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BookblogbyCari (345 KP) rated Sapiens: A Brief History of Humankind in Books
Aug 5, 2018
This book was chosen to be the first book read and discussed in an online non-fiction book club I recently joined – and I’m glad we did choose this one!
The book is an overview of homo-sapiens as a species, and how we have changed over the ages, and what we have done, before finally touching on where we are going. As such the book is a cross-pollination of history, sociology, and economics.
As you may expect from a book with such a broad scope, there are some sweeping statements, and rather than being a neutral dispassionate account, Harari makes his opinions very evident. However rather than being irritating, I feel this makes for a more entertaining read.
The book begins by introducing the theme of homo-sapiens in the context of the presence of the other human species that used to exist. He then goes on to describe the cognitive and agricultural revolutions. Then it’s the establishment of patriarchal social hierarchies across the world, largely based on historical conventions. Next Harari states that the purpose of religion is to unify fragile societies with superhuman legitimacy.
Harari then moves on to the scientific revolution, describing how an admission of ignorance by Europeans, along with a desire to discover and conquer new lands was key to the movement.
The conversation moves swiftly then to economics, using the fact that a bank can loan £10 for every £1 it has, to argue that our economics is based on trust in the future. Harari states that a country’s credit rating is more important than its actual resources. Harari describes capitalism and consumerism as being 2 sides of the same coin with two commandments: rich must invest, rest of us must buy. Consumerism, he says, aims to convince people that indulgence is good and frugality is self-oppression.
Harari also argues that, now, instead of relying on local communities the individual relies on the market or the state. Parental authority no longer sacred, he says, and state intervenes. And so when Harari asks if we are any happier now than when we were hunter-gatherers, he argues that our rise of wealth is offset by the disintegration of community life.
Harari also speaks of ecological degradation and our tendency to treat other species as a means to an end, for example, the farming of cow's and chickens has cut years off the lives of both, since they are killed as soon as they reach their maximum weight.
In the final chapter, Harari speculates on the future of mankind. With improvements in medical knowledge comes new ethical conundrums, he says. How will we handle the options of genetic engineering? What will the advent of artificial intelligence mean for humanity?
In my book club, we found that the book generated a lot of talking points. What would the world be like now, had the other species of humans survived? Why have so many cultures across history and the world had patriarchal hierarchies? Can societies improve over time, or is one style better than another? Can communism be considered a religion? Are human rights really just a figment of our collective imagination?
Whilst not everyone in my book club enjoyed the book equally, I would say that it’s as enlightening as it is thought provoking. By the end, it was hard to argue with the author's conclusion that homo-sapiens are like dissatisfied and irresponsible gods.
The book is an overview of homo-sapiens as a species, and how we have changed over the ages, and what we have done, before finally touching on where we are going. As such the book is a cross-pollination of history, sociology, and economics.
As you may expect from a book with such a broad scope, there are some sweeping statements, and rather than being a neutral dispassionate account, Harari makes his opinions very evident. However rather than being irritating, I feel this makes for a more entertaining read.
The book begins by introducing the theme of homo-sapiens in the context of the presence of the other human species that used to exist. He then goes on to describe the cognitive and agricultural revolutions. Then it’s the establishment of patriarchal social hierarchies across the world, largely based on historical conventions. Next Harari states that the purpose of religion is to unify fragile societies with superhuman legitimacy.
Harari then moves on to the scientific revolution, describing how an admission of ignorance by Europeans, along with a desire to discover and conquer new lands was key to the movement.
The conversation moves swiftly then to economics, using the fact that a bank can loan £10 for every £1 it has, to argue that our economics is based on trust in the future. Harari states that a country’s credit rating is more important than its actual resources. Harari describes capitalism and consumerism as being 2 sides of the same coin with two commandments: rich must invest, rest of us must buy. Consumerism, he says, aims to convince people that indulgence is good and frugality is self-oppression.
Harari also argues that, now, instead of relying on local communities the individual relies on the market or the state. Parental authority no longer sacred, he says, and state intervenes. And so when Harari asks if we are any happier now than when we were hunter-gatherers, he argues that our rise of wealth is offset by the disintegration of community life.
Harari also speaks of ecological degradation and our tendency to treat other species as a means to an end, for example, the farming of cow's and chickens has cut years off the lives of both, since they are killed as soon as they reach their maximum weight.
In the final chapter, Harari speculates on the future of mankind. With improvements in medical knowledge comes new ethical conundrums, he says. How will we handle the options of genetic engineering? What will the advent of artificial intelligence mean for humanity?
In my book club, we found that the book generated a lot of talking points. What would the world be like now, had the other species of humans survived? Why have so many cultures across history and the world had patriarchal hierarchies? Can societies improve over time, or is one style better than another? Can communism be considered a religion? Are human rights really just a figment of our collective imagination?
Whilst not everyone in my book club enjoyed the book equally, I would say that it’s as enlightening as it is thought provoking. By the end, it was hard to argue with the author's conclusion that homo-sapiens are like dissatisfied and irresponsible gods.
Lucy Buglass (45 KP) rated The Lego Movie 2: The Second Part (2019) in Movies
Jun 20, 2019
5 years after the release of the first Lego Movie, these lovable characters are back with a brand new adventure. I had such a blast with the original so I was interested to see how they’d continue the story.
In The Lego Movie 2 the residents of Bricksburg are faced with a new threat, soon seeing the city they love destroyed by aliens from Duplo. This leaves them living in a wasteland with a brand new name; Apocalypseburg. Self explanatory really. Everyone was subsequently forced to toughen up and get on with it, except for Emmet (Chris Pratt) of course. He’s still his adorable, optimistic self, with hilarious results.
Emmet’s world is turned upside down when his friends are abducted, including Lucy/Wyldstyle (Elizabeth Banks), whom he cares about very deeply and everyone’s favourite broody superhero, Batman (Will Arnett). When the rest of the city refuses to help, Emmet embarks on a dangerous quest to rescue them and stop another apocalypse. As if one wasn’t bad enough.
Whilst not as strong as its predecessor, I still had a good time with The Lego Movie 2. The soundtrack in particular stood out to me, and I thought it really added to the overall narrative. New character Queen Watevra Wa’Nabi (Tiffany Haddish) stole the show for me, with her song ‘Not Evil’ being my favourite one. The lyrics are hilarious as she desperately tries to convince Lucy and the gang that she’s a kind, trustworthy person. Considering she kidnapped people, Lucy is certainly not convinced by this.
On his journey to save his friends, Emmet encounters a rugged, charming adventurer named Rex Dangervest (also voiced by Chris Pratt) and the two team up. Hilariously, Rex has pet velociraptors which is an obvious reference to Jurassic World, and something that tickled me throughout the film.
I was surprised at how well-written and clever the script was. Because of this, I believe audiences of all ages can enjoy it due to the array of cultural references and adult humour. It may be easy to write this off as ‘just a kid’s film’, but to me, it’s more than that. It’s a joy to watch with some genuine messages about self-reflection and the importance of friendship.
Much like the first film, The Lego Movie 2 also utilises visual gags where characters build things to escape sticky situations. I always admire the creative process behind this and it never fails to make me laugh, reminding me of all the crazy things I used to build when I still had my Lego sets. The film’s imagination knows no bounds, reinforcing the versatile nature of these toys. You can build anything if you put your mind to it.
Overall, I would recommend this film if you’re looking to switch off and be transported to a crazy world where Lego characters unite and get into adventures. It’s not a well polished, award-winning film, but that doesn’t matter. It’s a solid couple of hours worth of entertainment and fun for all the family. Sometimes that’s all that matters.
https://lucygoestohollywood.com/2019/02/28/%E2%99%AB-this-reviews-gonna-get-stuck-inside-your-%E2%99%AB-my-thoughts-on-the-lego-movie-2/
In The Lego Movie 2 the residents of Bricksburg are faced with a new threat, soon seeing the city they love destroyed by aliens from Duplo. This leaves them living in a wasteland with a brand new name; Apocalypseburg. Self explanatory really. Everyone was subsequently forced to toughen up and get on with it, except for Emmet (Chris Pratt) of course. He’s still his adorable, optimistic self, with hilarious results.
Emmet’s world is turned upside down when his friends are abducted, including Lucy/Wyldstyle (Elizabeth Banks), whom he cares about very deeply and everyone’s favourite broody superhero, Batman (Will Arnett). When the rest of the city refuses to help, Emmet embarks on a dangerous quest to rescue them and stop another apocalypse. As if one wasn’t bad enough.
Whilst not as strong as its predecessor, I still had a good time with The Lego Movie 2. The soundtrack in particular stood out to me, and I thought it really added to the overall narrative. New character Queen Watevra Wa’Nabi (Tiffany Haddish) stole the show for me, with her song ‘Not Evil’ being my favourite one. The lyrics are hilarious as she desperately tries to convince Lucy and the gang that she’s a kind, trustworthy person. Considering she kidnapped people, Lucy is certainly not convinced by this.
On his journey to save his friends, Emmet encounters a rugged, charming adventurer named Rex Dangervest (also voiced by Chris Pratt) and the two team up. Hilariously, Rex has pet velociraptors which is an obvious reference to Jurassic World, and something that tickled me throughout the film.
I was surprised at how well-written and clever the script was. Because of this, I believe audiences of all ages can enjoy it due to the array of cultural references and adult humour. It may be easy to write this off as ‘just a kid’s film’, but to me, it’s more than that. It’s a joy to watch with some genuine messages about self-reflection and the importance of friendship.
Much like the first film, The Lego Movie 2 also utilises visual gags where characters build things to escape sticky situations. I always admire the creative process behind this and it never fails to make me laugh, reminding me of all the crazy things I used to build when I still had my Lego sets. The film’s imagination knows no bounds, reinforcing the versatile nature of these toys. You can build anything if you put your mind to it.
Overall, I would recommend this film if you’re looking to switch off and be transported to a crazy world where Lego characters unite and get into adventures. It’s not a well polished, award-winning film, but that doesn’t matter. It’s a solid couple of hours worth of entertainment and fun for all the family. Sometimes that’s all that matters.
https://lucygoestohollywood.com/2019/02/28/%E2%99%AB-this-reviews-gonna-get-stuck-inside-your-%E2%99%AB-my-thoughts-on-the-lego-movie-2/
Kayleigh (12 KP) rated George's Marvellous Medicine in Books
Jan 2, 2019
This was always my favourite Roald Dahl book, and I’ve re-remembered why now! It’s deliciously naughty, and everybody can imagine gleefully mixing up a concoction to make a disliked person yell “Oweeeee!”
A couple of years ago, I was an au pair in France for three children: a boy aged 9 and two girls, aged 5 years and 9 months old, respectively. I remember I had a little bit of trouble getting the children to settle down and listen to me reading a book, and alas, with the girls, I wasn’t actually successful. They were really intelligent kids, speaking French and German, with English as their third language. With the boy though – I’ll call him L, as I haven’t asked permission to use his name – he ended up loving this book. While there were some words I thought it necessary to replace so that he’d understand, he got really into it, and every day was asking me to read him another chapter.
It’s all slightly cheeky, and very funny. There have certainly been people over the years I’d love to make a magical medicine for, and I remember L getting more and more excited as he firstly wondered what was going to happen to Grandma, and then was fascinated by all the effects the medicine had.
There’s a real childish logic to how George goes about concocting his marvellous medicine, which I know appeals to many kids. She’s got rotten teeth, so he’ll put toothpaste in, and if that doesn’t work, he’ll paint them red with nail varnish. Genius! Here’s one of his ideas:
<blockquote>“The first one he took down was a large box of SUPERWHITE FOR AUTOMATIC WASHING-MACHINES. DIRT, it said, WILL DISAPPEAR LIKE MAGIC. George didn’t know whether Grandma was automatic or not, but she was certainly a dirty old woman.”</blockquote>
Quentin Blake’s illustrations really add to the story, particularly in the second half of the book, when the child reading it can see just how big the characters are getting.
The imagination is powerful, but even more so when mixed with these visual aids – see the picture to the right. I think the great thing about the detail of these illustrations – particularly Grandma’s face – is that you can project feelings onto them. In the context of the story it’s really easy to see her as a disgusting “old bird”, but if it was slightly different, judging from the front page you could see her as slightly mischievous too. Or is that just me?! However, I’m digressing. For an adult reading the book, the words dance off the tongue just like George, imagining he’s casting a spell over his cauldron. I found that L’s attention was thoroughly captured and he loved hearing the ‘special effects’ of all the whooshes and woweeees. There’s also the magical and triumphant aspects – he’s somehow created this cool concoction that has meant he’s got his own back on his grouchy old Grandma and helped out his dad by enlarging all the animals. I think kids love those feeling of pride and revenge they get on George’s behalf, while at the same time getting vivid images in their head that they’ll remember for a long time – I know I did!
This review is also on my <a href="http://awowords.wordpress.com">blog</a>; - if you liked it, please check it out!
A couple of years ago, I was an au pair in France for three children: a boy aged 9 and two girls, aged 5 years and 9 months old, respectively. I remember I had a little bit of trouble getting the children to settle down and listen to me reading a book, and alas, with the girls, I wasn’t actually successful. They were really intelligent kids, speaking French and German, with English as their third language. With the boy though – I’ll call him L, as I haven’t asked permission to use his name – he ended up loving this book. While there were some words I thought it necessary to replace so that he’d understand, he got really into it, and every day was asking me to read him another chapter.
It’s all slightly cheeky, and very funny. There have certainly been people over the years I’d love to make a magical medicine for, and I remember L getting more and more excited as he firstly wondered what was going to happen to Grandma, and then was fascinated by all the effects the medicine had.
There’s a real childish logic to how George goes about concocting his marvellous medicine, which I know appeals to many kids. She’s got rotten teeth, so he’ll put toothpaste in, and if that doesn’t work, he’ll paint them red with nail varnish. Genius! Here’s one of his ideas:
<blockquote>“The first one he took down was a large box of SUPERWHITE FOR AUTOMATIC WASHING-MACHINES. DIRT, it said, WILL DISAPPEAR LIKE MAGIC. George didn’t know whether Grandma was automatic or not, but she was certainly a dirty old woman.”</blockquote>
Quentin Blake’s illustrations really add to the story, particularly in the second half of the book, when the child reading it can see just how big the characters are getting.
The imagination is powerful, but even more so when mixed with these visual aids – see the picture to the right. I think the great thing about the detail of these illustrations – particularly Grandma’s face – is that you can project feelings onto them. In the context of the story it’s really easy to see her as a disgusting “old bird”, but if it was slightly different, judging from the front page you could see her as slightly mischievous too. Or is that just me?! However, I’m digressing. For an adult reading the book, the words dance off the tongue just like George, imagining he’s casting a spell over his cauldron. I found that L’s attention was thoroughly captured and he loved hearing the ‘special effects’ of all the whooshes and woweeees. There’s also the magical and triumphant aspects – he’s somehow created this cool concoction that has meant he’s got his own back on his grouchy old Grandma and helped out his dad by enlarging all the animals. I think kids love those feeling of pride and revenge they get on George’s behalf, while at the same time getting vivid images in their head that they’ll remember for a long time – I know I did!
This review is also on my <a href="http://awowords.wordpress.com">blog</a>; - if you liked it, please check it out!
BookwormMama14 (18 KP) rated The Ringmaster's Wife in Books
Jan 2, 2019
When that which that Lady Rosamund loves most is threatened to be taken away from her, she stepped on a train and changed the course of her life forever.
"You could never fit in, Rose. You were made to stand out."
The Ringmaster's Wife
(Location 1403)
With the family estate in financial difficulties, Lady Rosamund's father saw fit to sell that which was closest to her heart, Ingénue, her beautiful Arabian mare. Colin Keary set out to acquire the Arabian for the Ringling circus. Little did he know that he would find an incredible talent in the owner. Colin persuades Lady Rosamund to join them in America, to see Ingénue safely settled. With dreams as vast as the ocean, she agrees. Will Lady Rosamund give up a comfortable future for the thrills and magic of the circus, or will duty call her home in the end? Will she be able to put her trust in God to make her dreams come true? As the logical, organized "boss man", will Colin be able to protect Rose from the danger of the circus life? Open the pages of The Ringmaster's Wife and be transported back in time. Where prohibition is in full effect, the World's Fair of 1893 is beyond compare, and people everywhere flock to the Big Top to witness the wonders of the Ringling circus. All the while in the background you see Mable Ringling, the ringmaster's wife, with her gentle hand and kind words. A woman of strength and compassion. May her story live on...
Kristy Cambron has been a favorite of mine for some months now. But I have a confession, this is the first book of hers that I have read! I follow her blog, and I have never been so blessed! Kristy speaks truth with love and wisdom. Many times I am in tears before I even finish reading the post. So it is no surprise that the these elements can be found on the pages of The Ringmaster's Wife. I had very high expectations for this book, and Kristy did NOT disappoint! Her imagination and creativity completely blew me away! The depth of feeling and truth spoke volumes to my heart. Every page is filled with wonder and mystery. The emotions were so very real and intense. My heart pounded in rhythm with Rose's, my tears fell with Mable's and my anger rose with Colin's. All the time, with the message of trusting in our Heavenly Father to care for us and guide us through our journey. Halfway through, I was ready to run off with the circus myself! The story's timeline jumps back and forth quite a bit, but is easy to follow. The dates and locations are clearly marked. Kristy even used my hometown for one of the chapters! I was so tickled! She makes reference to Walt Disney and J.M. Barrie as well! Overall, I was thoroughly impressed and can not wait for The Illusionist's Apprentice, scheduled to release in March 2017. Thankfully, I have her other two books to read in the meantime, The Butterfly and the Violin and A Sparrow in Terezin. (I am already planning on reading this one again.) I would recommend this book to anyone who has ever had a dream and longs for a little adventure!
★★★★★ - "You have bewitched me, body and soul."
I received a free copy of The Ringmaster's Wife from Thomas Nelson through NetGalley in exchange for my honest review. All opinions expressed are mine alone.
"You could never fit in, Rose. You were made to stand out."
The Ringmaster's Wife
(Location 1403)
With the family estate in financial difficulties, Lady Rosamund's father saw fit to sell that which was closest to her heart, Ingénue, her beautiful Arabian mare. Colin Keary set out to acquire the Arabian for the Ringling circus. Little did he know that he would find an incredible talent in the owner. Colin persuades Lady Rosamund to join them in America, to see Ingénue safely settled. With dreams as vast as the ocean, she agrees. Will Lady Rosamund give up a comfortable future for the thrills and magic of the circus, or will duty call her home in the end? Will she be able to put her trust in God to make her dreams come true? As the logical, organized "boss man", will Colin be able to protect Rose from the danger of the circus life? Open the pages of The Ringmaster's Wife and be transported back in time. Where prohibition is in full effect, the World's Fair of 1893 is beyond compare, and people everywhere flock to the Big Top to witness the wonders of the Ringling circus. All the while in the background you see Mable Ringling, the ringmaster's wife, with her gentle hand and kind words. A woman of strength and compassion. May her story live on...
Kristy Cambron has been a favorite of mine for some months now. But I have a confession, this is the first book of hers that I have read! I follow her blog, and I have never been so blessed! Kristy speaks truth with love and wisdom. Many times I am in tears before I even finish reading the post. So it is no surprise that the these elements can be found on the pages of The Ringmaster's Wife. I had very high expectations for this book, and Kristy did NOT disappoint! Her imagination and creativity completely blew me away! The depth of feeling and truth spoke volumes to my heart. Every page is filled with wonder and mystery. The emotions were so very real and intense. My heart pounded in rhythm with Rose's, my tears fell with Mable's and my anger rose with Colin's. All the time, with the message of trusting in our Heavenly Father to care for us and guide us through our journey. Halfway through, I was ready to run off with the circus myself! The story's timeline jumps back and forth quite a bit, but is easy to follow. The dates and locations are clearly marked. Kristy even used my hometown for one of the chapters! I was so tickled! She makes reference to Walt Disney and J.M. Barrie as well! Overall, I was thoroughly impressed and can not wait for The Illusionist's Apprentice, scheduled to release in March 2017. Thankfully, I have her other two books to read in the meantime, The Butterfly and the Violin and A Sparrow in Terezin. (I am already planning on reading this one again.) I would recommend this book to anyone who has ever had a dream and longs for a little adventure!
★★★★★ - "You have bewitched me, body and soul."
I received a free copy of The Ringmaster's Wife from Thomas Nelson through NetGalley in exchange for my honest review. All opinions expressed are mine alone.
Hazel (1853 KP) rated Immortal Writers in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Words are the most powerful form of magic. Jill Bowers creates a unique fantasy concept in this soon to be published adventure novel. When <i>Immortal Writers</i> begins, the genre is similar to many contemporary novels: characters living normal day-to-day lives. Eighteen-year-old Liz has just landed back in her hometown after touring to promote her new novel, the next in a popular fantasy series that won her the Best Young Fantasy Award. All she wants is to return to her apartment and go to bed, so being kidnapped was not part of her plan. Especially not being kidnapped by the formidable William Shakespeare.
What Liz and readers both learn next is a brilliant, awe-inspiring idea. Imagine that all the world’s most famous authors were immortal and lived together in a magical castle manipulated by the science fiction novelists. That is what Liz suddenly has to come to terms with. Although she is only young, her books show so much potential that she is already initiated into the Immortal Writers. But it is not only legendary writers inhabiting this fortress. When an author becomes immortal, their characters become real. Liz is shocked to come face to face with the handsome hero of her story as well as a few of her supporting characters. However that is not all that has crossed over into reality.
As well as the goodies, the evil characters have also been brought into the world. Kenric, Liz’s antagonist, has hidden himself nearby with hundreds of dragons. He wants dominion over the entire planet and the only person that can stop him is Liz herself. So begins an adventure of learning to use magic, sword fights, dragon attacks and inevitable, heart wrenching causalities.
As a writer, Jill Bowers has not quite got the level of standard that the top authors have achieved. This is evident from the lack of description and awkwardness of the prose throughout the first few chapters. Once the storyline is well under way it becomes a lot easier to read; whether her writing improves is debatable, but her imagination captures the readers attention and provides a thoroughly entertaining narrative.
It is not solely the plot, characters and action that will stay in readers’ minds – the overall concept is fantastic. Who would not want their favourite authors to live forever? I would love to meet a William Shakespeare who has adapted himself to modern day living. Even more exciting is the possibility of meeting fictional characters. Each reader is bound to start daydreaming about which of their most loved books they would like to become real. How great would it be to meet Harry Potter, or see a unicorn, or eat some chocolate made by Willy Wonka, or… the possibilities are endless.
<i>Immortal Writers</i> is the first novel in a series so there will be more books that focus on this amazing idea. From the preview at the end of this copy, it appears that the following book will be about different authors/characters, therefore will provide a whole new outline to wrap our heads around.
Fantasy fans should definitely seek out this series. The writing may not exactly be up to par, but the general storyline is unquestionably worth it. Encompassing, contemporary, adventure and romance genres, <i>Immortal Writers</i> is an incredible fantasy story based in the “real” world.
Words are the most powerful form of magic. Jill Bowers creates a unique fantasy concept in this soon to be published adventure novel. When <i>Immortal Writers</i> begins, the genre is similar to many contemporary novels: characters living normal day-to-day lives. Eighteen-year-old Liz has just landed back in her hometown after touring to promote her new novel, the next in a popular fantasy series that won her the Best Young Fantasy Award. All she wants is to return to her apartment and go to bed, so being kidnapped was not part of her plan. Especially not being kidnapped by the formidable William Shakespeare.
What Liz and readers both learn next is a brilliant, awe-inspiring idea. Imagine that all the world’s most famous authors were immortal and lived together in a magical castle manipulated by the science fiction novelists. That is what Liz suddenly has to come to terms with. Although she is only young, her books show so much potential that she is already initiated into the Immortal Writers. But it is not only legendary writers inhabiting this fortress. When an author becomes immortal, their characters become real. Liz is shocked to come face to face with the handsome hero of her story as well as a few of her supporting characters. However that is not all that has crossed over into reality.
As well as the goodies, the evil characters have also been brought into the world. Kenric, Liz’s antagonist, has hidden himself nearby with hundreds of dragons. He wants dominion over the entire planet and the only person that can stop him is Liz herself. So begins an adventure of learning to use magic, sword fights, dragon attacks and inevitable, heart wrenching causalities.
As a writer, Jill Bowers has not quite got the level of standard that the top authors have achieved. This is evident from the lack of description and awkwardness of the prose throughout the first few chapters. Once the storyline is well under way it becomes a lot easier to read; whether her writing improves is debatable, but her imagination captures the readers attention and provides a thoroughly entertaining narrative.
It is not solely the plot, characters and action that will stay in readers’ minds – the overall concept is fantastic. Who would not want their favourite authors to live forever? I would love to meet a William Shakespeare who has adapted himself to modern day living. Even more exciting is the possibility of meeting fictional characters. Each reader is bound to start daydreaming about which of their most loved books they would like to become real. How great would it be to meet Harry Potter, or see a unicorn, or eat some chocolate made by Willy Wonka, or… the possibilities are endless.
<i>Immortal Writers</i> is the first novel in a series so there will be more books that focus on this amazing idea. From the preview at the end of this copy, it appears that the following book will be about different authors/characters, therefore will provide a whole new outline to wrap our heads around.
Fantasy fans should definitely seek out this series. The writing may not exactly be up to par, but the general storyline is unquestionably worth it. Encompassing, contemporary, adventure and romance genres, <i>Immortal Writers</i> is an incredible fantasy story based in the “real” world.
Hazel (1853 KP) rated Timmy Failure: The Cat Stole My Pants in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
For fans of <i>Diary of a Wimpy Kid</i> (Kinney, 2004) is a juvenile series by American author, Stephan Pastis, about a young boy who believes he is the world’s greatest detective. A series that is continually growing, the sixth <i>Timmy Failure </i>story is now available for fans and new readers. Subtitled <i>The Cat Stole My Pants</i>, Timmy Failure embarks on an adventure of mystery and crime solving whilst getting himself into all sorts of mischief.
Emulating both real and fictional detectives, Timmy has established his own agency, Failure, Inc., of which he is the sole employee after the flight of his (imaginary) ex-business partner, Total the polar bear, who is currently seeking political asylum in Cuba. Unfortunately, Timmy has been forced to join his mother and Doorman Dave on their honeymoon in Key West, Florida, along with Doorman Dave’s nephew, Emilio.
“Crime doesn’t take a holiday. Neither does greatness.” Determined to continue solving crimes, Timmy hires Emilio as an unpaid intern and sets off searching for crimes, greatly over exaggerating every little piece of “evidence” he finds. However, it soon appears that someone is out to get Timmy and he, along with Emilio, is determined to find out whom.
Timmy is a melodramatic, unconventional child with a large ego and is constantly getting told off. From annoying adults to having his pants stolen by a polydactyl cat – or so he claims – there is no end to the hilarious situations he causes.
The cat that stole Timmy’s pants only makes a brief appearance in the book, therefore the subtitle is more to attract the attention of young readers with its silliness rather than be suggestive of a certain storyline.
Despite his grand claims, Timmy is not a very good detective and a lot of his unsolved crimes have been invented by his overactive imagination. This adds to the humour because, although he seems like an intelligent child, his ideas are completely silly.
Adorned with childish drawings and diagrams, Timmy Failure narrates the story from his subjective point of view, inflating his successes and blaming any failure on poor Emilio. No one takes Timmy seriously, which is something many of the target readers may appreciate, although they should also understand how futile Timmy’s attempts are at being a detective.
The storyline is not particularly clear until the final chapters of the book. Up until that moment, the book is full of disastrous, imaginary detective endeavours that prove Timmy to be nothing more than an annoying, inventive boy.
Some of the language may be above children’s reading capabilities, however, the humour is directly on their level. Whereas an adult may not find the idea of a cat stealing someone’s pants amusing, a child would find that hysterical.
There is no reason to read the <i>Timmy Failure</i> books in order, so if you, like me, read book six first, there is no problem. The stories are particularly aimed at young boys and will hopefully encourage the demographic to start reading more. Whilst it may not be a great feat of literature, it is a good enough introduction to the world of books.
For fans of <i>Diary of a Wimpy Kid</i> (Kinney, 2004) is a juvenile series by American author, Stephan Pastis, about a young boy who believes he is the world’s greatest detective. A series that is continually growing, the sixth <i>Timmy Failure </i>story is now available for fans and new readers. Subtitled <i>The Cat Stole My Pants</i>, Timmy Failure embarks on an adventure of mystery and crime solving whilst getting himself into all sorts of mischief.
Emulating both real and fictional detectives, Timmy has established his own agency, Failure, Inc., of which he is the sole employee after the flight of his (imaginary) ex-business partner, Total the polar bear, who is currently seeking political asylum in Cuba. Unfortunately, Timmy has been forced to join his mother and Doorman Dave on their honeymoon in Key West, Florida, along with Doorman Dave’s nephew, Emilio.
“Crime doesn’t take a holiday. Neither does greatness.” Determined to continue solving crimes, Timmy hires Emilio as an unpaid intern and sets off searching for crimes, greatly over exaggerating every little piece of “evidence” he finds. However, it soon appears that someone is out to get Timmy and he, along with Emilio, is determined to find out whom.
Timmy is a melodramatic, unconventional child with a large ego and is constantly getting told off. From annoying adults to having his pants stolen by a polydactyl cat – or so he claims – there is no end to the hilarious situations he causes.
The cat that stole Timmy’s pants only makes a brief appearance in the book, therefore the subtitle is more to attract the attention of young readers with its silliness rather than be suggestive of a certain storyline.
Despite his grand claims, Timmy is not a very good detective and a lot of his unsolved crimes have been invented by his overactive imagination. This adds to the humour because, although he seems like an intelligent child, his ideas are completely silly.
Adorned with childish drawings and diagrams, Timmy Failure narrates the story from his subjective point of view, inflating his successes and blaming any failure on poor Emilio. No one takes Timmy seriously, which is something many of the target readers may appreciate, although they should also understand how futile Timmy’s attempts are at being a detective.
The storyline is not particularly clear until the final chapters of the book. Up until that moment, the book is full of disastrous, imaginary detective endeavours that prove Timmy to be nothing more than an annoying, inventive boy.
Some of the language may be above children’s reading capabilities, however, the humour is directly on their level. Whereas an adult may not find the idea of a cat stealing someone’s pants amusing, a child would find that hysterical.
There is no reason to read the <i>Timmy Failure</i> books in order, so if you, like me, read book six first, there is no problem. The stories are particularly aimed at young boys and will hopefully encourage the demographic to start reading more. Whilst it may not be a great feat of literature, it is a good enough introduction to the world of books.
Emma @ The Movies (1786 KP) rated Brightburn (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Superheroes and villains are a subject close to my heart, I enjoy speculating on the good and bad potential of superpowers, so to have the bad Superman story laid out like this is very interesting to experience.
Having a bad Superman would have been good, but switching it to a child automatically knocks the "scary" up a notch, something we saw earlier in the year in The Prodigy.
Tori and Kyle Breyer are desperately trying to have a baby, their lives start to revolve around the idea when one night the Earth literally moves for them and a meteor hits their farm. Ten years later and Tori and Kyle have their adopted son, Brandon, but growing up comes with some unexpected twists.
Brightburn's trailer makes it very clear that what we're going to see is a Superman-style childhood but the film is actually not so blatant. In fact, everything about the pre-release information tells you exactly what you're going to get while the film alone actually leaves it to your imagination. You have to make assumptions and educated guesses about what's going to happen. It's a bit of a shame that there's really no successful way to advertise this film without pointing out the obvious.
Elizabeth Banks (eternally young and possibly getting younger) plays Tori, Brandon's mum. The terror she gets across while still retaining a mother's love is spot on and great to watch on screen. In particular there's a scene where she discovers Brandon's notebook and the way she reacts made me react, and twisting that scene with the side story of Brandon and his dad was so effective.
I have one fault when it comes to horror, and that's that I can't take it seriously, luckily lots of people in my screening felt the same way too. While there were a couple of moments that went for actual humour I found myself laughing at some of the gore too. It was the same reaction as I get from extreme action scenes, an extended "oooooooh!" with a slight wince and then laughing. I can't help it, it's just funny.
Brightburn is probably an easier horror to see as the scary moments are mostly predictable so you could close your eyes in time for the bad bits if you wanted too, a lot are prefixed with something ominous in the background to prepare you.
One moment that made me jump was actually not a scary piece, it was the moment Brandon realises he's different. You already know part of his discovery if you've seen the trailer and yet again this film then tweaks that moment to give you something a little different.
The way they use light and dark is great because it allows things to creep up on you, quite literally, and highlights the evil that is starting to permeate the town.
It surprises me that I enjoyed this one as much as I did. I think the action moments probably holds up a lot of it. I like the idea, but I'm not convinced that it was created as well as it could have been. I was impressed that they didn't step back from the violent moments though, Brightburn is ballsy, and I like it for that.
[Note: Stay to see some clips into the credits.]
What you should do
If you like horror then I think it's a fairly good offering to see, it's probably also a good crossover if you're more into superheroes.
Movie thing you wish you could take home
I'd love the aunt's house but without the creepy added extras.
Having a bad Superman would have been good, but switching it to a child automatically knocks the "scary" up a notch, something we saw earlier in the year in The Prodigy.
Tori and Kyle Breyer are desperately trying to have a baby, their lives start to revolve around the idea when one night the Earth literally moves for them and a meteor hits their farm. Ten years later and Tori and Kyle have their adopted son, Brandon, but growing up comes with some unexpected twists.
Brightburn's trailer makes it very clear that what we're going to see is a Superman-style childhood but the film is actually not so blatant. In fact, everything about the pre-release information tells you exactly what you're going to get while the film alone actually leaves it to your imagination. You have to make assumptions and educated guesses about what's going to happen. It's a bit of a shame that there's really no successful way to advertise this film without pointing out the obvious.
Elizabeth Banks (eternally young and possibly getting younger) plays Tori, Brandon's mum. The terror she gets across while still retaining a mother's love is spot on and great to watch on screen. In particular there's a scene where she discovers Brandon's notebook and the way she reacts made me react, and twisting that scene with the side story of Brandon and his dad was so effective.
I have one fault when it comes to horror, and that's that I can't take it seriously, luckily lots of people in my screening felt the same way too. While there were a couple of moments that went for actual humour I found myself laughing at some of the gore too. It was the same reaction as I get from extreme action scenes, an extended "oooooooh!" with a slight wince and then laughing. I can't help it, it's just funny.
Brightburn is probably an easier horror to see as the scary moments are mostly predictable so you could close your eyes in time for the bad bits if you wanted too, a lot are prefixed with something ominous in the background to prepare you.
One moment that made me jump was actually not a scary piece, it was the moment Brandon realises he's different. You already know part of his discovery if you've seen the trailer and yet again this film then tweaks that moment to give you something a little different.
The way they use light and dark is great because it allows things to creep up on you, quite literally, and highlights the evil that is starting to permeate the town.
It surprises me that I enjoyed this one as much as I did. I think the action moments probably holds up a lot of it. I like the idea, but I'm not convinced that it was created as well as it could have been. I was impressed that they didn't step back from the violent moments though, Brightburn is ballsy, and I like it for that.
[Note: Stay to see some clips into the credits.]
What you should do
If you like horror then I think it's a fairly good offering to see, it's probably also a good crossover if you're more into superheroes.
Movie thing you wish you could take home
I'd love the aunt's house but without the creepy added extras.
Phil Leader (619 KP) rated The Court of the Air (Jackelian, #1) in Books
Nov 11, 2019
The land of Jackals is under threat. Ancient foes are threatening its people and its borders. Who can save the land?
Molly Templar is an orphan scratching a living in a poor house. But someone wants her very badly - badly enough to kill anyone who gets in the way. But who would want a poor orphan girl and why?
Oliver Brooks is an outcast. He was lost for two years in the feymist when he was younger. He must have been changed but shows no signs, he appears to be completely normal. But he still needs to report to the authorities regularly and lives in virtual house arrest with his uncle. Until his uncle is killed and Oliver barely escapes.
So begins The Court Of The Air, a stupendous rolling epic set in the strange land of Jackals, a place which is sort of like Victorian England but is also completely different. There are guns and airships, bombs and politicians aplenty. There is also magic and gods stalk the shadows of the world. Sentient steam driven robots have their own country and their own religion.
This is one of those immersive novels. Nothing is explained as it is seen from the viewpoint of the main characters, and they don't need to explain their own world to themselves. This might deter some readers because although there are some familiar concepts many are new or reworked in subtly different ways so that assumptions are dangerous. Personally I enjoy being thrown into the deep end and having to work at understanding the world of the author. I was definitely in my element.
Hunt has an amazing imagination. He is like the curator of a museum of wonders, allowing quick glimpses at the shiny trinkets before twitching aside the curtain to the rather more sinister exhibits he keeps in the basement. He also has a prose style that is frequently poetic and full of brilliant metaphor and simile. One of my favourites was describing a camera as having its nose pointing sadly downwards. And the writing is dense, very dense. I took my time over this book because it was worth it to extract every nuance and vibe conveyed by the words on the page.
The plot is sprawling and convoluted. Oliver and Molly are the main characters but there are others on all sides of the conflict and very little is as it seems or black and white. The first half of the book concerns Molly and Oliver being separately pursued as various aspects of Jackals' geography and politics are revealed (and the political systems are a hoot). Once we find out what is going on the pursued then must try to confront and thwart the danger, not only to them but to their country and the world.
The threads finally come together in a cataclysmic ending. The plot does unravel a little as everything happens at once and there are plenty of clever twists. There is a certain about of deus ex machina in the ending but I would rather that than a tedious few pages of exposition. The good guys win. The bad guys are vanquished. And it's all very entertaining.
Now I do accept that it is a challenging read and some people will not take to it so I can't recommend it without saying, read an excerpt first. If you like reading it (even if you don't as yet understand what half of it means) then read all of it. You will not be disappointed.
Rated: Some violence
Molly Templar is an orphan scratching a living in a poor house. But someone wants her very badly - badly enough to kill anyone who gets in the way. But who would want a poor orphan girl and why?
Oliver Brooks is an outcast. He was lost for two years in the feymist when he was younger. He must have been changed but shows no signs, he appears to be completely normal. But he still needs to report to the authorities regularly and lives in virtual house arrest with his uncle. Until his uncle is killed and Oliver barely escapes.
So begins The Court Of The Air, a stupendous rolling epic set in the strange land of Jackals, a place which is sort of like Victorian England but is also completely different. There are guns and airships, bombs and politicians aplenty. There is also magic and gods stalk the shadows of the world. Sentient steam driven robots have their own country and their own religion.
This is one of those immersive novels. Nothing is explained as it is seen from the viewpoint of the main characters, and they don't need to explain their own world to themselves. This might deter some readers because although there are some familiar concepts many are new or reworked in subtly different ways so that assumptions are dangerous. Personally I enjoy being thrown into the deep end and having to work at understanding the world of the author. I was definitely in my element.
Hunt has an amazing imagination. He is like the curator of a museum of wonders, allowing quick glimpses at the shiny trinkets before twitching aside the curtain to the rather more sinister exhibits he keeps in the basement. He also has a prose style that is frequently poetic and full of brilliant metaphor and simile. One of my favourites was describing a camera as having its nose pointing sadly downwards. And the writing is dense, very dense. I took my time over this book because it was worth it to extract every nuance and vibe conveyed by the words on the page.
The plot is sprawling and convoluted. Oliver and Molly are the main characters but there are others on all sides of the conflict and very little is as it seems or black and white. The first half of the book concerns Molly and Oliver being separately pursued as various aspects of Jackals' geography and politics are revealed (and the political systems are a hoot). Once we find out what is going on the pursued then must try to confront and thwart the danger, not only to them but to their country and the world.
The threads finally come together in a cataclysmic ending. The plot does unravel a little as everything happens at once and there are plenty of clever twists. There is a certain about of deus ex machina in the ending but I would rather that than a tedious few pages of exposition. The good guys win. The bad guys are vanquished. And it's all very entertaining.
Now I do accept that it is a challenging read and some people will not take to it so I can't recommend it without saying, read an excerpt first. If you like reading it (even if you don't as yet understand what half of it means) then read all of it. You will not be disappointed.
Rated: Some violence
Phil Leader (619 KP) rated The Great Zoo of China in Books
Nov 13, 2019
The Chinese government have been working for years to create the ultimate tourist attraction, a very special zoo stocking with only one kind of animal - dragons. Long considered a myth the Chinese have found that they do exist and now they are ready to astound the world by showing of these amazing creatures and the fantastic zoo they have created to house them.
CJ Cameron is one of those invited to attend a special press preview tour, on behalf of National Geographic. A renowned expert on all types of reptiles she takes her brother Hamish with her as a photographer as part of a small and select group so that they can be the first to reveal the zoo to the world.
But on this special day, the dragons have their own plan and soon the Chinese are fighting for control of the dragons and the zoo they have created, with Cameron and the other group of journalists caught in the middle as the fearsome beasts rampage through the complex. Cameron must rely on her wits and experience with crocodiles and alligators to survive.
The obvious four word description of this book is 'Jurassic Park with dragons' but also superficially that does describe it's also missing the point of both books. Indeed Reilly acknowledges the Jurassic Park angle, both in an off the cuff remark by Hamish at the start of the book and also in the interview at the back. Jurassic Park has Michael Crichton in full science-as-thriller mode, pondering the latest advances (at the time) of both DNA and fossil discoveries and then giving a glimpse of how these beasts must have been when they ruled the world. The thrill comes from the dinosaurs themselves, they are the stars of the book.
In The Great Zoo of China the dragons are very much a McGuffin. Any suitably fearsome creature would have done, real, historical, mythical or completely imagined. They are simply a powerful threat to humans and agents capable of wreaking huge amounts of death and destruction, as would be expected of Reilly. The star of the show is Cameron, and to a lesser extent her brother (and a few others).
Cameron is Reilly's first lead female character in an action role (The Tournament being a completely different kind of book) and this works really well in the novel, both in terms of setup and plot and she makes a convincing heroine using her knowledge and intelligence to combat each threat.
Of course there are moments where the reader has to suspend their belief. Reilly doesn't aim for gritty realism, he goes for the big and impressive set pieces, almost certain death and narrow escapes that clearly would be impossible in the real world. His novels are very much blockbuster movies transferred to the written word, with the added bonus that the special effects come free courtesy of the reader's imagination.
As usual the plot drives at a breathtaking pace although the real story doesn't start until Reilly has taken us on a tour of his ultimate zoo and shown off his dragons before letting them off the leash.
Yes some of it is pure hokum and there are a couple of plot holes, but at the end of the day this was not written to win any literary prizes. This was written to entertain and thrill and it does that with ease.
Rated: Strong language and graphic violence (i.e. lots of people eaten by dragons)
CJ Cameron is one of those invited to attend a special press preview tour, on behalf of National Geographic. A renowned expert on all types of reptiles she takes her brother Hamish with her as a photographer as part of a small and select group so that they can be the first to reveal the zoo to the world.
But on this special day, the dragons have their own plan and soon the Chinese are fighting for control of the dragons and the zoo they have created, with Cameron and the other group of journalists caught in the middle as the fearsome beasts rampage through the complex. Cameron must rely on her wits and experience with crocodiles and alligators to survive.
The obvious four word description of this book is 'Jurassic Park with dragons' but also superficially that does describe it's also missing the point of both books. Indeed Reilly acknowledges the Jurassic Park angle, both in an off the cuff remark by Hamish at the start of the book and also in the interview at the back. Jurassic Park has Michael Crichton in full science-as-thriller mode, pondering the latest advances (at the time) of both DNA and fossil discoveries and then giving a glimpse of how these beasts must have been when they ruled the world. The thrill comes from the dinosaurs themselves, they are the stars of the book.
In The Great Zoo of China the dragons are very much a McGuffin. Any suitably fearsome creature would have done, real, historical, mythical or completely imagined. They are simply a powerful threat to humans and agents capable of wreaking huge amounts of death and destruction, as would be expected of Reilly. The star of the show is Cameron, and to a lesser extent her brother (and a few others).
Cameron is Reilly's first lead female character in an action role (The Tournament being a completely different kind of book) and this works really well in the novel, both in terms of setup and plot and she makes a convincing heroine using her knowledge and intelligence to combat each threat.
Of course there are moments where the reader has to suspend their belief. Reilly doesn't aim for gritty realism, he goes for the big and impressive set pieces, almost certain death and narrow escapes that clearly would be impossible in the real world. His novels are very much blockbuster movies transferred to the written word, with the added bonus that the special effects come free courtesy of the reader's imagination.
As usual the plot drives at a breathtaking pace although the real story doesn't start until Reilly has taken us on a tour of his ultimate zoo and shown off his dragons before letting them off the leash.
Yes some of it is pure hokum and there are a couple of plot holes, but at the end of the day this was not written to win any literary prizes. This was written to entertain and thrill and it does that with ease.
Rated: Strong language and graphic violence (i.e. lots of people eaten by dragons)
Phil Leader (619 KP) rated The Hitchhiker's Guide to the Galaxy in Books
Nov 14, 2019
What can be said about Douglas Adams' freewheeling science fiction comedy that hasn't been said before? Probably nothing but that doesn't mean it doesn't deserve a review.
I first came to the Hitchhiker's Guide series through this book. It was about 1981 I suppose and it was recommended by a school friend. I hadn't been aware of the radio series (although as luck would have it it was repeated on BBC Radio 4 within a few weeks) and it was a little while before the television adaptation appeared (which for all its faults - mainly a lack of budget - stayed true to the spirit of the books and the radio series rather more successfully than the film).
From the point I opened this and started reading I couldn't get enough Hitchhiker's Guide. Adams' style is so much like a swan on a lake - it all seems effortless on the surface but underneath there's a lot going on. As Adams' friend John Lloyd has commented, he had the ability to write backwards, so he would start with several pages of (what to other people would be) excellent material and after a couple of days' furious writing it would be down to 2 pages, but each sentence a carefully crafted gem. The result is like the difference between beer and vodka. You will enjoy drinking the beer but the distilled and concentrated vodka will knock you out.
There is real genius in the wit, ideas seemingly being pulled from nowhere and taking on a whole new aspect (towels for example). Delightful non-sequitors (especially from aliens who turn out to be pretty ordinary - or frequently less than ordinary), brilliant and inventive word play and sheer imagination and brio run through every page, all joined together by delightful asides from 'the book'.
The story itself is based on the radio series of the same name which was pretty much made up as it went along, Adams following whatever idea seemed to give him the best scope for a quick gag at the time. But somehow this all works and the story is remarkably coherent (although the book does veer away from the thread of the radio series at the very end). It has been said before that it resembles Gulliver's Travels as each new world reveals new wonders (or new banalities shining a light on our own humdrum existences here on Earth).
Oh the story? The book essentially follows one Arthur Dent, a completely unremarkable and normal human being apart from two things. Firstly his house is about to be demolished to make way for a bypass, a fact he was previously unaware of. Secondly his friend Ford Prefect (the book explains the name) is not from Guildford after all but from a small planet somewhere in the vicinity of Betelgeuse. When aliens show up to demolish the whole Earth to make way for an interstellar bypass, Ford saves Arthur from certain death and reveals he is a reporter for a book called The Hitchhikers Guide To The Galaxy and he got stuck on Earth for rather a long time.
Arthur proceeds to have a rather horrible time being shot at, thrown out of spaceships, patronised and generally baffled by everything that is going on around him. But The Hitchhikers Guide To The Galaxy is always on hand to try to explain things.
Incredibly amusing, brilliantly written and ultimately quoteable this not just a good book, it is something that really everyone should read.
I first came to the Hitchhiker's Guide series through this book. It was about 1981 I suppose and it was recommended by a school friend. I hadn't been aware of the radio series (although as luck would have it it was repeated on BBC Radio 4 within a few weeks) and it was a little while before the television adaptation appeared (which for all its faults - mainly a lack of budget - stayed true to the spirit of the books and the radio series rather more successfully than the film).
From the point I opened this and started reading I couldn't get enough Hitchhiker's Guide. Adams' style is so much like a swan on a lake - it all seems effortless on the surface but underneath there's a lot going on. As Adams' friend John Lloyd has commented, he had the ability to write backwards, so he would start with several pages of (what to other people would be) excellent material and after a couple of days' furious writing it would be down to 2 pages, but each sentence a carefully crafted gem. The result is like the difference between beer and vodka. You will enjoy drinking the beer but the distilled and concentrated vodka will knock you out.
There is real genius in the wit, ideas seemingly being pulled from nowhere and taking on a whole new aspect (towels for example). Delightful non-sequitors (especially from aliens who turn out to be pretty ordinary - or frequently less than ordinary), brilliant and inventive word play and sheer imagination and brio run through every page, all joined together by delightful asides from 'the book'.
The story itself is based on the radio series of the same name which was pretty much made up as it went along, Adams following whatever idea seemed to give him the best scope for a quick gag at the time. But somehow this all works and the story is remarkably coherent (although the book does veer away from the thread of the radio series at the very end). It has been said before that it resembles Gulliver's Travels as each new world reveals new wonders (or new banalities shining a light on our own humdrum existences here on Earth).
Oh the story? The book essentially follows one Arthur Dent, a completely unremarkable and normal human being apart from two things. Firstly his house is about to be demolished to make way for a bypass, a fact he was previously unaware of. Secondly his friend Ford Prefect (the book explains the name) is not from Guildford after all but from a small planet somewhere in the vicinity of Betelgeuse. When aliens show up to demolish the whole Earth to make way for an interstellar bypass, Ford saves Arthur from certain death and reveals he is a reporter for a book called The Hitchhikers Guide To The Galaxy and he got stuck on Earth for rather a long time.
Arthur proceeds to have a rather horrible time being shot at, thrown out of spaceships, patronised and generally baffled by everything that is going on around him. But The Hitchhikers Guide To The Galaxy is always on hand to try to explain things.
Incredibly amusing, brilliantly written and ultimately quoteable this not just a good book, it is something that really everyone should read.