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Steven Fell (41 KP) rated Nothing is True & Everything is Possible by Enter Shikari in Music
Apr 21, 2020 (Updated Apr 21, 2020)
Mix of old and new styles of Shikari (3 more)
Songs that are going to be incredible live
Satellites message
Overall a solid set of songs
Will divide fans (2 more)
Pace is up and down
May be hard to sell for new listeners of the band
The definitive album?
Nothing is true and everything is possible is the 5th studio album by Enter Shikari was released on Friday 17th April 2020 containing 15 'songs'. While speaking about the album before release Rou the lead singer and only producer of the album described the album as the definitive Enter Shikari album. This statement is very important and for me changed how I listened to the album. For the most part I agree with Rou. It's an album full of songs that could fit into any of Shikari's previous albums or even their side project Shikari sound system. It also gives us clues into a new direction they may want to take.
This is also the problem NITEIP may face with dividing fans. Shikari's last album The Spark was met with some hesitation from the band's most devoted fans from being very different from say their earlier work like take to the skies and common dreads. Taking a more 'softer' approach and really letting Rou's voice carry the songs. The Spark happens to be my favourite Shikari album and I think Rou has one of the greatest lead singer voices in recent times and doesn't always get the recognition he deserves.
Two songs that I beileve may take diehard fans out of the album are crossing the Rubicon and The pressures on. Both are very 'poppy' and could easily be slotted onto a more main stream bands album. Although crossing the Rubicon has a little Easter egg back to labyrinth and a catchy chorus which will get stuck in your head. Crossing the Rubicon does feels weirdly out of place though, sandwhiched between the quite frankly phenomenal opening track the great unknown and the lead single the dreamers hotel which also deserves credit for being a tune that will surely make people 'pop' live, it is also rightly in my eyes the lead single.
Shikari gifted us with five songs just before release the great unknown, the dreamers hotel, the king, T.I.N.A and satellites. All of these songs are brilliant and really got me excited for the album but compared to the other tracks may leave people disappointed that this isn't the style throughout the album. However I found myself loving the slower pace to both parts of waltzing of the face of the earth. Marionettes is another two parter which is also slower to begin with in part one but builds brilliantly into Marionettes part 2s chorus which is an absolute blast and I find my self bellowing it out. It showcases both rou's incredible writing and beautiful voice with the line "our minds are firewood and now we spark the match, we set ourselves alight" being my favourite lyrics on the entire album.
Satellites the second single off the album released the day before the album dropped is a very passionate piece that was wrote by Rou and in his own words was to show his compassion towards the LGBTQ community. "So we don't hold hands in daylight" a line from the song in which rou's friend told him he was scared to do brings you instantly into one of Shikari's most meaningful and deeply involving songs throughout their discography. Another song that is surely going to be a hit and already been given great feedback online which also manages to show that Rou's writing is both on top form and evolving album to album.
T.I.N.A was my least favourite of the songs released before the album but is cleverly placed after Reprise 3 which is an Easter egg fans will crave and really makes T.I.N.A one of the standout tracks. The king my personal favourite from the album is a song that feels both familiar and fresh which I wish was placed last to close out the album but I also understand finishing with waltzing of the face of the earth part 2 as a come down song but this may again take people away from the album wanting to finish on a banger.
Modern living is one of the songs that really caught my ear on my first play through and even made me instantly replay it. It has a very nineties vibe which you could imagine a band like blur releasing. It is followed by apocholics anonymous which for me is a skipable track that although feeds from modern living doesn't add to it like reprise 3 does for T.I.N.A.
Elegcy for extinction is a completely different beast compared to anything Enter Shikari have released before. It's a orchestral piece with no lyrics that would easily fit on a film score and even sounds Disney esque to begin with before possibly finishing in a battle. Well that's how I saw it in my head. This is another song that may divide people but it's a compelling piece that makes me believe the band could easily venture into movie scores into the future which is something I didn't know I needed.
Special mention needs to go for creating an album where it feels every type type of instrument was used and to full effect. I also believe this is the album where Rob Rolfe really gets to shine on drums. To me it feels like you can hear his confidence come through in some of the most intense songs.
To summarise this does feel like a collection of Shikari styles which will both please and annoy fans. For me I found it a pleasant surprise and came at a time where we all needed a pick up. Shikari have always managed to blend genres of music and this is an album showcasing their talent to do just that, even managing to tackle classical. As for it being the definitive album I would have to agree with Rou with it being an album that manages to make me reminisce and look forward to the future.
Thanks for reading and I hope you enjoy the album. Stay safe.
Steve
This is also the problem NITEIP may face with dividing fans. Shikari's last album The Spark was met with some hesitation from the band's most devoted fans from being very different from say their earlier work like take to the skies and common dreads. Taking a more 'softer' approach and really letting Rou's voice carry the songs. The Spark happens to be my favourite Shikari album and I think Rou has one of the greatest lead singer voices in recent times and doesn't always get the recognition he deserves.
Two songs that I beileve may take diehard fans out of the album are crossing the Rubicon and The pressures on. Both are very 'poppy' and could easily be slotted onto a more main stream bands album. Although crossing the Rubicon has a little Easter egg back to labyrinth and a catchy chorus which will get stuck in your head. Crossing the Rubicon does feels weirdly out of place though, sandwhiched between the quite frankly phenomenal opening track the great unknown and the lead single the dreamers hotel which also deserves credit for being a tune that will surely make people 'pop' live, it is also rightly in my eyes the lead single.
Shikari gifted us with five songs just before release the great unknown, the dreamers hotel, the king, T.I.N.A and satellites. All of these songs are brilliant and really got me excited for the album but compared to the other tracks may leave people disappointed that this isn't the style throughout the album. However I found myself loving the slower pace to both parts of waltzing of the face of the earth. Marionettes is another two parter which is also slower to begin with in part one but builds brilliantly into Marionettes part 2s chorus which is an absolute blast and I find my self bellowing it out. It showcases both rou's incredible writing and beautiful voice with the line "our minds are firewood and now we spark the match, we set ourselves alight" being my favourite lyrics on the entire album.
Satellites the second single off the album released the day before the album dropped is a very passionate piece that was wrote by Rou and in his own words was to show his compassion towards the LGBTQ community. "So we don't hold hands in daylight" a line from the song in which rou's friend told him he was scared to do brings you instantly into one of Shikari's most meaningful and deeply involving songs throughout their discography. Another song that is surely going to be a hit and already been given great feedback online which also manages to show that Rou's writing is both on top form and evolving album to album.
T.I.N.A was my least favourite of the songs released before the album but is cleverly placed after Reprise 3 which is an Easter egg fans will crave and really makes T.I.N.A one of the standout tracks. The king my personal favourite from the album is a song that feels both familiar and fresh which I wish was placed last to close out the album but I also understand finishing with waltzing of the face of the earth part 2 as a come down song but this may again take people away from the album wanting to finish on a banger.
Modern living is one of the songs that really caught my ear on my first play through and even made me instantly replay it. It has a very nineties vibe which you could imagine a band like blur releasing. It is followed by apocholics anonymous which for me is a skipable track that although feeds from modern living doesn't add to it like reprise 3 does for T.I.N.A.
Elegcy for extinction is a completely different beast compared to anything Enter Shikari have released before. It's a orchestral piece with no lyrics that would easily fit on a film score and even sounds Disney esque to begin with before possibly finishing in a battle. Well that's how I saw it in my head. This is another song that may divide people but it's a compelling piece that makes me believe the band could easily venture into movie scores into the future which is something I didn't know I needed.
Special mention needs to go for creating an album where it feels every type type of instrument was used and to full effect. I also believe this is the album where Rob Rolfe really gets to shine on drums. To me it feels like you can hear his confidence come through in some of the most intense songs.
To summarise this does feel like a collection of Shikari styles which will both please and annoy fans. For me I found it a pleasant surprise and came at a time where we all needed a pick up. Shikari have always managed to blend genres of music and this is an album showcasing their talent to do just that, even managing to tackle classical. As for it being the definitive album I would have to agree with Rou with it being an album that manages to make me reminisce and look forward to the future.
Thanks for reading and I hope you enjoy the album. Stay safe.
Steve
Kristy H (1252 KP) rated Y is for Yesterday (Kinsey Millhone, #25) in Books
Feb 13, 2018
The 25th book in Sue Grafton's formidable Kinsey Millhone series actually kicks us back to 1979, where a group of male teens at a private school in Santa Teresa are found responsible for killing a female classmate. Several went to prison and now the one deemed responsible for the murder, Fritz McCabe, has been released. His parents hire Kinsey to assist them with a blackmail case--apparently these juvenile delinquents also made a sex tape before the murder, and it's turned up with Fritz's release. Kinsey quickly finds herself drawn up in their twisted world, but she's also watching her back, as Ned Lowe from [b:X|24940998|X (Kinsey Millhone, #24)|Sue Grafton|https://images.gr-assets.com/books/1429811123s/24940998.jpg|44598633] still has his sights set on Kinsey.
The result is two pronged story--a focus on Kinsey as she tackles the McCabes and their blackmail/extortion plot, delving deeper into the 1979 murder and sexual assault, but also a continuation of the Ned Lowe story and its associated players. <i>There's a lot going on in this book,</i> as Grafton also throws in a plotline involving romantic shenanigans with Kinsey's cousin, Anna, plus Henry's hosting of the homeless Pearl and her pals in his backyard. Grafton is pretty deft at juggling multiple threads, but whew. The one thing I can say, is that both the Ned situation and the teens' videotape allow for some very timely and nuanced thoughts and ruminations on rape, and you sadly realize we haven't made any progress in society on this front since in the 1980s.
Alas, though, for me, <i>this novel gets off to a slow start and never fully recovers.</i> It took a while to keep track of all the teen players from '79 (and present), and the jumps in time in the storytelling don't really help. Even worse, our heroine, Kinsey, is off her game after the attack from Ned. Yes, she is still the Kinsey we know and love, but she's hurting, more cautious, and changed, and well, it's hard to read about sometimes.
The novel just seemed more tedious than usual and bogged down in some unnecessary details. There were definitely moments with Kinsey that made me smile and laugh, but otherwise, we don't have many characters to root for. The entire group originating in 1979 is pretty despicable. Their story picks up a bit at the end, and I was definitely interested in the outcome, but it didn't have the same flair as previous Kinsey novels. Of note, though, despite how different technology was in the late '70s, Grafton did a good job in denoting how teens remain teens, regardless the decade.
Overall, I will always love Kinsey, but the last two in this series have been a bit disappointing. Here's hoping that <i>Z</i> ends on a high note fitting our beloved heroine.
You can read my review of X <a href="https://www.goodreads.com/review/show/1268956692?book_show_action=false&from_review_page=1">here</a>;.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
The result is two pronged story--a focus on Kinsey as she tackles the McCabes and their blackmail/extortion plot, delving deeper into the 1979 murder and sexual assault, but also a continuation of the Ned Lowe story and its associated players. <i>There's a lot going on in this book,</i> as Grafton also throws in a plotline involving romantic shenanigans with Kinsey's cousin, Anna, plus Henry's hosting of the homeless Pearl and her pals in his backyard. Grafton is pretty deft at juggling multiple threads, but whew. The one thing I can say, is that both the Ned situation and the teens' videotape allow for some very timely and nuanced thoughts and ruminations on rape, and you sadly realize we haven't made any progress in society on this front since in the 1980s.
Alas, though, for me, <i>this novel gets off to a slow start and never fully recovers.</i> It took a while to keep track of all the teen players from '79 (and present), and the jumps in time in the storytelling don't really help. Even worse, our heroine, Kinsey, is off her game after the attack from Ned. Yes, she is still the Kinsey we know and love, but she's hurting, more cautious, and changed, and well, it's hard to read about sometimes.
The novel just seemed more tedious than usual and bogged down in some unnecessary details. There were definitely moments with Kinsey that made me smile and laugh, but otherwise, we don't have many characters to root for. The entire group originating in 1979 is pretty despicable. Their story picks up a bit at the end, and I was definitely interested in the outcome, but it didn't have the same flair as previous Kinsey novels. Of note, though, despite how different technology was in the late '70s, Grafton did a good job in denoting how teens remain teens, regardless the decade.
Overall, I will always love Kinsey, but the last two in this series have been a bit disappointing. Here's hoping that <i>Z</i> ends on a high note fitting our beloved heroine.
You can read my review of X <a href="https://www.goodreads.com/review/show/1268956692?book_show_action=false&from_review_page=1">here</a>;.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
Fred (860 KP) rated the PlayStation 4 version of LEGO Marvel Super Heroes 2 in Video Games
Jul 12, 2018
Tons of characters from the Marvel comics (2 more)
Cool story
Cool locales
Voice acting is meh (1 more)
Lots of glitches
More of the same, but different & glitchy
I've played all of the Lego games & I've seen some good ones, like the Star Wars one & I've seen some bad ones. (Looking at you Indiana Jones) I'm a fan of these games, as they're mindless fun, plus they're easy platinum trophies.
Lego Marvel Superheroes 2 is one of those good ones, although it does have some problems.
Let's start with the good. There are tons & I mean TONS of characters to unlock in this one. Mostly based on the comic book versions of the characters, with some from the MCU of course. It was so fun to play some of my favorite lesser-known characters, like the Spider-Man Noir version or the Kronan in the Planet Hulk arena.
The story is an original, with Kang the Conqueror as the main villain of the story. Because he's altering lime-lines, along with different dimensions, we have a world mixed with different worlds. We have Asgard, Manhattan Noir (a 30s-40s version of New York), Wild West Town, Avenger's Mansion, & many many more. Just like the mall in the movie The Blues Brothers, this place has got everything. It's so much fun jumping around from place to place.
Now the bad. Let's start with the voice acting. There are no famous voices in the game & it shows. Supposedly, the game was made during an actor's strike & so we got what they can get. Now, not saying the voice acting is bad, but it's just so-so. Some voices seem out of place for some characters. Captain America doesn't sound like he should. Doctor Strange doesn't sound like he should. Now, I may be ruined by the actors from the movies, but if you hear them in the game, you'll agree. It has less to do with their live-action counterparts & more of "Yeah, I never pictured Tony Stark sounding like...that."
And now my main complaint. Lots of glitches. Even after the update, I find lots of glitches in the game. The most annoying one is finding one of your characters stuck in a spot, dying over & over in an endless loop, such as falling off a platform to his/her death or stuck on some radioactive material. I found myself more than a few times having to exit the level & start all over due to this happening. Another glitch was in the arena, where Hulk turned himself back to Bruce Banner & would not turn back into the Hulk. Now maybe this was meant to happen, like in the Infinity War movie, when he was scared to turn to the Hulk, but I don't think so. Reason being towards the end of the fight, they have Hulk talking, while he was still as Bruce Banner. Luckily I didn't need Hulk to beat the level, as I would have had to start over. Other glitches include characters switching by themselves & audio cutting out.
This being said, I still want to play this game. While not one of the best Lego games, it's still fun & it's very cool, especially if you're a comic book fan.
Lego Marvel Superheroes 2 is one of those good ones, although it does have some problems.
Let's start with the good. There are tons & I mean TONS of characters to unlock in this one. Mostly based on the comic book versions of the characters, with some from the MCU of course. It was so fun to play some of my favorite lesser-known characters, like the Spider-Man Noir version or the Kronan in the Planet Hulk arena.
The story is an original, with Kang the Conqueror as the main villain of the story. Because he's altering lime-lines, along with different dimensions, we have a world mixed with different worlds. We have Asgard, Manhattan Noir (a 30s-40s version of New York), Wild West Town, Avenger's Mansion, & many many more. Just like the mall in the movie The Blues Brothers, this place has got everything. It's so much fun jumping around from place to place.
Now the bad. Let's start with the voice acting. There are no famous voices in the game & it shows. Supposedly, the game was made during an actor's strike & so we got what they can get. Now, not saying the voice acting is bad, but it's just so-so. Some voices seem out of place for some characters. Captain America doesn't sound like he should. Doctor Strange doesn't sound like he should. Now, I may be ruined by the actors from the movies, but if you hear them in the game, you'll agree. It has less to do with their live-action counterparts & more of "Yeah, I never pictured Tony Stark sounding like...that."
And now my main complaint. Lots of glitches. Even after the update, I find lots of glitches in the game. The most annoying one is finding one of your characters stuck in a spot, dying over & over in an endless loop, such as falling off a platform to his/her death or stuck on some radioactive material. I found myself more than a few times having to exit the level & start all over due to this happening. Another glitch was in the arena, where Hulk turned himself back to Bruce Banner & would not turn back into the Hulk. Now maybe this was meant to happen, like in the Infinity War movie, when he was scared to turn to the Hulk, but I don't think so. Reason being towards the end of the fight, they have Hulk talking, while he was still as Bruce Banner. Luckily I didn't need Hulk to beat the level, as I would have had to start over. Other glitches include characters switching by themselves & audio cutting out.
This being said, I still want to play this game. While not one of the best Lego games, it's still fun & it's very cool, especially if you're a comic book fan.
Debbiereadsbook (1487 KP) rated All Fired Up (Sin City Uniforms #1) in Books
Mar 29, 2019
great start to a new series!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Shawn is the new guy in the police department and is enjoying working in Vegas. Trent is in the fire department. The pair met at a blood drive months ago and they each had an instant reaction to each other. But Trent is still hurting from the death of his previous partner, who was also a cop and he doesn’t know if he can go through that again. When Trent “rescues” Shawn, he embarrasses him at the same time. After actually getting to know one another after this, they realise they have a lot in common. Then the fires that have been plaguing Vegas turn deadly, and Trent and Shawn might be next on the vigilante's hit list.
I liked this one, a LOT.
Trent is hurting, even after two years, and he knows it. He can’t lose another police officer partner, but Shawn pushes all his buttons and then some. He KNOWS he is over protective, he KNOWS he needs to reign it in, but he struggles with that. Getting to know Shawn makes that a lot easier, but on the job? Trent goes into overdrive. But I loved that he does. Because deep down, he knows that Shawn might be The One, you know? He knows how much he is affected by Shawn.
Shawn is very laid back, relaxed in all he does but work. He loves his job. Trent is, in his eyes, the perfect guy BUT for the protective streak a mile wide. When Shawn finds out WHY Trent is just so, he lets up a bit. But when there is a real threat to Shawn, one that could very well kill him? Shawn is very glad of that streak, he really is.
I loved that EVERYONE else could see how much Trent and Shawn liked each other, way before they managed to admit it to themselves. And that everyone was happy for them when they finally sorted themselves out.
It’s well told, from both guy’s point of view, in the third person. There is some violence, but it’s needed for the storyline. I didn’t find it as explicit as some of Ms Knight’s books, but I’m not complaining. This, I found, was really rather sweet! Sexy, yes; steamy and emotional, yes but sweet and cue and I really did enjoy it!
This is the first in this new series, Sin City Uniforms. If they are all as good as this, I’ll be a happie bunnie!
4 solid stars
**same worded review will appear elsewhere**
Shawn is the new guy in the police department and is enjoying working in Vegas. Trent is in the fire department. The pair met at a blood drive months ago and they each had an instant reaction to each other. But Trent is still hurting from the death of his previous partner, who was also a cop and he doesn’t know if he can go through that again. When Trent “rescues” Shawn, he embarrasses him at the same time. After actually getting to know one another after this, they realise they have a lot in common. Then the fires that have been plaguing Vegas turn deadly, and Trent and Shawn might be next on the vigilante's hit list.
I liked this one, a LOT.
Trent is hurting, even after two years, and he knows it. He can’t lose another police officer partner, but Shawn pushes all his buttons and then some. He KNOWS he is over protective, he KNOWS he needs to reign it in, but he struggles with that. Getting to know Shawn makes that a lot easier, but on the job? Trent goes into overdrive. But I loved that he does. Because deep down, he knows that Shawn might be The One, you know? He knows how much he is affected by Shawn.
Shawn is very laid back, relaxed in all he does but work. He loves his job. Trent is, in his eyes, the perfect guy BUT for the protective streak a mile wide. When Shawn finds out WHY Trent is just so, he lets up a bit. But when there is a real threat to Shawn, one that could very well kill him? Shawn is very glad of that streak, he really is.
I loved that EVERYONE else could see how much Trent and Shawn liked each other, way before they managed to admit it to themselves. And that everyone was happy for them when they finally sorted themselves out.
It’s well told, from both guy’s point of view, in the third person. There is some violence, but it’s needed for the storyline. I didn’t find it as explicit as some of Ms Knight’s books, but I’m not complaining. This, I found, was really rather sweet! Sexy, yes; steamy and emotional, yes but sweet and cue and I really did enjoy it!
This is the first in this new series, Sin City Uniforms. If they are all as good as this, I’ll be a happie bunnie!
4 solid stars
**same worded review will appear elsewhere**
Fred (860 KP) rated Wonder Woman 1984 (2020) in Movies
Dec 27, 2020
Not such a wonder
Contains spoilers, click to show
There are some good scenes in WW84. The beginning scene, followed by the mall scene, both great scenes. The highway scene, the invisible jet scene, very cool. But scenes don't make a movie. Well, they do, but you know what I mean. A few good scenes doesn't make a movie good. The movie is very slow, badly paced & the story, quite frankly, stinks.
Again, Wonder Woman is pitted against a villain that is boring. He is played very well by the Mandolorian, Pedro Pascal. But the character is weak. We also have Kristen Wiig as the Cheetah, I guess. She's just an 80s chick until the very end, when she is turned into a cheetah woman & we're "treated" to a CGI fight, that is so dark & so badly directed, you'll struggle to see anything going on or get a good look at Cheetah, except for the bad make-up job on Wiig's face. Speaking of Wiig, she's okay, but nothing special.
I know I'm in the minority, but I don't find Gal Gadot a very good Wonder Woman. She's pretty, she kicks ass, but her acting is not very good. The character is dull. And I find the way her accent is there one minute & gone the next annoying. I laughed out loud when she tells the guy at the end that she likes his Auschwitz (outfit). She's easily the weakest character in the film. And like the first movie, we're spending most of the time wanting to see Wonder Woman on screen instead of Diana.
Chris Pine is great, as always & the reverse "seeing new things" scenes as he's introduced to the 80s are as great as they were in the first movie when Diana is shown new things.
But the real problem of the film is the story. Wonder Woman saves the day by asking people to give up their wishes. Nice dream, but would never happen. We know the world is full of scumbags that would never give up power, or money or anything for anyone else. WW talks to us, the audience & makes a plea that would flop just as much as this film. Throw in the 2 & a half hour runtime, far too long and I found myself bored for most of it. Not every superhero movie has to be so long. And instead of spending time on character & story development, they wasted it on scenes that did nothing to advance the plot.
Oh, stay tuned for the mid-credit scene. It's okay & worth it.
Again, Wonder Woman is pitted against a villain that is boring. He is played very well by the Mandolorian, Pedro Pascal. But the character is weak. We also have Kristen Wiig as the Cheetah, I guess. She's just an 80s chick until the very end, when she is turned into a cheetah woman & we're "treated" to a CGI fight, that is so dark & so badly directed, you'll struggle to see anything going on or get a good look at Cheetah, except for the bad make-up job on Wiig's face. Speaking of Wiig, she's okay, but nothing special.
I know I'm in the minority, but I don't find Gal Gadot a very good Wonder Woman. She's pretty, she kicks ass, but her acting is not very good. The character is dull. And I find the way her accent is there one minute & gone the next annoying. I laughed out loud when she tells the guy at the end that she likes his Auschwitz (outfit). She's easily the weakest character in the film. And like the first movie, we're spending most of the time wanting to see Wonder Woman on screen instead of Diana.
Chris Pine is great, as always & the reverse "seeing new things" scenes as he's introduced to the 80s are as great as they were in the first movie when Diana is shown new things.
But the real problem of the film is the story. Wonder Woman saves the day by asking people to give up their wishes. Nice dream, but would never happen. We know the world is full of scumbags that would never give up power, or money or anything for anyone else. WW talks to us, the audience & makes a plea that would flop just as much as this film. Throw in the 2 & a half hour runtime, far too long and I found myself bored for most of it. Not every superhero movie has to be so long. And instead of spending time on character & story development, they wasted it on scenes that did nothing to advance the plot.
Oh, stay tuned for the mid-credit scene. It's okay & worth it.
This book takes a Biblical viewpoint of how the modern woman can lead the best life she can attain while still following the guidelines of the Bible and living up to her personal potential. It uses the personal examples of the two authors, as well as the examples of numerous others that these two have interacted with over the course of writing the book. A systematic approach is taken to break down the history, statistics, and advantages of the modern woman before studiously approaching the Biblical model of the female.
One of the main focuses of the book is the Biblical mandate to "be fruitful and multiply" and how modern culture has both minimized and scorned this. The authors also focus on the differences between males and females, as well as their different purposes in life. Marriage is also a central theme in the book, with the authors providing lots of advice, as well as suggestions to study other resources, in order to find a husband and maintain a healthy marriage.
To stress certain points throughout the book, the authors provide a visual illustration of the concepts discussed. They summarize the lessons taught in certain sections in a "Wise Steps" box, and they fill the book with sections that invite the reader to journal his own thoughts according to a certain topic.
What I found the most interesting about the book was how the authors broke down the multiple purposes of any woman into three categories: our purpose as humans (Core Callings), our purpose as women (Feminine Callings), and our purpose as unique individuals (Personal Callings). Each of these are further broken down, with the Core Callings having the most emphasis throughout the book: Leave and Cleave, Be Fruitful and Multiply, and Subdue and Rule.
I had a difficult time getting through this book, partly because I felt that some of the information provided simply did not apply to me and I did not find it particularly useful. I did agree with most of what the authors interpreted from Biblical scriptures, though I disliked the broad usage of many different Biblical translations. As with any Biblically-based self-help book, the Bible should be the first source and the book should be secondary. I also felt that Feldhahn used the book somewhat as a self-promotional tool, since she often refers to her previously-written book, For Women Only: What You Need to Know about the Inner Lives of Men.
All the same, I appreciated the Biblical perspective and the support of marriage-minded women and stay-at-home moms. There is much wisdom in the pages of this book.
One of the main focuses of the book is the Biblical mandate to "be fruitful and multiply" and how modern culture has both minimized and scorned this. The authors also focus on the differences between males and females, as well as their different purposes in life. Marriage is also a central theme in the book, with the authors providing lots of advice, as well as suggestions to study other resources, in order to find a husband and maintain a healthy marriage.
To stress certain points throughout the book, the authors provide a visual illustration of the concepts discussed. They summarize the lessons taught in certain sections in a "Wise Steps" box, and they fill the book with sections that invite the reader to journal his own thoughts according to a certain topic.
What I found the most interesting about the book was how the authors broke down the multiple purposes of any woman into three categories: our purpose as humans (Core Callings), our purpose as women (Feminine Callings), and our purpose as unique individuals (Personal Callings). Each of these are further broken down, with the Core Callings having the most emphasis throughout the book: Leave and Cleave, Be Fruitful and Multiply, and Subdue and Rule.
I had a difficult time getting through this book, partly because I felt that some of the information provided simply did not apply to me and I did not find it particularly useful. I did agree with most of what the authors interpreted from Biblical scriptures, though I disliked the broad usage of many different Biblical translations. As with any Biblically-based self-help book, the Bible should be the first source and the book should be secondary. I also felt that Feldhahn used the book somewhat as a self-promotional tool, since she often refers to her previously-written book, For Women Only: What You Need to Know about the Inner Lives of Men.
All the same, I appreciated the Biblical perspective and the support of marriage-minded women and stay-at-home moms. There is much wisdom in the pages of this book.
Cynthia Armistead (17 KP) rated Face Off (Laura Blackstone, #2) in Books
Mar 1, 2018
I went back and forth on the rating for this book, but finally settled on a four. I honestly found all the conflict to be exhausting and unpleasant, but it was very realistically written and I certainly felt connected to Blackstone. I decided that if del Franco weren't such a good writer, I wouldn't be feeling everything so much.
I read [b:Face Off|7106094|Face Off (Laura Blackstone, #2)|Mark Del Franco|http://photo.goodreads.com/books/1271179558s/7106094.jpg|7364695] right after finishing [b:Skin Deep|6150364|Skin Deep (Laura Blackstone, #1)|Mark Del Franco|http://photo.goodreads.com/books/1312520543s/6150364.jpg|6329503], which is how I recommend that you read them. That is, after all, how the plot works. There's a lot more of Jono Sinclair in this volume than the first, which will be popular with romance fans.
During the events of [b:Skin Deep|6150364|Skin Deep (Laura Blackstone, #1)|Mark Del Franco|http://photo.goodreads.com/books/1312520543s/6150364.jpg|6329503], Laura retired the Janice Crawford persona. Her life should be simpler now that she's just herself and Mariel Tate, right?
Wrong, because she and Mariel Tate are being pulled in opposing directions by powerful forces, and she has two more-than-full-time-jobs. Toss in an order to impersonate an uncooperative prisoner in order to infiltrate a terrorist group, and her life is at risk every day too.
In the midst of all this, there's a visit from royalty, and her boss assigns Mariel yet another top priority.
The only respite is her growing relationship with Jono Sinclair, who is also undercover with the terrorist group. He's the only person in the world who always knows who she is, no matter what glamour she's wearing.
Laura started wondering how much of herself was left behind all the personas in [b:Skin Deep|6150364|Skin Deep (Laura Blackstone, #1)|Mark Del Franco|http://photo.goodreads.com/books/1312520543s/6150364.jpg|6329503], realizing that "Laura Blackstone" was in danger of becoming just another persona. She's even more concerned about that issue in [b:Face Off|7106094|Face Off (Laura Blackstone, #2)|Mark Del Franco|http://photo.goodreads.com/books/1271179558s/7106094.jpg|7364695], but thanks to Jono she's getting back in touch with who she is behind the masks. Will she be able to hold on to her progress? Will she be able to simply survive the undercover assignment with almost no preparation? Or will it be the internal Guildhouse politics that do her in? These questions kept me reading and interested. I was thrilled with how del Franco answered them, and I'm intensely curious as to whether those answers leave any room for further adventures with Laura and Jono.
I read [b:Face Off|7106094|Face Off (Laura Blackstone, #2)|Mark Del Franco|http://photo.goodreads.com/books/1271179558s/7106094.jpg|7364695] right after finishing [b:Skin Deep|6150364|Skin Deep (Laura Blackstone, #1)|Mark Del Franco|http://photo.goodreads.com/books/1312520543s/6150364.jpg|6329503], which is how I recommend that you read them. That is, after all, how the plot works. There's a lot more of Jono Sinclair in this volume than the first, which will be popular with romance fans.
During the events of [b:Skin Deep|6150364|Skin Deep (Laura Blackstone, #1)|Mark Del Franco|http://photo.goodreads.com/books/1312520543s/6150364.jpg|6329503], Laura retired the Janice Crawford persona. Her life should be simpler now that she's just herself and Mariel Tate, right?
Wrong, because she and Mariel Tate are being pulled in opposing directions by powerful forces, and she has two more-than-full-time-jobs. Toss in an order to impersonate an uncooperative prisoner in order to infiltrate a terrorist group, and her life is at risk every day too.
In the midst of all this, there's a visit from royalty, and her boss assigns Mariel yet another top priority.
The only respite is her growing relationship with Jono Sinclair, who is also undercover with the terrorist group. He's the only person in the world who always knows who she is, no matter what glamour she's wearing.
Laura started wondering how much of herself was left behind all the personas in [b:Skin Deep|6150364|Skin Deep (Laura Blackstone, #1)|Mark Del Franco|http://photo.goodreads.com/books/1312520543s/6150364.jpg|6329503], realizing that "Laura Blackstone" was in danger of becoming just another persona. She's even more concerned about that issue in [b:Face Off|7106094|Face Off (Laura Blackstone, #2)|Mark Del Franco|http://photo.goodreads.com/books/1271179558s/7106094.jpg|7364695], but thanks to Jono she's getting back in touch with who she is behind the masks. Will she be able to hold on to her progress? Will she be able to simply survive the undercover assignment with almost no preparation? Or will it be the internal Guildhouse politics that do her in? These questions kept me reading and interested. I was thrilled with how del Franco answered them, and I'm intensely curious as to whether those answers leave any room for further adventures with Laura and Jono.
Gareth von Kallenbach (980 KP) rated 12 Strong (2018) in Movies
Jul 8, 2019
In the direct aftermath of terrorist attacks of 09/11 the US military was tasked with assisting the people of Afghanistan in taking back control from the Taliban and Al-Qaeda. The one of the first objectives was to help The Northern Alliance, a group of warlords who opposed the Taliban rule, take the strategically critical city of Mazar-i-Sharif in Northern Afghanistan. A team of twelve Green Berets, code name Task Force Dagger, led by Captain Mitch Nelson (Chris Hemsworth) will have to help one of the warlords, General Dostum (Navid Negahban), overtake several Afghan villages before reaching Mazar-i-Sharif. Dostum leads about 200 soldiers and a varying number of militia. They have small arms are the only mode of transportation through the narrow mountain passes is by horse. The Taliban, led by Mullah Razzan (Numan Acar), have over 50,000 soldiers. They also have tanks, missiles, heavy machine guns and a supply line of more men and machinery coming in every day. Nelson and his team will have to go against these overwhelming odds in unknown terrain all on horseback. But these “Horse Soldiers” don’t hesitate and know that they have a job to and if they don’t terrorist will take control of the country and further terrorism will only escalate.
This true story is a well told and evenly paced film. It showed a moment in history and the immediate response by the military. It also told one of the more original stories of war. The Nicolai Fuglsig (Exfil) has some well-done action scenes and overall interesting cinematography. I enjoyed the story and for the most part the cast, which also includes Michael Shannon (The Shape of Water, Boardwalk Empire), Michael Pena (End of Watch, Crash) and Trevante Rhodes (Moonlight). Negahban as Dostum is good as the tough, untrusting warlord. I also enjoyed the mix of action and dialog on strategy. Where this film tends to fail is that for a true story it is made more like a typical action film. It is full of semi-cheesy one liners and poorly timed cliché a motivational moments. I really did enjoy the film but at times I found myself trying not to laugh out loud during what should have been serious plot points.
As far as an action film this was a fun story and brought the gun fights and explosions that you would definitely look for. It also shows some the strategic side of the war. At the end of the night I enjoyed the film even though I thought that it could have been a little more serious and a little less campy.
This true story is a well told and evenly paced film. It showed a moment in history and the immediate response by the military. It also told one of the more original stories of war. The Nicolai Fuglsig (Exfil) has some well-done action scenes and overall interesting cinematography. I enjoyed the story and for the most part the cast, which also includes Michael Shannon (The Shape of Water, Boardwalk Empire), Michael Pena (End of Watch, Crash) and Trevante Rhodes (Moonlight). Negahban as Dostum is good as the tough, untrusting warlord. I also enjoyed the mix of action and dialog on strategy. Where this film tends to fail is that for a true story it is made more like a typical action film. It is full of semi-cheesy one liners and poorly timed cliché a motivational moments. I really did enjoy the film but at times I found myself trying not to laugh out loud during what should have been serious plot points.
As far as an action film this was a fun story and brought the gun fights and explosions that you would definitely look for. It also shows some the strategic side of the war. At the end of the night I enjoyed the film even though I thought that it could have been a little more serious and a little less campy.
Acanthea Grimscythe (300 KP) rated A House at the Bottom of a Lake in Books
Jan 31, 2019
I’m a big Josh Malerman fan, with the exception of Unbury Carol which, if you read my DNF on it, was absolutely horrid. That said, when I came across A House at the Bottom of a Lake on Amazon’s Kindle Unlimited, I was a bit leery. Despite being a Malerman fan, I hadn’t heard of this title and… well, it was on KU. That alone struck me as a red flag. Nonetheless, I grabbed it and spent the night reading it. It wasn’t awful, but it’s definitely not Bird Box level great.
A House at the Bottom of a Lake is a coming of age story, one of those ones where the reader experiences the final moments of the main characters’ innocence. The house itself symbolizes the imaginative youthfulness and innocence of the more childlike mind, while the canoe represents the path to adulthood and the obstacles that must be overcome. Just like life experiences change us, the events leading up to the conclusion of the story change the canoe in ways that cannot be undone: paint chipping, dents, scratches, etc. I’d provide another example to support this theory, but that would, unfortunately, mean giving away a major spoiler to the story–so I won’t.
As far as the characters go, I found Amelia and James to be your stereotypical awkward teenagers. There is a bit of a disconnect between their age and their assumed behavior, leaning to the idea that these two kids are well-behaved and normally aren’t risk takers. Because of this, there are several moments where the story is dull.
There’s no doubt that this is a piece of work by Josh Malerman; it has his style all over it. That is, it’s meant to be suspenseful. However, the manner in which Malerman writes A House on the Bottom of a Lake struck me as a bit more jarring than edge-of-your-seat, ohmigawd what is happening!? This is probably because Malerman is a little too friendly with the parentheses in this book.
A House on the Bottom of a Lake is a great one-time read. It’s enjoyable and it has its moments, and the bond shared between Amelia and James feels realistic. It’s definitely something I’d recommend to a Malerman fan, though it isn’t worthy of a pedestal of its own.
A House at the Bottom of a Lake is a coming of age story, one of those ones where the reader experiences the final moments of the main characters’ innocence. The house itself symbolizes the imaginative youthfulness and innocence of the more childlike mind, while the canoe represents the path to adulthood and the obstacles that must be overcome. Just like life experiences change us, the events leading up to the conclusion of the story change the canoe in ways that cannot be undone: paint chipping, dents, scratches, etc. I’d provide another example to support this theory, but that would, unfortunately, mean giving away a major spoiler to the story–so I won’t.
As far as the characters go, I found Amelia and James to be your stereotypical awkward teenagers. There is a bit of a disconnect between their age and their assumed behavior, leaning to the idea that these two kids are well-behaved and normally aren’t risk takers. Because of this, there are several moments where the story is dull.
There’s no doubt that this is a piece of work by Josh Malerman; it has his style all over it. That is, it’s meant to be suspenseful. However, the manner in which Malerman writes A House on the Bottom of a Lake struck me as a bit more jarring than edge-of-your-seat, ohmigawd what is happening!? This is probably because Malerman is a little too friendly with the parentheses in this book.
A House on the Bottom of a Lake is a great one-time read. It’s enjoyable and it has its moments, and the bond shared between Amelia and James feels realistic. It’s definitely something I’d recommend to a Malerman fan, though it isn’t worthy of a pedestal of its own.