouldn’t want to be at the wrong end of his bite.
I’d like to thank the author for providing me with a copy of this book for free in exchange for an honest review.
The two main characters are Mark Adams and Chad Bigleby. While Adams is a bit flat, Chad Bigleby is dynamic. Officer Adams is a good guy, through and through and does what’s right. Chad, on the other hand, is a man with no moral conscience. He’s a cheater, an abuser, and all around, a piece of shit. Mr. Phailees and Phobos are real pieces of work, showing that Duke’s definitely got the ability to create some pretty crazy characters.
Plotwise, the book is steady. There’s always something going on, even in the lulls between major events. That said, you might wonder why it took me so long to read the book if I found it interesting, and in that regard, I admit that I’ve been in a bit of a slump when it comes to reading. On top of that, I’ve had some severe concentration issues as of late.
I loved the way Duke writes his monsters. Some of them have a Lovecraftian feel to them, which I really like. Others are horrifying in other ways, such as Charon and Mortis which are demon-like and massive in their appearance.
Earlier I said I have a bone to pick, and here it is: the women in this book are unbelievably unrealistic. It’s because of this that I cannot give LOW a five-star rating. None of them are strong or independent, and for the most part, they seem like puppets controlled by their men. I would have liked to see Samantha stand up to Chad, or Amy grow a backbone despite her mistakes. It’s actually quite appalling how meek and sexualized the female characters are in this book. Granted, one of the points of view is from a misogynistic asshole of a man.
LOW is a good book and definitely falls into the horror category. In its pages, Mike Duke’s command of language is strong and his words come together beautifully to create a horrifying scene. It makes the reader question their own morality and wonder whether or not their sins would be so grievous as to be judged by Mr. Phailees. I know one thing for sure: I wouldn’t want to be at the wrong end of his bite.
I’d like to thank the author for providing me with a copy of this book for free in exchange for an honest review.
LeftSideCut (3776 KP) rated X-Men: Dark Phoenix (2019) in Movies
Dec 2, 2019 (Updated Jan 13, 2020)
With the (eventually true) whispers about the Disney-Fox merger doing the rounds around Dark Phoenix's release, it arrived to little fanfare. Most people had already written off as a pointless film, and it was a prime target for negativity. So much so, that it was actually the first and only X-Men film I ended up missing in the cinema.
I recently watched it on home release, really not expecting much. After the swing-and-a-miss of Apocalypse, I wasn't feeling too invested in the characters.
So imagine my surprise when I remained glued to the screen for most of the runtime.
Dark Phoenix isn't perfect by any means, and far from the lofty heights of the top tier X-Men movies, buts it no where near as awful as I had heard.
I thought the story was actually ok. I was glad that it partially took place in space, like the original comic, and unlike The Last Stand.
Michael Fassbender and James McAvoy are fantastic as they usually are, as is Nicholas Hoult. I also thing Jennifer Lawrence I makes a good Mystique, even though I'm still not a massive fan of this franchises portrayal of her character.
Ty Sheridan and Sophie Turner are given more to do this time around, and are both fine. It's a shame that Evan Peters' Quicksilver is sidelined for this particular adventure.
There are some genuinely powerful emotional beats throughout the film, and it's clear as day that all the actors involved care about their characters, and are having fun.
My main criticism is predictably the villains. The D'bari are a fairly uninspired choice for such a big storyline, and they look like generic CGI aliens. I found Jessica Chastain quite wooden and uninteresting, and they made for a very underwhelming force if evil.
The main focus of Dark Phoenix is of course in Jean Grey's turn to the dark side, so vanilla bad guys shouldn't really be that important anyway.
Dark Phoenix does a slightly better job than The Last Stand of adapting this beloved storyline, but so can't help but feel that it would benefit from multiple movies, instead of cramming into one feature, a I really hope that's something that happens going into the MCU with these characters.
We still have New Mutants to go (if it ever actually comes out) but as a last main entry into the FOX X-Men franchise, you could do a lot worse. It's not the best, it's not the worst. Dark Phoenix sits somewhere quite comfortably in the middle.
Dare I say, I think it might actually be better than the first film...
I recently watched it on home release, really not expecting much. After the swing-and-a-miss of Apocalypse, I wasn't feeling too invested in the characters.
So imagine my surprise when I remained glued to the screen for most of the runtime.
Dark Phoenix isn't perfect by any means, and far from the lofty heights of the top tier X-Men movies, buts it no where near as awful as I had heard.
I thought the story was actually ok. I was glad that it partially took place in space, like the original comic, and unlike The Last Stand.
Michael Fassbender and James McAvoy are fantastic as they usually are, as is Nicholas Hoult. I also thing Jennifer Lawrence I makes a good Mystique, even though I'm still not a massive fan of this franchises portrayal of her character.
Ty Sheridan and Sophie Turner are given more to do this time around, and are both fine. It's a shame that Evan Peters' Quicksilver is sidelined for this particular adventure.
There are some genuinely powerful emotional beats throughout the film, and it's clear as day that all the actors involved care about their characters, and are having fun.
My main criticism is predictably the villains. The D'bari are a fairly uninspired choice for such a big storyline, and they look like generic CGI aliens. I found Jessica Chastain quite wooden and uninteresting, and they made for a very underwhelming force if evil.
The main focus of Dark Phoenix is of course in Jean Grey's turn to the dark side, so vanilla bad guys shouldn't really be that important anyway.
Dark Phoenix does a slightly better job than The Last Stand of adapting this beloved storyline, but so can't help but feel that it would benefit from multiple movies, instead of cramming into one feature, a I really hope that's something that happens going into the MCU with these characters.
We still have New Mutants to go (if it ever actually comes out) but as a last main entry into the FOX X-Men franchise, you could do a lot worse. It's not the best, it's not the worst. Dark Phoenix sits somewhere quite comfortably in the middle.
Dare I say, I think it might actually be better than the first film...