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1.0
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“In the past, for reasons I try to explain, I’ve often felt I had to be careful in public, like...
Biography politics
Colorfy: Coloring Book
Entertainment and Book
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No.1 Coloring Book for Adults with 25,000,000 users! Colorfy is the original and best coloring book...
This is only a fairly short book with a limited focus, but nevertheless I found it very interesting. It's odd really, because opinion on the subject tends to be so polarised that it's easy to lose sight of a few simple facts and some of what Ashdown-Hill presents here should really be so obvious! For starters, for all the association of Bosworth with Richard III he didn't know it was going to happen and obviously didn't go in 'knowing' that he was going to be defeated - hindsight may be a great thing, but not if you want to look at historical events in context!
The Portuguese marriage proposals was something that I did know about, but here it's presented so logically it makes absolute sense. The chosen bride was a princes of Portugal, with a Spanish Infanta also in the playing as a reserve option. Both of these princesses were descended from the legitimate and senior branch of the House of Lancaster! Furthermore, it seems that a Portuguese marriage was also in the offing for Elizabeth of York. That being so, the letter supposedly written by her (reported by Buck, but now seemingly lost) makes more sense as does the confusion over Richard II wanting to marry Elizabeth, his niece, which never made any real sort of sense as, if we accept the truth of the Eleanor Butler pre-contract, then the children of Edward IV by Elizabeth Woodville were undoubtedly illegitimate, so there would be absolutely no point in Richard marrying her. On the other hand, Elizabeth and her sisters were the closest things available to Royal Princesses to be traded on the dynastic marriage market.
The Portuguese marriage proposals was something that I did know about, but here it's presented so logically it makes absolute sense. The chosen bride was a princes of Portugal, with a Spanish Infanta also in the playing as a reserve option. Both of these princesses were descended from the legitimate and senior branch of the House of Lancaster! Furthermore, it seems that a Portuguese marriage was also in the offing for Elizabeth of York. That being so, the letter supposedly written by her (reported by Buck, but now seemingly lost) makes more sense as does the confusion over Richard II wanting to marry Elizabeth, his niece, which never made any real sort of sense as, if we accept the truth of the Eleanor Butler pre-contract, then the children of Edward IV by Elizabeth Woodville were undoubtedly illegitimate, so there would be absolutely no point in Richard marrying her. On the other hand, Elizabeth and her sisters were the closest things available to Royal Princesses to be traded on the dynastic marriage market.
Ollie SB (2279 KP) rated the PlayStation 4 version of Star Wars Jedi: Fallen Order in Video Games
Feb 20, 2020 (Updated Feb 20, 2020)
Probably the best Star Wars game so far
There are so many great aspects of this game, mainly, the amazing lightsaber combat. Any Star Wars fan will have hoped to live the fantasy of owning their own lightsaber, and this game is as close as it gets. The combinations of fighting styles, from lightsaber to various force powers, are incredible.
The customisation options in this game are also impressive. You can customise the colour of your ship, droid, clothes, and most importantly, your lightsaber. There are various options for the saber, from the colour and style of the handle, to the colour of the blade.
Another impressive aspect of the game is the quality and depth of the story. Set a few years after the events of Episode III, it follows a young jedi named Cal, who is on the run from the Inquisitors who are hunting down any remaining jedi. The game features flashbacks to a younger Cal in training, which helps the player to learn new force powers. One negative I found was that some of the early missions in the story seem to drag slightly. There seems to be a lot of climbing and jumping between ledges, without much of the impressive action that features later in the game.
However, this a small negative in a very impressive game, and the tempo of the story does pick up later on. Reaching an amazing final mission, which (no spoilers) in my opinion features one of the best video game cut scenes I've seen.
I would highly recommend this game.
The customisation options in this game are also impressive. You can customise the colour of your ship, droid, clothes, and most importantly, your lightsaber. There are various options for the saber, from the colour and style of the handle, to the colour of the blade.
Another impressive aspect of the game is the quality and depth of the story. Set a few years after the events of Episode III, it follows a young jedi named Cal, who is on the run from the Inquisitors who are hunting down any remaining jedi. The game features flashbacks to a younger Cal in training, which helps the player to learn new force powers. One negative I found was that some of the early missions in the story seem to drag slightly. There seems to be a lot of climbing and jumping between ledges, without much of the impressive action that features later in the game.
However, this a small negative in a very impressive game, and the tempo of the story does pick up later on. Reaching an amazing final mission, which (no spoilers) in my opinion features one of the best video game cut scenes I've seen.
I would highly recommend this game.
Cat's Cradle
Kurt Vonnegut and Benjamin Kunkel
9.3
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Kurt Vonnegut's Cat's Cradle is an irreverent and highly entertaining fantasy about the playful...
Andy K (10821 KP) rated Emperor (2013) in Movies
Sep 9, 2019
A tough challenge
The end of Asian campaign of World War II is complicated. The Japanese surrender following the US dropping the pair of atomic bombs; killing hundreds of thousands, wounding many more and leaving cities in ruins. Tensions are still running at a fever pitch and many people are demanding answers and swift justice for those responsible.
"Supreme Commander" General Douglas MacArthur is put in charge of rebuilding Japan and enlists General Bonner Fellers the nearly impossible task of investigating the involvement of Japan's emperor Hirohito and whether or not he should be tried convicted and hung as a result of his orders. Did he order the attack on Pearl Harbor? What did he know and when did he know it? Was he the one who gave the orders or were his generals in charge of the overall operations? In addition, Fellers is given only 10 days to find his ruling before MacArthur has to report back to his commanders in the US.
Sellers starts with trying to figure out the people involved, find them, interview them and find those who don't want to be found. His interviews ask more questions than answer them and he feels like he is going nowhere fast.
Intertwined are his recollections of a romance he had years earlier with a Japanese exchange student who left the US and returned to her home in Japan. His emotions are getting the better of him while he thinks about his former love and attempts to locate her or learn her fate while he does his job.
Matthew Fox is the best part of this film. As a military man, he respects the chain of command and works within in, but also is able to show his emotions when he is with the woman he loves. I loved the flashback scenes as they were able to show the man as well as just the uniform and Fox did this very well.
Tommy Lee Jones played the character he plays in most of his movies. Barking orders to his underlings and enjoying very much being in charge.
I don't know very much about Japanese culture and this film helped me understand what values they hold sacred. These values highly motivate their actions which can be very noble and traditional or unrelenting and barbaric depending on the situation.
You feel real turmoil as the investigation concludes and the results which are found (or not found) and how the situation is resolved. The characters are flawed which makes them more real. This makes the story more emotional and believable.
The Japanese countryside is beautiful in the time of peace contrasted with the desolate scarred Earth shown after the bombs fell.
Compelling historical dramas always intrigue me and this one did the same.
"Supreme Commander" General Douglas MacArthur is put in charge of rebuilding Japan and enlists General Bonner Fellers the nearly impossible task of investigating the involvement of Japan's emperor Hirohito and whether or not he should be tried convicted and hung as a result of his orders. Did he order the attack on Pearl Harbor? What did he know and when did he know it? Was he the one who gave the orders or were his generals in charge of the overall operations? In addition, Fellers is given only 10 days to find his ruling before MacArthur has to report back to his commanders in the US.
Sellers starts with trying to figure out the people involved, find them, interview them and find those who don't want to be found. His interviews ask more questions than answer them and he feels like he is going nowhere fast.
Intertwined are his recollections of a romance he had years earlier with a Japanese exchange student who left the US and returned to her home in Japan. His emotions are getting the better of him while he thinks about his former love and attempts to locate her or learn her fate while he does his job.
Matthew Fox is the best part of this film. As a military man, he respects the chain of command and works within in, but also is able to show his emotions when he is with the woman he loves. I loved the flashback scenes as they were able to show the man as well as just the uniform and Fox did this very well.
Tommy Lee Jones played the character he plays in most of his movies. Barking orders to his underlings and enjoying very much being in charge.
I don't know very much about Japanese culture and this film helped me understand what values they hold sacred. These values highly motivate their actions which can be very noble and traditional or unrelenting and barbaric depending on the situation.
You feel real turmoil as the investigation concludes and the results which are found (or not found) and how the situation is resolved. The characters are flawed which makes them more real. This makes the story more emotional and believable.
The Japanese countryside is beautiful in the time of peace contrasted with the desolate scarred Earth shown after the bombs fell.
Compelling historical dramas always intrigue me and this one did the same.
Sassy Brit (97 KP) rated Love, Secrets and Absolution in Books
Jun 6, 2019
Contains spoilers, click to show
I’m reviewing Love, Secrets and Absolution, by K.L. Lovely. Here are my thoughts:
^^ Told from alternative viewpoints, Love, Secrets and Absolution is an emotional story revolving around the lives of a couple, Grace and Paul, who are trying to come to terms with the stresses and strains of bringing up an autistic child. But what makes this story different is how it’s set at a time which coincides with the Nottingham miners strikes of the 80s, where pit closures and pay restraints led to unofficial strikes, job losses and violence. Harsh times to say the least. This added a new dimension to the story, and of course, more pressure for Paul, and ultimately the whole family. They were terrible times in Britain, a lot of families suffered because of it.
^^ Right from the beginning we see young Alfie is different to other children. The author, K. L.oveley, helps show us this, by what I thought was a highly unusual technique- giving baby and toddler versions of Alfie his own voice.
^^ I must admit at first I was thinking, this doesn’t sound like a baby. After all, very young babies are not able to communicate in such a coherent manner. However, as I read further, I saw how Alfie’s voice as a child — seeing things differently from his POV — really helped to provide a deeper look into his inner thoughts and feelings. A fresh and unique approach, which revealed his own perspective of how he didn’t fit in with other kids, even if he was unable to understand the “why” himself. Very clever. It certainly made things clearer for me and highlighted aspects of autism I may have missed otherwise.
^^ Taking the time-period into consideration, I found the portrayal of the teachers and the way they behaved cruelly and professionally towards Alfie and Grace shocking, yet realistic. Back in those days many professionals were not trained to spot differences and learning difficulties in the way they are today. To outsiders who didn’t understand what Alfie was going though and thinking, he did just look like a trouble maker. Nowadays we know better and there is an ever-growing awareness and understanding of the many different spectrums of autism.
^^ Alfie’s father, Paul, may not have won the best dad of the year award, but I felt he was a realistic representation of a man living and working in a very masculine environment, where men were largely regarded as the breadwinners of the household and job scarcity was a huge issue. He didn’t know how to handle Alfie, and in a way you can’t blame him for that. Not everyone is capable of being a really good parent, especially when their own life has turned upside down in a blink of an eye.
^^ There’s also a really good story line around a girl called Magenta, which I felt helped strengthen both Alfie and Grace’s bond. A lovely touch. As was Grace’s newfound strength and courage, which really made this story become more than just gloom and doom. Her steadfast devotion to her son is both amazing and commendable, and I enjoyed seeing how she turned her life around.
Overall: This thought-provoking book is as much about relationships, as it is autism. We see the hopes and dreams of a young family shattered by a lack of communication, misunderstandings and even betrayal. Yet, despite all the struggles and heartache this family go through, we discover the true power of love; how it can heal, comfort and carry us forward through the toughest of times. A heart-warming, memorable and most satisfying read.
^^ Told from alternative viewpoints, Love, Secrets and Absolution is an emotional story revolving around the lives of a couple, Grace and Paul, who are trying to come to terms with the stresses and strains of bringing up an autistic child. But what makes this story different is how it’s set at a time which coincides with the Nottingham miners strikes of the 80s, where pit closures and pay restraints led to unofficial strikes, job losses and violence. Harsh times to say the least. This added a new dimension to the story, and of course, more pressure for Paul, and ultimately the whole family. They were terrible times in Britain, a lot of families suffered because of it.
^^ Right from the beginning we see young Alfie is different to other children. The author, K. L.oveley, helps show us this, by what I thought was a highly unusual technique- giving baby and toddler versions of Alfie his own voice.
^^ I must admit at first I was thinking, this doesn’t sound like a baby. After all, very young babies are not able to communicate in such a coherent manner. However, as I read further, I saw how Alfie’s voice as a child — seeing things differently from his POV — really helped to provide a deeper look into his inner thoughts and feelings. A fresh and unique approach, which revealed his own perspective of how he didn’t fit in with other kids, even if he was unable to understand the “why” himself. Very clever. It certainly made things clearer for me and highlighted aspects of autism I may have missed otherwise.
^^ Taking the time-period into consideration, I found the portrayal of the teachers and the way they behaved cruelly and professionally towards Alfie and Grace shocking, yet realistic. Back in those days many professionals were not trained to spot differences and learning difficulties in the way they are today. To outsiders who didn’t understand what Alfie was going though and thinking, he did just look like a trouble maker. Nowadays we know better and there is an ever-growing awareness and understanding of the many different spectrums of autism.
^^ Alfie’s father, Paul, may not have won the best dad of the year award, but I felt he was a realistic representation of a man living and working in a very masculine environment, where men were largely regarded as the breadwinners of the household and job scarcity was a huge issue. He didn’t know how to handle Alfie, and in a way you can’t blame him for that. Not everyone is capable of being a really good parent, especially when their own life has turned upside down in a blink of an eye.
^^ There’s also a really good story line around a girl called Magenta, which I felt helped strengthen both Alfie and Grace’s bond. A lovely touch. As was Grace’s newfound strength and courage, which really made this story become more than just gloom and doom. Her steadfast devotion to her son is both amazing and commendable, and I enjoyed seeing how she turned her life around.
Overall: This thought-provoking book is as much about relationships, as it is autism. We see the hopes and dreams of a young family shattered by a lack of communication, misunderstandings and even betrayal. Yet, despite all the struggles and heartache this family go through, we discover the true power of love; how it can heal, comfort and carry us forward through the toughest of times. A heart-warming, memorable and most satisfying read.
Kristy H (1252 KP) rated Small Great Things in Books
Feb 1, 2018
Ruth Jefferson is a successful labor and delivery nurse with over twenty years of experience. She has a nice home and a college-bound seventeen-year-old son, Edison. She also happens to be African American. When Ruth takes over for a colleague at shift change, she is simply doing a checkup on newborn baby boy Davis. But after his checkup, she's told Davis' parents don't want her touching their child. A post-it note in his file states that no African American staff should be touching the patient. Ruth is shocked-- and angry. The next day, when Davis has a medical emergency, Ruth is faced with a choice. Does she help the baby--defying the order of the parents and her supervisor? Ruth's decision leads her on a path that involves the police and being charged with a serious crime. Police come into her home, handcuffing her and her son. Her public defender, Kennedy McQuarrie, recommends that Ruth's defense not involve race: a lightning rod for juries, she says. But Ruth is angry and humiliated and wants to clear her name, at whatever the cost.
This is a touching and powerful novel. Told from the varying points of view of Ruth, Kennedy, and Turk--baby Davis' father-- it is a compelling look at how race and family history shapes the person we become. It is a poignant story at points: it is amazing what people can rationalize when it comes to hatred. I found the novel very fitting right now, with what's going on in the U.S. Honestly, it's very frightening at times and hits a little too close to home.
Picoult's characters are well-formed and dynamic, and you find yourself drawn into parts of each.
Turk, obviously, despite the loss of his child, is not a sympathetic character, but he is a complex one; his progression over the course of the novel is intriguing, and it's amazing how Picoult did not make him a one dimensional white supremacist. The book is extremely well-researched; both from the side of white supremacy, as well as racism and the medical aspects of Davis' case. Kennedy is likeable and her struggle with Ruth's case, as she realizes the depth of both the visible and latent racism her client faces on a daily basis, is real and relatable. I applaud Picoult for tackling such a difficult subject with such honesty. It's almost as if, through Kennedy, she's admitting exactly what she doesn't know. (I highly recommend reading Picoult's afterword, as well.)
For me, the hardest parts of the book was that it gets a little too poetic in the Jodi Picoult way (those who frequently read her novels will identify), with her waxing on about race and parents and being brought together, versus letting the story tell itself. At points the book just goes on and on a bit, versus getting to the story and the point. There are lots of little subplots that go off, detracting at times from the main story and frustrating the reader. And, of course, there are some weird twists and plot points in the typical Picoult style, though they don't seem to pack the punch of her older novels. It all wraps up a little too smoothly, though I have to confess I sort of enjoyed the ending. It may have been a bit trite, but I am often a sucker for such things.
Overall, I was impressed with how Picoult approached this novel, and I enjoyed the storyline for the most part (I was certainly invested), though it dawdled at times and ended a bit too easily. I'd rate this a strong 3.5 - 3.75 stars. Certainly worth reading, especially if you're a Picoult fan.
I received a copy of this novel from the publisher and Netgalley; is available everywhere as of 10/11/2016.
This is a touching and powerful novel. Told from the varying points of view of Ruth, Kennedy, and Turk--baby Davis' father-- it is a compelling look at how race and family history shapes the person we become. It is a poignant story at points: it is amazing what people can rationalize when it comes to hatred. I found the novel very fitting right now, with what's going on in the U.S. Honestly, it's very frightening at times and hits a little too close to home.
Picoult's characters are well-formed and dynamic, and you find yourself drawn into parts of each.
Turk, obviously, despite the loss of his child, is not a sympathetic character, but he is a complex one; his progression over the course of the novel is intriguing, and it's amazing how Picoult did not make him a one dimensional white supremacist. The book is extremely well-researched; both from the side of white supremacy, as well as racism and the medical aspects of Davis' case. Kennedy is likeable and her struggle with Ruth's case, as she realizes the depth of both the visible and latent racism her client faces on a daily basis, is real and relatable. I applaud Picoult for tackling such a difficult subject with such honesty. It's almost as if, through Kennedy, she's admitting exactly what she doesn't know. (I highly recommend reading Picoult's afterword, as well.)
For me, the hardest parts of the book was that it gets a little too poetic in the Jodi Picoult way (those who frequently read her novels will identify), with her waxing on about race and parents and being brought together, versus letting the story tell itself. At points the book just goes on and on a bit, versus getting to the story and the point. There are lots of little subplots that go off, detracting at times from the main story and frustrating the reader. And, of course, there are some weird twists and plot points in the typical Picoult style, though they don't seem to pack the punch of her older novels. It all wraps up a little too smoothly, though I have to confess I sort of enjoyed the ending. It may have been a bit trite, but I am often a sucker for such things.
Overall, I was impressed with how Picoult approached this novel, and I enjoyed the storyline for the most part (I was certainly invested), though it dawdled at times and ended a bit too easily. I'd rate this a strong 3.5 - 3.75 stars. Certainly worth reading, especially if you're a Picoult fan.
I received a copy of this novel from the publisher and Netgalley; is available everywhere as of 10/11/2016.
Ross (3284 KP) rated Blood of Assassins in Books
Feb 12, 2018
I can't quite see what the fuss is all about
*** Disclosure: I received an advance copy of this book from NetGalley in return for an honest review ***
I read Blood of Assassins straight on the back of Age of Assassins, which I thought was OK.
Here we are back with Girton Club-Foot and his assassin master 5 years after the conclusion of the first book. Having travelled as mercenaries during this time, Girton has stopped training with the sword and picked up a warhammer instead. The book opens with he and his master seeing off some foreign assassins of their own, his master becoming poisoned in the conflict.
The Tired Lands has deteriorated over this time with Girton's three fellow squires all vying to become king, resulting in a long war that has taken its toll on the land and its people.
Girton becomes tasked with finding the spy within his old friend, Rufra's, camp and soon becomes embroiled in finding a murderer and fending off attacks on the camp and nearby towns.
Girton is one of the most annoying characters I have come across for a while, being incredibly stupid, selfish and childish. He is mooted as an incredible warrior on his return, which I thought of as odd due to nobody seeing his true skills in the first book - he always had to pretend to be mostly useless to hide his assassin and sorcery abilities. Hi is also praised for solving the mystery over the assassin-hiring in the first book, even though he solved that by luck, people just confessing to him or other people working it out instead of him.
Here he again does next to nothing to solve the mystery of the spy and only when he is confronted by them does he work it out.
As in the first book, he again becomes embroiled in identifying a murderer in the camp, which he again does despite his stupidity.
I'm all for an anti-hero but they are supposed to still make you either love them or hate them, I found myself completely indifferent to Girton's plight and just wanted to get through it.
There were more typical fantasy battle scenes in this book, which were well executed, but these were few and far between and came somewhat at odds with the plot. This redeemed the book for me.
However, as with the first book, there were no hints at who the culprit was, too much of it was left to the reveal, meaning the mystery aspect of the book was a little clumsy.
And the dream sequences, which in the first book served to tell the story of Girton's upbringing, here are a complete nonsense and add nothing to the story. Just flowery nonsense.
Barker has a good turn of phrase, but at times I thought it just confusing:
"The impact came from behind, high in the centre of my back, throwing me forward.
An arrow.
I knew the way they killed. Felt its ghost as it ruptured my lungs, split my breastbone and burst from my chest. I hit the floor, dust billowing from the carpet. The weight on my back forced me down into the choking cloud.
Not an arrow."
For me this was style over substance and left me unnecessarily confused as to what was happening.
The first person perspective is also fatally flawed in this setting as we therefore automatically know Girton survives, taking the edge off all the battles he is involved in.
In summary, a little flowery at times and doesn't know whether it wants to be a fantasy book or a thriller and succeeds in neither all that well.
I read Blood of Assassins straight on the back of Age of Assassins, which I thought was OK.
Here we are back with Girton Club-Foot and his assassin master 5 years after the conclusion of the first book. Having travelled as mercenaries during this time, Girton has stopped training with the sword and picked up a warhammer instead. The book opens with he and his master seeing off some foreign assassins of their own, his master becoming poisoned in the conflict.
The Tired Lands has deteriorated over this time with Girton's three fellow squires all vying to become king, resulting in a long war that has taken its toll on the land and its people.
Girton becomes tasked with finding the spy within his old friend, Rufra's, camp and soon becomes embroiled in finding a murderer and fending off attacks on the camp and nearby towns.
Girton is one of the most annoying characters I have come across for a while, being incredibly stupid, selfish and childish. He is mooted as an incredible warrior on his return, which I thought of as odd due to nobody seeing his true skills in the first book - he always had to pretend to be mostly useless to hide his assassin and sorcery abilities. Hi is also praised for solving the mystery over the assassin-hiring in the first book, even though he solved that by luck, people just confessing to him or other people working it out instead of him.
Here he again does next to nothing to solve the mystery of the spy and only when he is confronted by them does he work it out.
As in the first book, he again becomes embroiled in identifying a murderer in the camp, which he again does despite his stupidity.
I'm all for an anti-hero but they are supposed to still make you either love them or hate them, I found myself completely indifferent to Girton's plight and just wanted to get through it.
There were more typical fantasy battle scenes in this book, which were well executed, but these were few and far between and came somewhat at odds with the plot. This redeemed the book for me.
However, as with the first book, there were no hints at who the culprit was, too much of it was left to the reveal, meaning the mystery aspect of the book was a little clumsy.
And the dream sequences, which in the first book served to tell the story of Girton's upbringing, here are a complete nonsense and add nothing to the story. Just flowery nonsense.
Barker has a good turn of phrase, but at times I thought it just confusing:
"The impact came from behind, high in the centre of my back, throwing me forward.
An arrow.
I knew the way they killed. Felt its ghost as it ruptured my lungs, split my breastbone and burst from my chest. I hit the floor, dust billowing from the carpet. The weight on my back forced me down into the choking cloud.
Not an arrow."
For me this was style over substance and left me unnecessarily confused as to what was happening.
The first person perspective is also fatally flawed in this setting as we therefore automatically know Girton survives, taking the edge off all the battles he is involved in.
In summary, a little flowery at times and doesn't know whether it wants to be a fantasy book or a thriller and succeeds in neither all that well.
Lucy Buglass (45 KP) rated Stan & Ollie (2018) in Movies
Jun 20, 2019
A stunning portrait of friendship and comedy
To this day, Stan Laurel and Oliver Hardy are still regarded as one of the greatest comedy duos. Their acts used slapstick comedy, cartoon violence and song to delight audiences. From 1927 all the way up to 1955, they performed these acts together both on screen and on stage.
Something that really made me smile about Stan & Ollie was the fact that both Steve Coogan and John C. Reilly’s careers are rooted in comedy. Coogan is known for playing Alan Partridge and Reilly is known for numerous roles in American comedy films. What better way to pay homage to such an iconic comedy act. Both lead actors took to their roles superbly, and I loved both equally. It was a joy to follow them as they took us on tour, recreating iconic routines that made it impossible to look away from the screen.
I was captivated throughout, genuinely finding myself laughing out loud at these comedy routines that have aged like a fine wine. Even now, they’re absolutely hilarious. Coogan and Reilly worked perfectly together, embodying all that we know and love about Laurel and Hardy whilst revealing intimate secrets that took place from behind the stage curtain. Although their careers were comedic, some of their life experiences certainly weren’t.
The duos wives also make an appearance, and are equally as delightful to watch. Lucille Hardy (Shirley Henderson) and Ida Kitaeva Laurel (Nina Arianda) are a double act themselves, with very different beliefs and personalities. I loved the dynamic between the two women and found myself laughing out loud at them too. Despite their differences, they are both overbearing wives who think they know what’s best for their respective husbands, often with some very emotional results. I really can’t fault the casting at all, it was just magical to watch.
Aesthetically, I adored Stan & Ollie and what a treat it was to see Newcastle back in the day! The set and costume design is just gorgeous as the two embark on a rather exhausting tour of the UK, and we get a glimpse of so many cities and the different audiences that attend each night. We see the duos struggles and successes, each scene delivering a different emotional tug. Our heart sinks as we see the empty seats, and rises again as they start to draw in more and more crowds. The camera speaks louder than words a lot of the time, knowing exactly what to show the audience in order to mirror what the characters are feeling.
It is impossible to document every waking moment of Laurel and Hardy’s lives, but this biopic still manages to show us a lot in a relatively short space of time. With a runtime of 1 hour and 37 minutes, it would have been easy for it to fall flat and leave audiences wishing they’d seen more. But in my opinion, that didn’t happen. Whilst we were dropped into the story with their careers in full swing, it didn’t feel like we’d missed out on anything. The film requires a little knowledge about the duo before watching, but you don’t need a history lesson in order to enjoy it to the full.
For me, this was the epitome of a great biopic. Coogan and Reilly looked the part, they acted the part, and they made their audience laugh both on-screen and in the cinema. I laughed, I cried, and I had a brilliant time that I can see myself wanting to revisit in the near future. The epilogue was so emotionally charged that I had to stay in my seat and wipe away tears for a few minutes, and that says everything about what a perfect film this was. I’m delighted that it is my first five star review of 2019!
https://lucygoestohollywood.com/2019/01/25/a-stunning-portrait-of-friendship-and-comedy-my-review-of-stan-ollie/
Something that really made me smile about Stan & Ollie was the fact that both Steve Coogan and John C. Reilly’s careers are rooted in comedy. Coogan is known for playing Alan Partridge and Reilly is known for numerous roles in American comedy films. What better way to pay homage to such an iconic comedy act. Both lead actors took to their roles superbly, and I loved both equally. It was a joy to follow them as they took us on tour, recreating iconic routines that made it impossible to look away from the screen.
I was captivated throughout, genuinely finding myself laughing out loud at these comedy routines that have aged like a fine wine. Even now, they’re absolutely hilarious. Coogan and Reilly worked perfectly together, embodying all that we know and love about Laurel and Hardy whilst revealing intimate secrets that took place from behind the stage curtain. Although their careers were comedic, some of their life experiences certainly weren’t.
The duos wives also make an appearance, and are equally as delightful to watch. Lucille Hardy (Shirley Henderson) and Ida Kitaeva Laurel (Nina Arianda) are a double act themselves, with very different beliefs and personalities. I loved the dynamic between the two women and found myself laughing out loud at them too. Despite their differences, they are both overbearing wives who think they know what’s best for their respective husbands, often with some very emotional results. I really can’t fault the casting at all, it was just magical to watch.
Aesthetically, I adored Stan & Ollie and what a treat it was to see Newcastle back in the day! The set and costume design is just gorgeous as the two embark on a rather exhausting tour of the UK, and we get a glimpse of so many cities and the different audiences that attend each night. We see the duos struggles and successes, each scene delivering a different emotional tug. Our heart sinks as we see the empty seats, and rises again as they start to draw in more and more crowds. The camera speaks louder than words a lot of the time, knowing exactly what to show the audience in order to mirror what the characters are feeling.
It is impossible to document every waking moment of Laurel and Hardy’s lives, but this biopic still manages to show us a lot in a relatively short space of time. With a runtime of 1 hour and 37 minutes, it would have been easy for it to fall flat and leave audiences wishing they’d seen more. But in my opinion, that didn’t happen. Whilst we were dropped into the story with their careers in full swing, it didn’t feel like we’d missed out on anything. The film requires a little knowledge about the duo before watching, but you don’t need a history lesson in order to enjoy it to the full.
For me, this was the epitome of a great biopic. Coogan and Reilly looked the part, they acted the part, and they made their audience laugh both on-screen and in the cinema. I laughed, I cried, and I had a brilliant time that I can see myself wanting to revisit in the near future. The epilogue was so emotionally charged that I had to stay in my seat and wipe away tears for a few minutes, and that says everything about what a perfect film this was. I’m delighted that it is my first five star review of 2019!
https://lucygoestohollywood.com/2019/01/25/a-stunning-portrait-of-friendship-and-comedy-my-review-of-stan-ollie/