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Kristy H (1252 KP) rated Now Is Everything in Books
Dec 24, 2017
breathtaking (3 more)
powerful
suspenseful
heartbreaking
Hadley's life looks perfect from the outside. Her family is wealthy, and she's a successful athlete and student. What you don't see is that Hadley's father works at breaking her down, day after day, forcing her into playing lacrosse and taking flying lessons (his two passions), monitoring her whereabouts and food intake, berating and belittling her constantly, and much worse. Hadley endures it all though, if it keeps the spotlight off her beloved spitfire of a little sister, Lila. Hadley would do anything to keep her father's focus off of Lila. Lila's only ten--the age her father targeted his laser beam on her. Hadley's life improves, however, when she secretly starts dating Charlie Simmons. On the surface, Charlie's life isn't anything like hers--he's the son of a poor single mom, but the two quickly find they have more in common than they realize. Even better, Charlie gives Hadley something she hasn't had in a long time: hope. Then, Hadley is in a plane crash, which tragically leaves her family is dead. Only Hadley can tell everyone what happened, but she isn't divulging the details. What happened that day in the plane? And why would it cause Hadley--the only survivor--to want to take her own life?
This book. Oh this book. Wow. I completely overlooked this one on my ARC shelf, and for that, I deeply apologize. But, I'm so, so, so glad I did pick it up! This is an amazing, powerful, and heartbreaking book and easily one of my favorite books I've read this year.
Part of the power comes via its format, which seems simple on the surface. The novel and its details are all a slow build via a "then" and "now" format plus transcripts and bits of evidence from the crash investigator. All of our "then" and "now" portions come from Hadley's point of view and leave us constantly wondering. Why is her dad all over her? What makes him so evil? You are also left in utter confusion and suspense over exactly what happened during the crash (and why it happened). I read the second half in one sitting, staying up late to finish it. I simply had to know what happened to Hadley.
I credit this to Giles' writing, which is superb. You will get sucked in by Hadley extremely early. She's a well-written, compelling character, and it's nearly impossible not to become part of her life. In fact, rarely have I felt so strongly for characters in a novel in a long time. If I could have, I would have gone and rescued those children myself! I simply loved Hadley and her wonderful, feisty sister, Lila. The hate I felt for their horrible, abusive father--and, sometimes, their apathetic, passive mother, was insane. They felt like real people. I was completely involved.
In fact, those poor kids. The book actually made me feel tense just reading about their lives. It was so well-done that I read portions of it with a knot in my stomach. (As a note, there's definitely a trigger for abuse.) Watching Hadley try to protect her sister and live up to adult expectations far beyond her teen years--seriously, guys, it was heartbreaking and yet amazing to read. You will find yourself rooting for Hadley and Lila in an inexplicable way.
The ending on this one is interesting. I'm still pondering it. The fascinating thing about this book is that you know *something* has to have happened up in that plane, but you don't know exactly what, or how it all goes down. The ending made me go "wow." I'm not exactly sure it's what I would have chosen, but it still felt right somehow. Although I was so attached to Hadley, that I wish there was a sequel of sorts, because I still feel bonded to the girl. That's how well-done this novel was!
Overall, this is just a lovely book. Very, very rarely does a book make me cry. This one did. This is not a light read, no, but there are still funny moments, beautiful moments, and heartwarming moments among all the dark ones. You will not regret reading this book. Huge kudos to Amy Giles for writing such a powerful and wonderful novel that so deftly deals with abuse and aspects of mental illness. I feel like Hadley and Lila will stay with me for a long time. 4.5 stars.
This book. Oh this book. Wow. I completely overlooked this one on my ARC shelf, and for that, I deeply apologize. But, I'm so, so, so glad I did pick it up! This is an amazing, powerful, and heartbreaking book and easily one of my favorite books I've read this year.
Part of the power comes via its format, which seems simple on the surface. The novel and its details are all a slow build via a "then" and "now" format plus transcripts and bits of evidence from the crash investigator. All of our "then" and "now" portions come from Hadley's point of view and leave us constantly wondering. Why is her dad all over her? What makes him so evil? You are also left in utter confusion and suspense over exactly what happened during the crash (and why it happened). I read the second half in one sitting, staying up late to finish it. I simply had to know what happened to Hadley.
I credit this to Giles' writing, which is superb. You will get sucked in by Hadley extremely early. She's a well-written, compelling character, and it's nearly impossible not to become part of her life. In fact, rarely have I felt so strongly for characters in a novel in a long time. If I could have, I would have gone and rescued those children myself! I simply loved Hadley and her wonderful, feisty sister, Lila. The hate I felt for their horrible, abusive father--and, sometimes, their apathetic, passive mother, was insane. They felt like real people. I was completely involved.
In fact, those poor kids. The book actually made me feel tense just reading about their lives. It was so well-done that I read portions of it with a knot in my stomach. (As a note, there's definitely a trigger for abuse.) Watching Hadley try to protect her sister and live up to adult expectations far beyond her teen years--seriously, guys, it was heartbreaking and yet amazing to read. You will find yourself rooting for Hadley and Lila in an inexplicable way.
The ending on this one is interesting. I'm still pondering it. The fascinating thing about this book is that you know *something* has to have happened up in that plane, but you don't know exactly what, or how it all goes down. The ending made me go "wow." I'm not exactly sure it's what I would have chosen, but it still felt right somehow. Although I was so attached to Hadley, that I wish there was a sequel of sorts, because I still feel bonded to the girl. That's how well-done this novel was!
Overall, this is just a lovely book. Very, very rarely does a book make me cry. This one did. This is not a light read, no, but there are still funny moments, beautiful moments, and heartwarming moments among all the dark ones. You will not regret reading this book. Huge kudos to Amy Giles for writing such a powerful and wonderful novel that so deftly deals with abuse and aspects of mental illness. I feel like Hadley and Lila will stay with me for a long time. 4.5 stars.
Kristy H (1252 KP) rated That Night in Books
Apr 8, 2019
I cannot recommend this book enough, for teens and adults alike
It's been a year since the shooting in their town changed everything, and Jessica Nolan and Lucas Rossi are each trying to manage in their own way. Jess is trying to care for her severely depressed mom, who can barely get out of bed. That means helping pay the bills, cook the meals, and generally take care of everything. She misses her best friend desperately, but Marissa is across the country at a school for those suffering post traumatic stress. Meanwhile, Lucas is coping by taking up boxing. It helps relieve some of his stress and anxiety--and get him away from the watchful eye of his newly overprotective mom. When Jess and Lucas meet at their after-school job, they realize they have one big thing in common: their shared tragedy. It's not exactly something they want to share. But slowly the two become friends. Can they help each other move forward from some of the horrors they've been through?
Oh this book. This beautiful, sad, lovely book. It's such an immersive, amazing read. Giles gives such a great voice to her characters; even though the book has a sad topic at its core, it's also hopeful and touching, and you want to keep reading it. You know how some books seem to go out of their way to have unlikeable characters and you have to like the book in spite of them? This book is the opposite. I dare you to not fall in love with Jess and Lucas. And, oh my goodness, my heart just went out to these kids. Poor Jess. She has so much to deal with it, and so does Lucas, too. The guilt these kids feel at being alive--Giles does such an amazing job at portraying their feelings and emotions. They come across so realistically and starkly. It also portrays mental illness very well: real, without embarrassment and shame; I was impressed and heartened. What a great thing for teens to read.
I really enjoyed the fact that this novel featured a sweet romance, but not a typical one. Jess and Lucas clearly like each other, but don't immediately "meet cute" or fall for each other the second they meet. You can see they need each other, but it takes them time to get there, which I appreciated. Their relationship is really well-done, and it was lovely to read about.
As you've probably read, Giles made the deliberate decision not to write about the actual shooting in the book--it's just the background event that has shaped so much of our characters' lives. We don't even hear about who the shooter was. I really like this decision, because we get to see the horror that a mass shooting can leave behind, without going into the sensational details. Instead we see, close-up, the humanity behind it--the real people affected and how much their lives have changed. There are sad moments mixed in with sweet and funny in such a beautiful way. It's incredibly well-written and I thought it was a very smart way to frame a shooting: it's almost more profound this way, honestly.
The depth of emotion in this book--the sadness, the unhappiness--and even sometimes the hope--is staggering. Honestly, this book left me in tears, and I don't cry easily when I read. As I said, I fell in love with Jess and Lucas. They were real people to me, and it takes an excellent writer to bring your characters to such detailed life as Giles did in this novel. I waited to read this book--after absolutely loving Giles' novel NOW IS EVERYTHING (which also made me cry!)--until my library got in my copy, which I had them order. I'm proud to say my lovely library system now has three copies of this book now, but I'll also be purchasing my own copy, because it's that good.
Overall, I cannot recommend this book enough, for teens and adults alike. This novel made me cry, and it made me laugh. I loved its characters and their supporting cast. It offers such a powerful way to look at the aftermath of a mass shooting. It's profound and poignant, and the way it conveys the terror, sadness, and hope of its characters cannot be praised enough. 4.5+ stars.
(Also, this book is full of Young Frankenstein references, as if I could not love Giles or her characters more.)
Oh this book. This beautiful, sad, lovely book. It's such an immersive, amazing read. Giles gives such a great voice to her characters; even though the book has a sad topic at its core, it's also hopeful and touching, and you want to keep reading it. You know how some books seem to go out of their way to have unlikeable characters and you have to like the book in spite of them? This book is the opposite. I dare you to not fall in love with Jess and Lucas. And, oh my goodness, my heart just went out to these kids. Poor Jess. She has so much to deal with it, and so does Lucas, too. The guilt these kids feel at being alive--Giles does such an amazing job at portraying their feelings and emotions. They come across so realistically and starkly. It also portrays mental illness very well: real, without embarrassment and shame; I was impressed and heartened. What a great thing for teens to read.
I really enjoyed the fact that this novel featured a sweet romance, but not a typical one. Jess and Lucas clearly like each other, but don't immediately "meet cute" or fall for each other the second they meet. You can see they need each other, but it takes them time to get there, which I appreciated. Their relationship is really well-done, and it was lovely to read about.
As you've probably read, Giles made the deliberate decision not to write about the actual shooting in the book--it's just the background event that has shaped so much of our characters' lives. We don't even hear about who the shooter was. I really like this decision, because we get to see the horror that a mass shooting can leave behind, without going into the sensational details. Instead we see, close-up, the humanity behind it--the real people affected and how much their lives have changed. There are sad moments mixed in with sweet and funny in such a beautiful way. It's incredibly well-written and I thought it was a very smart way to frame a shooting: it's almost more profound this way, honestly.
The depth of emotion in this book--the sadness, the unhappiness--and even sometimes the hope--is staggering. Honestly, this book left me in tears, and I don't cry easily when I read. As I said, I fell in love with Jess and Lucas. They were real people to me, and it takes an excellent writer to bring your characters to such detailed life as Giles did in this novel. I waited to read this book--after absolutely loving Giles' novel NOW IS EVERYTHING (which also made me cry!)--until my library got in my copy, which I had them order. I'm proud to say my lovely library system now has three copies of this book now, but I'll also be purchasing my own copy, because it's that good.
Overall, I cannot recommend this book enough, for teens and adults alike. This novel made me cry, and it made me laugh. I loved its characters and their supporting cast. It offers such a powerful way to look at the aftermath of a mass shooting. It's profound and poignant, and the way it conveys the terror, sadness, and hope of its characters cannot be praised enough. 4.5+ stars.
(Also, this book is full of Young Frankenstein references, as if I could not love Giles or her characters more.)
Heather Cranmer (2721 KP) rated Emily, Gone in Books
Jun 7, 2019
I have been a fan of author Bette Lee Crosby since reading her book The Summer of New Beginnings. When I heard of her latest book, Emily, Gone, I knew I would have to read it sooner rather than later. Miss Crosby did not disappoint at all with this one.
Six month old Emily's parents are beyond exhausted due to a music festival very close to their house during 1971. After laying Emily down in her crib in her room, Emily's parents, Rachel and George Dixon, go to their room and finally have a good night's sleep. In the morning when Rachel checks on baby Emily, she is missing from her crib. Vicki gave birth to a stillborn baby girl about a month before Emily was born. When Vicki and her boyfriend decide to stop at a random house to get some food after the festival late one night, it's the perfect opportunity for her to steal baby Emily. What follows is a years long search for Emily all the while Emily is being raised by Vicki and her family. Will Rachel and George ever be united with their Emily?
I enjoyed the plot for Emily, Gone immensely. There are no plot holes or cliffhangers, and Bette Lee Crosby writes about 1971 and the subsequent years very well. It's as if I was transported back in time to that era. Everything flows together smoothly. I found myself wanting Rachel and George to be reunited with Emily quickly, but that wasn't the case. Back in 1971, things like the internet and Amber Alerts weren't a thing, so as frustrating as it was, I could see how hard it would be to recover a kidnapped child. I wish the story would have involved Murph, Vicki's boyfriend, a bit more. He's in the story for about halfway and that's about it. I would have liked to know about him in the epilogue at least. Also, I did find the ending a bit far fetched albeit it probable. It just seems like it would have been highly unlikely. Bette Lee Crosby does touch on the Christian faith lightly throughout this book which could explain the ending.
I found the characters in Emily, Gone to be written superbly. All of them were fleshed out enough to feel like a real person instead of a character in a book. My heart went out to Rachel throughout the years without her Emily. George, Emily's father, had better coping mechanisms, but I still felt bad to him. I can't imagine, and I don't even want to imagine what it would be like if someone kidnapped one of my kids. Mama Dixon was my favorite character in the book. I loved what a warm presence she was throughout the novel to her family. I felt like she was part of my family as well! Although Vicki was written well, I just did not like her. I found her to be very selfish, and I suppose that's because she was mentally ill after the stillborn birth of her baby girl. I kept silently pleading with her to do the right thing and return Emily. I kept wanting her to get caught so she could get the help she needed and the Dixons could have their baby back. I liked Murph, Vicki's boyfriend, but I wish he would have done the right thing and told someone what Vicki had done. In a way, I understand why he didn't turn Vicki in, but it would have been better for everyone in the long run. In a way, my heart also went out to Angela and Kenny for being pulled into Vicki's mess. They were also completely innocent of everything.
I found the pacing to be perfect from the very first page to the very last page. Every time I had to stop reading Emily, Gone I felt like I was leaving a long lost friend, and I couldn't wait to return.
Trigger warnings for Emily, Gone include some drug references, kidnapping, stillborn birth, mental illness, death, some alcohol use, slight references to child molestation, incest, and other sexual references (such as couples making love, nothing graphic).
Overall, Emily, Gone is a highly interesting read with an entertaining plot that will hold you tight and not let go of you until you're done reading! This is one of those stories that will tug at your heartstrings. I would definitely recommend Emily, Gone by Bette Lee Crosby to everyone aged 17+ who would love a fantastically written emotional story.
Six month old Emily's parents are beyond exhausted due to a music festival very close to their house during 1971. After laying Emily down in her crib in her room, Emily's parents, Rachel and George Dixon, go to their room and finally have a good night's sleep. In the morning when Rachel checks on baby Emily, she is missing from her crib. Vicki gave birth to a stillborn baby girl about a month before Emily was born. When Vicki and her boyfriend decide to stop at a random house to get some food after the festival late one night, it's the perfect opportunity for her to steal baby Emily. What follows is a years long search for Emily all the while Emily is being raised by Vicki and her family. Will Rachel and George ever be united with their Emily?
I enjoyed the plot for Emily, Gone immensely. There are no plot holes or cliffhangers, and Bette Lee Crosby writes about 1971 and the subsequent years very well. It's as if I was transported back in time to that era. Everything flows together smoothly. I found myself wanting Rachel and George to be reunited with Emily quickly, but that wasn't the case. Back in 1971, things like the internet and Amber Alerts weren't a thing, so as frustrating as it was, I could see how hard it would be to recover a kidnapped child. I wish the story would have involved Murph, Vicki's boyfriend, a bit more. He's in the story for about halfway and that's about it. I would have liked to know about him in the epilogue at least. Also, I did find the ending a bit far fetched albeit it probable. It just seems like it would have been highly unlikely. Bette Lee Crosby does touch on the Christian faith lightly throughout this book which could explain the ending.
I found the characters in Emily, Gone to be written superbly. All of them were fleshed out enough to feel like a real person instead of a character in a book. My heart went out to Rachel throughout the years without her Emily. George, Emily's father, had better coping mechanisms, but I still felt bad to him. I can't imagine, and I don't even want to imagine what it would be like if someone kidnapped one of my kids. Mama Dixon was my favorite character in the book. I loved what a warm presence she was throughout the novel to her family. I felt like she was part of my family as well! Although Vicki was written well, I just did not like her. I found her to be very selfish, and I suppose that's because she was mentally ill after the stillborn birth of her baby girl. I kept silently pleading with her to do the right thing and return Emily. I kept wanting her to get caught so she could get the help she needed and the Dixons could have their baby back. I liked Murph, Vicki's boyfriend, but I wish he would have done the right thing and told someone what Vicki had done. In a way, I understand why he didn't turn Vicki in, but it would have been better for everyone in the long run. In a way, my heart also went out to Angela and Kenny for being pulled into Vicki's mess. They were also completely innocent of everything.
I found the pacing to be perfect from the very first page to the very last page. Every time I had to stop reading Emily, Gone I felt like I was leaving a long lost friend, and I couldn't wait to return.
Trigger warnings for Emily, Gone include some drug references, kidnapping, stillborn birth, mental illness, death, some alcohol use, slight references to child molestation, incest, and other sexual references (such as couples making love, nothing graphic).
Overall, Emily, Gone is a highly interesting read with an entertaining plot that will hold you tight and not let go of you until you're done reading! This is one of those stories that will tug at your heartstrings. I would definitely recommend Emily, Gone by Bette Lee Crosby to everyone aged 17+ who would love a fantastically written emotional story.
Hazel (1853 KP) rated He Walks Among Us: Encounters with Christ in a Broken World in Books
Dec 17, 2018
<b>Synopsis</b>
Richard Stearns is the president of World Vision United States who, along with his wife Reneé, regularly visits the poorer countries of our world to see the ways the charity is helping to change people's lives. <i>He Walks Among Us</i> is a compilation of short thoughts and observations (two-to-three pages, including photographs) they have both had while conducting their work. As they alternate the writing, we are given opinions and experiences that we may be able to relate to our own. As Richard is the president of the organisation, he can give an insight into the way World Vision works, however, he can also express his opinions as a father, grandfather and believer in Christ. Reneé is also a World Vision worker, but due to her nature, gives a more maternal impression of the scenes she witnesses.
The individuals written about in this book come from all over the world. Most are located in Africa, but there are also similar stories in Asia, South and North America, and even Eastern Europe. The terrors these people have faced are shocking (AIDs, war, sexual abuse, natural disasters etc), but each family has been aided in some way by World Vision and their donors.
The purpose of <i>He Walks Among Us</i> is not to promote World Vision, but to encourage us to let God and Jesus into our lives. Richard and Reneé assume their readers are Christians, however, they realise that being a Christian does not equate to fully accepting God's plans. The victims of war, rape, and poverty mentioned have also been touched by Jesus. Many did not know him before World Vision came into their lives, but they have now been transformed through the power of his love - although their situation may not have significantly improved.
The actual stories used to illustrate the work of World Vision are only brief mentions, providing the bare bones of the situations. What Richard and Reneé have focused on is linking these lives, their lives and our lives to passages from the Bible. Either taken literally or metaphorically, the pair manage to relate everything to the actions and fates of a number of key Biblical characters. This emphasises that Our Lord is walking among us, giving life, peace, hope and steadfast faith.
<b>Ideas</b>
Giving someone new hope or purpose in their life can be related to Jesus raising Lazarus from the dead. Whether people are literally dying, or on the edge of hopelessness and despair, improving their situation can turn their lives around.
The donors and workers at World Vision are like the Good Samaritan in Jesus' parable. We do not know these people, know their religion or circumstances, yet we send money and aid. To do nothing would make us the Priest or Levite in the story.
David was only a young boy when he had to face Goliath, yet, against all odds, he defeated him. The children mentioned in this book are similar to David. They each have their metaphorical Goliath's: poverty, illness, loss of parents, war, hunger etc, but with God working through us, these can be overcome.
<b>Noteworthy Bible Verses</b>
Each chapter of the book begins with a Bible verse, and often more are included within the text. Here are a few that really relate to the work of World Vision and the ways in which we can involve ourselves:
Philippians 4:12-13
Luke 21:3-4
Luke 6:20-21
Psalm 23:4
<b>Statistics</b>
23 million people in sub-Sahara Africa are suffering from HIV.
In Soviet-controlled Georgia, churches were banned. Some villages are only just seeing their first church in over 400 years.
20 thousand children under the age of 5 die every day.
Every 4 seconds a child under 5 dies.
Over 2 billion people in the world are living on $2 or less a day.
1 billion people have no access to clean drinking water.
41% of the population in Niger have no clean water.
<b>Citations</b>
Helen Keller: "So much has been given to me, I have no time to ponder over that which is denied."
Oswald Chambers: "The great hindrance in spiritual life is that we will look for big things to do. Jesus took a towel ... and began to wash the disciples' feet."
Mother Theresa: "I am a pencil in the hand of a writing God who is sending a love letter to the world."
C.S. Lewis: "Humility is not thinking less of yourself but thinking of yourself less."
<b>Other Mentions</b>
Hymn - Frances R. Havergal, <i>Take my Life and let it be.</i>
Film - <i>Pushing the Elephant</i>
Richard Stearns is the president of World Vision United States who, along with his wife Reneé, regularly visits the poorer countries of our world to see the ways the charity is helping to change people's lives. <i>He Walks Among Us</i> is a compilation of short thoughts and observations (two-to-three pages, including photographs) they have both had while conducting their work. As they alternate the writing, we are given opinions and experiences that we may be able to relate to our own. As Richard is the president of the organisation, he can give an insight into the way World Vision works, however, he can also express his opinions as a father, grandfather and believer in Christ. Reneé is also a World Vision worker, but due to her nature, gives a more maternal impression of the scenes she witnesses.
The individuals written about in this book come from all over the world. Most are located in Africa, but there are also similar stories in Asia, South and North America, and even Eastern Europe. The terrors these people have faced are shocking (AIDs, war, sexual abuse, natural disasters etc), but each family has been aided in some way by World Vision and their donors.
The purpose of <i>He Walks Among Us</i> is not to promote World Vision, but to encourage us to let God and Jesus into our lives. Richard and Reneé assume their readers are Christians, however, they realise that being a Christian does not equate to fully accepting God's plans. The victims of war, rape, and poverty mentioned have also been touched by Jesus. Many did not know him before World Vision came into their lives, but they have now been transformed through the power of his love - although their situation may not have significantly improved.
The actual stories used to illustrate the work of World Vision are only brief mentions, providing the bare bones of the situations. What Richard and Reneé have focused on is linking these lives, their lives and our lives to passages from the Bible. Either taken literally or metaphorically, the pair manage to relate everything to the actions and fates of a number of key Biblical characters. This emphasises that Our Lord is walking among us, giving life, peace, hope and steadfast faith.
<b>Ideas</b>
Giving someone new hope or purpose in their life can be related to Jesus raising Lazarus from the dead. Whether people are literally dying, or on the edge of hopelessness and despair, improving their situation can turn their lives around.
The donors and workers at World Vision are like the Good Samaritan in Jesus' parable. We do not know these people, know their religion or circumstances, yet we send money and aid. To do nothing would make us the Priest or Levite in the story.
David was only a young boy when he had to face Goliath, yet, against all odds, he defeated him. The children mentioned in this book are similar to David. They each have their metaphorical Goliath's: poverty, illness, loss of parents, war, hunger etc, but with God working through us, these can be overcome.
<b>Noteworthy Bible Verses</b>
Each chapter of the book begins with a Bible verse, and often more are included within the text. Here are a few that really relate to the work of World Vision and the ways in which we can involve ourselves:
Philippians 4:12-13
Luke 21:3-4
Luke 6:20-21
Psalm 23:4
<b>Statistics</b>
23 million people in sub-Sahara Africa are suffering from HIV.
In Soviet-controlled Georgia, churches were banned. Some villages are only just seeing their first church in over 400 years.
20 thousand children under the age of 5 die every day.
Every 4 seconds a child under 5 dies.
Over 2 billion people in the world are living on $2 or less a day.
1 billion people have no access to clean drinking water.
41% of the population in Niger have no clean water.
<b>Citations</b>
Helen Keller: "So much has been given to me, I have no time to ponder over that which is denied."
Oswald Chambers: "The great hindrance in spiritual life is that we will look for big things to do. Jesus took a towel ... and began to wash the disciples' feet."
Mother Theresa: "I am a pencil in the hand of a writing God who is sending a love letter to the world."
C.S. Lewis: "Humility is not thinking less of yourself but thinking of yourself less."
<b>Other Mentions</b>
Hymn - Frances R. Havergal, <i>Take my Life and let it be.</i>
Film - <i>Pushing the Elephant</i>
5 Minute Movie Guy (379 KP) rated The Big Sick (2017) in Movies
Jul 4, 2019
Propelled by its near perfect score on Rotten Tomatoes, I went cold turkey into The Big Sick, without so much as seeing a trailer. Although it took a worrisome amount of time, I did eventually warm up to the film and ultimately I ended up enjoying it quite a bit. The Big Sick is a movie that’s unflatteringly honest at times, and it’s a bit light in both of the romance and comedy departments, but it’s a well-rounded true story that makes up for its any of its shortcomings with a big heart.
The Big Sick tells the unique, real-life love story of how Kumail Nanjiani, played by himself in the film, met the love of his life, Emily. The film begins with Kumail working as a struggling stand-up comic. After a performance one night, he meets Emily at a bar and takes her back to his place. The two of them gradually begin dating, but Kumail keeps it a secret from his strict Pakistani parents, who expect him to abide by his culture’s custom of arranged marriages. When Emily’s health unexpectedly takes a dangerous and mysterious turn, Kumail must confront his family, as well as meet Emily’s family, to confess his true feelings of love.
Allow me to begin by addressing the fact that I spent a good half of The Big Sick feeling entirely ambivalent about it. While it seemed well made, I didn’t feel particularly entertained nor engaged by it. Slowly but surely, however, the movie began to win me over, thanks primarily to the help of Ray Romano and Holly Hunter, who co-star as Emily’s parents. By the end, I appreciated and enjoyed the film, and I feel as though I would probably like it even more with a second viewing.
The movie rubbed me the wrong way early on with its not-so-romantic romance that culminated from a one-night-stand. I found the relationship of Kumail and Emily to be somewhat dull, and I was perplexed by how unfavorably it depicts both characters. Though considering the screenplay was actually written by both of them, I suppose there’s something noble and courageous to be said about their honesty. This is not a typical romanticized love story. It has two decent but flawed characters, who I felt indifferent towards at the outset but learned to care about over the course of the film.
Kumail is quite enjoyable as the lead star and I suspect this will be a breakout role for him. He has a good sense of humor and really showcases it in a couple of hysterical scenes. My favorite being a late night visit to a restaurant drive-thru, which is one of the flat-out funniest moments I’ve seen in theaters all year. I also really loved both Romano and Hunter. They’re both complex and comical characters struggling with their own strained marriage, while hesitantly getting to know Kumail and coming to terms with their daughter’s grave illness. Certainly not the best circumstances to be meeting your girlfriend’s parents, and even worse considering they knew that Kumail and Emily had broken up shortly beforehand.
Hunter’s character is volatile and highly defensive of her daughter, yet she’s still wholly identifiable as a loving and concerned parent. I think she gives the strongest performance in the film. Ray Romano is also a pleasant addition, and his character ironically tries to be the voice of reason and balance, even as his own life is crumbling beneath him. I also liked Kumail’s parents, played by Anupam Kher and Zenobia Shroff. Kumail’s mother is amusing in her never-ending pursuit of potential female suitors to marry her son. However, having grown up with western values, Kumail’s own beliefs serve as a stark contrast to those of his strict and traditional family.
The way in which The Big Sick depicts the differences in American and Pakistani culture is what I think really helps to set it apart. It tackles these contrasts with both comedy and sincerity, while also drawing attention to the subtle and the not-so-subtle racism that’s often prevalent in the misunderstanding of other cultures. It’s an honest and respectful film that should be approached as open-mindedly as possible. Those of you willing to give this one a chance may find that it to be well worth your while.
(This review was originally posted at 5mmg.com on 9.5.17.)
The Big Sick tells the unique, real-life love story of how Kumail Nanjiani, played by himself in the film, met the love of his life, Emily. The film begins with Kumail working as a struggling stand-up comic. After a performance one night, he meets Emily at a bar and takes her back to his place. The two of them gradually begin dating, but Kumail keeps it a secret from his strict Pakistani parents, who expect him to abide by his culture’s custom of arranged marriages. When Emily’s health unexpectedly takes a dangerous and mysterious turn, Kumail must confront his family, as well as meet Emily’s family, to confess his true feelings of love.
Allow me to begin by addressing the fact that I spent a good half of The Big Sick feeling entirely ambivalent about it. While it seemed well made, I didn’t feel particularly entertained nor engaged by it. Slowly but surely, however, the movie began to win me over, thanks primarily to the help of Ray Romano and Holly Hunter, who co-star as Emily’s parents. By the end, I appreciated and enjoyed the film, and I feel as though I would probably like it even more with a second viewing.
The movie rubbed me the wrong way early on with its not-so-romantic romance that culminated from a one-night-stand. I found the relationship of Kumail and Emily to be somewhat dull, and I was perplexed by how unfavorably it depicts both characters. Though considering the screenplay was actually written by both of them, I suppose there’s something noble and courageous to be said about their honesty. This is not a typical romanticized love story. It has two decent but flawed characters, who I felt indifferent towards at the outset but learned to care about over the course of the film.
Kumail is quite enjoyable as the lead star and I suspect this will be a breakout role for him. He has a good sense of humor and really showcases it in a couple of hysterical scenes. My favorite being a late night visit to a restaurant drive-thru, which is one of the flat-out funniest moments I’ve seen in theaters all year. I also really loved both Romano and Hunter. They’re both complex and comical characters struggling with their own strained marriage, while hesitantly getting to know Kumail and coming to terms with their daughter’s grave illness. Certainly not the best circumstances to be meeting your girlfriend’s parents, and even worse considering they knew that Kumail and Emily had broken up shortly beforehand.
Hunter’s character is volatile and highly defensive of her daughter, yet she’s still wholly identifiable as a loving and concerned parent. I think she gives the strongest performance in the film. Ray Romano is also a pleasant addition, and his character ironically tries to be the voice of reason and balance, even as his own life is crumbling beneath him. I also liked Kumail’s parents, played by Anupam Kher and Zenobia Shroff. Kumail’s mother is amusing in her never-ending pursuit of potential female suitors to marry her son. However, having grown up with western values, Kumail’s own beliefs serve as a stark contrast to those of his strict and traditional family.
The way in which The Big Sick depicts the differences in American and Pakistani culture is what I think really helps to set it apart. It tackles these contrasts with both comedy and sincerity, while also drawing attention to the subtle and the not-so-subtle racism that’s often prevalent in the misunderstanding of other cultures. It’s an honest and respectful film that should be approached as open-mindedly as possible. Those of you willing to give this one a chance may find that it to be well worth your while.
(This review was originally posted at 5mmg.com on 9.5.17.)
Lyndsey Gollogly (2893 KP) rated Masters of Horror: A Horror Anthology in Books
Jun 26, 2020
112 of 200
Kindle
Masters of Horror: A Horror anthology
Presented by Matt Shaw
Collection of authors
Masters of Horror A selection of some of the finest horror writers of today were invited by Matt Shaw to bring him their twisted tales for this anthology. A book put together with the sole purpose of reminding readers what the horror genre is really about. Each author was told they could write about any subject matter they wanted so long as it was set in a world of horror. The only rule they had: No Paranormal Romance. Vampires do not sparkle, werewolves do not date, Witches do not scour Tinder for Virgins and ghosts do not declare their undying love whilst tidying the apartment... This is horror... Featuring work from: Introduction- Matt Shaw Brian Lumley - The Cyprus Shell Ramsey Campbell- Again Sam West- Survival J R Park - Mary Peter McKeirnon- Doll Face Andrew Freudenberg- A Taste of Mercy Mason Sabre - Chocolate Shaun Hutson- The Contract Anton Palmer- Dead-Eyed Dick Wrath James White- Beast Mode Shane McKenzie- Dewey Davenport Tonia Brown - Zolem Graeme Reynolds- The Pit Adam L.G. Nevill- Hippocampus Gary McMahon- You Can Go Now Ryan Harding - Down There Matt Shaw - Letter From Hell Matt Hickman- Eye For An Eye Daniel Marc Chant - Three Black Dogs Amy Cross- Checkout Kit Power- Loco Parentis Adam Millard - In The Family Guy N. Smith - The Priest Hole Jaime Johnesee- Just Breathe Craig Saunders- Raintown Sam Michael Bray - The End Is Where You’ll Find It Jeff Strand- Don’t Make Fun Of The Haunted House Mark Cassell - Trust Issues Paul Flewitt- The Silent Invader Clare Riley Whitfield- The Clay Man Jim Goforth- Animus Brian Lumley - The Deep-Sea Conch Chris Hall- Afterword
A few comments on the ones I enjoyed the most!
1. The Cyprus shell by Brain Lumley
This is a letter to a friend explaining his recent early departure from a dinner party. He explains his awful experience and aversion to oysters! Got to say I loved it and it captured so much in a short letter!
2. Again by Ramsey Campbell
This is a strange little story about a hiker discovering a strange old woman keeping her almost dead husband tied to a bed. It was a little strange.
4. Mary by J R Park
Ooo this was good religious symbols and lots of murder and blood!!
5 Doll Face by Peter McKeirnon
This was creepy as f**k there are no limits to what a father would do for his little girl!
6. A taste of Mercy by Andrew Freudenburg
Brilliant so sad and yet so gross! You felt every word of the woe the trenches brought these men!
7 chocolate by Mason Sabre
Ok so I will be keeping a close eye on my kids and their imaginary friends needing chocolate haha loved it!
8 The Contract by Shaun Hutson
Well this taught us one thing is certain killing death would be a very silly thing to do!!
9 Dead-eyed Dick by Anton Palmer
This had me in tears laughing and must be every mans worst nightmare! I’m definitely getting my husband to read it! Brilliant!!
11 Hippocampus by Adam L.G. Nevill
Nevill is one of my favourite authors he has a way of taking you every step of the journey with every book he writes. This one did not disappoint I walked the length of that vessel
With him! I know have some pretty gruesome scenes in my head.
12 you can go now. By Gary McMahon
Totally heartbreaking in some way and utterly creepy in others! Also an eye opener to mental illness which I took from it!
13 letter from hell by Matt Shaw
Reading this made me sick to my stomach being a mum I think it’s my worst nightmare! I can just imagine how those mothers felt when their children never came home! Totally gut wrenching!!
14 Eye for an eye by Matt Hickman
Brilliant! Gruesome and totally what you’d expect from the afterlife of a murderer!
16 Loco Parentis by Kit Power
About a man rounding up a pedophile ring and breaking some bones but in a strange twist he turns it on the reader lol very good!!
I absolutely loved most of these stories I think there is something in there for every Horror fan I’ve also found a few more authors!
Kindle
Masters of Horror: A Horror anthology
Presented by Matt Shaw
Collection of authors
Masters of Horror A selection of some of the finest horror writers of today were invited by Matt Shaw to bring him their twisted tales for this anthology. A book put together with the sole purpose of reminding readers what the horror genre is really about. Each author was told they could write about any subject matter they wanted so long as it was set in a world of horror. The only rule they had: No Paranormal Romance. Vampires do not sparkle, werewolves do not date, Witches do not scour Tinder for Virgins and ghosts do not declare their undying love whilst tidying the apartment... This is horror... Featuring work from: Introduction- Matt Shaw Brian Lumley - The Cyprus Shell Ramsey Campbell- Again Sam West- Survival J R Park - Mary Peter McKeirnon- Doll Face Andrew Freudenberg- A Taste of Mercy Mason Sabre - Chocolate Shaun Hutson- The Contract Anton Palmer- Dead-Eyed Dick Wrath James White- Beast Mode Shane McKenzie- Dewey Davenport Tonia Brown - Zolem Graeme Reynolds- The Pit Adam L.G. Nevill- Hippocampus Gary McMahon- You Can Go Now Ryan Harding - Down There Matt Shaw - Letter From Hell Matt Hickman- Eye For An Eye Daniel Marc Chant - Three Black Dogs Amy Cross- Checkout Kit Power- Loco Parentis Adam Millard - In The Family Guy N. Smith - The Priest Hole Jaime Johnesee- Just Breathe Craig Saunders- Raintown Sam Michael Bray - The End Is Where You’ll Find It Jeff Strand- Don’t Make Fun Of The Haunted House Mark Cassell - Trust Issues Paul Flewitt- The Silent Invader Clare Riley Whitfield- The Clay Man Jim Goforth- Animus Brian Lumley - The Deep-Sea Conch Chris Hall- Afterword
A few comments on the ones I enjoyed the most!
1. The Cyprus shell by Brain Lumley
This is a letter to a friend explaining his recent early departure from a dinner party. He explains his awful experience and aversion to oysters! Got to say I loved it and it captured so much in a short letter!
2. Again by Ramsey Campbell
This is a strange little story about a hiker discovering a strange old woman keeping her almost dead husband tied to a bed. It was a little strange.
4. Mary by J R Park
Ooo this was good religious symbols and lots of murder and blood!!
5 Doll Face by Peter McKeirnon
This was creepy as f**k there are no limits to what a father would do for his little girl!
6. A taste of Mercy by Andrew Freudenburg
Brilliant so sad and yet so gross! You felt every word of the woe the trenches brought these men!
7 chocolate by Mason Sabre
Ok so I will be keeping a close eye on my kids and their imaginary friends needing chocolate haha loved it!
8 The Contract by Shaun Hutson
Well this taught us one thing is certain killing death would be a very silly thing to do!!
9 Dead-eyed Dick by Anton Palmer
This had me in tears laughing and must be every mans worst nightmare! I’m definitely getting my husband to read it! Brilliant!!
11 Hippocampus by Adam L.G. Nevill
Nevill is one of my favourite authors he has a way of taking you every step of the journey with every book he writes. This one did not disappoint I walked the length of that vessel
With him! I know have some pretty gruesome scenes in my head.
12 you can go now. By Gary McMahon
Totally heartbreaking in some way and utterly creepy in others! Also an eye opener to mental illness which I took from it!
13 letter from hell by Matt Shaw
Reading this made me sick to my stomach being a mum I think it’s my worst nightmare! I can just imagine how those mothers felt when their children never came home! Totally gut wrenching!!
14 Eye for an eye by Matt Hickman
Brilliant! Gruesome and totally what you’d expect from the afterlife of a murderer!
16 Loco Parentis by Kit Power
About a man rounding up a pedophile ring and breaking some bones but in a strange twist he turns it on the reader lol very good!!
I absolutely loved most of these stories I think there is something in there for every Horror fan I’ve also found a few more authors!
Matthew Krueger (10051 KP) rated the Xbox One version of Maid of Sker in Video Games
Nov 7, 2020
Hold Your Breath
Maid of Sker- is a excellent first person horror game.
The game takes place in 1898 in the Sker Hotel, located on an imaginary island called Sker Island, where the protagonist, Thomas Evans, is invited by his lover, Elisabeth Williams, to uncover the mysteries of the hotel after she notices her family's strange behavior. While exploring the hotel, Thomas learns the place is controlled by cult followers called "The Quiet Ones". The history of Elisabeth's family is revealed when Thomas finds notes and gramophone records scattered around the hotel.
The story is inspired by multiple Welsh and British folklore tales, specifically the idea of the hotel is influenced by the Sker House, a real life historic place situated just outside the town of Porthcawl, near Bridgend, Wales, which is made famous by the three-volume novel written by R. D. Blackmore, The Maid of Sker. The game has drawn influences from this novel as well as the folklore story under the same name (called Y Ferch o’r Sger in Welsh). The game has been compared to Outlast, The Evil Within 2, Silent Hill, and its saving system was also compared to those of Resident Evil, with the typewriter switched to a gramophone in the saving rooms.
In the original folk story, Elisabeth Willaims, a woman of the higher class, falls in love with Thomas Evans, a poor harpist. Elisabeth's father, Isaac, disapproves of the relationship, and, in one of the variations of the tale, her father locks her in a room to prevent her from running away until she starves; other variations include Elisabeth dying from a broken heart or being forced to marry a richer man who she does not love until she passes away from illness. According to the tale, her ghost, alongside the ghost of a sailor, haunt the Sker House.
The game is using the first-person perspective and features blind enemies that can find the player by noise, they are introduced as "The Quiet Ones." As Thomas cannot fight back (except for when a temporary weapon is introduced mid-game), the player is forced to be stealthy when exploring the hotel grounds, or making sounds to distract The Quiet Ones so Thomas passes them safely. The only way to search through the hotel grounds successfully is by avoiding The Quiet Ones by not making noise and holding your breath when a Quiet One is close or not bumping into objects. If the player holds their breath for too long, Thomas gasps for air which alerts the enemies. In certain environments, such as when the protagonist is in a dusty location or close to a fireplace, he coughs, and the player has to stop him by holding his breath as this alerts The Quiet Ones.
It consists of a device which sends shock waves and temporarily damages the hearing of The Silent Ones, stunning them for a short duration; this allows the player to run away from the location. While the player gets this weapon, ammunition is scarce and the player has to use it carefully.
The game features a manual save style and there is no autosave. To save the game, the player has to find "safe rooms", the rooms have green-tainted patterned doors, and inside the rooms are gramophones which the player has to play to save the game. Before the game saves, the gramophones play records of Elisabeth and her experiences with her family which adds to the background of the story. After the records end or when the player stops them manually, the game starts saving. If the player dies or restores a save, they lose all the progress made after the last save, additionally, enemies always change routes and cannot always be found lurking in the same places. This saving system is compared to the one which appeared in the Resident Evil games.
While the game is praised for its great sound design, Thomas never speaks in the game. Aside from grunting noises, he is completely mute throughout the game and his lines are displayed as text instead; however, this is not the case for Elisabeth and she has her voice actor. This has received some negative feedback alongside the sensitivity of the movement on consoles. The game has been compared to Outlast when it comes to the gameplay style, and The Evil Within 2 and Silent Hill when it comes to the game's atmosphere.
I love the concept, the atomsphere, the horror, the strategy, it does remind of "The Evil Within", "Resident Evil", "Silent Hill" and "Outlast". All excellent horror games and same with this one.
The game takes place in 1898 in the Sker Hotel, located on an imaginary island called Sker Island, where the protagonist, Thomas Evans, is invited by his lover, Elisabeth Williams, to uncover the mysteries of the hotel after she notices her family's strange behavior. While exploring the hotel, Thomas learns the place is controlled by cult followers called "The Quiet Ones". The history of Elisabeth's family is revealed when Thomas finds notes and gramophone records scattered around the hotel.
The story is inspired by multiple Welsh and British folklore tales, specifically the idea of the hotel is influenced by the Sker House, a real life historic place situated just outside the town of Porthcawl, near Bridgend, Wales, which is made famous by the three-volume novel written by R. D. Blackmore, The Maid of Sker. The game has drawn influences from this novel as well as the folklore story under the same name (called Y Ferch o’r Sger in Welsh). The game has been compared to Outlast, The Evil Within 2, Silent Hill, and its saving system was also compared to those of Resident Evil, with the typewriter switched to a gramophone in the saving rooms.
In the original folk story, Elisabeth Willaims, a woman of the higher class, falls in love with Thomas Evans, a poor harpist. Elisabeth's father, Isaac, disapproves of the relationship, and, in one of the variations of the tale, her father locks her in a room to prevent her from running away until she starves; other variations include Elisabeth dying from a broken heart or being forced to marry a richer man who she does not love until she passes away from illness. According to the tale, her ghost, alongside the ghost of a sailor, haunt the Sker House.
The game is using the first-person perspective and features blind enemies that can find the player by noise, they are introduced as "The Quiet Ones." As Thomas cannot fight back (except for when a temporary weapon is introduced mid-game), the player is forced to be stealthy when exploring the hotel grounds, or making sounds to distract The Quiet Ones so Thomas passes them safely. The only way to search through the hotel grounds successfully is by avoiding The Quiet Ones by not making noise and holding your breath when a Quiet One is close or not bumping into objects. If the player holds their breath for too long, Thomas gasps for air which alerts the enemies. In certain environments, such as when the protagonist is in a dusty location or close to a fireplace, he coughs, and the player has to stop him by holding his breath as this alerts The Quiet Ones.
It consists of a device which sends shock waves and temporarily damages the hearing of The Silent Ones, stunning them for a short duration; this allows the player to run away from the location. While the player gets this weapon, ammunition is scarce and the player has to use it carefully.
The game features a manual save style and there is no autosave. To save the game, the player has to find "safe rooms", the rooms have green-tainted patterned doors, and inside the rooms are gramophones which the player has to play to save the game. Before the game saves, the gramophones play records of Elisabeth and her experiences with her family which adds to the background of the story. After the records end or when the player stops them manually, the game starts saving. If the player dies or restores a save, they lose all the progress made after the last save, additionally, enemies always change routes and cannot always be found lurking in the same places. This saving system is compared to the one which appeared in the Resident Evil games.
While the game is praised for its great sound design, Thomas never speaks in the game. Aside from grunting noises, he is completely mute throughout the game and his lines are displayed as text instead; however, this is not the case for Elisabeth and she has her voice actor. This has received some negative feedback alongside the sensitivity of the movement on consoles. The game has been compared to Outlast when it comes to the gameplay style, and The Evil Within 2 and Silent Hill when it comes to the game's atmosphere.
I love the concept, the atomsphere, the horror, the strategy, it does remind of "The Evil Within", "Resident Evil", "Silent Hill" and "Outlast". All excellent horror games and same with this one.
Bob Mann (459 KP) rated Can You Ever Forgive Me? (2018) in Movies
Sep 28, 2021
McCarthy and Grant in a memorable double act.
I have a big apology to make to Melissa McCarthy. A few months ago, at the excellent Picturehouse Harbour Lights film trivia quiz (every 2nd Tuesday of the month in Southampton… “be there and be… well… a bit of a film geek”!) there was a fun round of suggesting New Year’s resolutions for movie stars. Mine was the rather spiteful and cutting “Melissa McCarthy…. to retire”. In my defence, I did have the truly dreadful “Happytime Murders” fixed in my memory, and McCarthy’s track record since “Bridesmaids” has not exactly been stellar. As the quiz’s host – Stephen ‘Grand Moff’ Sambrook – justly admonished me for at the time “McCarthy is about to come out with a very different role which is supposed to be pretty good”. This film is that role…. and I take it all back.
For McCarthy is a revelation in a dramatic role which, whilst having moments of levity, is largely downbeat and very moving.
The Plot.
Based on a true story, McCarthy plays Lee Israel; a cat-loving bestselling biography writer who has seen better days. Her work is now so poor that her publisher (“3rd Rock”‘s Jane Curtin) no longer returns her call. She doesn’t help herself by having an alcohol problem and an ability to get on with other people that borders on the sociopathic.
Stumbling by accident on a letter from a famous author, she sells it for a decent sum to a dealer in such documents and is asked if she has any similar documents. What follows is a criminal trail of counterfeiting and grand larceny, into which she introduces her only friend: the gay and itinerant Jack Hock (Richard E. Grant).
With newfound success can Lee find criminally-induced happiness? Or will the authorities eventually catch up with her and Jack.
A great double-act.
The reason to see this film is the tremendous double-act between McCarthy and Grant which is just magic. Both have been lauded with nominations during awards season, and both are richly deserved.
Without aspersions against the excellent Shakespearean actress Brenda Fricker, this film could have turned into a 2 hour downer featuring a literary-equivalent of the bird-woman from “Home Alone 2”. The fact it doesn’t – notwithstanding a Central Park scene that just about re-films the final scene of HA/2! – is wholly down to McCarthy’s stunning performance. Although having some scenes of darker comedy, the majority of her performance is dramatically convincing as the conflicted and depressed victim of chronic writer’s block.
Grant as well is just superbly entertaining, all teeth and over-confidence in the face of all odds. If he wasn’t up for an Oscar nomination at one point in the process, then his final scene in the film absolutely nailed it. If you are not moved by this scene, you have a very hard heart indeed.
Ephron-esque.
The script is by the relatively unknown Nicole Holofcener and the debut writer Jeff Whitty, who are nominated for best adapted screenplay for both BAFTA and Oscar award: not bad going! It’s ironic that the late Nora Ephron is (comically) referenced by the screenplay, since there is a strong whiff of Ephron-esque about the film. (This is further enforced through reference to struggling book shops, that harked me back to “You’ve Got Mail”). The movie’s directed by the up and coming Marielle Heller, who’s debut was the well-regarded “Diary of a Teenage Girl”.
Cheer on the anti-hero.
Once again, like last year’s disappointing “Ocean’s 8“, for the film to work we have to emotionally support the actions of a criminal woman and, in this case, her damaged man-friend. This movie almost gets away with it, in that a) the ‘victims’ are unseen wealthy ‘collectors’ who ‘probably have too much money to burn’ anyway and b) Lee expresses such a wondrous delight in the quality of her work; delight that pulls her out of her destructive downward spiral of depression. It’s hard not to get behind her to at least some degree.
Given the movie dives into subjects including animal – or at least animal owner – cruelty, death, depression, homelessness and terminal illness, will you enjoy it? My bell-weather here is my wife Sue, who was unwillingly dragged along to see this, but ended up enjoying it mightily.
For McCarthy is a revelation in a dramatic role which, whilst having moments of levity, is largely downbeat and very moving.
The Plot.
Based on a true story, McCarthy plays Lee Israel; a cat-loving bestselling biography writer who has seen better days. Her work is now so poor that her publisher (“3rd Rock”‘s Jane Curtin) no longer returns her call. She doesn’t help herself by having an alcohol problem and an ability to get on with other people that borders on the sociopathic.
Stumbling by accident on a letter from a famous author, she sells it for a decent sum to a dealer in such documents and is asked if she has any similar documents. What follows is a criminal trail of counterfeiting and grand larceny, into which she introduces her only friend: the gay and itinerant Jack Hock (Richard E. Grant).
With newfound success can Lee find criminally-induced happiness? Or will the authorities eventually catch up with her and Jack.
A great double-act.
The reason to see this film is the tremendous double-act between McCarthy and Grant which is just magic. Both have been lauded with nominations during awards season, and both are richly deserved.
Without aspersions against the excellent Shakespearean actress Brenda Fricker, this film could have turned into a 2 hour downer featuring a literary-equivalent of the bird-woman from “Home Alone 2”. The fact it doesn’t – notwithstanding a Central Park scene that just about re-films the final scene of HA/2! – is wholly down to McCarthy’s stunning performance. Although having some scenes of darker comedy, the majority of her performance is dramatically convincing as the conflicted and depressed victim of chronic writer’s block.
Grant as well is just superbly entertaining, all teeth and over-confidence in the face of all odds. If he wasn’t up for an Oscar nomination at one point in the process, then his final scene in the film absolutely nailed it. If you are not moved by this scene, you have a very hard heart indeed.
Ephron-esque.
The script is by the relatively unknown Nicole Holofcener and the debut writer Jeff Whitty, who are nominated for best adapted screenplay for both BAFTA and Oscar award: not bad going! It’s ironic that the late Nora Ephron is (comically) referenced by the screenplay, since there is a strong whiff of Ephron-esque about the film. (This is further enforced through reference to struggling book shops, that harked me back to “You’ve Got Mail”). The movie’s directed by the up and coming Marielle Heller, who’s debut was the well-regarded “Diary of a Teenage Girl”.
Cheer on the anti-hero.
Once again, like last year’s disappointing “Ocean’s 8“, for the film to work we have to emotionally support the actions of a criminal woman and, in this case, her damaged man-friend. This movie almost gets away with it, in that a) the ‘victims’ are unseen wealthy ‘collectors’ who ‘probably have too much money to burn’ anyway and b) Lee expresses such a wondrous delight in the quality of her work; delight that pulls her out of her destructive downward spiral of depression. It’s hard not to get behind her to at least some degree.
Given the movie dives into subjects including animal – or at least animal owner – cruelty, death, depression, homelessness and terminal illness, will you enjoy it? My bell-weather here is my wife Sue, who was unwillingly dragged along to see this, but ended up enjoying it mightily.
Kristy H (1252 KP) rated The Sunshine Sisters in Books
Jan 21, 2018
Good beach read
Ronni Sunshine has summoned her daughters home. The aging actress is ill, and she wants her daughters by her side. This, however, will be easier said than done, as her three children--Nell, Meredith, and Lizzy--are estranged, both from each other and their mother: the result of a traumatic childhood. Even Ronni will now readily admit she focused on her acting career and beauty rather than her daughters. Her constant belittlement and pressure on the girls made them turn on each other as well. Nell lives the closest to her mother, on a nearby farm, and her son River is in grad school. Middle child Meredith spent her childhood struggling with her weight, thanks to endless biting comments from Ronni; she fled to England and is now engaged. Youngest Lizzie escaped most of her mother's wrath and appears to be the "golden child": she's a successful chef and celebrity, with a TV show and line of related products, but her marriage and personal life aren't all that they seem. Frustrated by their mother's long history of hypochondria, the girls reluctantly return home, excepting to find her fine. However, it seems this time Ronni may be telling the truth: she's really sick. Can the Sunshine sisters set aside their differences? And can they ever forgive their mother?
In some ways, I'm not sure why I keep giving Jane Green books a chance. I liked Summer Secrets well-enough, but was really let down by Saving Grace and Falling. I was intrigued that in her acknowledgements, Green mentions that this is the first book in while where she's felt like herself. I went in hoping that this was true, but still wary, and truthfully, this wariness may have clouded some of my thoughts and feelings about the book.
Overall, this is a summery read, though it does deal with some serious subject matter. If you're looking for a book that will surprise you, this isn't it. Most of these plot points I saw coming from a few miles away; I predicted the majority of the twists and turns before they happened. And, truly, I think the ending is a foregone conclusion. Green relies a bit to heavily on some tropes, as well. Serious older sister? Check. Insecure middle sister? Check. Flighty younger sister? She's here, too, don't worry.
Still, this was a fun book--despite the dark topic at its core--and I found myself compelled to read through the second half in nearly one sitting. Despite some of the transparency of the characters, I was oddly invested in their lives. The novel starts out with a brief glimpse of Ronni summoning her daughters home, then goes back in the past, allowing us to learn about the Sunshine family via various snippets from the sisters at different points in time. In this way, we sort of catch up with the family fast-forward style--it's like a cheat sheet of sorts. It also allows us to get to know each sister a bit better and explore their relationship with their mother (and other sisters). It's easy to see how much influence Ronni had on their lives and how she shaped them into the women they are today.
The girls can certainly be frustrating at times. Poor, needy Meredith drove me nearly mad, with her insecurities and inability to stand up for herself. There's also a point in the book where Meredith magically cleans up after a party (everything is fixed) and later loses a large amount of weight (everything is fixed, again!). I would have liked to have seen a little more plot realism. It was also hard to see how anyone could be quite as big of a doormat as Meredith, even with her mother's influence. And, truly, Ronni is pretty bad. It's an interesting technique--learning how terrible of a mother she is after we're told in the beginning of the novel that she's sick. But, in this way, we're allowed to see how the sisters were alienated by their poor upbringing and how everyone has reached the point we are at today.
Eventually, we reach the present day, with the girls learning about their mother's illness and coming to grips with reality. And, Ronni, of course, must grapple with the kind of mother she was to her children. She's a surprisingly compelling character considering how awful she was to her children, so that's a testament to Green's characterization. To me, the novel picked up a bit more in the present day time period. There were still some silly, unbelievable moments, but I truly did find myself invested in Meredith, Nell, and Lizzy (and Ronni).
The book does wrap things up too easily, as I stated. It's often quite trite and cliche, so you have to go in prepared. Think Lifetime movie, wrapped up in a bow. Still, it's fun at times and certainly a quick read. Well-suited for the beach or a vacation.
I received a copy of this novel from the publisher and Netgalley (thank you!).
In some ways, I'm not sure why I keep giving Jane Green books a chance. I liked Summer Secrets well-enough, but was really let down by Saving Grace and Falling. I was intrigued that in her acknowledgements, Green mentions that this is the first book in while where she's felt like herself. I went in hoping that this was true, but still wary, and truthfully, this wariness may have clouded some of my thoughts and feelings about the book.
Overall, this is a summery read, though it does deal with some serious subject matter. If you're looking for a book that will surprise you, this isn't it. Most of these plot points I saw coming from a few miles away; I predicted the majority of the twists and turns before they happened. And, truly, I think the ending is a foregone conclusion. Green relies a bit to heavily on some tropes, as well. Serious older sister? Check. Insecure middle sister? Check. Flighty younger sister? She's here, too, don't worry.
Still, this was a fun book--despite the dark topic at its core--and I found myself compelled to read through the second half in nearly one sitting. Despite some of the transparency of the characters, I was oddly invested in their lives. The novel starts out with a brief glimpse of Ronni summoning her daughters home, then goes back in the past, allowing us to learn about the Sunshine family via various snippets from the sisters at different points in time. In this way, we sort of catch up with the family fast-forward style--it's like a cheat sheet of sorts. It also allows us to get to know each sister a bit better and explore their relationship with their mother (and other sisters). It's easy to see how much influence Ronni had on their lives and how she shaped them into the women they are today.
The girls can certainly be frustrating at times. Poor, needy Meredith drove me nearly mad, with her insecurities and inability to stand up for herself. There's also a point in the book where Meredith magically cleans up after a party (everything is fixed) and later loses a large amount of weight (everything is fixed, again!). I would have liked to have seen a little more plot realism. It was also hard to see how anyone could be quite as big of a doormat as Meredith, even with her mother's influence. And, truly, Ronni is pretty bad. It's an interesting technique--learning how terrible of a mother she is after we're told in the beginning of the novel that she's sick. But, in this way, we're allowed to see how the sisters were alienated by their poor upbringing and how everyone has reached the point we are at today.
Eventually, we reach the present day, with the girls learning about their mother's illness and coming to grips with reality. And, Ronni, of course, must grapple with the kind of mother she was to her children. She's a surprisingly compelling character considering how awful she was to her children, so that's a testament to Green's characterization. To me, the novel picked up a bit more in the present day time period. There were still some silly, unbelievable moments, but I truly did find myself invested in Meredith, Nell, and Lizzy (and Ronni).
The book does wrap things up too easily, as I stated. It's often quite trite and cliche, so you have to go in prepared. Think Lifetime movie, wrapped up in a bow. Still, it's fun at times and certainly a quick read. Well-suited for the beach or a vacation.
I received a copy of this novel from the publisher and Netgalley (thank you!).
Kristy H (1252 KP) rated Odd Child Out (Jim Clemo #2) in Books
Feb 13, 2018
The second book in [a:Gilly Macmillan|8183303|Gilly Macmillan|https://images.gr-assets.com/authors/1490347732p2/8183303.jpg]'s excellent DI Jim Clemo series finds Jim back in similar circumstances from the first--working against time to save a child. Jim has returned from leave after the Ben Finch case, and he's ready to redeem himself in the eyes DCI Fraser and his peers. He's assigned what looks to be a terrible accident: best pals Noah Sadler and Abdi Mahad are out late one evening when teenage Noah falls into a local canal, rendering him unconscious. Abdi refuses to speak about what happened, leaving the families (and police) to ponder what really occurred that evening. Complicating matters is the fact that Noah is already ill from cancer; plus Noah is British, while Abdi and his family are Somalian refugees, so Jim fears how this case will be presented in the press. By most accounts, Noah and Abdi are best friends, so what truly went down night?
<i>This is another gorgeous gem of a novel by Macmillan</i>, who offers yet one more beautifully-written mystery combined with lovely, perfectly drawn characters. This book touched me in so many ways, and <i>I just cannot keep raving enough about how well this author writes, or how she so excellently embodies her characters</i>. Again, this is no straightforward mystery, or simple fiction, but a wonderful combination of the two.
For me, this book really hit from home the beginning, as Jim mentions how an anti-immigration march by a neo-Nazi group has rocked Bristol, wrecking havoc on the police force, as well as emotions in the area. It's clear that racial tensions are high. As someone who was born in Charlottesville, VA, and lived in the suburbs of the area for the last nearly ten years, I felt this in my heart all too well. The backdrop of race stretches across the fabric of Macmillan's entire novel, and it's quite well done, in my opinion.
On one end, we have the Sadler family--well-off and British: Noah attends a posh private school, Fiona manages Noah and Noah's illness, and Ed is a photographer--often of refugees. In fact, we learn that he's even photographed the very camp where Abdi's parents and sister lived. The Sadler's life, however, is clouded by the tragedy of Noah's cancer, which has basically formed each family member into who they are today.
As for the Mahads, we see how their past experiences has created them, as well. <i>One of the strengths of this book is that we get small portions of narration from all of characters: the Sadlers, the Mahads, and Jim.</i> The bits and pieces you learn of the Mahad's origins--my goodness: it will break your heart. Macmillan captures the fear of the family because they are different due to the color of their skin and the country of their origin, yet you see their strength and pride shine across as well.
The main storyline of ODD CHILD OUT revolves around figuring out exactly what happened between the boys and how Noah ended up in the water. As mentioned, you get snippets from each character, as we slowly work up to that point of no return. We also get flashbacks to various pieces of earlier parts of their lives, and we start to realize that something has spooked the Mahad family--something is not as it seems. <i>It's not your conventional mystery, per se, but it's compelling and certainly intriguing.</i>
At its core, this is a heartbreaking book whose strength lies in its characters. It's a wonderful exploration on race and immigration and how difficult it is to be deemed "different" by our society. What I loved about this book, though, is that you could also wonder: is either family truly all that different at its core? Every parent will go to any length to protect their child, after all. I highly recommend picking this one up. It can be read as a stand-alone, but if you want more insight into Jim and his mindset, you should definitely read the first book, [b:What She Knew|25817531|What She Knew (Jim Clemo #1)|Gilly Macmillan|https://images.gr-assets.com/books/1441801604s/25817531.jpg|41344566], which is also excellent (my review <a href="https://www.goodreads.com/review/show/1421220730?comment=172068859#comment_form">here</a>;). I can't wait to see what Macmillan comes up with next! 4+ stars.
In a perfect swirl of ARC goodness, I received a copy of this novel from both Librarything and Edelweiss. A huge thanks to them and the publisher for a copy in return for an unbiased review. The book is available for purchase everywhere.
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<i>This is another gorgeous gem of a novel by Macmillan</i>, who offers yet one more beautifully-written mystery combined with lovely, perfectly drawn characters. This book touched me in so many ways, and <i>I just cannot keep raving enough about how well this author writes, or how she so excellently embodies her characters</i>. Again, this is no straightforward mystery, or simple fiction, but a wonderful combination of the two.
For me, this book really hit from home the beginning, as Jim mentions how an anti-immigration march by a neo-Nazi group has rocked Bristol, wrecking havoc on the police force, as well as emotions in the area. It's clear that racial tensions are high. As someone who was born in Charlottesville, VA, and lived in the suburbs of the area for the last nearly ten years, I felt this in my heart all too well. The backdrop of race stretches across the fabric of Macmillan's entire novel, and it's quite well done, in my opinion.
On one end, we have the Sadler family--well-off and British: Noah attends a posh private school, Fiona manages Noah and Noah's illness, and Ed is a photographer--often of refugees. In fact, we learn that he's even photographed the very camp where Abdi's parents and sister lived. The Sadler's life, however, is clouded by the tragedy of Noah's cancer, which has basically formed each family member into who they are today.
As for the Mahads, we see how their past experiences has created them, as well. <i>One of the strengths of this book is that we get small portions of narration from all of characters: the Sadlers, the Mahads, and Jim.</i> The bits and pieces you learn of the Mahad's origins--my goodness: it will break your heart. Macmillan captures the fear of the family because they are different due to the color of their skin and the country of their origin, yet you see their strength and pride shine across as well.
The main storyline of ODD CHILD OUT revolves around figuring out exactly what happened between the boys and how Noah ended up in the water. As mentioned, you get snippets from each character, as we slowly work up to that point of no return. We also get flashbacks to various pieces of earlier parts of their lives, and we start to realize that something has spooked the Mahad family--something is not as it seems. <i>It's not your conventional mystery, per se, but it's compelling and certainly intriguing.</i>
At its core, this is a heartbreaking book whose strength lies in its characters. It's a wonderful exploration on race and immigration and how difficult it is to be deemed "different" by our society. What I loved about this book, though, is that you could also wonder: is either family truly all that different at its core? Every parent will go to any length to protect their child, after all. I highly recommend picking this one up. It can be read as a stand-alone, but if you want more insight into Jim and his mindset, you should definitely read the first book, [b:What She Knew|25817531|What She Knew (Jim Clemo #1)|Gilly Macmillan|https://images.gr-assets.com/books/1441801604s/25817531.jpg|41344566], which is also excellent (my review <a href="https://www.goodreads.com/review/show/1421220730?comment=172068859#comment_form">here</a>;). I can't wait to see what Macmillan comes up with next! 4+ stars.
In a perfect swirl of ARC goodness, I received a copy of this novel from both Librarything and Edelweiss. A huge thanks to them and the publisher for a copy in return for an unbiased review. The book is available for purchase everywhere.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>