"This is from Lou Reed’s sixth solo record Coney Island Baby, which was released in 1975. Whenever this song comes on it has this incredible ability to transport me back to a specific car journey; I was nine years old and I was being driven to Heathrow in the back of my Dad's car. “My parents had recently separated, and I was living with my Mum in France. I had to fly back to the UK for hospital operations, which is why Dad was driving me to the airport, to fly home to France. Nine years old is quite young to fly on your own, and I remember it being a traumatic experience to say goodbye to one parent and then fly across what felt like an entire ocean, especially after surgery. “On this occasion my Dad had Lou Reed playing and “Coney Island Baby” came on. I was too young to understand the lyrics, but I felt them. I received the sentiment of the song even in my tiny child mind. It cut through everything in that moment - I can still smell the leather of the car seats, I can still taste the tears rolling down my cheek and still see the tears on my Dad’s face in the rear-view mirror. I actually usually skip this song when it comes on, because it’s almost too much to be transported back into that sort of pain. “As a lyricist, I really scrutinize lyrics and I always try and follow the story when I listen to music. When I fall in love with an artist, I’m always Googling the lyrics and trying to work out the various meanings and duality behind the words. With a song like this, which I discovered when I was so young, the lyrics are almost unimportant. It’s more about the feeling that they convey. “There probably is a narrative there, but when I listen to the song its lost on me. I’m absorbed by the feeling of being in that car."

"It was hard to pick a Cure album because they're one of my favourite bands, and one of the bands that has made brilliant albums in very different styles, perfect pop albums. Pornography is a pretty unique record that is just insanely bleak, so hopeless but also really again self-contained and perfect. It's not got a shit song on it, even some of my favourite albums have a song that you can imagine they could have done without, but Pornography is absolutely brilliant in that respect. It's just a really suffocating, druggy, bleak amazing record. I hear there was a lot of drinking… I've never really been party to any studio meltdowns, so these stories are… I mean, maybe I'll have a couple of slices of cake too many. They're always quite fascinating. I was definitely a bit of a goth, and still am at heart, I just have no hair to dye black any more. The Cure were the first band that I got properly into. The Disintegration tour was the first gig I ever saw, when I was 14 or 15 or something. We toured with the Cure, they were great to tour with. There was a party every night, they treated all the bands really well."