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Bento's Sketchbook
Book
The seventeenth-century philosopher Baruch Spinoza - also known as Benedict or Bento de Spinoza -...
Exterminate All the Brutes
Book
Over twenty years ago, Sven Lindqvist, one of the great pioneers of a new kind of experiential...
The Crochet Workbook
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Take your craft to another level with this imaginative approach to crochet. More than just a manual...
Randomize (Forward Collection)
8.0
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In the near future, if Vegas games are ingeniously scam-proof, then the heists have to be too, in...
Steve Fearon (84 KP) rated Hellraiser (1987) in Movies
Sep 14, 2018
A wonderfully imaginative and creepy Mythos (1 more)
Doug Bradley becomes a horror icon
The Special Effects are a little dated (1 more)
Sometimes seems confused about what sort of film it is...
We have such Cenobites to show you...
Hellraiser is arguably the finest in the series, creating horror icons in Pinhead, Kirsty, Frank and Julia, whilst giving the viewer some of the most extreme horror scenes ever seen.
The mythos of Clive Barker's Hellraiser series is fascinating, and hints at underworlds, other dimensions, hell and all sorts of demonic entities, and although this first entry is mostly set in an indistinct U.S town, the feeling that hell is just under the surface haunts the movie.
What follows is a tale of morality, lust, love and judgement as our characters seek to fulfill their heart's desires, all whilst trying to make sense of the dark forces that seek to envelope their new home.
Our Heroine, Kirtsy, is played by Ashley Laurence, who has more than a dash of Ripley about her at times, as she snarls and fights the forces of evil, showing more courage than most of us watching the film I am sure.
Pinhead (as he was dubbed by fans) is a fairly minor role in the film, and yet Doug Bradley's ominous delivery lingers long on the memory, giving us lines that echo long after the film has finished.
All in all, Hellraiser is a flawed, but imaginative horror tale, that threatens the viewer with a fantastically demonic realm filled with violence, gore and underdogs, and a plot that is easy to follow, but still feels new.
Sadly, like the Cenobites, the following movies would often fall prey to their mantra of pain & pleasure, but certainly this and the immediate sequel should be considered must-see for fans of physical effects and slow burning horror.
The mythos of Clive Barker's Hellraiser series is fascinating, and hints at underworlds, other dimensions, hell and all sorts of demonic entities, and although this first entry is mostly set in an indistinct U.S town, the feeling that hell is just under the surface haunts the movie.
What follows is a tale of morality, lust, love and judgement as our characters seek to fulfill their heart's desires, all whilst trying to make sense of the dark forces that seek to envelope their new home.
Our Heroine, Kirtsy, is played by Ashley Laurence, who has more than a dash of Ripley about her at times, as she snarls and fights the forces of evil, showing more courage than most of us watching the film I am sure.
Pinhead (as he was dubbed by fans) is a fairly minor role in the film, and yet Doug Bradley's ominous delivery lingers long on the memory, giving us lines that echo long after the film has finished.
All in all, Hellraiser is a flawed, but imaginative horror tale, that threatens the viewer with a fantastically demonic realm filled with violence, gore and underdogs, and a plot that is easy to follow, but still feels new.
Sadly, like the Cenobites, the following movies would often fall prey to their mantra of pain & pleasure, but certainly this and the immediate sequel should be considered must-see for fans of physical effects and slow burning horror.
Gareth von Kallenbach (980 KP) rated Where the Wild Things Are (2009) in Movies
Aug 9, 2019
A film adaptation of Maurice Sandak’s beloved childhood tale of the same name, “Where the Wild Things Are” brings to life the worlds of Max a very imaginative child coming to grips with the emotional changes in his life. From his mom’s new boyfriend to his sister’s move into the teen years, Max is feeling very alone and runs away to a place where his needs are the first priority. In his world, Max is crowned king and he begins to deal with the issues of his real life through interaction and play with a variety of wildly imaginative monsters.
Taking a short children’s book and turning it into a compelling full-length film was the job of screenplay writers, David Eggers and Spike Jonzes, who also directed the picture. Among the film’s producers was Sandak and it shows. The film is seamlessly consistent with the original book while providing new and exciting content.
The roles are strongly cast from the lead of Max played by the up and coming Max Records, to that of the monster Carol voiced by James Gandolfini. The visual fantasy presented combines real and digital elements smoothly enough to accurately depict Max’s imagination while remaining realistic to the point of believability. Additionally, the fun yet abstract soundtrack manages to highlight the ups and downs of childhood exploration.
Seeming more like a masterpiece from Japanese animator Hayao Miyazaki than an American created live action children’s film, the detailed crafting and imaginatively honest perspective created by “Where the Wild Things Are” takes viewers back into their youth. A delight that is enjoyable, heartfelt and true to the spirit of the book, “Where the Wild Things Are”, is a must see film for any child inside or out.
Taking a short children’s book and turning it into a compelling full-length film was the job of screenplay writers, David Eggers and Spike Jonzes, who also directed the picture. Among the film’s producers was Sandak and it shows. The film is seamlessly consistent with the original book while providing new and exciting content.
The roles are strongly cast from the lead of Max played by the up and coming Max Records, to that of the monster Carol voiced by James Gandolfini. The visual fantasy presented combines real and digital elements smoothly enough to accurately depict Max’s imagination while remaining realistic to the point of believability. Additionally, the fun yet abstract soundtrack manages to highlight the ups and downs of childhood exploration.
Seeming more like a masterpiece from Japanese animator Hayao Miyazaki than an American created live action children’s film, the detailed crafting and imaginatively honest perspective created by “Where the Wild Things Are” takes viewers back into their youth. A delight that is enjoyable, heartfelt and true to the spirit of the book, “Where the Wild Things Are”, is a must see film for any child inside or out.
Letterland Stories A
Education and Book
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Go on a reading adventure with your Letterland friends! Carefully designed imaginative stories which...
Gisell Middleton (189 KP) rated Promise Not to Tell in Books
Jul 12, 2018
This book is either a romance wrapped up in a mystery or a mystery within a romance. It's hard to decide which even though the formula seems to offer the same end result. This is the second in a series and it is pretty much exactly the same as the first, even down to the damaged yet strong female client who falls in love with the rugged and brave private investigator, the monumental yet nonchalant declaration of love and the hurried nuptials. The characters and situations are interchangeable and, while it makes for an entertaining read, the mind starts to wander once you can figure out what's coming next because you've read it before. The characters however are likable and while the "issues" are not very imaginative, the author does manage to make us care about them and their lives.
Barry Newman (204 KP) rated Hellraiser (1987) in Movies
Feb 1, 2020
Amazingly this now has 9 sequels, the 2nd and 3rd were passable but the original is the only one really worth bothering with. Clive Barker’s film is a highly original dark and twisted nightmare. I didn’t find it outright scary but it succeeds with its grim sense of foreboding and memorably horrible images that linger in your head long after the film has finished. I thought the iconic Pinhead character and the other cenobites were actually a bit under used (about 5 minutes total screen time) and could have really terrified the audience if we had seen a bit more of them . The acting can be a little ropey at times as well but if you can overlook that some satisfyingly old school gore effects and imaginative storytelling make this a fine slice of 80’s horror.
Awix (3310 KP) rated The Man Who Killed Don Quixote (2018) in Movies
Mar 7, 2020
Terry Gilliam emerges victorious from his epic battle to the death with Miguel Cervantes' famous novel. Not quite the movie he famously never finished making with Johnny Depp, nearly twenty years ago, but a subtly different tale of a film director finding himself entangled in different versions of the Quixote story and, perhaps, looking for redemption.
After a slow and rambling start the film eventually becomes a charming, funny, and occasionally thrilling and moving adaptation (sort of) of the book - if it's picaresque and episodic, that's the nature of Quixote. The knowing wit and intelligence of the novel survive too. Strong performances, visually very impressive - the fact the film exists at all is remarkable, let alone that it's this good. Very reminiscent of Gilliam's movies from the 1980s: hugely imaginative, narratively chaotic, very individual, and equally easy to like.
After a slow and rambling start the film eventually becomes a charming, funny, and occasionally thrilling and moving adaptation (sort of) of the book - if it's picaresque and episodic, that's the nature of Quixote. The knowing wit and intelligence of the novel survive too. Strong performances, visually very impressive - the fact the film exists at all is remarkable, let alone that it's this good. Very reminiscent of Gilliam's movies from the 1980s: hugely imaginative, narratively chaotic, very individual, and equally easy to like.