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Daniel Boyd (1066 KP) rated Sgt. Pepper's Lonely Hearts Club Band by The Beatles in Music
Nov 2, 2017
One Of The Most Influential Albums Of All Time
The reason that this album is so influential and important to everything that came after it is simple, it was the first true example of what we think of as a concept album today. The album opens with an introduction to what you are about to witness, which is something that had never even been considered before in music. Sgt Pepper’s Lonely Heart’s Club Band was also very meta for its time considering that the first song informs you of the members that this band is made up from and gives you a reason as to why they are performing these songs to you. Equally, ending the album with the Sgt Pepper’s Lonely Heart’s Club Band reprise brings the whole thing full circle, and this formula became what was adopted by concept all albums going forward, The Who followed the same structure, as did Pink Floyd and Green Day. Musically, the record continued where Revolver, (the previous album,) left off, engraining the Beatles as pioneers in psychedelic music. Songs such as, ‘Lucy in the Sky With Diamonds,’ and ‘Within You, Without You,’ where more far out than any other psychedelic musical piece had been before. Then you have tracks such as ‘When I’m Sixty Four,’ and ‘Getting Better,’ which utilize classical instruments normally found in orchestral music. This totally rewrote the rules on what a pop song could do. Every song on Sgt. Pepper is a masterpiece and each earns that title both on an individual basis and as part of a whole and all for their own unique reasons. There is also the fact that the album contains what I consider to be the band’s greatest song, ‘A Day In The Life.’ It is the final track on the album, often considered an epilogue, as the album officially ends with the reprise of Sgt Pepper’s Lonely Heart’s Club Band and forty years later, it still sends tingles down the spine of anyone that has the honor to listen to it. Lennon’s parts bookend the track while the middle section belongs to McCartney. As is the case with the rest of the album, the song points out the juxtaposition of Lennon’s narcissistic realist view on the world versus McCartney’s brighter more optimistic outlook on life. Then the song ends with a beautifully chaotic climax of instruments all playing together, building from their respective lowest notes to their highest. It so clearly ends the album, there is no fade out, its everything coming together and playing simultaneously and then stopping all in unison, a very purposeful and definite way to end an album.
Even when the album is over the Beatles are still innovating by including a creepy loop within the groove of the album, implemented to give listeners a fright as they only expect to hear silence after the climax of ‘A Day In The Life.’ After a few moments of peace, a high pitched frequency is heard followed by a peculiar mix of abstract sounds all at once. Even after all this time, after the ridiculously high number of times that I’ve listened to the record and although I know to expect the sound before it happens, it’s still chilling to this day. This was the first time that a band intentionally included hidden sounds on an album, making listeners sit through a few seconds of silence to hear it. People claim that this album is overrated, but there is a reason that it is held in such high regard and whether you think this album deserves its legendary status or not, it is impossible to debate the fact that it is probably the most important album ever recorded. Everything from the album artwork to the music and the lyrics is still extremely relevant and important, even in this current digital age of music.
Even when the album is over the Beatles are still innovating by including a creepy loop within the groove of the album, implemented to give listeners a fright as they only expect to hear silence after the climax of ‘A Day In The Life.’ After a few moments of peace, a high pitched frequency is heard followed by a peculiar mix of abstract sounds all at once. Even after all this time, after the ridiculously high number of times that I’ve listened to the record and although I know to expect the sound before it happens, it’s still chilling to this day. This was the first time that a band intentionally included hidden sounds on an album, making listeners sit through a few seconds of silence to hear it. People claim that this album is overrated, but there is a reason that it is held in such high regard and whether you think this album deserves its legendary status or not, it is impossible to debate the fact that it is probably the most important album ever recorded. Everything from the album artwork to the music and the lyrics is still extremely relevant and important, even in this current digital age of music.
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5 Minute Movie Guy (379 KP) rated The Fault In Our Stars (2014) in Movies
Jun 26, 2019 (Updated Jun 26, 2019)
Undoubtedly one of the great love stories of our time. (3 more)
Shailene Woodley and Ansel Elgort are a perfect match.
John Green's novel is brilliantly adapted to the silver screen.
This is a movie that will stay with you long after it's over.
On the surface, it's easy to dismiss The Fault in Our Stars as being a sappy teenage love affair, but I can fortunately say that this is one of the great love stories of our time.
Based on John Green’s popular young adult novel, The Fault in Our Stars is a film that is profoundly beautiful, eloquent and heartfelt. It tells of an extraordinary love between two unforgettable characters who are brought together by similarly ill-fated circumstances. Hazel Grace Lancaster and Augustus Waters are both victims of cancer. Although they do their best to hide it, these two young adults are each afraid of their ominous and unstable futures. They’re just trying to live purposeful lives and experience life like normal teenagers, but the looming threat of an untimely death impedes that desire. However, for a film filled with so much uncertainty, I can fortunately say that there is little doubt that The Fault in Our Stars is one of the great love stories of our time.
On the surface, it’s easy to dismiss The Fault in Our Stars as being a sappy teenage love affair. I’ll confess that I went into the theater expecting to be fully surrounded by crying teenage girls, while I would be quietly laughing to myself at their heartache. What I surely didn’t anticipate, however, was to be so deeply drawn into the film. Even more surprising is the fact that The Fault in Our Stars has actually turned out to be my favorite movie of the year so far. This is a film that is sincerely heartfelt and unflinchingly genuine. It brings truth to the romantic fantasies we have, and teaches us that we can’t let the fear of possible heartache hold us back from the endless potential of love.
Make no mistake about it, The Fault in Our Stars is a tear-jerker. It’s difficult to watch these lovable characters endure such unjustifiable hardship. Hazel and Augustus are each forced to face a formidable fate that they shouldn’t have to. I really felt a strong attachment to both of them, and found them to be remarkably identifiable. This connection makes it all the more unsettling when their situations turn dire. The reason that The Fault in Our Stars manages to be so effective is because of its authenticity and accessibility. The characters are not only admirable, but relatable. They’re not simply reduced to being unfortunate young cancer patients that we’re meant to feel sorry for. While of course we can sympathize with their condition, it is their compassion and the content of their characters that make them so compelling.
While the film features its fair share of tragedy, I should make it clear that it’s not heart-wrenchingly malicious in the way it deals with its ensuing sadness. This is not a film that is deliberately trying to make anyone feel bad. It is merely being honest in its depiction of the unfairness that often exists in life. While you very well might cry when watching the film, it’s not entirely depressing and hopeless. In fact, I would argue that The Fault in Our Stars is more pleasant than painful. The sadness it makes you feel ends up all being worthwhile because of the joyous, unforgettable memories the movie creates along the way. This is a film that will stay with you long after seeing it. To answer the question you’re all wondering: no, the movie didn’t make me cry. Though my lack of tears is not a particularly good indicator of the emotional quality of the film. I don’t really allow myself to cry during movies, but I certainly came close, and it undeniably left me deeply touched and forever grateful that I watched it.
Being that this is a romance, I must warn you that this isn’t a movie for everyone. Truth be told, I’m a sucker for a good romance, but I’m aware not everyone has the patience for these kind of movies. The Fault in Our Stars is a slow-burning journey that takes its time to relish in the moments. It does this skillfully, maintaining a steady, balanced pace while building up to a powerful climax. Some may find the film to be a little too cutesy, but I think anyone who approaches it with an open-mind will find that it’s legitimately a really great film. My only real criticism of the movie involves the awkward return of a particular character towards the end of the movie. It makes for a rather unwelcome and perplexing intrusion, although it does at least help to set up the film’s wonderful ending.
John Green’s story is refreshing, witty, and modern. It is not only insightful in its depiction of love and life, but also offers an amazing attention to detail. It nails the feelings of love, and perfectly captures the life of being a teenager. The characters created by Green truly come to life in this film. Divergent star Shailene Woodley shines as Hazel, a young woman suffering from terminal thyroid cancer. Additionally, Ansel Elgort is incredibly charming as Augustus, a high school basketball star whose career ended short when cancer turned him into an amputee. The two of them are a perfect complementary match. Laura Dern also puts in a commendable performance as Hazel’s mom, a selfless, loving parent and companion. The film’s soundtrack is sensational. It’s appropriately fitting and delightful, featuring great work by artists such as Ed Sheeran, Birdy, and Ray LaMontagne. Every aspect of the movie comes together to produce a thoroughly poignant and relevant package.
The Fault in Our Stars is a film that speaks to our generation. It stares boldly into our fears of the eminent death that haunts us all, and makes no attempt to glamorize it. Even though it’s about a pair of teenagers, it’s not afraid to deal with mature content. It’s actually all the more engrossing and troubling because these two characters are young. They’re already facing a pivotal time in their lives and are learning to experience the world on their own accord, and yet their journeys are plagued by the callous complications of cancer. Their age gives the film a stronger emotional impact, emphasizing the preciousness of life and the importance of living it to the fullest. The Fault in Our Stars is a smart and stimulating movie, and just like its star characters, it is wholly worthy of remembrance.
(This review was originally posted at 5mmg.com on 7.12.14.)
On the surface, it’s easy to dismiss The Fault in Our Stars as being a sappy teenage love affair. I’ll confess that I went into the theater expecting to be fully surrounded by crying teenage girls, while I would be quietly laughing to myself at their heartache. What I surely didn’t anticipate, however, was to be so deeply drawn into the film. Even more surprising is the fact that The Fault in Our Stars has actually turned out to be my favorite movie of the year so far. This is a film that is sincerely heartfelt and unflinchingly genuine. It brings truth to the romantic fantasies we have, and teaches us that we can’t let the fear of possible heartache hold us back from the endless potential of love.
Make no mistake about it, The Fault in Our Stars is a tear-jerker. It’s difficult to watch these lovable characters endure such unjustifiable hardship. Hazel and Augustus are each forced to face a formidable fate that they shouldn’t have to. I really felt a strong attachment to both of them, and found them to be remarkably identifiable. This connection makes it all the more unsettling when their situations turn dire. The reason that The Fault in Our Stars manages to be so effective is because of its authenticity and accessibility. The characters are not only admirable, but relatable. They’re not simply reduced to being unfortunate young cancer patients that we’re meant to feel sorry for. While of course we can sympathize with their condition, it is their compassion and the content of their characters that make them so compelling.
While the film features its fair share of tragedy, I should make it clear that it’s not heart-wrenchingly malicious in the way it deals with its ensuing sadness. This is not a film that is deliberately trying to make anyone feel bad. It is merely being honest in its depiction of the unfairness that often exists in life. While you very well might cry when watching the film, it’s not entirely depressing and hopeless. In fact, I would argue that The Fault in Our Stars is more pleasant than painful. The sadness it makes you feel ends up all being worthwhile because of the joyous, unforgettable memories the movie creates along the way. This is a film that will stay with you long after seeing it. To answer the question you’re all wondering: no, the movie didn’t make me cry. Though my lack of tears is not a particularly good indicator of the emotional quality of the film. I don’t really allow myself to cry during movies, but I certainly came close, and it undeniably left me deeply touched and forever grateful that I watched it.
Being that this is a romance, I must warn you that this isn’t a movie for everyone. Truth be told, I’m a sucker for a good romance, but I’m aware not everyone has the patience for these kind of movies. The Fault in Our Stars is a slow-burning journey that takes its time to relish in the moments. It does this skillfully, maintaining a steady, balanced pace while building up to a powerful climax. Some may find the film to be a little too cutesy, but I think anyone who approaches it with an open-mind will find that it’s legitimately a really great film. My only real criticism of the movie involves the awkward return of a particular character towards the end of the movie. It makes for a rather unwelcome and perplexing intrusion, although it does at least help to set up the film’s wonderful ending.
John Green’s story is refreshing, witty, and modern. It is not only insightful in its depiction of love and life, but also offers an amazing attention to detail. It nails the feelings of love, and perfectly captures the life of being a teenager. The characters created by Green truly come to life in this film. Divergent star Shailene Woodley shines as Hazel, a young woman suffering from terminal thyroid cancer. Additionally, Ansel Elgort is incredibly charming as Augustus, a high school basketball star whose career ended short when cancer turned him into an amputee. The two of them are a perfect complementary match. Laura Dern also puts in a commendable performance as Hazel’s mom, a selfless, loving parent and companion. The film’s soundtrack is sensational. It’s appropriately fitting and delightful, featuring great work by artists such as Ed Sheeran, Birdy, and Ray LaMontagne. Every aspect of the movie comes together to produce a thoroughly poignant and relevant package.
The Fault in Our Stars is a film that speaks to our generation. It stares boldly into our fears of the eminent death that haunts us all, and makes no attempt to glamorize it. Even though it’s about a pair of teenagers, it’s not afraid to deal with mature content. It’s actually all the more engrossing and troubling because these two characters are young. They’re already facing a pivotal time in their lives and are learning to experience the world on their own accord, and yet their journeys are plagued by the callous complications of cancer. Their age gives the film a stronger emotional impact, emphasizing the preciousness of life and the importance of living it to the fullest. The Fault in Our Stars is a smart and stimulating movie, and just like its star characters, it is wholly worthy of remembrance.
(This review was originally posted at 5mmg.com on 7.12.14.)
Emma @ The Movies (1786 KP) rated Pride and Prejudice and Zombies (2016) in Movies
Sep 25, 2019
A film for all those women who dream of chivalry, but want to kick some ass.
Contains spoilers, click to show
"It is a truth universally acknowledged that a zombie in possession of brains must be in want of more brains."
A mysterious plague has fallen across England. The countryside is a relative haven, where the city has become a playground for unmentionables. The oriental arts have become the fashion and a desirable young lady no longer needs to be the prim and proper wife, unless your name is Mr Collins.
The Bennet's lovely daughters, beautiful and strong of body and mind are accustomed to a regimented life of training, until the handsome stranger Mr Bingley comes to the country. A whirlwind of romance and the undead lead them into a battle for family and love.
Heaving bosoms, country estates. Brain eating corpses and assorted weaponry. Everything you'd expect when the undead meets Jane Austen. As if on cue my playlist has shuffled to Zombie by The Cranberries. I can't deny enjoying this film, I should point out that I was always going to enjoy it, be it Oscar or Razzie worthy. It definitely had the potential to be an epic re-watchable classic or the B-movie winner that shone from the book.
When it was first published I picked it up almost instantly and soon found Quirk Books and other crossover books developing a little shrine-like area. [Now given pride of place in my nerd room.] Having a dislike of classics embedded in me from school and enjoying the general kick-assery of action films, it was a great crossover to bring those classics back into my life.
Admission time, while I've read the book I can't actually remember when, it was dozens of books ago. I loved it but not everyone did. I'm going to make a big sweeping statement. [Sorry, not sorry] It's not a Jane Austen book people, get over it. "He's ruined Elizabeth Bennet!" No he's taken a strong minded female character and put her in a new fantasy setting. I'm sure there would have been less objections if all the names were different (and the title too) and it was just described as "loosely based on Jane Austen's Pride and Prejudice". But swings and roundabouts, because it probably wouldn't have been as popular if it wasn't called Pride and Prejudice and Zombies.
Sam Riley's Mr Darcy was no Colin Firth, but it was still very good. It did kind of seem like they threw him in a lake because they felt they should pay homage to Firth's dunking.
Note to those who see the film, Liz Bennet's heaving bosom is seen on a regular basis and is entirely distracting. I'm not sure there's a plot line linked to them, they're just always there, they probably should have got their own credit for the part.
I think my favourite scene was where Darcy came to Elizabeth to proclaim his love... and then they proceed to beat each other with sticks, books, basically whatever is to hand. Heated and packed with sexual tension it made for entertaining viewing. It also reminded me of the scene in Buffy where the slayer and Spike fight in an abandoned building, and the amount of sexual tension between the pair results in breaking the building, amongst other things... but those other things probably wouldn't work so well in Austen's time.
Even with all the bits that brought a smile to my face and made for enjoyable watching, there were some things I couldn't help but be annoyed with.
Firstly, Matt Smith, my dear number 11... [insert long silence here] I know Mr Collins is there for the annoying comic relief and awkwardness but oh my god. It was too much and I was overcome with annoyance. The cast is made up of relatively unknown people, with the exceptions of Charles Dance, Sally Phillips and Matt Smith. I can't help but wonder if Mr Collins would have been easier to deal with if he was an unknown actor.
The camera work had its own peculiarities. Some shots were taken from the zombies point of view. They were blurred and frustrating to watch, I can't really tell what it added. I'm sure it would have added a bit more drama if you'd seen the potential victim being run at. Again, I'm not an expert in showbiz filming but I'm fairly certain that making your audience want to throw up is not the idea. Right near the end there is a shot that perfectly portrays the devastation of the situation...
"How should we get across the devastation of the city and cut out to the next scene?"
"Spin the camera round until people want to vomit?"
"GENIUS!"
I sat there feeling a bit woozy, trying to avoid looking at the screen for the whole thing. I'm not sure either of the fancy styles really improved anything.
My only other wonder about the film is whether it should have gone all out spoof. This was a sensible spoof [relatively speaking], in that it wasn't made specifically for laughs. It did have some, but there were also some moments of emotion too. Should they have played the film out for more comedy? Who knows, but I feel the scene where Darcy and Elizabeth are stabbing a field to kill zombies that are buried underneath was completely wasted in a sensible spoof!
All in all I did enjoy it, but for those of you looking to see it at the cinema I'm not sure it's worth a £10 ticket. Well worth it if you have an offer of some description though. Just remember going in to it that it isn't Jane Austen, it's just your run of the mill zombie period drama... wow, never thought I'd say that sentence.
A mysterious plague has fallen across England. The countryside is a relative haven, where the city has become a playground for unmentionables. The oriental arts have become the fashion and a desirable young lady no longer needs to be the prim and proper wife, unless your name is Mr Collins.
The Bennet's lovely daughters, beautiful and strong of body and mind are accustomed to a regimented life of training, until the handsome stranger Mr Bingley comes to the country. A whirlwind of romance and the undead lead them into a battle for family and love.
Heaving bosoms, country estates. Brain eating corpses and assorted weaponry. Everything you'd expect when the undead meets Jane Austen. As if on cue my playlist has shuffled to Zombie by The Cranberries. I can't deny enjoying this film, I should point out that I was always going to enjoy it, be it Oscar or Razzie worthy. It definitely had the potential to be an epic re-watchable classic or the B-movie winner that shone from the book.
When it was first published I picked it up almost instantly and soon found Quirk Books and other crossover books developing a little shrine-like area. [Now given pride of place in my nerd room.] Having a dislike of classics embedded in me from school and enjoying the general kick-assery of action films, it was a great crossover to bring those classics back into my life.
Admission time, while I've read the book I can't actually remember when, it was dozens of books ago. I loved it but not everyone did. I'm going to make a big sweeping statement. [Sorry, not sorry] It's not a Jane Austen book people, get over it. "He's ruined Elizabeth Bennet!" No he's taken a strong minded female character and put her in a new fantasy setting. I'm sure there would have been less objections if all the names were different (and the title too) and it was just described as "loosely based on Jane Austen's Pride and Prejudice". But swings and roundabouts, because it probably wouldn't have been as popular if it wasn't called Pride and Prejudice and Zombies.
Sam Riley's Mr Darcy was no Colin Firth, but it was still very good. It did kind of seem like they threw him in a lake because they felt they should pay homage to Firth's dunking.
Note to those who see the film, Liz Bennet's heaving bosom is seen on a regular basis and is entirely distracting. I'm not sure there's a plot line linked to them, they're just always there, they probably should have got their own credit for the part.
I think my favourite scene was where Darcy came to Elizabeth to proclaim his love... and then they proceed to beat each other with sticks, books, basically whatever is to hand. Heated and packed with sexual tension it made for entertaining viewing. It also reminded me of the scene in Buffy where the slayer and Spike fight in an abandoned building, and the amount of sexual tension between the pair results in breaking the building, amongst other things... but those other things probably wouldn't work so well in Austen's time.
Even with all the bits that brought a smile to my face and made for enjoyable watching, there were some things I couldn't help but be annoyed with.
Firstly, Matt Smith, my dear number 11... [insert long silence here] I know Mr Collins is there for the annoying comic relief and awkwardness but oh my god. It was too much and I was overcome with annoyance. The cast is made up of relatively unknown people, with the exceptions of Charles Dance, Sally Phillips and Matt Smith. I can't help but wonder if Mr Collins would have been easier to deal with if he was an unknown actor.
The camera work had its own peculiarities. Some shots were taken from the zombies point of view. They were blurred and frustrating to watch, I can't really tell what it added. I'm sure it would have added a bit more drama if you'd seen the potential victim being run at. Again, I'm not an expert in showbiz filming but I'm fairly certain that making your audience want to throw up is not the idea. Right near the end there is a shot that perfectly portrays the devastation of the situation...
"How should we get across the devastation of the city and cut out to the next scene?"
"Spin the camera round until people want to vomit?"
"GENIUS!"
I sat there feeling a bit woozy, trying to avoid looking at the screen for the whole thing. I'm not sure either of the fancy styles really improved anything.
My only other wonder about the film is whether it should have gone all out spoof. This was a sensible spoof [relatively speaking], in that it wasn't made specifically for laughs. It did have some, but there were also some moments of emotion too. Should they have played the film out for more comedy? Who knows, but I feel the scene where Darcy and Elizabeth are stabbing a field to kill zombies that are buried underneath was completely wasted in a sensible spoof!
All in all I did enjoy it, but for those of you looking to see it at the cinema I'm not sure it's worth a £10 ticket. Well worth it if you have an offer of some description though. Just remember going in to it that it isn't Jane Austen, it's just your run of the mill zombie period drama... wow, never thought I'd say that sentence.
Mark @ Carstairs Considers (2460 KP) rated Taken in Books
Jun 5, 2019
Elvis Cole and Joe Pike Track the Taken
Los Angeles PI Elvis Cole is hired by Nita Morales to find her daughter Krista. Krista and her boyfriend, Jack, disappeared several days ago. Nita has received a ransom call, but she was only asked for $500. Surely, this is just Krista and Jack trying to get some money from Nita so they can elope, right? However, Elvis quickly begins to determine that Krista and Jack are in serious danger; they’ve been kidnapped by a group that captures illegal immigrants trying to get into California. But knowing what happened to them only increases the stakes. Can Elvis and his partner, Joe Pike, find the two young adults and rescue them before it is too late?
This book is an amazing thrill ride. The story starts off fast, and it never really lets go until we reach the end. However, it is too much like a movie thriller, which means it has some serious weaknesses. The characters, even series leads Elvis Cole and Joe Pike, are shallow. This doesn’t help since there are a lot of players we have to try to keep straight. Author Robert Crais uses shifting timelines to help increase the tension, which works as intended, but he notes the time in a way that grows confusing as the book progresses; he even spoils a major plot point early on as a result. The book is brutal and filled with foul language. While I expect that when reading one of Robert Crais’s books, this one seemed excessive, even by his standards. Despite all these negatives, I still found the book extremely addicting and impossible to stop thinking about. It’s worth reading as long as you keep your expectations appropriate going into the book.
This book is an amazing thrill ride. The story starts off fast, and it never really lets go until we reach the end. However, it is too much like a movie thriller, which means it has some serious weaknesses. The characters, even series leads Elvis Cole and Joe Pike, are shallow. This doesn’t help since there are a lot of players we have to try to keep straight. Author Robert Crais uses shifting timelines to help increase the tension, which works as intended, but he notes the time in a way that grows confusing as the book progresses; he even spoils a major plot point early on as a result. The book is brutal and filled with foul language. While I expect that when reading one of Robert Crais’s books, this one seemed excessive, even by his standards. Despite all these negatives, I still found the book extremely addicting and impossible to stop thinking about. It’s worth reading as long as you keep your expectations appropriate going into the book.
Andy K (10823 KP) rated Prophecy (1979) in Movies
Oct 27, 2019
The best rabid pig cat bear movie I've seen in a while!
Within the wilderness of Maine, local Native Americans are having trouble with a large logging over the destruction of their forests and some recent crimes which have gone unsolved. The Environmental Protection Agency is brought in to assess the situation and provide a possible solution.
As the people get to know each other, it is revealed the natives are also having problems including random sicknesses and abnormal births. It is also discovered wildlife in the area is erratic including an extremely large salmon and a tadpole as big as a full grown frog. The plant operator insists all protocols are being followed and no harmful chemicals are being released by the plant.
Further study reveals mercury is the culprit for all the local problems including the animal and human deformities and the mysterious ailment sweeping the village. There has always been local legend of the Katahdin which the natives also believe is possessing the spirit of a mutated bear which roams the forest.
The two opposing forces must band together and try and stop the mutant beast before it is too late!
I wasn't expecting much from this film I found on Prime, but was pleasantly surprised. You can certainly tell it is low budget, but that did not take away from the suspense, the creature effects and the bloody kills. The pacing was even throughout with few dull spots or stalls in the action. The sprawling Maine tree filled landscapes as well as the gorgeous river beltway added majesty to the look of the film and provided a remarkable setting.
Very entertaining.
As the people get to know each other, it is revealed the natives are also having problems including random sicknesses and abnormal births. It is also discovered wildlife in the area is erratic including an extremely large salmon and a tadpole as big as a full grown frog. The plant operator insists all protocols are being followed and no harmful chemicals are being released by the plant.
Further study reveals mercury is the culprit for all the local problems including the animal and human deformities and the mysterious ailment sweeping the village. There has always been local legend of the Katahdin which the natives also believe is possessing the spirit of a mutated bear which roams the forest.
The two opposing forces must band together and try and stop the mutant beast before it is too late!
I wasn't expecting much from this film I found on Prime, but was pleasantly surprised. You can certainly tell it is low budget, but that did not take away from the suspense, the creature effects and the bloody kills. The pacing was even throughout with few dull spots or stalls in the action. The sprawling Maine tree filled landscapes as well as the gorgeous river beltway added majesty to the look of the film and provided a remarkable setting.
Very entertaining.
Tim McGuire (301 KP) rated Cold Skin (2017) in Movies
Apr 20, 2020
Movie Monster Fun
421. Cold Skin. A pretty kick ass creature feature. Strange and bizarre, I loved it. Welcome to a tiny island located in the Antarctic Circle, and today arrives the new Weather Observer, I guess it's exactly as it sounds. He's supposed to be replacing the old Weather Observer, but he's nowhere to be found, so he heads on over to the light house to meet the islands only other inhabitant, Gruner, the light house keeper, he's like 'he went out one night, never saw him again'. No help there, so Friend heads to his new place, oh yea that's how Gruner refers to the Weather Observer. His sets up his cottage to his liking, and then night comes, and with it comes a scratching at the door, a banging at the window, someones on the roof, and a webbed hand reaching under the door! Friend dives into a cellar protecting himself for the night. Once daylight hits, Friend heads over to Gruner's and he fills him in, yea that happens most nights, and he seems to be ok with it, after all he is played by The Punisher, Ray Stevenson! The two come to work together in a very uneasy alliance, after all it turns out Gruner has a roommate, one of the local inhabitants, only this one is female, and they're close... Friend comes to the conclusion of, maybe the creatures are coming for her, Gruner is like, there's the door. So each night, creatures from the deep come and attack the lighthouse for... reasons? Probably not a movie for everyone, however, if you like them on the oddball side check it out!! Filmbufftim on FB.
Hazel (2934 KP) rated The Last Thing To Burn in Books
Dec 29, 2020
Wow ... that was one heck of a powerful read and one where the characters will stay with me for some time.
Jane - named so by her "husband" Lennie - was trafficked from her native Vietnam with her younger sister, she is kept captive on an isolated farm in what can only be described as squalid and run down conditions. She is watched every minute of every day, she is not allowed to speak to anyone, she is not allowed to go anywhere - her day is regimented from start to finish and for each perceived transgression, the treasured possessions she has are slowly burned in front of her eyes.
This is a harrowing story of a desperate life of servitude and abuse; the scary thing is that it is happening to thousands of men, women and children the world over which makes it even more upsetting. However, it is also a story of hope and the desperate will and strength to survive and fight back when things appear to be hopeless.
The whole book is written from "Jane's" perspective and she is an enthralling narrator. The setting is just perfect and described scarily accurately - my job takes me into isolated farmhouses that are pretty bleak and dilapidated and this made the story even more real for me.
This is not an easy read by any stretch of the imagination but despite that, I found it very hard to put down. I was drawn into the story hook, line and sinker; it grabbed me by the throat and didn't let go until the very last page ... it lingers still in the back of my mind and there are very few books that do this.
Highly recommended.
Thank you to Hodder & Stoughton and NetGalley for my advance copy in return for an unbiased and unedited review.
Jane - named so by her "husband" Lennie - was trafficked from her native Vietnam with her younger sister, she is kept captive on an isolated farm in what can only be described as squalid and run down conditions. She is watched every minute of every day, she is not allowed to speak to anyone, she is not allowed to go anywhere - her day is regimented from start to finish and for each perceived transgression, the treasured possessions she has are slowly burned in front of her eyes.
This is a harrowing story of a desperate life of servitude and abuse; the scary thing is that it is happening to thousands of men, women and children the world over which makes it even more upsetting. However, it is also a story of hope and the desperate will and strength to survive and fight back when things appear to be hopeless.
The whole book is written from "Jane's" perspective and she is an enthralling narrator. The setting is just perfect and described scarily accurately - my job takes me into isolated farmhouses that are pretty bleak and dilapidated and this made the story even more real for me.
This is not an easy read by any stretch of the imagination but despite that, I found it very hard to put down. I was drawn into the story hook, line and sinker; it grabbed me by the throat and didn't let go until the very last page ... it lingers still in the back of my mind and there are very few books that do this.
Highly recommended.
Thank you to Hodder & Stoughton and NetGalley for my advance copy in return for an unbiased and unedited review.
LeftSideCut (3776 KP) rated The Visit (2015) in Movies
Nov 2, 2020
This movie, and I can't stress this enough, spends way too much time on the young kids budding rapping career. Not convinced I ever want to watch 13 year old white boys rap, let alone 3 or 4 seperate scenes of it...
Anyway, The Visit is pretty good (if you ignore the whole rapping part - not sure if I've mentioned that yet). It has a minimal yet great cast, some solid creepy moments, and a surprisingly grounded twist from the notoriously inconsistent M. Night Shyamalan.
Olivia DeJonge and Ed Oxenbould are likable as the two leads. The framing device of them filming a documentary about their estranged grandparents is a natural explanation for the 'found footage' camera style.
The stand out though is Deanna Dunagan as the grandma. Christ she is unsettlingly creepy, even when she's being kind. Her contribution to this film really lends the narrative as a whole, a huge help of tension. The slow burn nature of it is fantastically realised, and presents the audience with a decent mystery plot, and a chance to try and unravel what is really going on before the inevitable twist hits.
The twist itself is simple yet effective, and is certainly an "oh shit" moment, but unfortunately it leads to a final act that feels a bit over the top and silly. It shifts from an atmospheric creepy chiller to a sub par horror trying a little too hard to pack in the scares. It's a shame because 80% of the runtime is genuinely engaging!
Despite the lackluster ending, The Visit is a solid POV thriller that is head and shoulders above a huge chunk of Shyamalan's back catalogue, and is decent enough way to spend 90 minutes, except for the 3-4 minutes spent with the kid rapping...
Anyway, The Visit is pretty good (if you ignore the whole rapping part - not sure if I've mentioned that yet). It has a minimal yet great cast, some solid creepy moments, and a surprisingly grounded twist from the notoriously inconsistent M. Night Shyamalan.
Olivia DeJonge and Ed Oxenbould are likable as the two leads. The framing device of them filming a documentary about their estranged grandparents is a natural explanation for the 'found footage' camera style.
The stand out though is Deanna Dunagan as the grandma. Christ she is unsettlingly creepy, even when she's being kind. Her contribution to this film really lends the narrative as a whole, a huge help of tension. The slow burn nature of it is fantastically realised, and presents the audience with a decent mystery plot, and a chance to try and unravel what is really going on before the inevitable twist hits.
The twist itself is simple yet effective, and is certainly an "oh shit" moment, but unfortunately it leads to a final act that feels a bit over the top and silly. It shifts from an atmospheric creepy chiller to a sub par horror trying a little too hard to pack in the scares. It's a shame because 80% of the runtime is genuinely engaging!
Despite the lackluster ending, The Visit is a solid POV thriller that is head and shoulders above a huge chunk of Shyamalan's back catalogue, and is decent enough way to spend 90 minutes, except for the 3-4 minutes spent with the kid rapping...
LeftSideCut (3776 KP) rated Halloween (2007) in Movies
Jun 3, 2021
The original Halloween is such a goddam incredible movie, that anytime the franchise has tried to stray too far from its roots, the wheels just come off. The psychic stuff in Halloween 5 just didn't work. The cult stuff in Halloween 6 just didn't work. The found footage stuff in Resurrection just didn't work. This time around, it's a remake of the original, directed by Rob Zombie. His particular brand of hateful characters and nasty dialogue can be effective in other corners of horror, but when applied to the Halloween template, you guessed it, it just doesn't work.
It has its moments - Malcolm McDowell is great as Dr Loomis, and the towering behemoth of a Michael Myers we get her is genuinely fucking terrifying. There's also a fine selection of genre icons here and there - Dee Wallace, Brad Dourif, Clint Howard, Ken Foree, Sybil Danning, Bill Moseley, Sid Haig, Danny Trejo, Danielle Harris - it's an impressive roster for sure.
All of this isn't enough to lift this remake above all of its problems however.
None of the characters are particularly likable, and it's off pacing make for a bloated experience, an issue that's further exacerbated by the more widely available Directors Cut, which further pans out its runtime with an horrifically unnecessary rape scene.
I can appreciate the decision to explore the origins of Michael, but the end results are very mixed. When the familiar stuff kicks off halfway through, it's actually kind of boring. It manages to ape the original at every turn, whilst simultaneously feeling disrespectful with it's token RZ tropes.
All in all, Halloween is a remake that I wouldn't take issue with, but the decision to put Zombie in the driver's seat results in a movie that doesn't feel like it belongs anywhere. An inferior re-tread in every aspect, that leaves a bitter after taste.
It has its moments - Malcolm McDowell is great as Dr Loomis, and the towering behemoth of a Michael Myers we get her is genuinely fucking terrifying. There's also a fine selection of genre icons here and there - Dee Wallace, Brad Dourif, Clint Howard, Ken Foree, Sybil Danning, Bill Moseley, Sid Haig, Danny Trejo, Danielle Harris - it's an impressive roster for sure.
All of this isn't enough to lift this remake above all of its problems however.
None of the characters are particularly likable, and it's off pacing make for a bloated experience, an issue that's further exacerbated by the more widely available Directors Cut, which further pans out its runtime with an horrifically unnecessary rape scene.
I can appreciate the decision to explore the origins of Michael, but the end results are very mixed. When the familiar stuff kicks off halfway through, it's actually kind of boring. It manages to ape the original at every turn, whilst simultaneously feeling disrespectful with it's token RZ tropes.
All in all, Halloween is a remake that I wouldn't take issue with, but the decision to put Zombie in the driver's seat results in a movie that doesn't feel like it belongs anywhere. An inferior re-tread in every aspect, that leaves a bitter after taste.