Search
Search results
Ivana A. | Diary of Difference (1171 KP) rated The Song of Achilles in Books
Aug 21, 2018
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://gipostcards.files.wordpress.com/2018/07/book-review1.png"/>;
The Song Of Achilles became a part of my TBR list right after I finished reading Circe. I loved Circe and it is one of my favorite books of 2018. I also enjoyed The Song of Achilles, but not nearly as much.
For the ones out there who love greek mythology, this is a book that covers Achilles’s life told from Patroclus’s point of view. It is more or less accurate, and covers a lot of details from the early lives of these two princes. This is a story about one great friendship that turns into something more, a lot of challenges, a lot of doubts, and a lot of choices to be made during a time of war.
The story is very fast paced, and I was skipping through the pages as fast as Achilles was killing Trojan warriors. From their childhood, to their growing up, to their adventures and the war, this book will never keep you calm, because every chapter something unexpected happens. Well, sometimes not too much, as I know the story, but even still, I was surprised a lot.
<img src="https://gipostcards.files.wordpress.com/2018/07/book-cover.png"/>;
<b><i>A thing that bothered me a lot throughout the whole book was the inaccuracy at some points, and hiding information. </i></B>
Now, we all know that Achilles was immortal. And we all know the story that his mother Thetis, a goddess of water dipped his body into the water in the river Styx. However, she was holding him by the heel, so his heel was the only place where he was vulnerable. This will be the reason of his death, when Apollo would direct Paris’s spear into Achilles’ heel.
Now - if this is such a common fact, and everybody who heard about Achilles knows it - why wouldn’t the author include it in the book. <b>It wasn’t mentioned once.. Not once… I found this really upsetting. </b>
Moving forward to the characters, we have Patroclus presented as the weaker one, the coward, the person that is mocked by everyone, not loved even by his parents and unworthy. ( Another point that bothered me is that this is not entirely true - according to Homer, Patroclus was apparently wiser than Achilles)
On the other hand, we have the opposite - a wise, brave, strong and handsome man, loved by everyone, immortal and a son of a goddess. We have a perfect example for a leader.
While fate connect these two to meet from their very early years, they also build a love relationship which they try to hide it at first. This relationship will cause them hatred from Thetis (Achilles’ mom) and will prompt them to make choices that might not be necessarily good ones. Now, Homer never mentioned a pederasty in his works between these two, but Miller does. And I am not sure how I feel about it. Not about the fact that they are gay, but the fact that this is Achilles.
All in all, I enjoyed this book. It is a great retelling of the story and a great time capture of the past. It wasn’t anything special, and I didn’t feel heartbroken in the end, but it was definitely worth reading it. I give it three stars - ★★★.
<img src="https://gipostcards.files.wordpress.com/2018/07/book-review1.png"/>;
The Song Of Achilles became a part of my TBR list right after I finished reading Circe. I loved Circe and it is one of my favorite books of 2018. I also enjoyed The Song of Achilles, but not nearly as much.
For the ones out there who love greek mythology, this is a book that covers Achilles’s life told from Patroclus’s point of view. It is more or less accurate, and covers a lot of details from the early lives of these two princes. This is a story about one great friendship that turns into something more, a lot of challenges, a lot of doubts, and a lot of choices to be made during a time of war.
The story is very fast paced, and I was skipping through the pages as fast as Achilles was killing Trojan warriors. From their childhood, to their growing up, to their adventures and the war, this book will never keep you calm, because every chapter something unexpected happens. Well, sometimes not too much, as I know the story, but even still, I was surprised a lot.
<img src="https://gipostcards.files.wordpress.com/2018/07/book-cover.png"/>;
<b><i>A thing that bothered me a lot throughout the whole book was the inaccuracy at some points, and hiding information. </i></B>
Now, we all know that Achilles was immortal. And we all know the story that his mother Thetis, a goddess of water dipped his body into the water in the river Styx. However, she was holding him by the heel, so his heel was the only place where he was vulnerable. This will be the reason of his death, when Apollo would direct Paris’s spear into Achilles’ heel.
Now - if this is such a common fact, and everybody who heard about Achilles knows it - why wouldn’t the author include it in the book. <b>It wasn’t mentioned once.. Not once… I found this really upsetting. </b>
Moving forward to the characters, we have Patroclus presented as the weaker one, the coward, the person that is mocked by everyone, not loved even by his parents and unworthy. ( Another point that bothered me is that this is not entirely true - according to Homer, Patroclus was apparently wiser than Achilles)
On the other hand, we have the opposite - a wise, brave, strong and handsome man, loved by everyone, immortal and a son of a goddess. We have a perfect example for a leader.
While fate connect these two to meet from their very early years, they also build a love relationship which they try to hide it at first. This relationship will cause them hatred from Thetis (Achilles’ mom) and will prompt them to make choices that might not be necessarily good ones. Now, Homer never mentioned a pederasty in his works between these two, but Miller does. And I am not sure how I feel about it. Not about the fact that they are gay, but the fact that this is Achilles.
All in all, I enjoyed this book. It is a great retelling of the story and a great time capture of the past. It wasn’t anything special, and I didn’t feel heartbroken in the end, but it was definitely worth reading it. I give it three stars - ★★★.
Kristy H (1252 KP) rated Things You Save in a Fire in Books
Aug 5, 2019
Cassie Hanwell is a great firefighter. She loves her job in Austin, Texas and her friendly crew. Cassie's life is shaped by a series of events that occurred on her sixteenth birthday, including her mother leaving her and her father. Now she stays clearly in her comfort zone. That zone includes work, work, and more work. No relationships, no real attachments to anyone, a strong resistance to forgiving her mother, and definitely not love. But when her mom calls Cassie and asks her to move to Boston to help her--due to an illness--Cassie has to leave that comfort zone. Big time. She has to go live with her mother, whom she barely knows anymore. She has to leave behind her progressive Austin crew and work with a group of guys in Boston who are appalled at the thought of a "lady" on their crew. Except for one guy, the new rookie, who has no problem with Cassie. And Cassie doesn't mind being around him. At all. In fact she even likes it. But love isn't in Cassie's vocabulary, and even if it was, everyone knows firefighters don't date other firefighters. Right?
"I'd structured my life around routine, and safety, and order. Feelings were a lot of trouble. I avoided them as much as possible."
I really enjoyed Katherine Center's previous book, How to Walk Away, so I was excited to read this one. I didn't enjoy this one quite as much (though I enjoyed the little link between the two), but it is a cute read. I have to admit, there were times in this one when things seemed a little too saccharine for my cynical self. I know, I know, that's terrible, especially when things aren't always light and breezy for Cassie and friends in this book. I think it's something only sarcastic folks like myself will understand.
In fact, this book is a really interesting blend between dark and quite light and fluffy. Cassie has a dark past, as does the rookie, Owen, but a lot of the book is Cassie just repeating that she won't ever love anyone or date a firefighter. I think we all know where this is leading...
However, the book is really funny at times, and it's very easy to like Cassie. She's incredibly tough and brave, and she gives all the guys a run for their money. The book makes some great points on sexism, and I always enjoy a chance to watch a tough girl beat some boys at their own game. And I have to admit I enjoyed (okay, identified with) some of her anti-social tendencies.
"Human connection had its upsides, but it sure was a lot of work. The risk-reward ratio was low, at best."
There's also a good supporting cast from Cassie's mom and her mom's best friend. For me, this one picked up in the last fourth or so, when everything seemed to really come together. There's a moment when it all just clicks, and I found myself laughing and grinning a lot. That part made it all worth reading for me.
Overall, it took me some time to warm up to this book--much like it took Cassie a while to warm up to Massachusetts. But she's an engaging, tough character, and her story is one of resilience, even if there are a lot of really sweet, almost too-perfect moments too. You can pretty much tell how the story is going to play out, but it's a fun, cute read. 3.5 stars.
"I'd structured my life around routine, and safety, and order. Feelings were a lot of trouble. I avoided them as much as possible."
I really enjoyed Katherine Center's previous book, How to Walk Away, so I was excited to read this one. I didn't enjoy this one quite as much (though I enjoyed the little link between the two), but it is a cute read. I have to admit, there were times in this one when things seemed a little too saccharine for my cynical self. I know, I know, that's terrible, especially when things aren't always light and breezy for Cassie and friends in this book. I think it's something only sarcastic folks like myself will understand.
In fact, this book is a really interesting blend between dark and quite light and fluffy. Cassie has a dark past, as does the rookie, Owen, but a lot of the book is Cassie just repeating that she won't ever love anyone or date a firefighter. I think we all know where this is leading...
However, the book is really funny at times, and it's very easy to like Cassie. She's incredibly tough and brave, and she gives all the guys a run for their money. The book makes some great points on sexism, and I always enjoy a chance to watch a tough girl beat some boys at their own game. And I have to admit I enjoyed (okay, identified with) some of her anti-social tendencies.
"Human connection had its upsides, but it sure was a lot of work. The risk-reward ratio was low, at best."
There's also a good supporting cast from Cassie's mom and her mom's best friend. For me, this one picked up in the last fourth or so, when everything seemed to really come together. There's a moment when it all just clicks, and I found myself laughing and grinning a lot. That part made it all worth reading for me.
Overall, it took me some time to warm up to this book--much like it took Cassie a while to warm up to Massachusetts. But she's an engaging, tough character, and her story is one of resilience, even if there are a lot of really sweet, almost too-perfect moments too. You can pretty much tell how the story is going to play out, but it's a fun, cute read. 3.5 stars.
Gareth von Kallenbach (980 KP) rated the PC version of Far Cry 6 in Video Games
Oct 6, 2021
Far Cry 6 Gives Fans More Of What They Want From The Series
The tropical Caribbean island of Yara is the setting for the latest chapter in the popular Far Cry series and Far Cry 6 gives fans even more of what has made the series such as success.
Players can play as either a male or female named Dani who attempts to flee the island and the brutal Dictatorship of Anton Castillo (Giancarlo Esposito); who has ruled with an iron grip and a wave of human rights violations since he was elected to office.
The island has never recovered from a prior revolution which has left most of the country in poverty and given Castillo a platform to impose his rule. Under Castillo, a cancer drug named Viviro has been developed and he sees it as the path to a golden future for the nation.
Taking place in a very large open-world setting; players will have to navigate the island and survive clashes with Castillo’s forces as well as the abundant wildlife of the island.
While the gameplay mechanics of the game will no doubt be familiar to fans of the series; Far Cry 6 attempts to bring even more to the process starting with the locale. Yara is a small island but it offers a diverse ecosystem and players will have a wide array of vehicles from cars to motorcycles, trucks, planes, helicopters, boats, jet skis, and even horses to help cover the vast distances missions require.
As the game unfolds players will be able to use Fast Travel locales to return to bases and safe areas. There is a wide range of music as well for players to enjoy and I found lots of enjoyable tunes to help pass the travel times.
Naturally, the game is all about action and while stealth is at times needed; I am all about mayhem and the game allows you to find a path to success that best suits your style ranging from a story mode where damage and death still happen but not as frequently to more traditional forms of play.
Players can brutally dispatch an enemy with a machete and disable the alarms, or gun in with guns and grenades blazing and let the body count rise.
The island offers various control points and strategic locales for players to clear and capture which makes travel easier as being forced to repair vehicle damage in a gunfight is never ideal.
Customization is a big part of the series and while I did not have to hunt for herbs for health; the ability to upgrade weapons and ammunition; especially the Supremo backpacks was a great addition and came in handy. While I did use this option several times; I usually stayed with weapons that had been working and found my loadout only needed a few changes along the way.
The arsenal available to players is vast as pistols, machine guns, rifles, and explosives are only part of the fun. Players can also gain the help of various animal friends and having a Gator named Guapo along for the mission or an adorable dog in a cart added a nice dimension and really helped lure out enemies in hiding.
While I mentioned the island being vast; the game is also very long as there are numerous missions as well as several side missions that can be given to players along the way. At times it seemed like I was moving forward with a final push only to have a mission asking me to defend performers at a concert, deface a series of billboards, or go drinking with another player.
While some may find this distracting from the overall game narrative; it actually did wonders for expanding upon the characters and their stories. Dani must help recruit various groups into the cause and they all have their own interests and motivations and the characters grow and change over the course of the game events.
Some have complained about the graphics in the trailers leading up to launch, but I found them more than sufficient, and installing the texture pack helped a great deal as well.
After completing the game I found I was not ready to leave Yara behind and thankfully there will be weekly Incursion events and other updates along the way to enjoy as well as DLC in the future. The game does offer a Co-Op mode which is on my list to try and I look forward to taking my salvaged parts and customizing various vehicles and weapons for more carnage in the months to come.
While it does not attempt to change the formula, Far Cry 6 expands and improves on what has made the series such a success and gives fans more of what they want.
Players can play as either a male or female named Dani who attempts to flee the island and the brutal Dictatorship of Anton Castillo (Giancarlo Esposito); who has ruled with an iron grip and a wave of human rights violations since he was elected to office.
The island has never recovered from a prior revolution which has left most of the country in poverty and given Castillo a platform to impose his rule. Under Castillo, a cancer drug named Viviro has been developed and he sees it as the path to a golden future for the nation.
Taking place in a very large open-world setting; players will have to navigate the island and survive clashes with Castillo’s forces as well as the abundant wildlife of the island.
While the gameplay mechanics of the game will no doubt be familiar to fans of the series; Far Cry 6 attempts to bring even more to the process starting with the locale. Yara is a small island but it offers a diverse ecosystem and players will have a wide array of vehicles from cars to motorcycles, trucks, planes, helicopters, boats, jet skis, and even horses to help cover the vast distances missions require.
As the game unfolds players will be able to use Fast Travel locales to return to bases and safe areas. There is a wide range of music as well for players to enjoy and I found lots of enjoyable tunes to help pass the travel times.
Naturally, the game is all about action and while stealth is at times needed; I am all about mayhem and the game allows you to find a path to success that best suits your style ranging from a story mode where damage and death still happen but not as frequently to more traditional forms of play.
Players can brutally dispatch an enemy with a machete and disable the alarms, or gun in with guns and grenades blazing and let the body count rise.
The island offers various control points and strategic locales for players to clear and capture which makes travel easier as being forced to repair vehicle damage in a gunfight is never ideal.
Customization is a big part of the series and while I did not have to hunt for herbs for health; the ability to upgrade weapons and ammunition; especially the Supremo backpacks was a great addition and came in handy. While I did use this option several times; I usually stayed with weapons that had been working and found my loadout only needed a few changes along the way.
The arsenal available to players is vast as pistols, machine guns, rifles, and explosives are only part of the fun. Players can also gain the help of various animal friends and having a Gator named Guapo along for the mission or an adorable dog in a cart added a nice dimension and really helped lure out enemies in hiding.
While I mentioned the island being vast; the game is also very long as there are numerous missions as well as several side missions that can be given to players along the way. At times it seemed like I was moving forward with a final push only to have a mission asking me to defend performers at a concert, deface a series of billboards, or go drinking with another player.
While some may find this distracting from the overall game narrative; it actually did wonders for expanding upon the characters and their stories. Dani must help recruit various groups into the cause and they all have their own interests and motivations and the characters grow and change over the course of the game events.
Some have complained about the graphics in the trailers leading up to launch, but I found them more than sufficient, and installing the texture pack helped a great deal as well.
After completing the game I found I was not ready to leave Yara behind and thankfully there will be weekly Incursion events and other updates along the way to enjoy as well as DLC in the future. The game does offer a Co-Op mode which is on my list to try and I look forward to taking my salvaged parts and customizing various vehicles and weapons for more carnage in the months to come.
While it does not attempt to change the formula, Far Cry 6 expands and improves on what has made the series such a success and gives fans more of what they want.
LilyLovesIndie (123 KP) rated Fall in Books
Nov 5, 2018
Well as you can see, we've awarded this little cracker of a book 5 stars, and it is so very worthy of each and every one of them for so many reasons! Despite being quite a short little book, it certainly packs a punch.
The story, as you can see from the summary above, follows Braita as she is ripped from everything she knows and gets sent to the Mian on the planet of Triaz. The first thing that gripped me about this story is the plot line - it's just so intriguing and grabbed my interest from the blurb, let alone the first page. Usually I don't enjoy sci-fi, but there's just something about this that makes it feel more like a possible future for our race rather than an actual sci-fi impossible realm.
Something else I loved about this story was the fact it jumped straight into the action. Being a shorter book, you'd expect that, but Scarlett Dawn really does have a certain knack for telling action in a short, succinct way that doesn't miss out any key facts. By the end of the first chapter we had all the details we needed to move forward, and we were totally engrossed in the story. That's a really important thing for me, and Scarlett Dawn will surely reel her readers in, as usual, with a fabulous plot line. The fact there are also some fabulous twists in that plot, not least the end of the book (warning - if you don't like cliff hangers, hold back and wait until the second in the series is ready because seriously, you'll want it there!) which pull you in so deep you're left in a bit of a void when the story actually finishes. I found myself tapping my kindle repeatedly wondering where the rest of the book had gone, without realising I had simply demolished it in one swift sitting.
Braita as a character is also fabulous. She's incredibly well written and very engaging to read. A refreshing change from the standard damsel in distress character that most women are portrayed as, she's got a will to fight and survive that is rather inspirational and certainly very exciting to read. She's a powerful character, and I'm very interested to see how Scarlett Dawn develops her over the series.
In conclusion, this is a brilliant opening to her new series and a book I would definitely recommend to anyone who wants a fast past, easy to read and incredibly engaging lead character. Scarlett Dawn has delivered again, and I'm waiting rather impatiently for the next installment!
ARC received in return for an honest review as part of a blog tour on Lily Loves Indie - http://lilylovesindie.co.uk/?p=467
The story, as you can see from the summary above, follows Braita as she is ripped from everything she knows and gets sent to the Mian on the planet of Triaz. The first thing that gripped me about this story is the plot line - it's just so intriguing and grabbed my interest from the blurb, let alone the first page. Usually I don't enjoy sci-fi, but there's just something about this that makes it feel more like a possible future for our race rather than an actual sci-fi impossible realm.
Something else I loved about this story was the fact it jumped straight into the action. Being a shorter book, you'd expect that, but Scarlett Dawn really does have a certain knack for telling action in a short, succinct way that doesn't miss out any key facts. By the end of the first chapter we had all the details we needed to move forward, and we were totally engrossed in the story. That's a really important thing for me, and Scarlett Dawn will surely reel her readers in, as usual, with a fabulous plot line. The fact there are also some fabulous twists in that plot, not least the end of the book (warning - if you don't like cliff hangers, hold back and wait until the second in the series is ready because seriously, you'll want it there!) which pull you in so deep you're left in a bit of a void when the story actually finishes. I found myself tapping my kindle repeatedly wondering where the rest of the book had gone, without realising I had simply demolished it in one swift sitting.
Braita as a character is also fabulous. She's incredibly well written and very engaging to read. A refreshing change from the standard damsel in distress character that most women are portrayed as, she's got a will to fight and survive that is rather inspirational and certainly very exciting to read. She's a powerful character, and I'm very interested to see how Scarlett Dawn develops her over the series.
In conclusion, this is a brilliant opening to her new series and a book I would definitely recommend to anyone who wants a fast past, easy to read and incredibly engaging lead character. Scarlett Dawn has delivered again, and I'm waiting rather impatiently for the next installment!
ARC received in return for an honest review as part of a blog tour on Lily Loves Indie - http://lilylovesindie.co.uk/?p=467
LoganCrews (2861 KP) rated The Godfather (1972) in Movies
Sep 21, 2020 (Updated Sep 21, 2020)
"𝘠𝘰𝘶 𝘬𝘯𝘰𝘸 𝘩𝘰𝘸 𝘯𝘢ï𝘷𝘦 𝘺𝘰𝘶 𝘴𝘰𝘶𝘯𝘥... 𝘴𝘦𝘯𝘢𝘵𝘰𝘳𝘴 𝘢𝘯𝘥 𝘱𝘳𝘦𝘴𝘪𝘥𝘦𝘯𝘵𝘴 𝘥𝘰𝘯'𝘵 𝘩𝘢𝘷𝘦 𝘮𝘦𝘯 𝘬𝘪𝘭𝘭𝘦𝘥."
"𝘖𝘩 -- 𝘸𝘩𝘰'𝘴 𝘣𝘦𝘪𝘯𝘨 𝘯𝘢ï𝘷𝘦, 𝘒𝘢𝘺?"
Well I guess it's confirmed that this movie predicted Jefferey Epstein.
Have absolutely nothing constructive left to add that hasn't already been rightfully said by everybody else at this point, it's 𝘛𝘩𝘦 𝘎𝘰𝘥𝘧𝘢𝘵𝘩𝘦𝘳 - yes it's still a masterpiece. Brando gives the second greatest performance cinema has ever seen in this emotionally rich, lived-in, unstoppable portrait of a vaguely incomprehensible mob boss who is both insatiably bound to and undone by tradition - acting of this caliber is topped only by, you guessed it... James Franco in 𝘚𝘱𝘳𝘪𝘯𝘨 𝘉𝘳𝘦𝘢𝘬𝘦𝘳𝘴! This isn't really all that secretly deep or anything either - it's just really good at what it does. Does the seemingly unachievable task of making a bunch of mob guys sitting around discussing business so fucking riveting. Pacino sits firmly in one of the quintessential starmaking performances, not a single less than exemplary performance can even be found here. The front half of the last hour is rather sloppy, jumping around uncomfortably between times - but remains nonetheless mesmerizing and spotlessly written. And how about that location cinematography? A sprawling, hypnotic dirge - you could write a novel about how amazing this is, and I'm sure people already have.
"𝘖𝘩 -- 𝘸𝘩𝘰'𝘴 𝘣𝘦𝘪𝘯𝘨 𝘯𝘢ï𝘷𝘦, 𝘒𝘢𝘺?"
Well I guess it's confirmed that this movie predicted Jefferey Epstein.
Have absolutely nothing constructive left to add that hasn't already been rightfully said by everybody else at this point, it's 𝘛𝘩𝘦 𝘎𝘰𝘥𝘧𝘢𝘵𝘩𝘦𝘳 - yes it's still a masterpiece. Brando gives the second greatest performance cinema has ever seen in this emotionally rich, lived-in, unstoppable portrait of a vaguely incomprehensible mob boss who is both insatiably bound to and undone by tradition - acting of this caliber is topped only by, you guessed it... James Franco in 𝘚𝘱𝘳𝘪𝘯𝘨 𝘉𝘳𝘦𝘢𝘬𝘦𝘳𝘴! This isn't really all that secretly deep or anything either - it's just really good at what it does. Does the seemingly unachievable task of making a bunch of mob guys sitting around discussing business so fucking riveting. Pacino sits firmly in one of the quintessential starmaking performances, not a single less than exemplary performance can even be found here. The front half of the last hour is rather sloppy, jumping around uncomfortably between times - but remains nonetheless mesmerizing and spotlessly written. And how about that location cinematography? A sprawling, hypnotic dirge - you could write a novel about how amazing this is, and I'm sure people already have.
LoganCrews (2861 KP) rated Dancer in the Dark (2000) in Movies
Sep 20, 2020
"𝘠𝘰𝘶 𝘤𝘢𝘯'𝘵 𝘴𝘦𝘦, 𝘤𝘢𝘯 𝘺𝘰𝘶?"
"𝘞𝘩𝘢𝘵 𝘪𝘴 𝘵𝘩𝘦𝘳𝘦 𝘵𝘰 𝘴𝘦𝘦?"
Easily the best musical which features a song number smack-dab in the middle of a murder trial. I really wish the last 40 or so minutes (minus the jaw-dropping ending) didn't veer so hard into - truthfully - pretty manipulative and rudimentary melodrama because the rest of this is one of very greatest musical experiences I've ever seen. A hallucinatory crossroads between visionary musical theater and downright grim drama. The behind-the-scenes hell that took place all aside, the entrancing performance that Björk gives in this is one of the most seminal of the entire millennium. So full of traumatizing characterizations, haunting and experimental musical numbers (not a single bad song to be found), largely genius storytelling, and a mercilessly abusive milieu that it had me shaking and out of breath before the first hour even passed. The way my heart pounded during this is unreal, one of those films where you just *know* something horrible is going to happen just around the corner but you never know when it'll hit - but when it does it's like a ton of bricks being dropped, rinse and repeat. Raw, innovating filmmaking at some of its most unforgettable.
"𝘞𝘩𝘢𝘵 𝘪𝘴 𝘵𝘩𝘦𝘳𝘦 𝘵𝘰 𝘴𝘦𝘦?"
Easily the best musical which features a song number smack-dab in the middle of a murder trial. I really wish the last 40 or so minutes (minus the jaw-dropping ending) didn't veer so hard into - truthfully - pretty manipulative and rudimentary melodrama because the rest of this is one of very greatest musical experiences I've ever seen. A hallucinatory crossroads between visionary musical theater and downright grim drama. The behind-the-scenes hell that took place all aside, the entrancing performance that Björk gives in this is one of the most seminal of the entire millennium. So full of traumatizing characterizations, haunting and experimental musical numbers (not a single bad song to be found), largely genius storytelling, and a mercilessly abusive milieu that it had me shaking and out of breath before the first hour even passed. The way my heart pounded during this is unreal, one of those films where you just *know* something horrible is going to happen just around the corner but you never know when it'll hit - but when it does it's like a ton of bricks being dropped, rinse and repeat. Raw, innovating filmmaking at some of its most unforgettable.
A Fatal Flaw
8.0
Rate It
Book
The brand new Ryder & Loveday novel from global bestseller Faith Martin! 1960, Oxford As the...
Fiction Crime Thriller
Midge (525 KP) rated Restaurant Weeks are Murder in Books
Mar 28, 2019
Murder & Mayhem In The Kitchen
“Restaurant Weeks Are Murder” is Libby Klein’s very enjoyable third novel, chock full of madness and mayhem in the ‘Poppy McAllister Mystery’ series. The first book is ‘Class Reunions Are Murder,’ followed by book two which is ‘Midnight Snacks Are Murder.’
I haven’t read these other books in this series yet, however, I don’t think that this spoilt my enjoyment of this novel. That said, there is nothing more exciting than picking up a book which is the first in a new series.
Poppy McAllister is opening a new Bed & Breakfast in Cape May, New Jersey, but working in a professional kitchen has always been her passion. Now she’s realising her dream, at least briefly, as she is teaming up with her former fiancée Tim and his partner, Gigi, during a high-profile Restaurant Week challenge. Poppy’s speciality is pastries and if anyone can make glorious gluten-free goodies, it’s Poppy.
As it might be expected, things start to go badly wrong very quickly, especially when some ingredients get switched and Tim is accused of sabotage. Relatively harmless pranks soon escalate into real hazards, including an exploding deep fat fryer. Then one of the judges dies after taking a bite of Poppy’s limoncello cannoli, making her one of the prime suspects . . .
Forty-odd-year-old, pastry chef, Poppy, the protagonist, lives with her elderly Aunt Ginny and Figaro, her mischievous cat. I found Poppy and many of the other characters very funny and likeable, so much so that I felt as though I would like to spend some time in their company myself! As someone who has read several cozies, Poppy’s Aunt Ginny has become one of my favourite cozy characters. She provided plenty of humour in this book from her choice of outlandish outfits to her zaniness and zest for life. I couldn’t help but adore her and look forward to her mischievous antics.
I liked that the opening chapters drew me into the story and captured my attention immediately. Although I had to wait a while before an actual murder took place, there was never a dull moment with such a lot going on. The mystery itself was well thought out with plenty of twists and turns as I puzzled over the clues to discover the perpetrator.
The book had a natural, steady pace, and even though the murder occurred towards the end of the first half of the book I was kept guessing until the surprising reveal. Delightful and entertaining “Restaurant Weeks Are Murder” is a highly recommended, quick, light read for all cozy mystery fans.
{Thank you to #NetGalley and Kensington Books for the free copy of this novel and for giving me the opportunity to provide an honest review.}
I haven’t read these other books in this series yet, however, I don’t think that this spoilt my enjoyment of this novel. That said, there is nothing more exciting than picking up a book which is the first in a new series.
Poppy McAllister is opening a new Bed & Breakfast in Cape May, New Jersey, but working in a professional kitchen has always been her passion. Now she’s realising her dream, at least briefly, as she is teaming up with her former fiancée Tim and his partner, Gigi, during a high-profile Restaurant Week challenge. Poppy’s speciality is pastries and if anyone can make glorious gluten-free goodies, it’s Poppy.
As it might be expected, things start to go badly wrong very quickly, especially when some ingredients get switched and Tim is accused of sabotage. Relatively harmless pranks soon escalate into real hazards, including an exploding deep fat fryer. Then one of the judges dies after taking a bite of Poppy’s limoncello cannoli, making her one of the prime suspects . . .
Forty-odd-year-old, pastry chef, Poppy, the protagonist, lives with her elderly Aunt Ginny and Figaro, her mischievous cat. I found Poppy and many of the other characters very funny and likeable, so much so that I felt as though I would like to spend some time in their company myself! As someone who has read several cozies, Poppy’s Aunt Ginny has become one of my favourite cozy characters. She provided plenty of humour in this book from her choice of outlandish outfits to her zaniness and zest for life. I couldn’t help but adore her and look forward to her mischievous antics.
I liked that the opening chapters drew me into the story and captured my attention immediately. Although I had to wait a while before an actual murder took place, there was never a dull moment with such a lot going on. The mystery itself was well thought out with plenty of twists and turns as I puzzled over the clues to discover the perpetrator.
The book had a natural, steady pace, and even though the murder occurred towards the end of the first half of the book I was kept guessing until the surprising reveal. Delightful and entertaining “Restaurant Weeks Are Murder” is a highly recommended, quick, light read for all cozy mystery fans.
{Thank you to #NetGalley and Kensington Books for the free copy of this novel and for giving me the opportunity to provide an honest review.}
graveyardgremlin (7194 KP) rated Zombies Vs. Unicorns in Books
Feb 15, 2019
<b>Book Review</b>
I had heard about this feud soon after it started, so when news that a book was coming out I had to read it. C'mon, zombies and unicorns, this is a combination I couldn't miss out on. After a lackluster and disappointing start, with many stories I didn't like at all, I was starting to think I'd have a hard time finishing the book, even with the different authors. It wasn't until The Children of the Revolution by Maureen Johnson on page 147 that the stories picked up and I ended up enjoying the rest, though my enjoyment deviated from okay to great. The "arguments" between editors Holly Black (Team Unicorn) and Justine Larbalestier (Team Zombie) were usually quite amusing, though they themselves don't contribute to the book. I, for one, would have liked to have read their takes on their chosen teams.
I'm not going to review each story individually, but list them with my (very) basic impression of the story. The book has varying degrees of gore, cursing, sexual innuendo and references, bestiality (you read that right, but it's more referred to than shown, thank goodness), suicide, and other violent acts.
<u>Stories</u> (in order of appearance):
*The Highest Justice by Garth Nix (Marked as a unicorn story, this is actually both unicorn and zombie. A decent story.)
*Love Will Tear Us Apart by Alaya Dawn Johnson (Zombie. Did not care for this at all)
*Purity Test by Naomi Novik (Unicorn. Didn't hate this story, but wasn't fond of it either)
*Bougainvillea by Carrie Ryan (Zombie. Didn't like.)
*A Thousand Flowers by Margo Lanagan (Unicorn. Also wasn't fond of.)
*The Children of the Revolution by Maureen Johnson (Zombie. Rather twisted, but so am I, so I enjoyed it.)
*The Care and Feeding of Your Baby Killer Unicorn by Diana Peterfreund (Unicorn. My favorite story in the anthology.)
*Inoculata by Scott Westerfield (Zombie. Pretty good.)
*Princess Prettypants by Meg Cabot (Unicorn. Very tongue-in-cheek, I liked this story a lot.)
*Cold Hands by Cassandra Clare (Zombie. Interesting world created here. Definitely passed my likability test.)
*The Third Virgin by Kathleen Duey (Unicorn. An okay story.)
*Prom Night by Libba Bray (Zombie. Second favorite of the book and very close to a tie with Peterfreund's tale.)
The unicorn stories went in many different directions, with all sorts of unicorns, while most of the zombie stories stayed where you would expect them and had typical zombies, though there were a few surprises still in store. I went into this as Team Zombie, and while my favorite was a unicorn story, I still firmly remain with the shamblers. Overall, I ended up enjoying the majority of the book, so if you're interested in zombies, unicorns, or especially both, pick this up for an interesting assortment of stories.
3.5 stars for the print version
<b>Audio Review</b>
This unabridged CD set includes ten discs, which average a little over one story each, though generally there is one whole story bookended by the end of one preceding it and the start of another afterward that will continue onto the next disc. They have very short chapters, generally less than a minute and I could tell when each chapter ended and the next began, which didn't make for totally smooth listening but it also wasn't too bad either. I would have rather have had longer chapters that had a clearer starting and stopping point to make it easier to find my place again. Most of the readers, both male and female, sound fairly young, which makes sense since this is a YA anthology, but the majority also sounded as if they were reading to school children, which makes for annoying listening. I found most of the voices grating and unfortunately none of them are named for me to be more specific. However, the one male was fine and the woman who did Diana Peterfreund was good and I believe she also narrated one or two others in the book. The use of sound effects break up stories, a groan that also says "brains" for zombies and trumpets and a horse whinny for unicorns. Immediately after is the intro from the editors with their ongoing debate that became increasingly irritating as I read on; this may have to do with how they performed those discussions. As written word, these exchanges are far more entertaining. For the most part, I really didn't enjoy listening to this and much prefer reading it in print.
2 stars for audio
I had heard about this feud soon after it started, so when news that a book was coming out I had to read it. C'mon, zombies and unicorns, this is a combination I couldn't miss out on. After a lackluster and disappointing start, with many stories I didn't like at all, I was starting to think I'd have a hard time finishing the book, even with the different authors. It wasn't until The Children of the Revolution by Maureen Johnson on page 147 that the stories picked up and I ended up enjoying the rest, though my enjoyment deviated from okay to great. The "arguments" between editors Holly Black (Team Unicorn) and Justine Larbalestier (Team Zombie) were usually quite amusing, though they themselves don't contribute to the book. I, for one, would have liked to have read their takes on their chosen teams.
I'm not going to review each story individually, but list them with my (very) basic impression of the story. The book has varying degrees of gore, cursing, sexual innuendo and references, bestiality (you read that right, but it's more referred to than shown, thank goodness), suicide, and other violent acts.
<u>Stories</u> (in order of appearance):
*The Highest Justice by Garth Nix (Marked as a unicorn story, this is actually both unicorn and zombie. A decent story.)
*Love Will Tear Us Apart by Alaya Dawn Johnson (Zombie. Did not care for this at all)
*Purity Test by Naomi Novik (Unicorn. Didn't hate this story, but wasn't fond of it either)
*Bougainvillea by Carrie Ryan (Zombie. Didn't like.)
*A Thousand Flowers by Margo Lanagan (Unicorn. Also wasn't fond of.)
*The Children of the Revolution by Maureen Johnson (Zombie. Rather twisted, but so am I, so I enjoyed it.)
*The Care and Feeding of Your Baby Killer Unicorn by Diana Peterfreund (Unicorn. My favorite story in the anthology.)
*Inoculata by Scott Westerfield (Zombie. Pretty good.)
*Princess Prettypants by Meg Cabot (Unicorn. Very tongue-in-cheek, I liked this story a lot.)
*Cold Hands by Cassandra Clare (Zombie. Interesting world created here. Definitely passed my likability test.)
*The Third Virgin by Kathleen Duey (Unicorn. An okay story.)
*Prom Night by Libba Bray (Zombie. Second favorite of the book and very close to a tie with Peterfreund's tale.)
The unicorn stories went in many different directions, with all sorts of unicorns, while most of the zombie stories stayed where you would expect them and had typical zombies, though there were a few surprises still in store. I went into this as Team Zombie, and while my favorite was a unicorn story, I still firmly remain with the shamblers. Overall, I ended up enjoying the majority of the book, so if you're interested in zombies, unicorns, or especially both, pick this up for an interesting assortment of stories.
3.5 stars for the print version
<b>Audio Review</b>
This unabridged CD set includes ten discs, which average a little over one story each, though generally there is one whole story bookended by the end of one preceding it and the start of another afterward that will continue onto the next disc. They have very short chapters, generally less than a minute and I could tell when each chapter ended and the next began, which didn't make for totally smooth listening but it also wasn't too bad either. I would have rather have had longer chapters that had a clearer starting and stopping point to make it easier to find my place again. Most of the readers, both male and female, sound fairly young, which makes sense since this is a YA anthology, but the majority also sounded as if they were reading to school children, which makes for annoying listening. I found most of the voices grating and unfortunately none of them are named for me to be more specific. However, the one male was fine and the woman who did Diana Peterfreund was good and I believe she also narrated one or two others in the book. The use of sound effects break up stories, a groan that also says "brains" for zombies and trumpets and a horse whinny for unicorns. Immediately after is the intro from the editors with their ongoing debate that became increasingly irritating as I read on; this may have to do with how they performed those discussions. As written word, these exchanges are far more entertaining. For the most part, I really didn't enjoy listening to this and much prefer reading it in print.
2 stars for audio
BankofMarquis (1832 KP) rated The Irishman (2019) in Movies
Nov 30, 2019
Delivers What Is Expected
Like eating comfort food on a cold, wintery day, sitting down to catch the latest Scorsese/DeNiro mob movie filled me with a warmth that was satisfying for it's familiarity. It is a film landscape mined by professionals who know this genre of movie well.
There is a terrific film in this 3 1/2 hour epic - if only "Marty" would have trimmed the fat to find it.
Telling the real-life story (with some conjecture and fabrications), THE IRISHMAN tells the tale of...well...Irishman Frank Sheeran (Robert DeNiro) a working stiff who rises in the ranks of mobster Russell Buffalino (Joe Pesci) to be one of his chief enforcers and the personal bodyguard to Jimmy Hoffa (Al Paciino).
In the lead, DeNiro commands the screen like the DeNiro of old. His Frank Sheeran is menacing, razor-focused on his objectives. You never question Frank's loyalties and his ability to keep silent. DeNiro shows this by be being silent for a good part of this film, even though he is on screen for most of it. He is a commanding force that requires that we pay attention to him.
It was good to see Pesci back onscreen as Russell Buffalino. His mob boss is pragmatic, making decisions sternly and expecting his people to follow them, no questions asked. His presence on the screen is almost as commanding as DeNiro's and I wouldn't be surprised to see DeNiro (Best Actor) and Pesci (Best Supporting Actor) be in the mix come Oscar time.
In lesser, (almost cameo), roles - but faring very well - is a "who's who" of character actors, Harvey Keitel (who I would have LOVED to have seen much, much more in this film), Ray Romano, Bobby Canavale, Jesse Pleimens and Anna Paquin, I'm sure all jumped at the chance to appear - however briefly - in a Scorsese mob epic.
Faring less well in this film is Al Pacio as Jimmy Hoffa. He is back to his "yelling Al Pacino" ways of films like SCENT OF A WOMAN. His Hoffa is pretty one note and, consequently, his scenes with DeNiro are ineffective mostly because Pacino is chewing up the scenery (and yelling) while DeNiro is sitting silent and staring and listening to Pacino. This was a major disappointment for me, but (fortunately), Hoffa is in only about 1/3 of this long film, so while it hampered my enjoyment of the film, it didn't ruin it.
Credit (and blame) for all of this goes to master Director Martin Scorsese who has mined these waters more successfully in CASINO, THE DEPARTED and GOODFELLAS (his best film, IMO). This film is a loving pastiche to these types of films and a bygone era - and he chose to make it for NETFLIX for he wanted to make a sprawling epic and take his time in telling the story he wanted to tell. This is evidenced in the 3 1/2 hour length of this film, which if filled with long tracking shots set to a backdrop of Italian crooners singing old standards. It's a throwback to a different time and place, one that these players know well.
Scorsese has stated the he only decided to make this film because the "de-aging" software the he used to make DeNiro and Pesci look 30 years younger was "good enough" to use. And I would agree with that statement. The de-aging of these 2 (and others) is "good enough", in some scenes I forgot I was watching a de-aged DeNiro and Pesci, while in some other scenes, I could spot the trick. Again, it was "good enough" and not distracting (unless you were looking to make it distracting, then you probably found what you were looking for).
But for me - a fan of these types of films, I was not disappointed. It was about what I expected it to be. If you were looking for something different and new, look elsewhere, you will be disappointed.
Letter Grade: B+
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
There is a terrific film in this 3 1/2 hour epic - if only "Marty" would have trimmed the fat to find it.
Telling the real-life story (with some conjecture and fabrications), THE IRISHMAN tells the tale of...well...Irishman Frank Sheeran (Robert DeNiro) a working stiff who rises in the ranks of mobster Russell Buffalino (Joe Pesci) to be one of his chief enforcers and the personal bodyguard to Jimmy Hoffa (Al Paciino).
In the lead, DeNiro commands the screen like the DeNiro of old. His Frank Sheeran is menacing, razor-focused on his objectives. You never question Frank's loyalties and his ability to keep silent. DeNiro shows this by be being silent for a good part of this film, even though he is on screen for most of it. He is a commanding force that requires that we pay attention to him.
It was good to see Pesci back onscreen as Russell Buffalino. His mob boss is pragmatic, making decisions sternly and expecting his people to follow them, no questions asked. His presence on the screen is almost as commanding as DeNiro's and I wouldn't be surprised to see DeNiro (Best Actor) and Pesci (Best Supporting Actor) be in the mix come Oscar time.
In lesser, (almost cameo), roles - but faring very well - is a "who's who" of character actors, Harvey Keitel (who I would have LOVED to have seen much, much more in this film), Ray Romano, Bobby Canavale, Jesse Pleimens and Anna Paquin, I'm sure all jumped at the chance to appear - however briefly - in a Scorsese mob epic.
Faring less well in this film is Al Pacio as Jimmy Hoffa. He is back to his "yelling Al Pacino" ways of films like SCENT OF A WOMAN. His Hoffa is pretty one note and, consequently, his scenes with DeNiro are ineffective mostly because Pacino is chewing up the scenery (and yelling) while DeNiro is sitting silent and staring and listening to Pacino. This was a major disappointment for me, but (fortunately), Hoffa is in only about 1/3 of this long film, so while it hampered my enjoyment of the film, it didn't ruin it.
Credit (and blame) for all of this goes to master Director Martin Scorsese who has mined these waters more successfully in CASINO, THE DEPARTED and GOODFELLAS (his best film, IMO). This film is a loving pastiche to these types of films and a bygone era - and he chose to make it for NETFLIX for he wanted to make a sprawling epic and take his time in telling the story he wanted to tell. This is evidenced in the 3 1/2 hour length of this film, which if filled with long tracking shots set to a backdrop of Italian crooners singing old standards. It's a throwback to a different time and place, one that these players know well.
Scorsese has stated the he only decided to make this film because the "de-aging" software the he used to make DeNiro and Pesci look 30 years younger was "good enough" to use. And I would agree with that statement. The de-aging of these 2 (and others) is "good enough", in some scenes I forgot I was watching a de-aged DeNiro and Pesci, while in some other scenes, I could spot the trick. Again, it was "good enough" and not distracting (unless you were looking to make it distracting, then you probably found what you were looking for).
But for me - a fan of these types of films, I was not disappointed. It was about what I expected it to be. If you were looking for something different and new, look elsewhere, you will be disappointed.
Letter Grade: B+
8 stars (out of 10) and you can take that to the Bank(OfMarquis)