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LilyLovesIndie (123 KP) rated Fall in Books
Nov 5, 2018
Well as you can see, we've awarded this little cracker of a book 5 stars, and it is so very worthy of each and every one of them for so many reasons! Despite being quite a short little book, it certainly packs a punch.
The story, as you can see from the summary above, follows Braita as she is ripped from everything she knows and gets sent to the Mian on the planet of Triaz. The first thing that gripped me about this story is the plot line - it's just so intriguing and grabbed my interest from the blurb, let alone the first page. Usually I don't enjoy sci-fi, but there's just something about this that makes it feel more like a possible future for our race rather than an actual sci-fi impossible realm.
Something else I loved about this story was the fact it jumped straight into the action. Being a shorter book, you'd expect that, but Scarlett Dawn really does have a certain knack for telling action in a short, succinct way that doesn't miss out any key facts. By the end of the first chapter we had all the details we needed to move forward, and we were totally engrossed in the story. That's a really important thing for me, and Scarlett Dawn will surely reel her readers in, as usual, with a fabulous plot line. The fact there are also some fabulous twists in that plot, not least the end of the book (warning - if you don't like cliff hangers, hold back and wait until the second in the series is ready because seriously, you'll want it there!) which pull you in so deep you're left in a bit of a void when the story actually finishes. I found myself tapping my kindle repeatedly wondering where the rest of the book had gone, without realising I had simply demolished it in one swift sitting.
Braita as a character is also fabulous. She's incredibly well written and very engaging to read. A refreshing change from the standard damsel in distress character that most women are portrayed as, she's got a will to fight and survive that is rather inspirational and certainly very exciting to read. She's a powerful character, and I'm very interested to see how Scarlett Dawn develops her over the series.
In conclusion, this is a brilliant opening to her new series and a book I would definitely recommend to anyone who wants a fast past, easy to read and incredibly engaging lead character. Scarlett Dawn has delivered again, and I'm waiting rather impatiently for the next installment!
ARC received in return for an honest review as part of a blog tour on Lily Loves Indie - http://lilylovesindie.co.uk/?p=467
The story, as you can see from the summary above, follows Braita as she is ripped from everything she knows and gets sent to the Mian on the planet of Triaz. The first thing that gripped me about this story is the plot line - it's just so intriguing and grabbed my interest from the blurb, let alone the first page. Usually I don't enjoy sci-fi, but there's just something about this that makes it feel more like a possible future for our race rather than an actual sci-fi impossible realm.
Something else I loved about this story was the fact it jumped straight into the action. Being a shorter book, you'd expect that, but Scarlett Dawn really does have a certain knack for telling action in a short, succinct way that doesn't miss out any key facts. By the end of the first chapter we had all the details we needed to move forward, and we were totally engrossed in the story. That's a really important thing for me, and Scarlett Dawn will surely reel her readers in, as usual, with a fabulous plot line. The fact there are also some fabulous twists in that plot, not least the end of the book (warning - if you don't like cliff hangers, hold back and wait until the second in the series is ready because seriously, you'll want it there!) which pull you in so deep you're left in a bit of a void when the story actually finishes. I found myself tapping my kindle repeatedly wondering where the rest of the book had gone, without realising I had simply demolished it in one swift sitting.
Braita as a character is also fabulous. She's incredibly well written and very engaging to read. A refreshing change from the standard damsel in distress character that most women are portrayed as, she's got a will to fight and survive that is rather inspirational and certainly very exciting to read. She's a powerful character, and I'm very interested to see how Scarlett Dawn develops her over the series.
In conclusion, this is a brilliant opening to her new series and a book I would definitely recommend to anyone who wants a fast past, easy to read and incredibly engaging lead character. Scarlett Dawn has delivered again, and I'm waiting rather impatiently for the next installment!
ARC received in return for an honest review as part of a blog tour on Lily Loves Indie - http://lilylovesindie.co.uk/?p=467
LoganCrews (2861 KP) rated The Godfather (1972) in Movies
Sep 21, 2020 (Updated Sep 21, 2020)
"๐ ๐ฐ๐ถ ๐ฌ๐ฏ๐ฐ๐ธ ๐ฉ๐ฐ๐ธ ๐ฏ๐ขรฏ๐ท๐ฆ ๐บ๐ฐ๐ถ ๐ด๐ฐ๐ถ๐ฏ๐ฅ... ๐ด๐ฆ๐ฏ๐ข๐ต๐ฐ๐ณ๐ด ๐ข๐ฏ๐ฅ ๐ฑ๐ณ๐ฆ๐ด๐ช๐ฅ๐ฆ๐ฏ๐ต๐ด ๐ฅ๐ฐ๐ฏ'๐ต ๐ฉ๐ข๐ท๐ฆ ๐ฎ๐ฆ๐ฏ ๐ฌ๐ช๐ญ๐ญ๐ฆ๐ฅ."
"๐๐ฉ -- ๐ธ๐ฉ๐ฐ'๐ด ๐ฃ๐ฆ๐ช๐ฏ๐จ ๐ฏ๐ขรฏ๐ท๐ฆ, ๐๐ข๐บ?"
Well I guess it's confirmed that this movie predicted Jefferey Epstein.
Have absolutely nothing constructive left to add that hasn't already been rightfully said by everybody else at this point, it's ๐๐ฉ๐ฆ ๐๐ฐ๐ฅ๐ง๐ข๐ต๐ฉ๐ฆ๐ณ - yes it's still a masterpiece. Brando gives the second greatest performance cinema has ever seen in this emotionally rich, lived-in, unstoppable portrait of a vaguely incomprehensible mob boss who is both insatiably bound to and undone by tradition - acting of this caliber is topped only by, you guessed it... James Franco in ๐๐ฑ๐ณ๐ช๐ฏ๐จ ๐๐ณ๐ฆ๐ข๐ฌ๐ฆ๐ณ๐ด! This isn't really all that secretly deep or anything either - it's just really good at what it does. Does the seemingly unachievable task of making a bunch of mob guys sitting around discussing business so fucking riveting. Pacino sits firmly in one of the quintessential starmaking performances, not a single less than exemplary performance can even be found here. The front half of the last hour is rather sloppy, jumping around uncomfortably between times - but remains nonetheless mesmerizing and spotlessly written. And how about that location cinematography? A sprawling, hypnotic dirge - you could write a novel about how amazing this is, and I'm sure people already have.
"๐๐ฉ -- ๐ธ๐ฉ๐ฐ'๐ด ๐ฃ๐ฆ๐ช๐ฏ๐จ ๐ฏ๐ขรฏ๐ท๐ฆ, ๐๐ข๐บ?"
Well I guess it's confirmed that this movie predicted Jefferey Epstein.
Have absolutely nothing constructive left to add that hasn't already been rightfully said by everybody else at this point, it's ๐๐ฉ๐ฆ ๐๐ฐ๐ฅ๐ง๐ข๐ต๐ฉ๐ฆ๐ณ - yes it's still a masterpiece. Brando gives the second greatest performance cinema has ever seen in this emotionally rich, lived-in, unstoppable portrait of a vaguely incomprehensible mob boss who is both insatiably bound to and undone by tradition - acting of this caliber is topped only by, you guessed it... James Franco in ๐๐ฑ๐ณ๐ช๐ฏ๐จ ๐๐ณ๐ฆ๐ข๐ฌ๐ฆ๐ณ๐ด! This isn't really all that secretly deep or anything either - it's just really good at what it does. Does the seemingly unachievable task of making a bunch of mob guys sitting around discussing business so fucking riveting. Pacino sits firmly in one of the quintessential starmaking performances, not a single less than exemplary performance can even be found here. The front half of the last hour is rather sloppy, jumping around uncomfortably between times - but remains nonetheless mesmerizing and spotlessly written. And how about that location cinematography? A sprawling, hypnotic dirge - you could write a novel about how amazing this is, and I'm sure people already have.
LoganCrews (2861 KP) rated Dancer in the Dark (2000) in Movies
Sep 20, 2020
"๐ ๐ฐ๐ถ ๐ค๐ข๐ฏ'๐ต ๐ด๐ฆ๐ฆ, ๐ค๐ข๐ฏ ๐บ๐ฐ๐ถ?"
"๐๐ฉ๐ข๐ต ๐ช๐ด ๐ต๐ฉ๐ฆ๐ณ๐ฆ ๐ต๐ฐ ๐ด๐ฆ๐ฆ?"
Easily the best musical which features a song number smack-dab in the middle of a murder trial. I really wish the last 40 or so minutes (minus the jaw-dropping ending) didn't veer so hard into - truthfully - pretty manipulative and rudimentary melodrama because the rest of this is one of very greatest musical experiences I've ever seen. A hallucinatory crossroads between visionary musical theater and downright grim drama. The behind-the-scenes hell that took place all aside, the entrancing performance that Bjรถrk gives in this is one of the most seminal of the entire millennium. So full of traumatizing characterizations, haunting and experimental musical numbers (not a single bad song to be found), largely genius storytelling, and a mercilessly abusive milieu that it had me shaking and out of breath before the first hour even passed. The way my heart pounded during this is unreal, one of those films where you just *know* something horrible is going to happen just around the corner but you never know when it'll hit - but when it does it's like a ton of bricks being dropped, rinse and repeat. Raw, innovating filmmaking at some of its most unforgettable.
"๐๐ฉ๐ข๐ต ๐ช๐ด ๐ต๐ฉ๐ฆ๐ณ๐ฆ ๐ต๐ฐ ๐ด๐ฆ๐ฆ?"
Easily the best musical which features a song number smack-dab in the middle of a murder trial. I really wish the last 40 or so minutes (minus the jaw-dropping ending) didn't veer so hard into - truthfully - pretty manipulative and rudimentary melodrama because the rest of this is one of very greatest musical experiences I've ever seen. A hallucinatory crossroads between visionary musical theater and downright grim drama. The behind-the-scenes hell that took place all aside, the entrancing performance that Bjรถrk gives in this is one of the most seminal of the entire millennium. So full of traumatizing characterizations, haunting and experimental musical numbers (not a single bad song to be found), largely genius storytelling, and a mercilessly abusive milieu that it had me shaking and out of breath before the first hour even passed. The way my heart pounded during this is unreal, one of those films where you just *know* something horrible is going to happen just around the corner but you never know when it'll hit - but when it does it's like a ton of bricks being dropped, rinse and repeat. Raw, innovating filmmaking at some of its most unforgettable.
A Fatal Flaw
8.0
Rate It
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The brand new Ryder & Loveday novel from global bestseller Faith Martin! 1960, Oxford As the...
Fiction Crime Thriller
Midge (525 KP) rated Restaurant Weeks are Murder in Books
Mar 28, 2019
Murder & Mayhem In The Kitchen
โRestaurant Weeks Are Murderโ is Libby Kleinโs very enjoyable third novel, chock full of madness and mayhem in the โPoppy McAllister Mysteryโ series. The first book is โClass Reunions Are Murder,โ followed by book two which is โMidnight Snacks Are Murder.โ
I havenโt read these other books in this series yet, however, I donโt think that this spoilt my enjoyment of this novel. That said, there is nothing more exciting than picking up a book which is the first in a new series.
Poppy McAllister is opening a new Bed & Breakfast in Cape May, New Jersey, but working in a professional kitchen has always been her passion. Now sheโs realising her dream, at least briefly, as she is teaming up with her former fiancรฉe Tim and his partner, Gigi, during a high-profile Restaurant Week challenge. Poppyโs speciality is pastries and if anyone can make glorious gluten-free goodies, itโs Poppy.
As it might be expected, things start to go badly wrong very quickly, especially when some ingredients get switched and Tim is accused of sabotage. Relatively harmless pranks soon escalate into real hazards, including an exploding deep fat fryer. Then one of the judges dies after taking a bite of Poppyโs limoncello cannoli, making her one of the prime suspects . . .
Forty-odd-year-old, pastry chef, Poppy, the protagonist, lives with her elderly Aunt Ginny and Figaro, her mischievous cat. I found Poppy and many of the other characters very funny and likeable, so much so that I felt as though I would like to spend some time in their company myself! As someone who has read several cozies, Poppyโs Aunt Ginny has become one of my favourite cozy characters. She provided plenty of humour in this book from her choice of outlandish outfits to her zaniness and zest for life. I couldnโt help but adore her and look forward to her mischievous antics.
I liked that the opening chapters drew me into the story and captured my attention immediately. Although I had to wait a while before an actual murder took place, there was never a dull moment with such a lot going on. The mystery itself was well thought out with plenty of twists and turns as I puzzled over the clues to discover the perpetrator.
The book had a natural, steady pace, and even though the murder occurred towards the end of the first half of the book I was kept guessing until the surprising reveal. Delightful and entertaining โRestaurant Weeks Are Murderโ is a highly recommended, quick, light read for all cozy mystery fans.
{Thank you to #NetGalley and Kensington Books for the free copy of this novel and for giving me the opportunity to provide an honest review.}
I havenโt read these other books in this series yet, however, I donโt think that this spoilt my enjoyment of this novel. That said, there is nothing more exciting than picking up a book which is the first in a new series.
Poppy McAllister is opening a new Bed & Breakfast in Cape May, New Jersey, but working in a professional kitchen has always been her passion. Now sheโs realising her dream, at least briefly, as she is teaming up with her former fiancรฉe Tim and his partner, Gigi, during a high-profile Restaurant Week challenge. Poppyโs speciality is pastries and if anyone can make glorious gluten-free goodies, itโs Poppy.
As it might be expected, things start to go badly wrong very quickly, especially when some ingredients get switched and Tim is accused of sabotage. Relatively harmless pranks soon escalate into real hazards, including an exploding deep fat fryer. Then one of the judges dies after taking a bite of Poppyโs limoncello cannoli, making her one of the prime suspects . . .
Forty-odd-year-old, pastry chef, Poppy, the protagonist, lives with her elderly Aunt Ginny and Figaro, her mischievous cat. I found Poppy and many of the other characters very funny and likeable, so much so that I felt as though I would like to spend some time in their company myself! As someone who has read several cozies, Poppyโs Aunt Ginny has become one of my favourite cozy characters. She provided plenty of humour in this book from her choice of outlandish outfits to her zaniness and zest for life. I couldnโt help but adore her and look forward to her mischievous antics.
I liked that the opening chapters drew me into the story and captured my attention immediately. Although I had to wait a while before an actual murder took place, there was never a dull moment with such a lot going on. The mystery itself was well thought out with plenty of twists and turns as I puzzled over the clues to discover the perpetrator.
The book had a natural, steady pace, and even though the murder occurred towards the end of the first half of the book I was kept guessing until the surprising reveal. Delightful and entertaining โRestaurant Weeks Are Murderโ is a highly recommended, quick, light read for all cozy mystery fans.
{Thank you to #NetGalley and Kensington Books for the free copy of this novel and for giving me the opportunity to provide an honest review.}
graveyardgremlin (7194 KP) rated Zombies Vs. Unicorns in Books
Feb 15, 2019
<b>Book Review</b>
I had heard about this feud soon after it started, so when news that a book was coming out I had to read it. C'mon, zombies and unicorns, this is a combination I couldn't miss out on. After a lackluster and disappointing start, with many stories I didn't like at all, I was starting to think I'd have a hard time finishing the book, even with the different authors. It wasn't until The Children of the Revolution by Maureen Johnson on page 147 that the stories picked up and I ended up enjoying the rest, though my enjoyment deviated from okay to great. The "arguments" between editors Holly Black (Team Unicorn) and Justine Larbalestier (Team Zombie) were usually quite amusing, though they themselves don't contribute to the book. I, for one, would have liked to have read their takes on their chosen teams.
I'm not going to review each story individually, but list them with my (very) basic impression of the story. The book has varying degrees of gore, cursing, sexual innuendo and references, bestiality (you read that right, but it's more referred to than shown, thank goodness), suicide, and other violent acts.
<u>Stories</u> (in order of appearance):
*The Highest Justice by Garth Nix (Marked as a unicorn story, this is actually both unicorn and zombie. A decent story.)
*Love Will Tear Us Apart by Alaya Dawn Johnson (Zombie. Did not care for this at all)
*Purity Test by Naomi Novik (Unicorn. Didn't hate this story, but wasn't fond of it either)
*Bougainvillea by Carrie Ryan (Zombie. Didn't like.)
*A Thousand Flowers by Margo Lanagan (Unicorn. Also wasn't fond of.)
*The Children of the Revolution by Maureen Johnson (Zombie. Rather twisted, but so am I, so I enjoyed it.)
*The Care and Feeding of Your Baby Killer Unicorn by Diana Peterfreund (Unicorn. My favorite story in the anthology.)
*Inoculata by Scott Westerfield (Zombie. Pretty good.)
*Princess Prettypants by Meg Cabot (Unicorn. Very tongue-in-cheek, I liked this story a lot.)
*Cold Hands by Cassandra Clare (Zombie. Interesting world created here. Definitely passed my likability test.)
*The Third Virgin by Kathleen Duey (Unicorn. An okay story.)
*Prom Night by Libba Bray (Zombie. Second favorite of the book and very close to a tie with Peterfreund's tale.)
The unicorn stories went in many different directions, with all sorts of unicorns, while most of the zombie stories stayed where you would expect them and had typical zombies, though there were a few surprises still in store. I went into this as Team Zombie, and while my favorite was a unicorn story, I still firmly remain with the shamblers. Overall, I ended up enjoying the majority of the book, so if you're interested in zombies, unicorns, or especially both, pick this up for an interesting assortment of stories.
3.5 stars for the print version
<b>Audio Review</b>
This unabridged CD set includes ten discs, which average a little over one story each, though generally there is one whole story bookended by the end of one preceding it and the start of another afterward that will continue onto the next disc. They have very short chapters, generally less than a minute and I could tell when each chapter ended and the next began, which didn't make for totally smooth listening but it also wasn't too bad either. I would have rather have had longer chapters that had a clearer starting and stopping point to make it easier to find my place again. Most of the readers, both male and female, sound fairly young, which makes sense since this is a YA anthology, but the majority also sounded as if they were reading to school children, which makes for annoying listening. I found most of the voices grating and unfortunately none of them are named for me to be more specific. However, the one male was fine and the woman who did Diana Peterfreund was good and I believe she also narrated one or two others in the book. The use of sound effects break up stories, a groan that also says "brains" for zombies and trumpets and a horse whinny for unicorns. Immediately after is the intro from the editors with their ongoing debate that became increasingly irritating as I read on; this may have to do with how they performed those discussions. As written word, these exchanges are far more entertaining. For the most part, I really didn't enjoy listening to this and much prefer reading it in print.
2 stars for audio
I had heard about this feud soon after it started, so when news that a book was coming out I had to read it. C'mon, zombies and unicorns, this is a combination I couldn't miss out on. After a lackluster and disappointing start, with many stories I didn't like at all, I was starting to think I'd have a hard time finishing the book, even with the different authors. It wasn't until The Children of the Revolution by Maureen Johnson on page 147 that the stories picked up and I ended up enjoying the rest, though my enjoyment deviated from okay to great. The "arguments" between editors Holly Black (Team Unicorn) and Justine Larbalestier (Team Zombie) were usually quite amusing, though they themselves don't contribute to the book. I, for one, would have liked to have read their takes on their chosen teams.
I'm not going to review each story individually, but list them with my (very) basic impression of the story. The book has varying degrees of gore, cursing, sexual innuendo and references, bestiality (you read that right, but it's more referred to than shown, thank goodness), suicide, and other violent acts.
<u>Stories</u> (in order of appearance):
*The Highest Justice by Garth Nix (Marked as a unicorn story, this is actually both unicorn and zombie. A decent story.)
*Love Will Tear Us Apart by Alaya Dawn Johnson (Zombie. Did not care for this at all)
*Purity Test by Naomi Novik (Unicorn. Didn't hate this story, but wasn't fond of it either)
*Bougainvillea by Carrie Ryan (Zombie. Didn't like.)
*A Thousand Flowers by Margo Lanagan (Unicorn. Also wasn't fond of.)
*The Children of the Revolution by Maureen Johnson (Zombie. Rather twisted, but so am I, so I enjoyed it.)
*The Care and Feeding of Your Baby Killer Unicorn by Diana Peterfreund (Unicorn. My favorite story in the anthology.)
*Inoculata by Scott Westerfield (Zombie. Pretty good.)
*Princess Prettypants by Meg Cabot (Unicorn. Very tongue-in-cheek, I liked this story a lot.)
*Cold Hands by Cassandra Clare (Zombie. Interesting world created here. Definitely passed my likability test.)
*The Third Virgin by Kathleen Duey (Unicorn. An okay story.)
*Prom Night by Libba Bray (Zombie. Second favorite of the book and very close to a tie with Peterfreund's tale.)
The unicorn stories went in many different directions, with all sorts of unicorns, while most of the zombie stories stayed where you would expect them and had typical zombies, though there were a few surprises still in store. I went into this as Team Zombie, and while my favorite was a unicorn story, I still firmly remain with the shamblers. Overall, I ended up enjoying the majority of the book, so if you're interested in zombies, unicorns, or especially both, pick this up for an interesting assortment of stories.
3.5 stars for the print version
<b>Audio Review</b>
This unabridged CD set includes ten discs, which average a little over one story each, though generally there is one whole story bookended by the end of one preceding it and the start of another afterward that will continue onto the next disc. They have very short chapters, generally less than a minute and I could tell when each chapter ended and the next began, which didn't make for totally smooth listening but it also wasn't too bad either. I would have rather have had longer chapters that had a clearer starting and stopping point to make it easier to find my place again. Most of the readers, both male and female, sound fairly young, which makes sense since this is a YA anthology, but the majority also sounded as if they were reading to school children, which makes for annoying listening. I found most of the voices grating and unfortunately none of them are named for me to be more specific. However, the one male was fine and the woman who did Diana Peterfreund was good and I believe she also narrated one or two others in the book. The use of sound effects break up stories, a groan that also says "brains" for zombies and trumpets and a horse whinny for unicorns. Immediately after is the intro from the editors with their ongoing debate that became increasingly irritating as I read on; this may have to do with how they performed those discussions. As written word, these exchanges are far more entertaining. For the most part, I really didn't enjoy listening to this and much prefer reading it in print.
2 stars for audio
BankofMarquis (1832 KP) rated The Irishman (2019) in Movies
Nov 30, 2019
Delivers What Is Expected
Like eating comfort food on a cold, wintery day, sitting down to catch the latest Scorsese/DeNiro mob movie filled me with a warmth that was satisfying for it's familiarity. It is a film landscape mined by professionals who know this genre of movie well.
There is a terrific film in this 3 1/2 hour epic - if only "Marty" would have trimmed the fat to find it.
Telling the real-life story (with some conjecture and fabrications), THE IRISHMAN tells the tale of...well...Irishman Frank Sheeran (Robert DeNiro) a working stiff who rises in the ranks of mobster Russell Buffalino (Joe Pesci) to be one of his chief enforcers and the personal bodyguard to Jimmy Hoffa (Al Paciino).
In the lead, DeNiro commands the screen like the DeNiro of old. His Frank Sheeran is menacing, razor-focused on his objectives. You never question Frank's loyalties and his ability to keep silent. DeNiro shows this by be being silent for a good part of this film, even though he is on screen for most of it. He is a commanding force that requires that we pay attention to him.
It was good to see Pesci back onscreen as Russell Buffalino. His mob boss is pragmatic, making decisions sternly and expecting his people to follow them, no questions asked. His presence on the screen is almost as commanding as DeNiro's and I wouldn't be surprised to see DeNiro (Best Actor) and Pesci (Best Supporting Actor) be in the mix come Oscar time.
In lesser, (almost cameo), roles - but faring very well - is a "who's who" of character actors, Harvey Keitel (who I would have LOVED to have seen much, much more in this film), Ray Romano, Bobby Canavale, Jesse Pleimens and Anna Paquin, I'm sure all jumped at the chance to appear - however briefly - in a Scorsese mob epic.
Faring less well in this film is Al Pacio as Jimmy Hoffa. He is back to his "yelling Al Pacino" ways of films like SCENT OF A WOMAN. His Hoffa is pretty one note and, consequently, his scenes with DeNiro are ineffective mostly because Pacino is chewing up the scenery (and yelling) while DeNiro is sitting silent and staring and listening to Pacino. This was a major disappointment for me, but (fortunately), Hoffa is in only about 1/3 of this long film, so while it hampered my enjoyment of the film, it didn't ruin it.
Credit (and blame) for all of this goes to master Director Martin Scorsese who has mined these waters more successfully in CASINO, THE DEPARTED and GOODFELLAS (his best film, IMO). This film is a loving pastiche to these types of films and a bygone era - and he chose to make it for NETFLIX for he wanted to make a sprawling epic and take his time in telling the story he wanted to tell. This is evidenced in the 3 1/2 hour length of this film, which if filled with long tracking shots set to a backdrop of Italian crooners singing old standards. It's a throwback to a different time and place, one that these players know well.
Scorsese has stated the he only decided to make this film because the "de-aging" software the he used to make DeNiro and Pesci look 30 years younger was "good enough" to use. And I would agree with that statement. The de-aging of these 2 (and others) is "good enough", in some scenes I forgot I was watching a de-aged DeNiro and Pesci, while in some other scenes, I could spot the trick. Again, it was "good enough" and not distracting (unless you were looking to make it distracting, then you probably found what you were looking for).
But for me - a fan of these types of films, I was not disappointed. It was about what I expected it to be. If you were looking for something different and new, look elsewhere, you will be disappointed.
Letter Grade: B+
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
There is a terrific film in this 3 1/2 hour epic - if only "Marty" would have trimmed the fat to find it.
Telling the real-life story (with some conjecture and fabrications), THE IRISHMAN tells the tale of...well...Irishman Frank Sheeran (Robert DeNiro) a working stiff who rises in the ranks of mobster Russell Buffalino (Joe Pesci) to be one of his chief enforcers and the personal bodyguard to Jimmy Hoffa (Al Paciino).
In the lead, DeNiro commands the screen like the DeNiro of old. His Frank Sheeran is menacing, razor-focused on his objectives. You never question Frank's loyalties and his ability to keep silent. DeNiro shows this by be being silent for a good part of this film, even though he is on screen for most of it. He is a commanding force that requires that we pay attention to him.
It was good to see Pesci back onscreen as Russell Buffalino. His mob boss is pragmatic, making decisions sternly and expecting his people to follow them, no questions asked. His presence on the screen is almost as commanding as DeNiro's and I wouldn't be surprised to see DeNiro (Best Actor) and Pesci (Best Supporting Actor) be in the mix come Oscar time.
In lesser, (almost cameo), roles - but faring very well - is a "who's who" of character actors, Harvey Keitel (who I would have LOVED to have seen much, much more in this film), Ray Romano, Bobby Canavale, Jesse Pleimens and Anna Paquin, I'm sure all jumped at the chance to appear - however briefly - in a Scorsese mob epic.
Faring less well in this film is Al Pacio as Jimmy Hoffa. He is back to his "yelling Al Pacino" ways of films like SCENT OF A WOMAN. His Hoffa is pretty one note and, consequently, his scenes with DeNiro are ineffective mostly because Pacino is chewing up the scenery (and yelling) while DeNiro is sitting silent and staring and listening to Pacino. This was a major disappointment for me, but (fortunately), Hoffa is in only about 1/3 of this long film, so while it hampered my enjoyment of the film, it didn't ruin it.
Credit (and blame) for all of this goes to master Director Martin Scorsese who has mined these waters more successfully in CASINO, THE DEPARTED and GOODFELLAS (his best film, IMO). This film is a loving pastiche to these types of films and a bygone era - and he chose to make it for NETFLIX for he wanted to make a sprawling epic and take his time in telling the story he wanted to tell. This is evidenced in the 3 1/2 hour length of this film, which if filled with long tracking shots set to a backdrop of Italian crooners singing old standards. It's a throwback to a different time and place, one that these players know well.
Scorsese has stated the he only decided to make this film because the "de-aging" software the he used to make DeNiro and Pesci look 30 years younger was "good enough" to use. And I would agree with that statement. The de-aging of these 2 (and others) is "good enough", in some scenes I forgot I was watching a de-aged DeNiro and Pesci, while in some other scenes, I could spot the trick. Again, it was "good enough" and not distracting (unless you were looking to make it distracting, then you probably found what you were looking for).
But for me - a fan of these types of films, I was not disappointed. It was about what I expected it to be. If you were looking for something different and new, look elsewhere, you will be disappointed.
Letter Grade: B+
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
Chris Sawin (602 KP) rated Book of Blood (2008) in Movies
Jun 20, 2019
"The dead have highways. Highways that lead to intersections and intersections that spill into our world. And if you find yourself at one of those intersections, you should stop and you should listen because the dead have stories to tell."
Mary Florescu, writer, teacher, and overall expert of the paranormal, is still looking for the distinct evidence of supernatural occurences. A house catches her eye that has been on the market since the daughter of the couple living there before had been murdered. It's said the original homeowner was thrown against the wall by an invisible force so hard that shards of his broken bones pierced his lungs and he choked to death on his own blood. During each incident, the message, "Don't mock us," was found written in blood on the closet doors. Mary decides to move into the house to find proof of the supernatural, bringing an audio/video technician, Reg Fuller, to help document anything they find. A new student, Simon McNeal, transfers into Mary's class. He seems to have a special gift related to the paranormal and is brought into the house to help work with Mary and Reg on the project. Strange occurences seem to begin immediately and only get more violent as they occur. But as things progress, the relationship between Mary and Simon turns physical and suspicious evidence is found in Simon's bag that point to him being a fake. Is the house actually "haunted," or is Simon playing everyone for a fool?
I'm a fairly big fan of Clive Barker's work. I've loved the books and stories (Books of Blood Vol. 1-3, Mister B. Gone, The Hellbound Heart) of his that I've read and several of his films (Hellraiser, Midnight Meat Train) are some of the best the horror genre has to offer. Midnight Meat Train was probably the best horror film to come out of last year, so my expectations were high when I heard about this film and saw the trailer. This was one of my most anticipated horror films of the year even though it seemed to get the short end of the stick with its release much like what happened with Midnight Meat Train. I can tell you that Book of Blood is a good watch, but it may not be what you're expecting.
Book of Blood has its bloody moments, but it's not an all out gorefest. It's actually more of a supernatural thriller. The director, John Harrison, described the film as being more along the lines of films like The Others and The Orphanage. It relies more on mood and atmosphere rather than blood and guts splattering all over your face, which isn't a bad thing at all if done correctly. Book of Blood almost pulls that aspect of the film flawlessly. I say, "almost," because certain lines of dialogue ("I promise we will listen and I will tell your stories to the world.") and a few of the things that happened in the final act of the film (steel briefcase...it'll make sense when you see it) seem a bit cheesy, but may sit better with me on repeat viewings.
The film actually reminded me of Hellraiser quite a bit throughout the film. Other than Doug Bradley's brief cameo (if you blink, you'll probably miss him), the opening scene of when Reg and Mary go into the room where everything happened just reminds me of Frank staying in the attic in Hellraiser. Hellraiser is one of my favorite horror films, so the brief nod to the film (whether intentional or not) was very welcome to me.
My main concern with Book of Blood was how they were going to turn a short story that was originally just an introduction to the actual Books of Blood by Clive Barker into a full length film. The concern wound up being for nothing as Book of Blood met nearly all of my expectations and was extremely faithful to the original material while bringing in elements from another one of his stories called, "On Jerusalem Street." The story fleshes out nicely and the acting is good, for the most part. I think the perfectionist in me kept me from rating this any higher, but I'd definitely recommend it as it's a worthy addition to any avid horror movie enthusiast's collection.
Mary Florescu, writer, teacher, and overall expert of the paranormal, is still looking for the distinct evidence of supernatural occurences. A house catches her eye that has been on the market since the daughter of the couple living there before had been murdered. It's said the original homeowner was thrown against the wall by an invisible force so hard that shards of his broken bones pierced his lungs and he choked to death on his own blood. During each incident, the message, "Don't mock us," was found written in blood on the closet doors. Mary decides to move into the house to find proof of the supernatural, bringing an audio/video technician, Reg Fuller, to help document anything they find. A new student, Simon McNeal, transfers into Mary's class. He seems to have a special gift related to the paranormal and is brought into the house to help work with Mary and Reg on the project. Strange occurences seem to begin immediately and only get more violent as they occur. But as things progress, the relationship between Mary and Simon turns physical and suspicious evidence is found in Simon's bag that point to him being a fake. Is the house actually "haunted," or is Simon playing everyone for a fool?
I'm a fairly big fan of Clive Barker's work. I've loved the books and stories (Books of Blood Vol. 1-3, Mister B. Gone, The Hellbound Heart) of his that I've read and several of his films (Hellraiser, Midnight Meat Train) are some of the best the horror genre has to offer. Midnight Meat Train was probably the best horror film to come out of last year, so my expectations were high when I heard about this film and saw the trailer. This was one of my most anticipated horror films of the year even though it seemed to get the short end of the stick with its release much like what happened with Midnight Meat Train. I can tell you that Book of Blood is a good watch, but it may not be what you're expecting.
Book of Blood has its bloody moments, but it's not an all out gorefest. It's actually more of a supernatural thriller. The director, John Harrison, described the film as being more along the lines of films like The Others and The Orphanage. It relies more on mood and atmosphere rather than blood and guts splattering all over your face, which isn't a bad thing at all if done correctly. Book of Blood almost pulls that aspect of the film flawlessly. I say, "almost," because certain lines of dialogue ("I promise we will listen and I will tell your stories to the world.") and a few of the things that happened in the final act of the film (steel briefcase...it'll make sense when you see it) seem a bit cheesy, but may sit better with me on repeat viewings.
The film actually reminded me of Hellraiser quite a bit throughout the film. Other than Doug Bradley's brief cameo (if you blink, you'll probably miss him), the opening scene of when Reg and Mary go into the room where everything happened just reminds me of Frank staying in the attic in Hellraiser. Hellraiser is one of my favorite horror films, so the brief nod to the film (whether intentional or not) was very welcome to me.
My main concern with Book of Blood was how they were going to turn a short story that was originally just an introduction to the actual Books of Blood by Clive Barker into a full length film. The concern wound up being for nothing as Book of Blood met nearly all of my expectations and was extremely faithful to the original material while bringing in elements from another one of his stories called, "On Jerusalem Street." The story fleshes out nicely and the acting is good, for the most part. I think the perfectionist in me kept me from rating this any higher, but I'd definitely recommend it as it's a worthy addition to any avid horror movie enthusiast's collection.
A Bibliophagist (113 KP) rated Warcross in Books
Jan 27, 2020
Decent characters (2 more)
Plot
Pacing
YA formula (2 more)
Predictable
Not enough of the game
YA VR fun
I really enjoyed this book, as VR stories are some of my favorite types and rarely done well. This one was done well enough but suffered the large YA pitfall of there would be no story had people actually communicated with each other.
The story follows Emika, a scrappy teen living in the slums of (I think New York). As YA books tend to do, she is a normal, poor, orphan girl, who happens to be able to afford to dye her hair rainbow, and oh, I forgot to mention, very good at hacking. The world is fully submerged into the Nuerolink, which are AR/VR glasses almost everyone has, that handle the internet, gaming worlds, infrastructure etc etc. The most popular aspect is a game on the Nuerolink called Warcross, a rather simple Team vs Team capture the flag with power-ups and battling. Football move over, Warcross is where it's at. Because the nuerolink is so ingrained into society, a seedy underbelly of gambling and dark web has cropped up, and Emika makes her pennies as a bounty hunter for people who gamble in Warcross games. On the eve of the Opening of the biggest Warcross Tournament of the year (which takes up like... 6 months of the year...) Emika is being threatened with eviction, failed to get a bounty that would have fixed her situation. So as far as YA tropes go we can check off "ordinary, but special girl of poor circumstances".
Emika and her roommate, even though they are facing a looming eviction, log into the neurolink to experience the opening day ceremony. This is where Lu really introduces the ability of the nuerolink and where we can underline the "special" aspect of our tropey lead, as she somehow hacks herself into the opening game ceremony, revealing herself to the world. This is probably a good place to point out that hacking in this book is pretty much just Emika saying "I hacked into this thing" and little more than that. She runs a program here and there, that always does what she wants. Honestly as the story progresses I forget that she hacks, but the book doesn't let you forget that she's "super good at it".
Now fearing more than just eviction, but fearing for her freedom as she just did something very illegal, Emika is surprised when her world is turned upside down and she's spirited away by the Nuerolink creator to Tokyo. The creator being hot boy Hideo, whom she has been just ever so obsessed with since she was a kid, and much to her fantasies, he thinks she is special and needs her hacker expertise to track down someone that's been messing with the code in the game. BUT she needs to do it from within the game. So now she's going to be in the big game of the year as a player, a spy, and a hacker. Somehow juggling the investigation and playing a game professionally that she's the only kind of dabbled in (as far as we know, YA spoiler alert, she's super good at it).
I know I sound snarky, and like I didn't like the book, but I did. once you just accept the YA formula and that this book will be full of it, you can just lean back an enjoy the ride. Emika finds herself in a deep plot that involves other players, the dark web, and the ghosts of Hideo's past. Of course because YA Hideo is just smitten with Emika from the get go. She's great at the game, everyone acknowledges how special she is, but the big YA factor I struggled with over looking was the utter lack of communication. This whole book could've ended in a few chapters had the characters just communicated with each other. But there was always some kind of personal justification for why they couldn't just talk to each other.
I found the game world to be well thought out and interesting, just unfortunately it didn't get nearly as much page time as I'd like. I get that the story is about the scheme around the game, and not the game, but Lu introduced her as a player so I wanted more. I wanted more intereaction with her teammates, more development. She never felt like she was part of the group to me, which made it harder to believe in the second book when they all go out of their way to help her. The romance with Hideo was heavy-handed but cute, so I didn't mind it. But I kept finding myself wanting more gameplay. It's called Warcross for goodness sake.
One thing I have to commend Lu on is that it has a decent number of legitimate twists. Twists that made me actually gasp once or twice. That kept me intrigued and made me read it in a day. But unfortunately, while a fun little romp, the story's reliance on bad communication and YA tropes to advance the plot made the book lack a soul that really could take the story to the next level. I didn't care too much about anyone. I just wanted answers more than anything. But instead, we get a mysterious bad guy being cryptic, even though if he wasn't cryptic we could have avoided a lot and Emika always winning cause she's special. Though most of the information she gets is freely given to her and had nothing to do with her skills as a hacker.
When my boyfriend asked me if I liked it, I shrugged and said "yea it was fun, can we go get the second book". But I didn't have the overwhelming desire to tell him the plot or anything else as I do with books that truly resonate with me. To be fair when I did attempt to describe it the soap opera YA aspect seemed glaring and he just rolled his eyes.
Absolutely worth a read, especially if you enjoy this genre. But just don't go in expecting it to be special, it follows the YA formula to a T.
The story follows Emika, a scrappy teen living in the slums of (I think New York). As YA books tend to do, she is a normal, poor, orphan girl, who happens to be able to afford to dye her hair rainbow, and oh, I forgot to mention, very good at hacking. The world is fully submerged into the Nuerolink, which are AR/VR glasses almost everyone has, that handle the internet, gaming worlds, infrastructure etc etc. The most popular aspect is a game on the Nuerolink called Warcross, a rather simple Team vs Team capture the flag with power-ups and battling. Football move over, Warcross is where it's at. Because the nuerolink is so ingrained into society, a seedy underbelly of gambling and dark web has cropped up, and Emika makes her pennies as a bounty hunter for people who gamble in Warcross games. On the eve of the Opening of the biggest Warcross Tournament of the year (which takes up like... 6 months of the year...) Emika is being threatened with eviction, failed to get a bounty that would have fixed her situation. So as far as YA tropes go we can check off "ordinary, but special girl of poor circumstances".
Emika and her roommate, even though they are facing a looming eviction, log into the neurolink to experience the opening day ceremony. This is where Lu really introduces the ability of the nuerolink and where we can underline the "special" aspect of our tropey lead, as she somehow hacks herself into the opening game ceremony, revealing herself to the world. This is probably a good place to point out that hacking in this book is pretty much just Emika saying "I hacked into this thing" and little more than that. She runs a program here and there, that always does what she wants. Honestly as the story progresses I forget that she hacks, but the book doesn't let you forget that she's "super good at it".
Now fearing more than just eviction, but fearing for her freedom as she just did something very illegal, Emika is surprised when her world is turned upside down and she's spirited away by the Nuerolink creator to Tokyo. The creator being hot boy Hideo, whom she has been just ever so obsessed with since she was a kid, and much to her fantasies, he thinks she is special and needs her hacker expertise to track down someone that's been messing with the code in the game. BUT she needs to do it from within the game. So now she's going to be in the big game of the year as a player, a spy, and a hacker. Somehow juggling the investigation and playing a game professionally that she's the only kind of dabbled in (as far as we know, YA spoiler alert, she's super good at it).
I know I sound snarky, and like I didn't like the book, but I did. once you just accept the YA formula and that this book will be full of it, you can just lean back an enjoy the ride. Emika finds herself in a deep plot that involves other players, the dark web, and the ghosts of Hideo's past. Of course because YA Hideo is just smitten with Emika from the get go. She's great at the game, everyone acknowledges how special she is, but the big YA factor I struggled with over looking was the utter lack of communication. This whole book could've ended in a few chapters had the characters just communicated with each other. But there was always some kind of personal justification for why they couldn't just talk to each other.
I found the game world to be well thought out and interesting, just unfortunately it didn't get nearly as much page time as I'd like. I get that the story is about the scheme around the game, and not the game, but Lu introduced her as a player so I wanted more. I wanted more intereaction with her teammates, more development. She never felt like she was part of the group to me, which made it harder to believe in the second book when they all go out of their way to help her. The romance with Hideo was heavy-handed but cute, so I didn't mind it. But I kept finding myself wanting more gameplay. It's called Warcross for goodness sake.
One thing I have to commend Lu on is that it has a decent number of legitimate twists. Twists that made me actually gasp once or twice. That kept me intrigued and made me read it in a day. But unfortunately, while a fun little romp, the story's reliance on bad communication and YA tropes to advance the plot made the book lack a soul that really could take the story to the next level. I didn't care too much about anyone. I just wanted answers more than anything. But instead, we get a mysterious bad guy being cryptic, even though if he wasn't cryptic we could have avoided a lot and Emika always winning cause she's special. Though most of the information she gets is freely given to her and had nothing to do with her skills as a hacker.
When my boyfriend asked me if I liked it, I shrugged and said "yea it was fun, can we go get the second book". But I didn't have the overwhelming desire to tell him the plot or anything else as I do with books that truly resonate with me. To be fair when I did attempt to describe it the soap opera YA aspect seemed glaring and he just rolled his eyes.
Absolutely worth a read, especially if you enjoy this genre. But just don't go in expecting it to be special, it follows the YA formula to a T.
Remind Me (Mystic Beach Fantasy Rockstar Romances, #4)
10.0
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Recipe for a Delicious Love Story: โข 1 spicy rockstar โข 1 salty chef โข a sweet first love ...
Paranormal RockStar Romance