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Emma @ The Movies (1786 KP) rated Pride and Prejudice and Zombies (2016) in Movies
Sep 25, 2019
A film for all those women who dream of chivalry, but want to kick some ass.
Contains spoilers, click to show
"It is a truth universally acknowledged that a zombie in possession of brains must be in want of more brains."
A mysterious plague has fallen across England. The countryside is a relative haven, where the city has become a playground for unmentionables. The oriental arts have become the fashion and a desirable young lady no longer needs to be the prim and proper wife, unless your name is Mr Collins.
The Bennet's lovely daughters, beautiful and strong of body and mind are accustomed to a regimented life of training, until the handsome stranger Mr Bingley comes to the country. A whirlwind of romance and the undead lead them into a battle for family and love.
Heaving bosoms, country estates. Brain eating corpses and assorted weaponry. Everything you'd expect when the undead meets Jane Austen. As if on cue my playlist has shuffled to Zombie by The Cranberries. I can't deny enjoying this film, I should point out that I was always going to enjoy it, be it Oscar or Razzie worthy. It definitely had the potential to be an epic re-watchable classic or the B-movie winner that shone from the book.
When it was first published I picked it up almost instantly and soon found Quirk Books and other crossover books developing a little shrine-like area. [Now given pride of place in my nerd room.] Having a dislike of classics embedded in me from school and enjoying the general kick-assery of action films, it was a great crossover to bring those classics back into my life.
Admission time, while I've read the book I can't actually remember when, it was dozens of books ago. I loved it but not everyone did. I'm going to make a big sweeping statement. [Sorry, not sorry] It's not a Jane Austen book people, get over it. "He's ruined Elizabeth Bennet!" No he's taken a strong minded female character and put her in a new fantasy setting. I'm sure there would have been less objections if all the names were different (and the title too) and it was just described as "loosely based on Jane Austen's Pride and Prejudice". But swings and roundabouts, because it probably wouldn't have been as popular if it wasn't called Pride and Prejudice and Zombies.
Sam Riley's Mr Darcy was no Colin Firth, but it was still very good. It did kind of seem like they threw him in a lake because they felt they should pay homage to Firth's dunking.
Note to those who see the film, Liz Bennet's heaving bosom is seen on a regular basis and is entirely distracting. I'm not sure there's a plot line linked to them, they're just always there, they probably should have got their own credit for the part.
I think my favourite scene was where Darcy came to Elizabeth to proclaim his love... and then they proceed to beat each other with sticks, books, basically whatever is to hand. Heated and packed with sexual tension it made for entertaining viewing. It also reminded me of the scene in Buffy where the slayer and Spike fight in an abandoned building, and the amount of sexual tension between the pair results in breaking the building, amongst other things... but those other things probably wouldn't work so well in Austen's time.
Even with all the bits that brought a smile to my face and made for enjoyable watching, there were some things I couldn't help but be annoyed with.
Firstly, Matt Smith, my dear number 11... [insert long silence here] I know Mr Collins is there for the annoying comic relief and awkwardness but oh my god. It was too much and I was overcome with annoyance. The cast is made up of relatively unknown people, with the exceptions of Charles Dance, Sally Phillips and Matt Smith. I can't help but wonder if Mr Collins would have been easier to deal with if he was an unknown actor.
The camera work had its own peculiarities. Some shots were taken from the zombies point of view. They were blurred and frustrating to watch, I can't really tell what it added. I'm sure it would have added a bit more drama if you'd seen the potential victim being run at. Again, I'm not an expert in showbiz filming but I'm fairly certain that making your audience want to throw up is not the idea. Right near the end there is a shot that perfectly portrays the devastation of the situation...
"How should we get across the devastation of the city and cut out to the next scene?"
"Spin the camera round until people want to vomit?"
"GENIUS!"
I sat there feeling a bit woozy, trying to avoid looking at the screen for the whole thing. I'm not sure either of the fancy styles really improved anything.
My only other wonder about the film is whether it should have gone all out spoof. This was a sensible spoof [relatively speaking], in that it wasn't made specifically for laughs. It did have some, but there were also some moments of emotion too. Should they have played the film out for more comedy? Who knows, but I feel the scene where Darcy and Elizabeth are stabbing a field to kill zombies that are buried underneath was completely wasted in a sensible spoof!
All in all I did enjoy it, but for those of you looking to see it at the cinema I'm not sure it's worth a £10 ticket. Well worth it if you have an offer of some description though. Just remember going in to it that it isn't Jane Austen, it's just your run of the mill zombie period drama... wow, never thought I'd say that sentence.
A mysterious plague has fallen across England. The countryside is a relative haven, where the city has become a playground for unmentionables. The oriental arts have become the fashion and a desirable young lady no longer needs to be the prim and proper wife, unless your name is Mr Collins.
The Bennet's lovely daughters, beautiful and strong of body and mind are accustomed to a regimented life of training, until the handsome stranger Mr Bingley comes to the country. A whirlwind of romance and the undead lead them into a battle for family and love.
Heaving bosoms, country estates. Brain eating corpses and assorted weaponry. Everything you'd expect when the undead meets Jane Austen. As if on cue my playlist has shuffled to Zombie by The Cranberries. I can't deny enjoying this film, I should point out that I was always going to enjoy it, be it Oscar or Razzie worthy. It definitely had the potential to be an epic re-watchable classic or the B-movie winner that shone from the book.
When it was first published I picked it up almost instantly and soon found Quirk Books and other crossover books developing a little shrine-like area. [Now given pride of place in my nerd room.] Having a dislike of classics embedded in me from school and enjoying the general kick-assery of action films, it was a great crossover to bring those classics back into my life.
Admission time, while I've read the book I can't actually remember when, it was dozens of books ago. I loved it but not everyone did. I'm going to make a big sweeping statement. [Sorry, not sorry] It's not a Jane Austen book people, get over it. "He's ruined Elizabeth Bennet!" No he's taken a strong minded female character and put her in a new fantasy setting. I'm sure there would have been less objections if all the names were different (and the title too) and it was just described as "loosely based on Jane Austen's Pride and Prejudice". But swings and roundabouts, because it probably wouldn't have been as popular if it wasn't called Pride and Prejudice and Zombies.
Sam Riley's Mr Darcy was no Colin Firth, but it was still very good. It did kind of seem like they threw him in a lake because they felt they should pay homage to Firth's dunking.
Note to those who see the film, Liz Bennet's heaving bosom is seen on a regular basis and is entirely distracting. I'm not sure there's a plot line linked to them, they're just always there, they probably should have got their own credit for the part.
I think my favourite scene was where Darcy came to Elizabeth to proclaim his love... and then they proceed to beat each other with sticks, books, basically whatever is to hand. Heated and packed with sexual tension it made for entertaining viewing. It also reminded me of the scene in Buffy where the slayer and Spike fight in an abandoned building, and the amount of sexual tension between the pair results in breaking the building, amongst other things... but those other things probably wouldn't work so well in Austen's time.
Even with all the bits that brought a smile to my face and made for enjoyable watching, there were some things I couldn't help but be annoyed with.
Firstly, Matt Smith, my dear number 11... [insert long silence here] I know Mr Collins is there for the annoying comic relief and awkwardness but oh my god. It was too much and I was overcome with annoyance. The cast is made up of relatively unknown people, with the exceptions of Charles Dance, Sally Phillips and Matt Smith. I can't help but wonder if Mr Collins would have been easier to deal with if he was an unknown actor.
The camera work had its own peculiarities. Some shots were taken from the zombies point of view. They were blurred and frustrating to watch, I can't really tell what it added. I'm sure it would have added a bit more drama if you'd seen the potential victim being run at. Again, I'm not an expert in showbiz filming but I'm fairly certain that making your audience want to throw up is not the idea. Right near the end there is a shot that perfectly portrays the devastation of the situation...
"How should we get across the devastation of the city and cut out to the next scene?"
"Spin the camera round until people want to vomit?"
"GENIUS!"
I sat there feeling a bit woozy, trying to avoid looking at the screen for the whole thing. I'm not sure either of the fancy styles really improved anything.
My only other wonder about the film is whether it should have gone all out spoof. This was a sensible spoof [relatively speaking], in that it wasn't made specifically for laughs. It did have some, but there were also some moments of emotion too. Should they have played the film out for more comedy? Who knows, but I feel the scene where Darcy and Elizabeth are stabbing a field to kill zombies that are buried underneath was completely wasted in a sensible spoof!
All in all I did enjoy it, but for those of you looking to see it at the cinema I'm not sure it's worth a £10 ticket. Well worth it if you have an offer of some description though. Just remember going in to it that it isn't Jane Austen, it's just your run of the mill zombie period drama... wow, never thought I'd say that sentence.
Mark @ Carstairs Considers (2456 KP) rated Taken in Books
Jun 5, 2019
Elvis Cole and Joe Pike Track the Taken
Los Angeles PI Elvis Cole is hired by Nita Morales to find her daughter Krista. Krista and her boyfriend, Jack, disappeared several days ago. Nita has received a ransom call, but she was only asked for $500. Surely, this is just Krista and Jack trying to get some money from Nita so they can elope, right? However, Elvis quickly begins to determine that Krista and Jack are in serious danger; they’ve been kidnapped by a group that captures illegal immigrants trying to get into California. But knowing what happened to them only increases the stakes. Can Elvis and his partner, Joe Pike, find the two young adults and rescue them before it is too late?
This book is an amazing thrill ride. The story starts off fast, and it never really lets go until we reach the end. However, it is too much like a movie thriller, which means it has some serious weaknesses. The characters, even series leads Elvis Cole and Joe Pike, are shallow. This doesn’t help since there are a lot of players we have to try to keep straight. Author Robert Crais uses shifting timelines to help increase the tension, which works as intended, but he notes the time in a way that grows confusing as the book progresses; he even spoils a major plot point early on as a result. The book is brutal and filled with foul language. While I expect that when reading one of Robert Crais’s books, this one seemed excessive, even by his standards. Despite all these negatives, I still found the book extremely addicting and impossible to stop thinking about. It’s worth reading as long as you keep your expectations appropriate going into the book.
This book is an amazing thrill ride. The story starts off fast, and it never really lets go until we reach the end. However, it is too much like a movie thriller, which means it has some serious weaknesses. The characters, even series leads Elvis Cole and Joe Pike, are shallow. This doesn’t help since there are a lot of players we have to try to keep straight. Author Robert Crais uses shifting timelines to help increase the tension, which works as intended, but he notes the time in a way that grows confusing as the book progresses; he even spoils a major plot point early on as a result. The book is brutal and filled with foul language. While I expect that when reading one of Robert Crais’s books, this one seemed excessive, even by his standards. Despite all these negatives, I still found the book extremely addicting and impossible to stop thinking about. It’s worth reading as long as you keep your expectations appropriate going into the book.
Andy K (10823 KP) rated Prophecy (1979) in Movies
Oct 27, 2019
The best rabid pig cat bear movie I've seen in a while!
Within the wilderness of Maine, local Native Americans are having trouble with a large logging over the destruction of their forests and some recent crimes which have gone unsolved. The Environmental Protection Agency is brought in to assess the situation and provide a possible solution.
As the people get to know each other, it is revealed the natives are also having problems including random sicknesses and abnormal births. It is also discovered wildlife in the area is erratic including an extremely large salmon and a tadpole as big as a full grown frog. The plant operator insists all protocols are being followed and no harmful chemicals are being released by the plant.
Further study reveals mercury is the culprit for all the local problems including the animal and human deformities and the mysterious ailment sweeping the village. There has always been local legend of the Katahdin which the natives also believe is possessing the spirit of a mutated bear which roams the forest.
The two opposing forces must band together and try and stop the mutant beast before it is too late!
I wasn't expecting much from this film I found on Prime, but was pleasantly surprised. You can certainly tell it is low budget, but that did not take away from the suspense, the creature effects and the bloody kills. The pacing was even throughout with few dull spots or stalls in the action. The sprawling Maine tree filled landscapes as well as the gorgeous river beltway added majesty to the look of the film and provided a remarkable setting.
Very entertaining.
As the people get to know each other, it is revealed the natives are also having problems including random sicknesses and abnormal births. It is also discovered wildlife in the area is erratic including an extremely large salmon and a tadpole as big as a full grown frog. The plant operator insists all protocols are being followed and no harmful chemicals are being released by the plant.
Further study reveals mercury is the culprit for all the local problems including the animal and human deformities and the mysterious ailment sweeping the village. There has always been local legend of the Katahdin which the natives also believe is possessing the spirit of a mutated bear which roams the forest.
The two opposing forces must band together and try and stop the mutant beast before it is too late!
I wasn't expecting much from this film I found on Prime, but was pleasantly surprised. You can certainly tell it is low budget, but that did not take away from the suspense, the creature effects and the bloody kills. The pacing was even throughout with few dull spots or stalls in the action. The sprawling Maine tree filled landscapes as well as the gorgeous river beltway added majesty to the look of the film and provided a remarkable setting.
Very entertaining.
Tim McGuire (301 KP) rated Cold Skin (2017) in Movies
Apr 20, 2020
Movie Monster Fun
421. Cold Skin. A pretty kick ass creature feature. Strange and bizarre, I loved it. Welcome to a tiny island located in the Antarctic Circle, and today arrives the new Weather Observer, I guess it's exactly as it sounds. He's supposed to be replacing the old Weather Observer, but he's nowhere to be found, so he heads on over to the light house to meet the islands only other inhabitant, Gruner, the light house keeper, he's like 'he went out one night, never saw him again'. No help there, so Friend heads to his new place, oh yea that's how Gruner refers to the Weather Observer. His sets up his cottage to his liking, and then night comes, and with it comes a scratching at the door, a banging at the window, someones on the roof, and a webbed hand reaching under the door! Friend dives into a cellar protecting himself for the night. Once daylight hits, Friend heads over to Gruner's and he fills him in, yea that happens most nights, and he seems to be ok with it, after all he is played by The Punisher, Ray Stevenson! The two come to work together in a very uneasy alliance, after all it turns out Gruner has a roommate, one of the local inhabitants, only this one is female, and they're close... Friend comes to the conclusion of, maybe the creatures are coming for her, Gruner is like, there's the door. So each night, creatures from the deep come and attack the lighthouse for... reasons? Probably not a movie for everyone, however, if you like them on the oddball side check it out!! Filmbufftim on FB.
Hazel (2934 KP) rated The Last Thing To Burn in Books
Dec 29, 2020
Wow ... that was one heck of a powerful read and one where the characters will stay with me for some time.
Jane - named so by her "husband" Lennie - was trafficked from her native Vietnam with her younger sister, she is kept captive on an isolated farm in what can only be described as squalid and run down conditions. She is watched every minute of every day, she is not allowed to speak to anyone, she is not allowed to go anywhere - her day is regimented from start to finish and for each perceived transgression, the treasured possessions she has are slowly burned in front of her eyes.
This is a harrowing story of a desperate life of servitude and abuse; the scary thing is that it is happening to thousands of men, women and children the world over which makes it even more upsetting. However, it is also a story of hope and the desperate will and strength to survive and fight back when things appear to be hopeless.
The whole book is written from "Jane's" perspective and she is an enthralling narrator. The setting is just perfect and described scarily accurately - my job takes me into isolated farmhouses that are pretty bleak and dilapidated and this made the story even more real for me.
This is not an easy read by any stretch of the imagination but despite that, I found it very hard to put down. I was drawn into the story hook, line and sinker; it grabbed me by the throat and didn't let go until the very last page ... it lingers still in the back of my mind and there are very few books that do this.
Highly recommended.
Thank you to Hodder & Stoughton and NetGalley for my advance copy in return for an unbiased and unedited review.
Jane - named so by her "husband" Lennie - was trafficked from her native Vietnam with her younger sister, she is kept captive on an isolated farm in what can only be described as squalid and run down conditions. She is watched every minute of every day, she is not allowed to speak to anyone, she is not allowed to go anywhere - her day is regimented from start to finish and for each perceived transgression, the treasured possessions she has are slowly burned in front of her eyes.
This is a harrowing story of a desperate life of servitude and abuse; the scary thing is that it is happening to thousands of men, women and children the world over which makes it even more upsetting. However, it is also a story of hope and the desperate will and strength to survive and fight back when things appear to be hopeless.
The whole book is written from "Jane's" perspective and she is an enthralling narrator. The setting is just perfect and described scarily accurately - my job takes me into isolated farmhouses that are pretty bleak and dilapidated and this made the story even more real for me.
This is not an easy read by any stretch of the imagination but despite that, I found it very hard to put down. I was drawn into the story hook, line and sinker; it grabbed me by the throat and didn't let go until the very last page ... it lingers still in the back of my mind and there are very few books that do this.
Highly recommended.
Thank you to Hodder & Stoughton and NetGalley for my advance copy in return for an unbiased and unedited review.
LeftSideCut (3776 KP) rated The Visit (2015) in Movies
Nov 2, 2020
This movie, and I can't stress this enough, spends way too much time on the young kids budding rapping career. Not convinced I ever want to watch 13 year old white boys rap, let alone 3 or 4 seperate scenes of it...
Anyway, The Visit is pretty good (if you ignore the whole rapping part - not sure if I've mentioned that yet). It has a minimal yet great cast, some solid creepy moments, and a surprisingly grounded twist from the notoriously inconsistent M. Night Shyamalan.
Olivia DeJonge and Ed Oxenbould are likable as the two leads. The framing device of them filming a documentary about their estranged grandparents is a natural explanation for the 'found footage' camera style.
The stand out though is Deanna Dunagan as the grandma. Christ she is unsettlingly creepy, even when she's being kind. Her contribution to this film really lends the narrative as a whole, a huge help of tension. The slow burn nature of it is fantastically realised, and presents the audience with a decent mystery plot, and a chance to try and unravel what is really going on before the inevitable twist hits.
The twist itself is simple yet effective, and is certainly an "oh shit" moment, but unfortunately it leads to a final act that feels a bit over the top and silly. It shifts from an atmospheric creepy chiller to a sub par horror trying a little too hard to pack in the scares. It's a shame because 80% of the runtime is genuinely engaging!
Despite the lackluster ending, The Visit is a solid POV thriller that is head and shoulders above a huge chunk of Shyamalan's back catalogue, and is decent enough way to spend 90 minutes, except for the 3-4 minutes spent with the kid rapping...
Anyway, The Visit is pretty good (if you ignore the whole rapping part - not sure if I've mentioned that yet). It has a minimal yet great cast, some solid creepy moments, and a surprisingly grounded twist from the notoriously inconsistent M. Night Shyamalan.
Olivia DeJonge and Ed Oxenbould are likable as the two leads. The framing device of them filming a documentary about their estranged grandparents is a natural explanation for the 'found footage' camera style.
The stand out though is Deanna Dunagan as the grandma. Christ she is unsettlingly creepy, even when she's being kind. Her contribution to this film really lends the narrative as a whole, a huge help of tension. The slow burn nature of it is fantastically realised, and presents the audience with a decent mystery plot, and a chance to try and unravel what is really going on before the inevitable twist hits.
The twist itself is simple yet effective, and is certainly an "oh shit" moment, but unfortunately it leads to a final act that feels a bit over the top and silly. It shifts from an atmospheric creepy chiller to a sub par horror trying a little too hard to pack in the scares. It's a shame because 80% of the runtime is genuinely engaging!
Despite the lackluster ending, The Visit is a solid POV thriller that is head and shoulders above a huge chunk of Shyamalan's back catalogue, and is decent enough way to spend 90 minutes, except for the 3-4 minutes spent with the kid rapping...
LeftSideCut (3776 KP) rated Halloween (2007) in Movies
Jun 3, 2021
The original Halloween is such a goddam incredible movie, that anytime the franchise has tried to stray too far from its roots, the wheels just come off. The psychic stuff in Halloween 5 just didn't work. The cult stuff in Halloween 6 just didn't work. The found footage stuff in Resurrection just didn't work. This time around, it's a remake of the original, directed by Rob Zombie. His particular brand of hateful characters and nasty dialogue can be effective in other corners of horror, but when applied to the Halloween template, you guessed it, it just doesn't work.
It has its moments - Malcolm McDowell is great as Dr Loomis, and the towering behemoth of a Michael Myers we get her is genuinely fucking terrifying. There's also a fine selection of genre icons here and there - Dee Wallace, Brad Dourif, Clint Howard, Ken Foree, Sybil Danning, Bill Moseley, Sid Haig, Danny Trejo, Danielle Harris - it's an impressive roster for sure.
All of this isn't enough to lift this remake above all of its problems however.
None of the characters are particularly likable, and it's off pacing make for a bloated experience, an issue that's further exacerbated by the more widely available Directors Cut, which further pans out its runtime with an horrifically unnecessary rape scene.
I can appreciate the decision to explore the origins of Michael, but the end results are very mixed. When the familiar stuff kicks off halfway through, it's actually kind of boring. It manages to ape the original at every turn, whilst simultaneously feeling disrespectful with it's token RZ tropes.
All in all, Halloween is a remake that I wouldn't take issue with, but the decision to put Zombie in the driver's seat results in a movie that doesn't feel like it belongs anywhere. An inferior re-tread in every aspect, that leaves a bitter after taste.
It has its moments - Malcolm McDowell is great as Dr Loomis, and the towering behemoth of a Michael Myers we get her is genuinely fucking terrifying. There's also a fine selection of genre icons here and there - Dee Wallace, Brad Dourif, Clint Howard, Ken Foree, Sybil Danning, Bill Moseley, Sid Haig, Danny Trejo, Danielle Harris - it's an impressive roster for sure.
All of this isn't enough to lift this remake above all of its problems however.
None of the characters are particularly likable, and it's off pacing make for a bloated experience, an issue that's further exacerbated by the more widely available Directors Cut, which further pans out its runtime with an horrifically unnecessary rape scene.
I can appreciate the decision to explore the origins of Michael, but the end results are very mixed. When the familiar stuff kicks off halfway through, it's actually kind of boring. It manages to ape the original at every turn, whilst simultaneously feeling disrespectful with it's token RZ tropes.
All in all, Halloween is a remake that I wouldn't take issue with, but the decision to put Zombie in the driver's seat results in a movie that doesn't feel like it belongs anywhere. An inferior re-tread in every aspect, that leaves a bitter after taste.
Mark @ Carstairs Considers (2456 KP) rated Mint Chocolate Murder in Books
Jul 30, 2022 (Updated Jul 30, 2022)
Was the Photographer’s Death Picture Perfect?
September has fallen, and the crowds have dropped off from their summer peak at Udder Delicious, but manager Riley Rhodes is finding life isn’t slowing down yet thanks to the art festival that former supermodel Maude Monico is hosting at the castle she’s purchased just outside of town. Riley is catering the opening night ice cream social, and that allows her to observe the weekend’s guest of honor, Adam Blasco, a controversial photographer. He fails to show up for his talk the next day, and he is soon found dead, locked in the castle’s former dungeon. Now Riley has to figure out not only how he came to be there, but who wanted him dead.
Yes, there is a reason that this castle (and a Scottish castle at that) is in the middle of Connecticut. That adds a fun layer to this mystery, but it does require a bit of set up at the beginning. Between that and meeting the victim and suspects, we are able to ease into the story. Since we have a locked room puzzle and in addition to figuring out who the killer is, there is plenty to keep us engaged, and the pages flew by until I reached the end. I enjoyed meeting the characters last year, and they were just as charming here. Meanwhile, the suspects were strong. While there actually isn’t much mention of mint chocolate here (a favorite flavor of mine), pumpkin spice proves to be a popular ice cream flavor in the story, and we get a recipe for it in the end. Whether you love ice cream or not, you’ll find this book a delicious sequel that you’ll enjoy.
Yes, there is a reason that this castle (and a Scottish castle at that) is in the middle of Connecticut. That adds a fun layer to this mystery, but it does require a bit of set up at the beginning. Between that and meeting the victim and suspects, we are able to ease into the story. Since we have a locked room puzzle and in addition to figuring out who the killer is, there is plenty to keep us engaged, and the pages flew by until I reached the end. I enjoyed meeting the characters last year, and they were just as charming here. Meanwhile, the suspects were strong. While there actually isn’t much mention of mint chocolate here (a favorite flavor of mine), pumpkin spice proves to be a popular ice cream flavor in the story, and we get a recipe for it in the end. Whether you love ice cream or not, you’ll find this book a delicious sequel that you’ll enjoy.
Thicker Than Water (Redwater Demons #1)
10.0
Rate It
Book
“Hate is learned, hunter. And I see you were a very good student.” “Thanks. I try.” ...
James P. Sumner (65 KP) rated X-Men: Dark Phoenix (2019) in Movies
Jun 5, 2019
A poor end to a great series.
With the much-publicised sale of the Fox-owned Marvel properties to Disney, we knew going into this film it would be the last of its series. The three entries that came before breathed life into a tired franchise, and were all must-see blockbusters.
Sadly, Dark Phoenix doesn't live up to the quality of its predecessors.
It reminded me in a lot of ways of Christopher Nolan's "Dark Knight Rises". It was the end of something special... we had been promised stakes that had never been higher... we expected sadness... we expected fireworks. We expected a big finish.
Unfortunately, Dark Phoenix failed where Dark Knight Rises succeeded, and that was the payoff. The film seemed to be over just as it was getting started. A strong beginning with tension and danger promised more of the same, but it never quite got there. Visually, yes, you could see the build-up, see what was at stake... but you couldn't feel it. I found myself not caring what happened to the characters, which was a real shame.
The film just didn't feel... big enough for what it was trying to do.
We know from the trailers that an early mission into space ends with Jean Grey absorbing a cosmic energy known in the comics as the Phoenix Force. This whole thing felt very watered down compared to the source material, probably because for the entire time, none of the X-Men actually knew what they were dealing with. Just that Jean was angry and, well, you wouldn't like her when she's angry.
The bulk of the story revolves around the heroes trying to save their friend, but even they don't know from what they're trying to save her from. The CGI is well done, and isn't over-used. Some of the character arcs are intriguing to a point, although they lack the depth they needed to really make you care.
Without spoilers, the ending is satisfactory. It's very Dark Knight Rises in some ways, actually. A fitting end to the film, but only because the film itself was below par. The X-Men series that began with First Class deserved so much more.
If you've seen the other three, there's an obligation to say goodbye to the current iteration of these characters. But if you're just after a typical popcorn movie, I'm sad to say you could do much, much better than this.
(Oh, and there's no mid- or post-credits scene, so no need to sit through them.)
Sadly, Dark Phoenix doesn't live up to the quality of its predecessors.
It reminded me in a lot of ways of Christopher Nolan's "Dark Knight Rises". It was the end of something special... we had been promised stakes that had never been higher... we expected sadness... we expected fireworks. We expected a big finish.
Unfortunately, Dark Phoenix failed where Dark Knight Rises succeeded, and that was the payoff. The film seemed to be over just as it was getting started. A strong beginning with tension and danger promised more of the same, but it never quite got there. Visually, yes, you could see the build-up, see what was at stake... but you couldn't feel it. I found myself not caring what happened to the characters, which was a real shame.
The film just didn't feel... big enough for what it was trying to do.
We know from the trailers that an early mission into space ends with Jean Grey absorbing a cosmic energy known in the comics as the Phoenix Force. This whole thing felt very watered down compared to the source material, probably because for the entire time, none of the X-Men actually knew what they were dealing with. Just that Jean was angry and, well, you wouldn't like her when she's angry.
The bulk of the story revolves around the heroes trying to save their friend, but even they don't know from what they're trying to save her from. The CGI is well done, and isn't over-used. Some of the character arcs are intriguing to a point, although they lack the depth they needed to really make you care.
Without spoilers, the ending is satisfactory. It's very Dark Knight Rises in some ways, actually. A fitting end to the film, but only because the film itself was below par. The X-Men series that began with First Class deserved so much more.
If you've seen the other three, there's an obligation to say goodbye to the current iteration of these characters. But if you're just after a typical popcorn movie, I'm sad to say you could do much, much better than this.
(Oh, and there's no mid- or post-credits scene, so no need to sit through them.)