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Kyera (8 KP) rated Of Fire and Stars (Of Fire and Stars #1) in Books
Feb 1, 2018
Of Fire and Stars is a tale of magic, romance, and treachery. The story is told through alternating points of view, Mare is the princess of Mynaria and sister to Thandi the future King while Denna is a princess of Havemont and future wife of Thandi. Although Mare is royalty, she does not enjoy her crown choosing to spend her time in the stables and wishing she could live her own life. Denna has been trained and taught her entire life to be worthy of the arranged marriage that is her future. That is what is expected of her and all she knows.
Forced to adjust to a life at court, Denna finds herself in riding lessons with Mare in preparation for her wedding. Having never ridden a horse before she is concerned but puts her all into learning, which impresses the recalcitrant Mare. Their interactions and friendship grow over the course of the novel in a believable way, from the initial opinions of dislike to a true, bonded friendship. Although Denna is betrothed, her feelings only grow for Mare until her every thought is of the princess rather than the prince. Mare dismays each time she thinks about her brother marrying Denna, as he doesn't realize her best qualities. Each fears that her feelings are not reciprocated and keep everything bottled up. Whether their tale has a happy ending or not, you won't know unless you read the book. I really enjoyed the relationships and interactions in this book, particularly a romance that is more diverse than we normally get to see.
The world-building could have been better in this novel, but it is not non-existent. There are a variety of different lands and people mentioned, unfortunately, we only receive the barest of information. Even though one of our main characters is from another land, we learn about little more than their harsh winters. The magic system and other lands like Zumorda were so fascinating, but not explored. While some of this can be explained by the fact that our characters also seem to be ill-informed about their neighbors, we don't receive much more information about Mynaria and that's where this book takes place.
I found the main characters to be relatable but didn't connect deeply with some of the secondary ones. That was disappointing because it meant when there was an emotional scene or death, as a reader you weren't torn apart by it. To be honest, I didn't have opinions or feelings about it at all and I wish that were not the case. I love when books sweep you up, heart and soul, making you a part of the story and tearing out your emotions with every line.
Magic is feared and punished in Mynaria, so we sadly don't get to experience much of it. When we see experienced practitioners perform, it is fascinating and varied. Someone with an air affinity might be able to create a breeze but they also may be able to transform into a bird. I wish this magic system was more developed and/or explained more because I just want to know more.
Overall, I enjoyed this book and would recommend it to young adult/teen readers who enjoy magic, fantasy, romance, or more diverse books.
Forced to adjust to a life at court, Denna finds herself in riding lessons with Mare in preparation for her wedding. Having never ridden a horse before she is concerned but puts her all into learning, which impresses the recalcitrant Mare. Their interactions and friendship grow over the course of the novel in a believable way, from the initial opinions of dislike to a true, bonded friendship. Although Denna is betrothed, her feelings only grow for Mare until her every thought is of the princess rather than the prince. Mare dismays each time she thinks about her brother marrying Denna, as he doesn't realize her best qualities. Each fears that her feelings are not reciprocated and keep everything bottled up. Whether their tale has a happy ending or not, you won't know unless you read the book. I really enjoyed the relationships and interactions in this book, particularly a romance that is more diverse than we normally get to see.
The world-building could have been better in this novel, but it is not non-existent. There are a variety of different lands and people mentioned, unfortunately, we only receive the barest of information. Even though one of our main characters is from another land, we learn about little more than their harsh winters. The magic system and other lands like Zumorda were so fascinating, but not explored. While some of this can be explained by the fact that our characters also seem to be ill-informed about their neighbors, we don't receive much more information about Mynaria and that's where this book takes place.
I found the main characters to be relatable but didn't connect deeply with some of the secondary ones. That was disappointing because it meant when there was an emotional scene or death, as a reader you weren't torn apart by it. To be honest, I didn't have opinions or feelings about it at all and I wish that were not the case. I love when books sweep you up, heart and soul, making you a part of the story and tearing out your emotions with every line.
Magic is feared and punished in Mynaria, so we sadly don't get to experience much of it. When we see experienced practitioners perform, it is fascinating and varied. Someone with an air affinity might be able to create a breeze but they also may be able to transform into a bird. I wish this magic system was more developed and/or explained more because I just want to know more.
Overall, I enjoyed this book and would recommend it to young adult/teen readers who enjoy magic, fantasy, romance, or more diverse books.
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Sue (5 KP) rated Lethal Licorice (Amish Candy Shop Mystery, #2) in Books
Apr 23, 2018
Lethal Licorice is the 2nd book in the delightful new Amish Candy Shop Murder series by author Amanda Flower.
What is Bailey King, an “Englisch” chocolatier from Manhattan, doing as a competitor in the Amish Confectionery Competition in tiny Harvest, Ohio? Filling in for her recently deceased grandfather (co-owner of Swissmen Sweets), Bailey finds herself competing against not so friendly or accepting Amish candy makers. When vocal candy maker Josephine Weaver of Berlin puts up a fuss and then is later found dead from a severe allergy to anise (the major ingredient in licorice), Bailey becomes the number one suspect. Following along as Bailey tries to compete and do her grandparents proud while sticking her nose into finding the real murder culprit.
This book is a must read! It has a little bit of mystery, a little bit of romance, and a great cast of characters. If you enjoy cozy mysteries that will keep you guessing until the end, then Lethal Licorice needs to be added to your book list.
I voluntarily read an ARC of this book provided by the publisher and NetGalley.
What is Bailey King, an “Englisch” chocolatier from Manhattan, doing as a competitor in the Amish Confectionery Competition in tiny Harvest, Ohio? Filling in for her recently deceased grandfather (co-owner of Swissmen Sweets), Bailey finds herself competing against not so friendly or accepting Amish candy makers. When vocal candy maker Josephine Weaver of Berlin puts up a fuss and then is later found dead from a severe allergy to anise (the major ingredient in licorice), Bailey becomes the number one suspect. Following along as Bailey tries to compete and do her grandparents proud while sticking her nose into finding the real murder culprit.
This book is a must read! It has a little bit of mystery, a little bit of romance, and a great cast of characters. If you enjoy cozy mysteries that will keep you guessing until the end, then Lethal Licorice needs to be added to your book list.
I voluntarily read an ARC of this book provided by the publisher and NetGalley.
Sue (5 KP) rated Lethal Licorice (Amish Candy Shop Mystery, #2) in Books
Aug 13, 2018
Lethal Licorice is the 2nd book in the delightful new Amish Candy Shop Murder series by author Amanda Flower.
What is Bailey King, an “Englisch” chocolatier from Manhattan, doing as a competitor in the Amish Confectionery Competition in tiny Harvest, Ohio? Filling in for her recently deceased grandfather (co-owner of Swissmen Sweets), Bailey finds herself competing against not so friendly or accepting Amish candy makers. When vocal candy maker Josephine Weaver of Berlin puts up a fuss and then is later found dead from a severe allergy to anise (the major ingredient in licorice), Bailey becomes the number one suspect. Following along as Bailey tries to compete and do her grandparents proud while sticking her nose into finding the real murder culprit.
This book is a must read! It has a little bit of mystery, a little bit of romance, and a great cast of characters. If you enjoy cozy mysteries that will keep you guessing until the end, then Lethal Licorice needs to be added to your book list.
I voluntarily read an ARC of this book provided by the publisher and NetGalley.
What is Bailey King, an “Englisch” chocolatier from Manhattan, doing as a competitor in the Amish Confectionery Competition in tiny Harvest, Ohio? Filling in for her recently deceased grandfather (co-owner of Swissmen Sweets), Bailey finds herself competing against not so friendly or accepting Amish candy makers. When vocal candy maker Josephine Weaver of Berlin puts up a fuss and then is later found dead from a severe allergy to anise (the major ingredient in licorice), Bailey becomes the number one suspect. Following along as Bailey tries to compete and do her grandparents proud while sticking her nose into finding the real murder culprit.
This book is a must read! It has a little bit of mystery, a little bit of romance, and a great cast of characters. If you enjoy cozy mysteries that will keep you guessing until the end, then Lethal Licorice needs to be added to your book list.
I voluntarily read an ARC of this book provided by the publisher and NetGalley.
Awix (3310 KP) rated Waves (2019) in Movies
Jan 22, 2020
Powerful, visually dazzling contemporary drama. The lives of an African-American family in Florida begin to unravel when their son, perhaps pushed too hard by a driven father, develops a painkiller addiction and discovers his girlfriend is pregnant. Very much in the same kind of vein as Moonlight, but I found this to be much more powerful in addition to being incredibly creative visually - the screen is filled with a bravura mixture of colour and movement.
For the first hour and half or so, this is like watching a car crash in slow motion: it's almost unbearable to watch the main character go off the rails, but you can't look away either. It concludes with the kind of incident you hear about as a brief item on the news, but here the film puts flesh on those bones and the scale of the tragedy is made clear. The third act is a definite change of pace: no less artfully made or moving, but less focused, and the outcome of the film remains in doubt until the very end. I'm hugely surprised this hasn't featured on the Academy Awards shortlist: a tremendous film in so many ways.
For the first hour and half or so, this is like watching a car crash in slow motion: it's almost unbearable to watch the main character go off the rails, but you can't look away either. It concludes with the kind of incident you hear about as a brief item on the news, but here the film puts flesh on those bones and the scale of the tragedy is made clear. The third act is a definite change of pace: no less artfully made or moving, but less focused, and the outcome of the film remains in doubt until the very end. I'm hugely surprised this hasn't featured on the Academy Awards shortlist: a tremendous film in so many ways.
Lyndsey Gollogly (2893 KP) rated Horror in the Woods in Books
Feb 22, 2021
28 of 250
Kindle
Horror in the Woods
By Lee Mountford
Once read a review will be written via Smashbomb and link posted in comments
First they found a desecrated body…
… then hell followed.
Four friends spend a weekend hiking in the woods, getting back to nature, never imagining they would end up being hunted.
But they soon stumble into the territory of the sick and twisted Webb family—psychopaths with a taste for human meat. And these monsters are hungry.
Will the group make it out of the woods alive? To do so, they will have to face these cannibals head-on, and unravel the secret behind the twisted family’s very existence.
You will love this brutal, gory, and violent horror story, because it raises the tension on every page and will leave you exhausted and drained.
Honestly it was well written,a strong story and decent characters. Also it was very middle of the road when it comes to these types of stories. I knew Tim was one of the from the Start it was made quite obvious. Overall a good and gory if not predictable.
Kindle
Horror in the Woods
By Lee Mountford
Once read a review will be written via Smashbomb and link posted in comments
First they found a desecrated body…
… then hell followed.
Four friends spend a weekend hiking in the woods, getting back to nature, never imagining they would end up being hunted.
But they soon stumble into the territory of the sick and twisted Webb family—psychopaths with a taste for human meat. And these monsters are hungry.
Will the group make it out of the woods alive? To do so, they will have to face these cannibals head-on, and unravel the secret behind the twisted family’s very existence.
You will love this brutal, gory, and violent horror story, because it raises the tension on every page and will leave you exhausted and drained.
Honestly it was well written,a strong story and decent characters. Also it was very middle of the road when it comes to these types of stories. I knew Tim was one of the from the Start it was made quite obvious. Overall a good and gory if not predictable.
Jesters_folly (230 KP) rated Chernobyl Diaries (2012) in Movies
Nov 23, 2020
Contains spoilers, click to show
There have been a few things set in Pripyat, the abandoned town where the workers of the Chernobyl power plant used to live and almost all of them rely on dogs as a big/main threat. After a slow start 'The Chernobyl Diaries' looked like it was going to follow this pattern, however, the dogs soon give away to a bigger but mostly unseen threat.
I found that the film was predictable in parts both in the action and in some of the scenery used, you know that something was going to happen to the van, you can work out who is going to go missing and anyone who knows anything about Pripyat knows there will be at least one scene with the ferris wheel. However there are still plenty of good jump scares and the fact that we never get a clear view of the killers (although one did remind me of the 'Toxic Avenger')
All in all the 'Chernobyl Diaries' is a slightly above average slasher in the vain of 'The Hills Have Eyes' and 'Wrong Turn' with some creepy moments, not to much gore and a plausible set up.
I found that the film was predictable in parts both in the action and in some of the scenery used, you know that something was going to happen to the van, you can work out who is going to go missing and anyone who knows anything about Pripyat knows there will be at least one scene with the ferris wheel. However there are still plenty of good jump scares and the fact that we never get a clear view of the killers (although one did remind me of the 'Toxic Avenger')
All in all the 'Chernobyl Diaries' is a slightly above average slasher in the vain of 'The Hills Have Eyes' and 'Wrong Turn' with some creepy moments, not to much gore and a plausible set up.
Mark @ Carstairs Considers (2436 KP) rated Murder at the Mushroom Festival in Books
Oct 8, 2022
Murder is Mushrooming
The community of Redwood Cove is getting ready for the annual mushroom festival. It includes a mushroom hunting contest that is bring out the worst in some of the residence. Kelly Jackson witnesses several fights, including between the people attending a mushroom class she is hosting at her bed and breakfast. However, she is still surprised when a dead body is found. As she and the Silver Sentinels, a group that works to solve problems in the community, start to investigate, they find motives beyond the mushroom festival. Can they figure out what is happening?
It was nice to get to reconnect with Kelly and her friends. They make a great group of characters, and I love seeing their relationships grow in this book. It was also interesting to watch the suspects evolve as the book progressed. The book managed to surprise me as to who the victim was going to be, something that doesn’t often happen. It kept me guessing on the killer until Kelly figured it out, too. If you are looking for a light cozy, this is the book for you.
It was nice to get to reconnect with Kelly and her friends. They make a great group of characters, and I love seeing their relationships grow in this book. It was also interesting to watch the suspects evolve as the book progressed. The book managed to surprise me as to who the victim was going to be, something that doesn’t often happen. It kept me guessing on the killer until Kelly figured it out, too. If you are looking for a light cozy, this is the book for you.
Bob Mann (459 KP) rated Parasite (2019) in Movies
Feb 9, 2020
It’s so metaphorical.
Everyone said “Go see Parasite”. Everyone said “The one rule about Parasite is that you don’t talk about Parasite”. So I went to see Parasite. So this is a review about Parasite without talking about Parasite.
Kim Ki-Woo (Woo-sik Choi) is a student living with his family in poverty in a sub-basement room, sponging off internet signals and scrounging a living, of sorts, by assembling pizza boxes. Opportunity presents itself when his best friend, the slightly older Min (Seo-joon Park), goes abroad to study. For Min is an English tutor to the up-market Park family’s school-age daughter Da-hye (Ji-so Jung). Not wanting his fellow ‘frat-boys’ to move in on future romance – he’s lined up Ki-Woo as his replacement.
Ki-woo knows he’s lucked in when he visits the swanky Park residence and manages to pull the wool over the eyes of Da-hye’s not too bright mother Yeon-kyo (Yeo-jeong Jo). But the influence of the family’s “lucky rock” doesn’t stop there. Ki-woo sees an opportunity to get jobs for his sister Kim (So-dam Park), his father Ki-taek (Kang-ho Song) and his mother Chung-sook (Hye-jin Jang). And gradually the poor Kim family start to encroach on the rich Park family’s lives.
You might think that’s the story. It’s not. Just when you think you know where the film is going – a gentle comic tale with farcical elements – the movie takes a sudden left turn into The Twilight Zone.
To say more, if you’ve not seen the film, would be cruelty beyond measure. It’s a truly astonishing script, by writer/director Bong Joon Ho, and my nomination for the Oscar for best original screenplay.
It’s the details that get to you. This will be a superb film to watch multiple times. There are fabulous details scattered throughout. You know how the more expensive the car the more “solid” the clunk is as you shut the door? Listen to the sound effect when the Park front door shuts! Look what happens to the “one of a kind” lucky rock!
As for one of my favourite films from last year – “The Farewell” – you very quickly get to accept and embrace the subtitles. YOU MUST NOT LET THIS PUT YOU OFF. This is a masterpiece of cinema, well-deserving of its multiple Oscar nominations and its Cannes Palme d’Or award. At 132 minutes, it’s not a short film, but seldom have two hours flown by faster. It’s totally gripping. At times hysterically funny; at times shocking. A class struggle movie of a calibre that Ken Loach would never have imagined!
Gripes? I had just one. An action near the end of the movie seems bizarrely out of character and was a “WTF” moment that I didn’t think the film needed. However, it did set up a wonderful story-telling finale that I will think about for many months.
It provoked that seldom found reaction in the cinema when the end-titles ran. A hubbub of chatter and appreciation.
It comes with a highly recommended from me.
For the full graphical review, check out https://bob-the-movie-man.com/2020/02/09/one-manns-movies-film-review-parasite-2020/.
Kim Ki-Woo (Woo-sik Choi) is a student living with his family in poverty in a sub-basement room, sponging off internet signals and scrounging a living, of sorts, by assembling pizza boxes. Opportunity presents itself when his best friend, the slightly older Min (Seo-joon Park), goes abroad to study. For Min is an English tutor to the up-market Park family’s school-age daughter Da-hye (Ji-so Jung). Not wanting his fellow ‘frat-boys’ to move in on future romance – he’s lined up Ki-Woo as his replacement.
Ki-woo knows he’s lucked in when he visits the swanky Park residence and manages to pull the wool over the eyes of Da-hye’s not too bright mother Yeon-kyo (Yeo-jeong Jo). But the influence of the family’s “lucky rock” doesn’t stop there. Ki-woo sees an opportunity to get jobs for his sister Kim (So-dam Park), his father Ki-taek (Kang-ho Song) and his mother Chung-sook (Hye-jin Jang). And gradually the poor Kim family start to encroach on the rich Park family’s lives.
You might think that’s the story. It’s not. Just when you think you know where the film is going – a gentle comic tale with farcical elements – the movie takes a sudden left turn into The Twilight Zone.
To say more, if you’ve not seen the film, would be cruelty beyond measure. It’s a truly astonishing script, by writer/director Bong Joon Ho, and my nomination for the Oscar for best original screenplay.
It’s the details that get to you. This will be a superb film to watch multiple times. There are fabulous details scattered throughout. You know how the more expensive the car the more “solid” the clunk is as you shut the door? Listen to the sound effect when the Park front door shuts! Look what happens to the “one of a kind” lucky rock!
As for one of my favourite films from last year – “The Farewell” – you very quickly get to accept and embrace the subtitles. YOU MUST NOT LET THIS PUT YOU OFF. This is a masterpiece of cinema, well-deserving of its multiple Oscar nominations and its Cannes Palme d’Or award. At 132 minutes, it’s not a short film, but seldom have two hours flown by faster. It’s totally gripping. At times hysterically funny; at times shocking. A class struggle movie of a calibre that Ken Loach would never have imagined!
Gripes? I had just one. An action near the end of the movie seems bizarrely out of character and was a “WTF” moment that I didn’t think the film needed. However, it did set up a wonderful story-telling finale that I will think about for many months.
It provoked that seldom found reaction in the cinema when the end-titles ran. A hubbub of chatter and appreciation.
It comes with a highly recommended from me.
For the full graphical review, check out https://bob-the-movie-man.com/2020/02/09/one-manns-movies-film-review-parasite-2020/.
Andy K (10823 KP) rated Naked Lunch (1991) in Movies
Sep 28, 2019
Exterminate all rational thought.
The closing line from Roger Ebert's TV review of Naked Lunch was "I love what he did, but I hate it!"
Director David Cronenberg has always been known as someone who pushes the envelope of film storytelling to its limit. This is not more on display in maybe any of his films more than it is in Naked Lunch.
In 1952 New York, pest exterminator Bill Lee has an problem in his life. His wife, Joan, has begun using and is now addicted to his "bug powder" he uses in his job. She shoots it into her veins for her narcotics addiction. She is so full of the intoxicant she can even breath on cockroaches to kill them . Bill is arrested for his involvement and begins to trip himself.
His high continues as he now believes he is a secret agent who has been told he must murder his wife. He returns home and actually accidentally does so in a case of ironic accomplishment.
His trip takes him to North Africa where he meets a slew of bizarre and unsavory characters in his attempt to complete his ongoing "mission". He writes a series of articles using a typewriter which continually morphs into a giant cockroach. He finds another man who lets him borrow his typewriter in which his living typewriter is maimed and killed by Bill's device. Another man Bill meets may actually be a giant killer centipede in disguise!
If this doesn't make a lot of sense, I don't think it is really supposed to. Cronenberg's film, according to the writer/director himself, is an amalgam of not only the source material novel by William S. Burroughs, but also other works by the author and even some aspects of Burroughs' own life including the wife shooting incident.
Pretty much right from the start you know you are in for something very unusual when Lee starts having a conversation with his bug typewriter 15 minutes into the film. Then add another conversation with a giant "mugwump" sitting at a bar, a bug that bizarrely speaks in a voice from his bulbous anus and the fore mentioned giant centipede, you have a film in which you never are fully aware of what is real or what has become a drug-filled fantasy.
Cronenberg's fascination with the "body horror" style of film goes way back to some of his earlier films including The Brood and Scanners as well as They Fly remake. All his skill at creating one of a kind images are on full display here and you can't take your eyes off the screen as a result.
The entire cast really inhabit their roles including Peter Weller (who turned down Robocop 3 for this role) as Lee. His monotone, stoic delivery and minimalist physicality is perfect for this role. Throw in supporting performances by Ian Holm, Judy Davis and even Roy Scheider and you have found a perfect ensemble for this strange acid trip of a film.
The jazz soundtrack is also legendary including saxophone maestro Ornette Coleman off a score from Howard Shore. The improvisation and inconsistent melodies are a partnership with the unusual story taking place and form a symbiosis with the film.
You definitely leave the film wondering what you have just watched; however, sometimes that s a good thing. The director makes you think about what you have watched and decide for yourself the important elements what what is actually true.
I wish more films were like this!
Director David Cronenberg has always been known as someone who pushes the envelope of film storytelling to its limit. This is not more on display in maybe any of his films more than it is in Naked Lunch.
In 1952 New York, pest exterminator Bill Lee has an problem in his life. His wife, Joan, has begun using and is now addicted to his "bug powder" he uses in his job. She shoots it into her veins for her narcotics addiction. She is so full of the intoxicant she can even breath on cockroaches to kill them . Bill is arrested for his involvement and begins to trip himself.
His high continues as he now believes he is a secret agent who has been told he must murder his wife. He returns home and actually accidentally does so in a case of ironic accomplishment.
His trip takes him to North Africa where he meets a slew of bizarre and unsavory characters in his attempt to complete his ongoing "mission". He writes a series of articles using a typewriter which continually morphs into a giant cockroach. He finds another man who lets him borrow his typewriter in which his living typewriter is maimed and killed by Bill's device. Another man Bill meets may actually be a giant killer centipede in disguise!
If this doesn't make a lot of sense, I don't think it is really supposed to. Cronenberg's film, according to the writer/director himself, is an amalgam of not only the source material novel by William S. Burroughs, but also other works by the author and even some aspects of Burroughs' own life including the wife shooting incident.
Pretty much right from the start you know you are in for something very unusual when Lee starts having a conversation with his bug typewriter 15 minutes into the film. Then add another conversation with a giant "mugwump" sitting at a bar, a bug that bizarrely speaks in a voice from his bulbous anus and the fore mentioned giant centipede, you have a film in which you never are fully aware of what is real or what has become a drug-filled fantasy.
Cronenberg's fascination with the "body horror" style of film goes way back to some of his earlier films including The Brood and Scanners as well as They Fly remake. All his skill at creating one of a kind images are on full display here and you can't take your eyes off the screen as a result.
The entire cast really inhabit their roles including Peter Weller (who turned down Robocop 3 for this role) as Lee. His monotone, stoic delivery and minimalist physicality is perfect for this role. Throw in supporting performances by Ian Holm, Judy Davis and even Roy Scheider and you have found a perfect ensemble for this strange acid trip of a film.
The jazz soundtrack is also legendary including saxophone maestro Ornette Coleman off a score from Howard Shore. The improvisation and inconsistent melodies are a partnership with the unusual story taking place and form a symbiosis with the film.
You definitely leave the film wondering what you have just watched; however, sometimes that s a good thing. The director makes you think about what you have watched and decide for yourself the important elements what what is actually true.
I wish more films were like this!
