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LilyLovesIndie (123 KP) rated Reckoning (The Gates Legacy #4) in Books
Nov 5, 2018
Oh my gosh! The Gates Legacy is back with an almighty bang, and boy was it good to catch up with the gang! Picking straight back up where we left off, Rohnert is nursing some severe issues regarding his mate's passing, Cyrus is intent on revenge for his torture, Issy just wants to be loved and the rest of the gang are trying to hold it all together like some magical glue. Throw some ancient, and very freaky, enemies into the mix for power and you have your full set to play with, and play is what Lorenz Font does so well.
The pace in this book is much more reminiscent of the earlier parts of the series. It's got a pull that as soon as it's got you hooked, you can't put it down. I've spent many nights reading way past my bedtime because I just needed to know what the characters were going to do next. As I've already mentioned, this book picks back up where we left off and it was like slipping back into your favourite pair of jeans. It' was familiar, yet there was another threat to follow - how Font finds so many enemies for the little rag tag band of heroes is beyond me, but it makes for very compelling reading!
Told mainly from the perspective of Cyrus and Issy, it was, as always with Font's writing, a delight to see so many POV's being used in the writing. It's like a lesson for aspiring writers on how to change POV's in a way that gives the reader so much information yet doesn't confuse them in the process. I adore her writing style, and this latest offering is no different in that. In fact, I probably like this one best of all, if only because, despite there being some hairy moments, Font managed to keep all of my favourites alive for a whole book!
The character development over the course of this story was also superb. Every character feels like they continue to grow, but none more so that Isidora. She is really coming into her own and holds the role of the lead heroine with the poise you'd expect of such a bloodline. She was an absolute joy to read and has secured her place within my favourite characters. Her relationship with Cyrus is probably one of the best developed and well told romances I've read in a while. It's believable, understandable thanks to their own troubled pasts and a fabulous pairing to read. I just hope Font leaves these two to enjoy a little happily ever after time, but I won't hold my breath knowing her penchant for throwing things in the air when they get settled!
The many twists and turns of the story also need a mention. When writing a series of this length and complexity it is very hard to keep it fresh, but Font never fails to deliver another twist or turn that leaves the reader reeling and wondering when that 18 wheeler truck or 2 ton bus hit them. It really is edge of the seat reading that leaves you needing more from the gang of vampires. I'm already on tenterhooks wondering how some of the loose ends will be tied up in the next book and I love that Font has left me thinking of her characters, even hours after finishing the book, because, let's face it, who doesn't like it when a book gets under your skin like that?
And so, I suppose I should wrap up and end my waffle. If you are new to the series, go back and read the others first. If you're an old hand returning for your next fix, you're going to love it. It's awesome, amazing, phenomenal and Font is right back on form with another 5 star thriller from the Gates crew. Buy it, I can promise you that you will not be disappointed.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
The pace in this book is much more reminiscent of the earlier parts of the series. It's got a pull that as soon as it's got you hooked, you can't put it down. I've spent many nights reading way past my bedtime because I just needed to know what the characters were going to do next. As I've already mentioned, this book picks back up where we left off and it was like slipping back into your favourite pair of jeans. It' was familiar, yet there was another threat to follow - how Font finds so many enemies for the little rag tag band of heroes is beyond me, but it makes for very compelling reading!
Told mainly from the perspective of Cyrus and Issy, it was, as always with Font's writing, a delight to see so many POV's being used in the writing. It's like a lesson for aspiring writers on how to change POV's in a way that gives the reader so much information yet doesn't confuse them in the process. I adore her writing style, and this latest offering is no different in that. In fact, I probably like this one best of all, if only because, despite there being some hairy moments, Font managed to keep all of my favourites alive for a whole book!
The character development over the course of this story was also superb. Every character feels like they continue to grow, but none more so that Isidora. She is really coming into her own and holds the role of the lead heroine with the poise you'd expect of such a bloodline. She was an absolute joy to read and has secured her place within my favourite characters. Her relationship with Cyrus is probably one of the best developed and well told romances I've read in a while. It's believable, understandable thanks to their own troubled pasts and a fabulous pairing to read. I just hope Font leaves these two to enjoy a little happily ever after time, but I won't hold my breath knowing her penchant for throwing things in the air when they get settled!
The many twists and turns of the story also need a mention. When writing a series of this length and complexity it is very hard to keep it fresh, but Font never fails to deliver another twist or turn that leaves the reader reeling and wondering when that 18 wheeler truck or 2 ton bus hit them. It really is edge of the seat reading that leaves you needing more from the gang of vampires. I'm already on tenterhooks wondering how some of the loose ends will be tied up in the next book and I love that Font has left me thinking of her characters, even hours after finishing the book, because, let's face it, who doesn't like it when a book gets under your skin like that?
And so, I suppose I should wrap up and end my waffle. If you are new to the series, go back and read the others first. If you're an old hand returning for your next fix, you're going to love it. It's awesome, amazing, phenomenal and Font is right back on form with another 5 star thriller from the Gates crew. Buy it, I can promise you that you will not be disappointed.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
LilyLovesIndie (123 KP) rated Just Like in the Movies (Summer Heat) in Books
Nov 5, 2018
This review was originally posted over on Lily Loves Indie here - http://lilylovesindie.co.uk/?p=201
As with 'Right Click, Love', I really don't know where to start showering praise on this story. A happy ever after but with all the integrity and realism of the life of someone who just got lucky. Quirky, easy to relate to, completely believable and just a delight to read. There are so many things I just loved about it that I'm struggling to put them into words. That being said, you might need to wade through some gushing from myself as I try to pin down just a few key features for you....
I guess I'll start with Ava. She is so like me it is unbelievable, down to the relationships and everything (the books, the pets, the house). But I don't think that is the only reason I love her, it's her down to earth attitude to life and her personality as a whole. She's just so likeable! And so utterly believable as well! It's like she just hops out the page and starts talking to you, like a friend we probably all have (or the person we are in my case), she's just a delightful lead character. Her relationship with Morgan, and her friendship with Erica are also incredibly well written, again believable, realistic and enjoyable interactions throughout. They're all characters that we could encounter at work or amongst friends, and as a result of that we can engage with them so much easier, welcoming them into our lives like we would their real life counterparts. I've digressed, and waffled (no change there!) but what I'm getting at is that they are all fabulous characters, but especially Ava, she just has a certain something that makes her that extra bit more wonderful.
Another thing which I loved was the style in which this was written. Feeney includes everything we need to know, yet cleverly leaves little gaps to stimulate our imagination. I love finding this in a book as it gives the reader a little scope to make the characters their own, there's that little bit of wriggle room for interpretation. There's also a wonderfully dry sense of humour to Feeney's writing, a sort of wit and sarcasm that feels so natural and enjoyable to read. It makes it feel familiar, and it's more like chatting with a friend rather than reading a book. It's very well done and is so enjoyable to read, a much needed change from the ooey-gooey romances that line the shelves at the moment!
When you consider the length of the book, and the amount of content included, plus the space for your own ideas, Feeney shows great skill in developing a wonderful plot and cast of characters in such a relatively short amount of pages. This makes it so much easier for you to read because you get all the enjoyment and detail you'd find in a full length novel, yet you could easily read the story in a day without feeling you were being cheated or missing any of the action. I've not encountered many authors who has grasped such a skill for this genre and length, but Feeney is definitely one of them. She pitches it perfectly every time, doesn't miss a beat or opportunity to seize on a plot development point yet still keeps us guessing as to exactly what is going to happen. Even though I had an inkling Ava and Morgan would get it on, I in no way expected the ending that occurred!
In conclusion, I guess what I'm trying to say is that this book is rather amazing. I experienced a wide range of emotions, from warm fuzzies, to anger, laughing and crying, tutting at characters and cheering them on. For such a short story it doesn't half pack a punch, but I'm learning that this is Feeney's style. I cannot recommend this story highly enough, and really, truly, honestly think you should all go add it to Goodreads lists, and one-click it on Amazon UK or Amazon US.
As with 'Right Click, Love', I really don't know where to start showering praise on this story. A happy ever after but with all the integrity and realism of the life of someone who just got lucky. Quirky, easy to relate to, completely believable and just a delight to read. There are so many things I just loved about it that I'm struggling to put them into words. That being said, you might need to wade through some gushing from myself as I try to pin down just a few key features for you....
I guess I'll start with Ava. She is so like me it is unbelievable, down to the relationships and everything (the books, the pets, the house). But I don't think that is the only reason I love her, it's her down to earth attitude to life and her personality as a whole. She's just so likeable! And so utterly believable as well! It's like she just hops out the page and starts talking to you, like a friend we probably all have (or the person we are in my case), she's just a delightful lead character. Her relationship with Morgan, and her friendship with Erica are also incredibly well written, again believable, realistic and enjoyable interactions throughout. They're all characters that we could encounter at work or amongst friends, and as a result of that we can engage with them so much easier, welcoming them into our lives like we would their real life counterparts. I've digressed, and waffled (no change there!) but what I'm getting at is that they are all fabulous characters, but especially Ava, she just has a certain something that makes her that extra bit more wonderful.
Another thing which I loved was the style in which this was written. Feeney includes everything we need to know, yet cleverly leaves little gaps to stimulate our imagination. I love finding this in a book as it gives the reader a little scope to make the characters their own, there's that little bit of wriggle room for interpretation. There's also a wonderfully dry sense of humour to Feeney's writing, a sort of wit and sarcasm that feels so natural and enjoyable to read. It makes it feel familiar, and it's more like chatting with a friend rather than reading a book. It's very well done and is so enjoyable to read, a much needed change from the ooey-gooey romances that line the shelves at the moment!
When you consider the length of the book, and the amount of content included, plus the space for your own ideas, Feeney shows great skill in developing a wonderful plot and cast of characters in such a relatively short amount of pages. This makes it so much easier for you to read because you get all the enjoyment and detail you'd find in a full length novel, yet you could easily read the story in a day without feeling you were being cheated or missing any of the action. I've not encountered many authors who has grasped such a skill for this genre and length, but Feeney is definitely one of them. She pitches it perfectly every time, doesn't miss a beat or opportunity to seize on a plot development point yet still keeps us guessing as to exactly what is going to happen. Even though I had an inkling Ava and Morgan would get it on, I in no way expected the ending that occurred!
In conclusion, I guess what I'm trying to say is that this book is rather amazing. I experienced a wide range of emotions, from warm fuzzies, to anger, laughing and crying, tutting at characters and cheering them on. For such a short story it doesn't half pack a punch, but I'm learning that this is Feeney's style. I cannot recommend this story highly enough, and really, truly, honestly think you should all go add it to Goodreads lists, and one-click it on Amazon UK or Amazon US.
LilyLovesIndie (123 KP) rated Songs from the Phenomenal Nothing in Books
Nov 5, 2018
IÕll be honest, I had never heard of this author or read the blurb when I signed up to this event, but I am so grateful that this particular opportunity came knocking on my door. I have thoroughly enjoyed reading this story and have to thank the author, Steven Luna, for the chance to read and review his amazing writing. I have so much good to say about this book that IÕll waste no time in getting started, and I hope I donÕt repeat myself too much.
The first thing I absolutely adored about this book is how incredibly engaging and well written the plot was. In all honesty, TylerÕs struggles with his motherÕs death could have very easily become cliche and tiresome very quickly, but not once when reading this book did I feel bored or like I wasnÕt fully engaged with Tyler and his dilemma. Luna really pulls you right into his story quickly, leaving no time to Ôum and aahÕ over things, you just jump straight in and keep on going on what is a roller coaster of superbly written twists and turns. IÕve not read many books with this kind of subject matter, but I feel like I want to read more, and almost felt a little bereft when I finished the book as I so wanted there to be more to it! That is, perhaps, the only negative I have Ð I was gutted to find that the book had finished! It was just that good I didnÕt want it to ever end!
This is, in part, to how wonderful the characters are. Tyler, as the lead, is incredibly easy to invest emotionally in. HeÕs believable, much like the entire plot, and his emotions are so easy to understand, even if they do break your heart as you watch him, essentially, turn his rage and grief on himself and Tom. Xan and Chelsea, although minor characters, also leave a lasting impression, much like Trevor and Tom. This is a testament to Steven LunaÕs way of writing as it is very rare a minor character grabs my attention and thoughts much when I put the book down, but IÕve found myself not only thinking about Tyler, but also Tom and Xan quite a lot too.
Something else that really needs a mention is how emotionally charged this book is, but in all the right ways. I guess IÕd better explain exactly what I mean here, because I mean to give the highest praise to Steven Luna on this note. I love a book that not only engages my brain as IÕm reading, but also engages my heart, and ÔSongsÕ does this so completely that at times I truly wished I could reach into the kindle and make everything all right again for Tyler. Having recently experienced my own loss to cancer, this book really did touch a delicate part of my heart but in the best possible way. Steven Luna writes with such sincerity and honesty in this tale that I truly believed every word, my heart aching and my eyes moistening as I lived through TylerÕs sadness. ItÕs very hard for an author to make me cry, but within the first few pages that is exactly what was happening, and I wish to offer the highest praise for the style with which Luna manages this.
And so, IÕm going to wrap this up, partly because the superlatives are running out, and partly because I am literally dying to get onto reading some of his other writing. This book is, like the title suggests, truly phenomenal. It was difficult to put down, gripping from the first chapter and above all, a very believable and easy book to read. I cannot recommend this twisting tale highly enough, and I wish to take this opportunity to thank Steven Luna for opening my heart to a new range of emotions.
ARC received in return for an honest review as part of a blog tour on Lily Loves Indie - http://lilylovesindie.co.uk/?p=250
The first thing I absolutely adored about this book is how incredibly engaging and well written the plot was. In all honesty, TylerÕs struggles with his motherÕs death could have very easily become cliche and tiresome very quickly, but not once when reading this book did I feel bored or like I wasnÕt fully engaged with Tyler and his dilemma. Luna really pulls you right into his story quickly, leaving no time to Ôum and aahÕ over things, you just jump straight in and keep on going on what is a roller coaster of superbly written twists and turns. IÕve not read many books with this kind of subject matter, but I feel like I want to read more, and almost felt a little bereft when I finished the book as I so wanted there to be more to it! That is, perhaps, the only negative I have Ð I was gutted to find that the book had finished! It was just that good I didnÕt want it to ever end!
This is, in part, to how wonderful the characters are. Tyler, as the lead, is incredibly easy to invest emotionally in. HeÕs believable, much like the entire plot, and his emotions are so easy to understand, even if they do break your heart as you watch him, essentially, turn his rage and grief on himself and Tom. Xan and Chelsea, although minor characters, also leave a lasting impression, much like Trevor and Tom. This is a testament to Steven LunaÕs way of writing as it is very rare a minor character grabs my attention and thoughts much when I put the book down, but IÕve found myself not only thinking about Tyler, but also Tom and Xan quite a lot too.
Something else that really needs a mention is how emotionally charged this book is, but in all the right ways. I guess IÕd better explain exactly what I mean here, because I mean to give the highest praise to Steven Luna on this note. I love a book that not only engages my brain as IÕm reading, but also engages my heart, and ÔSongsÕ does this so completely that at times I truly wished I could reach into the kindle and make everything all right again for Tyler. Having recently experienced my own loss to cancer, this book really did touch a delicate part of my heart but in the best possible way. Steven Luna writes with such sincerity and honesty in this tale that I truly believed every word, my heart aching and my eyes moistening as I lived through TylerÕs sadness. ItÕs very hard for an author to make me cry, but within the first few pages that is exactly what was happening, and I wish to offer the highest praise for the style with which Luna manages this.
And so, IÕm going to wrap this up, partly because the superlatives are running out, and partly because I am literally dying to get onto reading some of his other writing. This book is, like the title suggests, truly phenomenal. It was difficult to put down, gripping from the first chapter and above all, a very believable and easy book to read. I cannot recommend this twisting tale highly enough, and I wish to take this opportunity to thank Steven Luna for opening my heart to a new range of emotions.
ARC received in return for an honest review as part of a blog tour on Lily Loves Indie - http://lilylovesindie.co.uk/?p=250
Chris Sawin (602 KP) rated Jennifer's Body (2009) in Movies
Jun 22, 2019
Devil's Kettle is a small town where everyone knows everybody. The story revolves around the relationship between Needy (Amanda Seyfried) and Jennifer (Megan Fox) and other than having similar interests, the two are polar opposites. Needy is more of the quiet, girl next door type that is a bit of a bookworm with a heart of gold whereas Jennifer is more spontaneous, mean spirited, and the stuck-up, hot cheerleader type that every high school boy seems to dream about being with. One night, Jennifer drags Needy to Melody Lane, the one bar in town, to see a new flavor of the week indie band called Low Shoulder. When the bar catches on fire and most of the people inside are crushed or burned in the destruction, Needy thinks that's where this horrible night gone wrong would end. That is until Jennifer decides to go off with the band in their van and Needy has to make her way back home alone. After that night, a demon is transferred into Jennifer's body with an unquenchable hunger for high school guys. As Needy begins to accept what's happened to her BFF, she realizes that she's the only one that has a chance of stopping Jennifer once and for all.
Other than Megan Fox, the other factor that was pushed really hard in the advertising campaign for Jennifer's Body was the fact that Diablo Cody, the screenwriter for Juno, was attached to this film. To be honest, I think Cody's contributions are what I enjoyed most. The dialogue and humor of the film are both witty and laugh out loud funny at times. The writing, in general, made what otherwise would have been your average horror film worth watching and fairly entertaining in the long run.
This is probably the best we've seen acting-wise when it comes to Megan Fox. She isn't much other than eye candy in the Transformers films and was just an egotistical tramp that just so happened to be a rising star in How To Lose Friends and Alienate People. Other than the demonic possession part, her role in Jennifer's Body isn't too different from her role in How To Lose Friends and Alienate People. I'd give most of the credit to Cody's great writing, but Fox is actually able to display a bit more of her acting range this time around. While it probably isn't much compared to, you know, actresses with talent and she sounds like she has a cold most of the time, it's more than what we've seen from the actress in the past and everyone has to start somewhere.
The storyline doesn't offer much fresh material when it comes to horror films, but it gets the job done. The ending offers a bit of a different take on what would otherwise be an ending that would leave room for a sequel. With the conclusion to Jennifer's Body, however, it's more open ended. They could stop here and it would be a fine stand alone film, but it leaves enough questions unanswered that a sequel could see the light of day. Since the movie only made around $18 million worldwide, a sequel seeing theatrical distribution seems unlikely. A direct to DVD sequel with B-actors is definitely a possibility though. Aren't they always with horror films?
Jennifer's Body is superbly written on one hand, but feels like a run of the mill horror film on the other. The high point is definitely the screenplay by Diablo Cody, who manages to make Megan Fox's acting abilities look better than they ever have. But it seems the films enjoyment will rest solely on the shoulders of how much you enjoy horror films that don't shy away from blood. If you're not a fan of horror, I'd recommend staying away from this one. But if you're a fan of great writing, quite a bit of blood, horror, or Megan Fox's sex appeal then you should definitely give this one a go.
Other than Megan Fox, the other factor that was pushed really hard in the advertising campaign for Jennifer's Body was the fact that Diablo Cody, the screenwriter for Juno, was attached to this film. To be honest, I think Cody's contributions are what I enjoyed most. The dialogue and humor of the film are both witty and laugh out loud funny at times. The writing, in general, made what otherwise would have been your average horror film worth watching and fairly entertaining in the long run.
This is probably the best we've seen acting-wise when it comes to Megan Fox. She isn't much other than eye candy in the Transformers films and was just an egotistical tramp that just so happened to be a rising star in How To Lose Friends and Alienate People. Other than the demonic possession part, her role in Jennifer's Body isn't too different from her role in How To Lose Friends and Alienate People. I'd give most of the credit to Cody's great writing, but Fox is actually able to display a bit more of her acting range this time around. While it probably isn't much compared to, you know, actresses with talent and she sounds like she has a cold most of the time, it's more than what we've seen from the actress in the past and everyone has to start somewhere.
The storyline doesn't offer much fresh material when it comes to horror films, but it gets the job done. The ending offers a bit of a different take on what would otherwise be an ending that would leave room for a sequel. With the conclusion to Jennifer's Body, however, it's more open ended. They could stop here and it would be a fine stand alone film, but it leaves enough questions unanswered that a sequel could see the light of day. Since the movie only made around $18 million worldwide, a sequel seeing theatrical distribution seems unlikely. A direct to DVD sequel with B-actors is definitely a possibility though. Aren't they always with horror films?
Jennifer's Body is superbly written on one hand, but feels like a run of the mill horror film on the other. The high point is definitely the screenplay by Diablo Cody, who manages to make Megan Fox's acting abilities look better than they ever have. But it seems the films enjoyment will rest solely on the shoulders of how much you enjoy horror films that don't shy away from blood. If you're not a fan of horror, I'd recommend staying away from this one. But if you're a fan of great writing, quite a bit of blood, horror, or Megan Fox's sex appeal then you should definitely give this one a go.
Gareth von Kallenbach (965 KP) rated Mid90s (2018) in Movies
Jul 2, 2019
It doesn’t take much to remember that Jonah Hill (writer and director) had already acted in one of the greatest coming-of-age movies at the age of 24. A cursory glance at Superbad shows it to be a hilarious and quotable movie. But a deeper look at the film reveals the true story. Two high school friends (Hill and Michael Cera) who realize they are drifting apart because of incoming adulthood and that they are powerless to stop it. Keeping that in mind, Hill was quoted during the production of Mid 90s as saying that coming-of-age films are cliché and what he really wanted was to make a skateboarding movie that avoided the 80s “cowabunga” tropes. The result of that focus is Mid 90s.
Sunny Suljic plays 13-year-old Stevie, a quiet and often confused boy looking to escape his bleak and abusive home life by connecting with a group of local skater kids. While Suljic absolutely steals the show with his superb acting, his (mostly no name) costars deserve massive kudos for this endeavor as well. Lucas Hedges (Manchester by the Sea, Three Billboards outside of Ebbing Missouri) plays Stevie’s abusive older brother Ian. Though he is quickly established in the opening shot as the antagonist, his character arc throughout the film is one of the greatest and you find yourself soon empathetic to his plight nearly as much as Stevie’s. The skater gang is comprised of Ray (Na-kel Smith), Fuckshit (Olan Prenatt), 4th Grade (Ryder McLaughlin) and Ruben (Gio Galicia). These four seem apathetically content to take Stevie under their wing after he begins hanging out at their skate shop. During this time they expose Stevie to a world of drinking, smoking, drugs and sex as well as a complex set of personalities that Stevie struggles to understand but tries desperately to emulate. This reverence begins to lead him down a path that worry not only his mother and brother, but also occasionally members of his new social group. The actors playing his newfound friends all bring a beautiful authenticity to their roles. They certainly aren’t playing “themselves”, but their personalities don’t feel concocted or forced.
The original score for the film was done by Trent Reznor and Atticus Ross as well as a selection of 1990s Hip Hop. And while the original music by Reznor and Ross accents the film perfectly, the 90s throwback songs struggle to do more than remind the viewer of the period and provide the sporadic nostalgia kick. In fact, most of the 90s nostalgia does little to add to the film. Thus, while the opportunity was there to give us a solid examination and social commentary on 1990s culture, Hill seems to fall short of that concept and instead uses the references as a gimmick to tie in smaller plot points.
In addition to the music, there are a few other elements that add to the hipster vintage nature of the film. It was shot entirely on 16mm and is presented in square 1:1 ratio. While this is certainly an unusual choice as more movies are shifted to wide screen formats and square televisions are no longer produced, it pushes the film closer towards the verité genre that is necessary to keep it within the indie style guide.
Mid 90s, along with Eighth Grade have positioned A24 studios in a fantastic place. They’ve demonstrated their willingness to get behind first time writer/directors and the results have been impressive to say the least. If they can remain on this type of pace I could see how the Academy would take notice come awards season.
So despite his view that they are cliché, Jonah Hill has once again created a poignant and powerful coming-of-age movie and he’s managed to wrap it into just enough skateboarding reality to give us the love letter he was hoping to produce. The film is not without its faults, but it’s not one you should miss.
Sunny Suljic plays 13-year-old Stevie, a quiet and often confused boy looking to escape his bleak and abusive home life by connecting with a group of local skater kids. While Suljic absolutely steals the show with his superb acting, his (mostly no name) costars deserve massive kudos for this endeavor as well. Lucas Hedges (Manchester by the Sea, Three Billboards outside of Ebbing Missouri) plays Stevie’s abusive older brother Ian. Though he is quickly established in the opening shot as the antagonist, his character arc throughout the film is one of the greatest and you find yourself soon empathetic to his plight nearly as much as Stevie’s. The skater gang is comprised of Ray (Na-kel Smith), Fuckshit (Olan Prenatt), 4th Grade (Ryder McLaughlin) and Ruben (Gio Galicia). These four seem apathetically content to take Stevie under their wing after he begins hanging out at their skate shop. During this time they expose Stevie to a world of drinking, smoking, drugs and sex as well as a complex set of personalities that Stevie struggles to understand but tries desperately to emulate. This reverence begins to lead him down a path that worry not only his mother and brother, but also occasionally members of his new social group. The actors playing his newfound friends all bring a beautiful authenticity to their roles. They certainly aren’t playing “themselves”, but their personalities don’t feel concocted or forced.
The original score for the film was done by Trent Reznor and Atticus Ross as well as a selection of 1990s Hip Hop. And while the original music by Reznor and Ross accents the film perfectly, the 90s throwback songs struggle to do more than remind the viewer of the period and provide the sporadic nostalgia kick. In fact, most of the 90s nostalgia does little to add to the film. Thus, while the opportunity was there to give us a solid examination and social commentary on 1990s culture, Hill seems to fall short of that concept and instead uses the references as a gimmick to tie in smaller plot points.
In addition to the music, there are a few other elements that add to the hipster vintage nature of the film. It was shot entirely on 16mm and is presented in square 1:1 ratio. While this is certainly an unusual choice as more movies are shifted to wide screen formats and square televisions are no longer produced, it pushes the film closer towards the verité genre that is necessary to keep it within the indie style guide.
Mid 90s, along with Eighth Grade have positioned A24 studios in a fantastic place. They’ve demonstrated their willingness to get behind first time writer/directors and the results have been impressive to say the least. If they can remain on this type of pace I could see how the Academy would take notice come awards season.
So despite his view that they are cliché, Jonah Hill has once again created a poignant and powerful coming-of-age movie and he’s managed to wrap it into just enough skateboarding reality to give us the love letter he was hoping to produce. The film is not without its faults, but it’s not one you should miss.
365Flicks (235 KP) rated Bad Frank (2017) in Movies
Nov 20, 2019
I love it when a movie can come completely out of nowhere and surprise this humble reviewer. Bad Frank is exactly that, A movie that on paper looks and sounds like most other Kidnap Revenge thrillers you may have seen over the years. But let me tell you that Bad Frank is far from some of the copy and paste garbage out there.
I was instantly drawn to this Flick after stumbling upon its Twitter page and hey full disclosure I saw Tom Sizemore and Brian O’Halloran and thought ‘Okay, Im in’. Little did I know that after contacting the movies director I was about to watch a somewhat by the numbers movie that takes all of the numbers and turns them on there head with a great tightly written script and one hell of a powerhouse performance (not by either of the two men I named above by the way).
Bad Frank is about a man named ummmm Frank. Frank (played by Kevin Interdonato) is a seemingly normal guy living a seemingly normal existence. He seems to have it all, but you can tell right from the outset that the man has got some demons. We learn that he is on some serious medication to deal with his head aches from a life of regrets, He is estranged from both his mum and dad and struggling to keep his marriage together. Frank is pulled into an easy money job by his buddy Travis (Brandon Heitkamp) who is in deep to Donny Shakes (O’Halloran). What is promised to be a quick job brings Frank face to face with an old acquaintance he would rather forget. Things really go sideways on the job and in turn his life, when Franks wife Gina (Amanda Clayton) is kidnapped by face from the past Mickey Duro (Sizemore). I am gonna stop plot wise now because anymore and I am giving too much away.
Tony Germinario has pulled an absolute stormer out of the bag for his debut feature length movie, a fact that was completely lost on me upon viewing. For a budget of roughly 80k he has used all tricks at his disposal to make it look like a multi million dollar flick and Bad Frank looks all the more impressive for it. A lot of the time a the script to a movie like this can get lost in its own simplicity but Tony wrote a script that really didnt conform to what I was expecting and gave the lead a chance to deliver. So lets just talk about the lead, Kevin Interdonato brings an absolute realism and intensity to this role that sucks you right in and leaves you kinda second guessing yourself, anything could happen with this guy at any moment and that to me is scary. I went from feeling sorry for this guy to thinking well he deserved everything and ending up thinking ‘SHIT’.
Tom Sizemore is in fine form as Sizemore always is. An actor that I personally love and wish got more of the beefier roles but it was great to see him on screen and like I say, seeing his name splashed on the poster was one of the reasons I sought this one out. Then there is Brian O’Halloran doing his thing as he does (always liked this dude since his Clerks days nice to see him spreading his wings).
It is easy to see how Tony and his crew took Bad Frank to Film Fest International in London last week and was not only nominated for 5 awards but Tony himself won Best Director.
I am gonna recommend the shit out of this Flick, Bad Frank is not what you expect going in, there are some pretty cool curve-balls, it moves along at a quick enough pace and no spoilers but the final 10 minutes are a Tour-De-Force. Performances wise you are getting more bang for you buck in what the Director himself considers to be an “as Indie as it gets” movie (not that you can tell mind you).
I was instantly drawn to this Flick after stumbling upon its Twitter page and hey full disclosure I saw Tom Sizemore and Brian O’Halloran and thought ‘Okay, Im in’. Little did I know that after contacting the movies director I was about to watch a somewhat by the numbers movie that takes all of the numbers and turns them on there head with a great tightly written script and one hell of a powerhouse performance (not by either of the two men I named above by the way).
Bad Frank is about a man named ummmm Frank. Frank (played by Kevin Interdonato) is a seemingly normal guy living a seemingly normal existence. He seems to have it all, but you can tell right from the outset that the man has got some demons. We learn that he is on some serious medication to deal with his head aches from a life of regrets, He is estranged from both his mum and dad and struggling to keep his marriage together. Frank is pulled into an easy money job by his buddy Travis (Brandon Heitkamp) who is in deep to Donny Shakes (O’Halloran). What is promised to be a quick job brings Frank face to face with an old acquaintance he would rather forget. Things really go sideways on the job and in turn his life, when Franks wife Gina (Amanda Clayton) is kidnapped by face from the past Mickey Duro (Sizemore). I am gonna stop plot wise now because anymore and I am giving too much away.
Tony Germinario has pulled an absolute stormer out of the bag for his debut feature length movie, a fact that was completely lost on me upon viewing. For a budget of roughly 80k he has used all tricks at his disposal to make it look like a multi million dollar flick and Bad Frank looks all the more impressive for it. A lot of the time a the script to a movie like this can get lost in its own simplicity but Tony wrote a script that really didnt conform to what I was expecting and gave the lead a chance to deliver. So lets just talk about the lead, Kevin Interdonato brings an absolute realism and intensity to this role that sucks you right in and leaves you kinda second guessing yourself, anything could happen with this guy at any moment and that to me is scary. I went from feeling sorry for this guy to thinking well he deserved everything and ending up thinking ‘SHIT’.
Tom Sizemore is in fine form as Sizemore always is. An actor that I personally love and wish got more of the beefier roles but it was great to see him on screen and like I say, seeing his name splashed on the poster was one of the reasons I sought this one out. Then there is Brian O’Halloran doing his thing as he does (always liked this dude since his Clerks days nice to see him spreading his wings).
It is easy to see how Tony and his crew took Bad Frank to Film Fest International in London last week and was not only nominated for 5 awards but Tony himself won Best Director.
I am gonna recommend the shit out of this Flick, Bad Frank is not what you expect going in, there are some pretty cool curve-balls, it moves along at a quick enough pace and no spoilers but the final 10 minutes are a Tour-De-Force. Performances wise you are getting more bang for you buck in what the Director himself considers to be an “as Indie as it gets” movie (not that you can tell mind you).
Johnny Marr recommended track Coconut Grove by The Lovin Spoonful in Very Best of the Lovin' Spoonful by The Lovin Spoonful in Music (curated)
Gareth von Kallenbach (965 KP) rated By The Sea (2015) in Movies
Aug 6, 2019
Today, we have yet another film that strays from ‘the norm’. A film that not only stars one of the most beloved celebrity couples on the planet but also harkens back to the Italian dramatic films of the late 1960s/early 70s. It most definitely qualifies as an ‘art house’ film.
Since the world saw Angelina Jolie and Brad Pitt together in ‘Mr. & Mrs. Smith’ it has awaited the day when the couple would appear together again in another film. Although it’s not the sequel to THAT film many had hoped for, it is most definitely and intriguing look at how the couple appear together in a movie in a completely genre with the creative control Angelina had.
‘By the Sea’ stars Angelina Jolie Pitt, Brad Pitt, Mélanie Laurent, Melvil Poupaud, Niels Arestrup, and Richard Bohringer. The film was also written, directed, and co-produced by Angelina with Brad Pitt serving as co-producer.
The film opens in the south of France in the mid-1970s. Roland (Brad Pitt), a writer from New York City and his wife Vannessa (Angelina Jolie Pitt), a former dancer, have traveled to a seaside town to quote,”Get away from it all”. Their marriage is strained and there is a distance between the two that is sometimes obvious to those around them and hidden at other times. The trip is clearly an effort by them to reconnect with one another but they spend much of their time apart once they get settled. Rolland is attempting to write another book but he cannot find anything as inspiration and Vanessa is using drugs and alcohol to numb the pain of a recent trauma. When they’re not spending their time alone they associate with some of the towns more colorful characters including the local barkeeper/cafe owner, the hotel manager, and a newlywed couple who are spending their honeymoon not only in the same town but in the room next door. One night, just when it seems like the strain of their marriage will finally snap a bizarre occurrence in their hotel room leads to a reconnection despite its volatile nature.
First off, I have not seen all the films that Angelina and Brad have appeared in but I must say I the both of them were almost completely unrecognizable in the way they portray the characters. Second, I believe this is Angelina’s second run as director and if this film and her previous film ‘Unbroken’ are any Indiction I believe we’ll see her directing movies in the future more than acting.
This film was a true homage the the Italian dramatic films of the 1970s I mentioned earlier.
The only way I believe they could’ve ‘replicated’ that so precisely would be to have filmed the movie with the cameras and equipment available to film makers during that period. Christian Berger the film’s cinematographer used mostly natural light throughout the filming process which was also one of the most impressive qualities of the movie which is not done nearly enough with modern film in my opinion.
Not everyone is going to like this film. It’s quite unique when put side by side with ‘modern day American movies’. Even if you are a die hard fan of either Angelina and or Brad’s work that alone might not save the film in your eyes. Some critics are calling this film a ‘vanity project’ on the part of Jolie and Pitt. I find that to be ridiculous. No sane person would’ve made that accusation against Humphrey Bogart and Lauren Bacall. Everyone’s been screaming for Angelina and Brad to make another film together. Big deal if they want to have creative control over it too. They’re both accomplished actors and decided to put together a film themselves and and get other accomplished cast and crew members to sign on for the project. Honestly what the hell more do the critics want? If you are a fan of foreign movies or curious about the second acting collaboration between the husband and wife power couple though you should see it. I’d actually recommend checking out one or two films from the genre/era it represents before going to see this one.
The film is rated R and clocks in at 132 minutes. I’d recommend catching it at a small indie or art house theater and make sure you grab some snacks and a drink for this one. It opens in all the major theaters Friday the 18th of November but you can catch in those smaller theaters now.
It’s not my normal ‘cup of coffee’ but I will give the film 4 stars.
Since the world saw Angelina Jolie and Brad Pitt together in ‘Mr. & Mrs. Smith’ it has awaited the day when the couple would appear together again in another film. Although it’s not the sequel to THAT film many had hoped for, it is most definitely and intriguing look at how the couple appear together in a movie in a completely genre with the creative control Angelina had.
‘By the Sea’ stars Angelina Jolie Pitt, Brad Pitt, Mélanie Laurent, Melvil Poupaud, Niels Arestrup, and Richard Bohringer. The film was also written, directed, and co-produced by Angelina with Brad Pitt serving as co-producer.
The film opens in the south of France in the mid-1970s. Roland (Brad Pitt), a writer from New York City and his wife Vannessa (Angelina Jolie Pitt), a former dancer, have traveled to a seaside town to quote,”Get away from it all”. Their marriage is strained and there is a distance between the two that is sometimes obvious to those around them and hidden at other times. The trip is clearly an effort by them to reconnect with one another but they spend much of their time apart once they get settled. Rolland is attempting to write another book but he cannot find anything as inspiration and Vanessa is using drugs and alcohol to numb the pain of a recent trauma. When they’re not spending their time alone they associate with some of the towns more colorful characters including the local barkeeper/cafe owner, the hotel manager, and a newlywed couple who are spending their honeymoon not only in the same town but in the room next door. One night, just when it seems like the strain of their marriage will finally snap a bizarre occurrence in their hotel room leads to a reconnection despite its volatile nature.
First off, I have not seen all the films that Angelina and Brad have appeared in but I must say I the both of them were almost completely unrecognizable in the way they portray the characters. Second, I believe this is Angelina’s second run as director and if this film and her previous film ‘Unbroken’ are any Indiction I believe we’ll see her directing movies in the future more than acting.
This film was a true homage the the Italian dramatic films of the 1970s I mentioned earlier.
The only way I believe they could’ve ‘replicated’ that so precisely would be to have filmed the movie with the cameras and equipment available to film makers during that period. Christian Berger the film’s cinematographer used mostly natural light throughout the filming process which was also one of the most impressive qualities of the movie which is not done nearly enough with modern film in my opinion.
Not everyone is going to like this film. It’s quite unique when put side by side with ‘modern day American movies’. Even if you are a die hard fan of either Angelina and or Brad’s work that alone might not save the film in your eyes. Some critics are calling this film a ‘vanity project’ on the part of Jolie and Pitt. I find that to be ridiculous. No sane person would’ve made that accusation against Humphrey Bogart and Lauren Bacall. Everyone’s been screaming for Angelina and Brad to make another film together. Big deal if they want to have creative control over it too. They’re both accomplished actors and decided to put together a film themselves and and get other accomplished cast and crew members to sign on for the project. Honestly what the hell more do the critics want? If you are a fan of foreign movies or curious about the second acting collaboration between the husband and wife power couple though you should see it. I’d actually recommend checking out one or two films from the genre/era it represents before going to see this one.
The film is rated R and clocks in at 132 minutes. I’d recommend catching it at a small indie or art house theater and make sure you grab some snacks and a drink for this one. It opens in all the major theaters Friday the 18th of November but you can catch in those smaller theaters now.
It’s not my normal ‘cup of coffee’ but I will give the film 4 stars.
Why Me? Why Not. by Liam Gallagher
7.5
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Good things come to those who wait: and so, this summer, Liam Gallagher returns with a new single, a...
LilyLovesIndie (123 KP) rated Honour in Books
Nov 5, 2018
This review was originally carried out as part of a blog tour on Lily Loves Indie and can be seen here http://lilylovesindie.co.uk/?p=209
This stunning collection of short stories has got to be one of my favourite items on my kindle. When I read these I experienced such a depth of emotion and they moved me so much that I had to keep putting it down to get tissues and mop up the mess that I became. This, by far, is Feeney's greatest work to date. She elicits such a wonderful amount of emotion from you, and this is all the more remarkable when you consider that some of the stories are just a few thousand words long. In order to do each story the justice they truly deserve, I am going to briefly review each book before summing up my main ideas. So if you're sitting comfortably, I'll begin....
Honour
A young woman at a graveside, the rain falling down, already the emotions are running high, and this is just the first paragraph of the story, yet I'm hooked. Throughout the whole of this story Feeney leads you in a direction, letting your imagination fill the gaps, but then at the last minute she deals her hand and tells you exactly what is going on, and boy did it knock me for six! I was most definitely not expecting that turn of events, but strangely, it totally fitted. Apologies for the vagueness, but I don't want to spoil it for you as this is one of the key features of this story.
Deserter
Just as the title suggests, this story deals with a deserter, the officer who tries to cover it up and his family dealing with his actions at home. I know what you're thinking, there's enough material there to write a whole book! But Feeney writes this superbly, capturing the emotions of all the key characters in just a few short chapters. Jack's dilemma, and the reasoning behind his desertion, are both incredibly touching and very sensitively written. As someone who can't even begin to comprehend what horrors soldiers must see every day, I really feel like Feeney gave us a glimpse into a tortured mind, a soul that was broken and in need of so much healing that just simply wasn't available. She also deals fantastically with the stigma attached to deserting in a very delicate and sensitive manner, highlighting the other side of the story incredibly well.
Silence is Deafening
I've read and re-read this story so many times, but it still kills me every time! It's so emotionally written, charged with sadness and a sense of duty, a sense of honour. Strangely, I engaged more with Evelyn as I found myself imagining what her emotions would be when she wakes up and reads Joseph's letter. I could feel the ties that bound them together being strained and pulled, the pain they must have felt. It was just so well written the intensity of their love was completely real, it charged the room around my and stole my breath. But what I loved most about this story is that there was hope at the end. He might have survived, he might have come back. The tiniest glimmer was there, and it captured my imagination and sent seeds of thought rooting deep in my head. It's not a story you'll forget in a hurry, but in the best possible way!
Letters to No One
This is perhaps my favourite military based story I've ever written, but for me it is head and shoulders above the others in this collection. I could talk for hours about why I loved this story so much, but I'll try and summarise it and not spoil anything. The strongest feature of this particular story is it's wonderful believability and 'normal' way of approaching what is, to non-military families at least, a very abnormal situation. The letters are funny, yet very much full of a sadness at the separation and need to see each other one more time. Jonno is a great character, and although he doesn't feature much directly, it's the indirect references to him in his families letters which really bring him to life. Little Michael is totally adorable, and his letter is perhaps my favourite purely for the innocence only a child can have. The whole story touched me more than any other in this collection, eliciting full on body shaking sobs and I can only conclude that it is because it is a. wonderfully written and b. incredibly realistic. As much as I hate to admit it, this has probably happened to countless families out there, and that immense sadness just crushed me and opened my eyes to a whole new way of looking at things.
Night Terrors
Initially, I found this quite difficult to get into, it's the one story in the collection I wasn't over keen on as I read through. However, it's a bit of a 'grower' and, like 'Silence is Deafening', it planted hundreds of little seeds of thought in my brain and when given time to develop they just grew and grew until they were out of control. Dealing with what is essentially PTSD, and how it affects not only the sufferer but also their family, 'Night Terrors' has so much it can teach the reader. We all think nothing of our 'normal' lives, but this was another story that really opened my eyes to the troubles being in the military can cause. Carl's dad clearly struggled for years, never feeling he could discuss him experiences and so they literally terrorised his dreams. It's incredibly sensitive in how the story deals with what is a very current and prevalent issue and Feeney deserves a great deal of credit for not only having the balls to deal with this subject matter, but also for doing it so brilliantly. Again, this is another emotionally charged piece of writing, but Feeney really does develop the plot so well and so subtly that it sucks you in without you noticing.
Welcome Home
The final story in the collection is as wonderful as the others. A happy ending, a reunion, a feeling of hope to carry forward. This is the ending we all want for all our soldiers, and Feeney cleverly reminds us that no matter how many may perish, and however sad that may be, we must always keep looking for that glimmer of hope, and take the opportunities of happiness that are offered to us when they are there, because we never know when they will be snatched away.
One of the key features in all of these stories is how engaging they are, despite what is, at times, very upsetting subject matter. The characters pull you in, the circumstances, although fictional, are tinged with a reality that brings you crashing down to ground when you think about them after (and believe me, you will) and you realise, 'that could have actually happened to someone'. It's a humbling thought, and one that really makes you think, but in a good way. Reading this book made me so much more thankful for the sacrifices servicemen and woman make, and the pain their families must experience, but mostly it made me grateful for my own life.
Something else that shines through is how real everything feels in these stories. I know Feeney did a large amount of research into military procedures and that is evident with the protocols, the addresses, the description, just everything really! It's clear that this writing means a lot to the author, and that passion for respect and honour of our armed forces just oozes from every page and fills you with a great sense of pride and patriotism. It's strange to feel proud of something when you're reading (unless it's something you've written), but Feeney manages to elicit that, as well as many other emotions as you're reading and it just builds to a huge crescendo.
Another key feature is the description, and this is a theme that is evident throughout the whole collection. Feeney puts so much into her writing. You can clearly see in your mind the characters, you can feel the emotions, you hurt when they hurt, smile when they smile. It's her attention to the small detail in this story that really gives this story that extra something. Even though you don't know all the specifics like names and ages, we know plenty to cry for their loss and smile with them in their joy. You hurt when they hurt. It's very rare I find a story that moves me in such a way, especially one that is just pages long, but that is exactly what this story does.
In conclusion, this book is truly phenomenal, one of the best pieces of literature I have read so far this year. It's engaging, thought provoking, realistic, easy to read, but above all, it's just, well, words fail me. Honestly, I cannot recommend this highly enough. Five stars is not enough for this book, and it truly deserves the highest accolades possible. Seriously, go one-click! It's now available on Amazon UK and Amazon US, but heed my warning, you want a lot of tissues near you when you read this, tear-jerker doesn't quite cover it!
* * * * * *
I am SO excited about reviewing this and interviewing the author over on Lily Loves Indie and Ramble Media on 1st November as part of the Blog Tour! Watch this space for updates and snippets of my review.
This stunning collection of short stories has got to be one of my favourite items on my kindle. When I read these I experienced such a depth of emotion and they moved me so much that I had to keep putting it down to get tissues and mop up the mess that I became. This, by far, is Feeney's greatest work to date. She elicits such a wonderful amount of emotion from you, and this is all the more remarkable when you consider that some of the stories are just a few thousand words long. In order to do each story the justice they truly deserve, I am going to briefly review each book before summing up my main ideas. So if you're sitting comfortably, I'll begin....
Honour
A young woman at a graveside, the rain falling down, already the emotions are running high, and this is just the first paragraph of the story, yet I'm hooked. Throughout the whole of this story Feeney leads you in a direction, letting your imagination fill the gaps, but then at the last minute she deals her hand and tells you exactly what is going on, and boy did it knock me for six! I was most definitely not expecting that turn of events, but strangely, it totally fitted. Apologies for the vagueness, but I don't want to spoil it for you as this is one of the key features of this story.
Deserter
Just as the title suggests, this story deals with a deserter, the officer who tries to cover it up and his family dealing with his actions at home. I know what you're thinking, there's enough material there to write a whole book! But Feeney writes this superbly, capturing the emotions of all the key characters in just a few short chapters. Jack's dilemma, and the reasoning behind his desertion, are both incredibly touching and very sensitively written. As someone who can't even begin to comprehend what horrors soldiers must see every day, I really feel like Feeney gave us a glimpse into a tortured mind, a soul that was broken and in need of so much healing that just simply wasn't available. She also deals fantastically with the stigma attached to deserting in a very delicate and sensitive manner, highlighting the other side of the story incredibly well.
Silence is Deafening
I've read and re-read this story so many times, but it still kills me every time! It's so emotionally written, charged with sadness and a sense of duty, a sense of honour. Strangely, I engaged more with Evelyn as I found myself imagining what her emotions would be when she wakes up and reads Joseph's letter. I could feel the ties that bound them together being strained and pulled, the pain they must have felt. It was just so well written the intensity of their love was completely real, it charged the room around my and stole my breath. But what I loved most about this story is that there was hope at the end. He might have survived, he might have come back. The tiniest glimmer was there, and it captured my imagination and sent seeds of thought rooting deep in my head. It's not a story you'll forget in a hurry, but in the best possible way!
Letters to No One
This is perhaps my favourite military based story I've ever written, but for me it is head and shoulders above the others in this collection. I could talk for hours about why I loved this story so much, but I'll try and summarise it and not spoil anything. The strongest feature of this particular story is it's wonderful believability and 'normal' way of approaching what is, to non-military families at least, a very abnormal situation. The letters are funny, yet very much full of a sadness at the separation and need to see each other one more time. Jonno is a great character, and although he doesn't feature much directly, it's the indirect references to him in his families letters which really bring him to life. Little Michael is totally adorable, and his letter is perhaps my favourite purely for the innocence only a child can have. The whole story touched me more than any other in this collection, eliciting full on body shaking sobs and I can only conclude that it is because it is a. wonderfully written and b. incredibly realistic. As much as I hate to admit it, this has probably happened to countless families out there, and that immense sadness just crushed me and opened my eyes to a whole new way of looking at things.
Night Terrors
Initially, I found this quite difficult to get into, it's the one story in the collection I wasn't over keen on as I read through. However, it's a bit of a 'grower' and, like 'Silence is Deafening', it planted hundreds of little seeds of thought in my brain and when given time to develop they just grew and grew until they were out of control. Dealing with what is essentially PTSD, and how it affects not only the sufferer but also their family, 'Night Terrors' has so much it can teach the reader. We all think nothing of our 'normal' lives, but this was another story that really opened my eyes to the troubles being in the military can cause. Carl's dad clearly struggled for years, never feeling he could discuss him experiences and so they literally terrorised his dreams. It's incredibly sensitive in how the story deals with what is a very current and prevalent issue and Feeney deserves a great deal of credit for not only having the balls to deal with this subject matter, but also for doing it so brilliantly. Again, this is another emotionally charged piece of writing, but Feeney really does develop the plot so well and so subtly that it sucks you in without you noticing.
Welcome Home
The final story in the collection is as wonderful as the others. A happy ending, a reunion, a feeling of hope to carry forward. This is the ending we all want for all our soldiers, and Feeney cleverly reminds us that no matter how many may perish, and however sad that may be, we must always keep looking for that glimmer of hope, and take the opportunities of happiness that are offered to us when they are there, because we never know when they will be snatched away.
One of the key features in all of these stories is how engaging they are, despite what is, at times, very upsetting subject matter. The characters pull you in, the circumstances, although fictional, are tinged with a reality that brings you crashing down to ground when you think about them after (and believe me, you will) and you realise, 'that could have actually happened to someone'. It's a humbling thought, and one that really makes you think, but in a good way. Reading this book made me so much more thankful for the sacrifices servicemen and woman make, and the pain their families must experience, but mostly it made me grateful for my own life.
Something else that shines through is how real everything feels in these stories. I know Feeney did a large amount of research into military procedures and that is evident with the protocols, the addresses, the description, just everything really! It's clear that this writing means a lot to the author, and that passion for respect and honour of our armed forces just oozes from every page and fills you with a great sense of pride and patriotism. It's strange to feel proud of something when you're reading (unless it's something you've written), but Feeney manages to elicit that, as well as many other emotions as you're reading and it just builds to a huge crescendo.
Another key feature is the description, and this is a theme that is evident throughout the whole collection. Feeney puts so much into her writing. You can clearly see in your mind the characters, you can feel the emotions, you hurt when they hurt, smile when they smile. It's her attention to the small detail in this story that really gives this story that extra something. Even though you don't know all the specifics like names and ages, we know plenty to cry for their loss and smile with them in their joy. You hurt when they hurt. It's very rare I find a story that moves me in such a way, especially one that is just pages long, but that is exactly what this story does.
In conclusion, this book is truly phenomenal, one of the best pieces of literature I have read so far this year. It's engaging, thought provoking, realistic, easy to read, but above all, it's just, well, words fail me. Honestly, I cannot recommend this highly enough. Five stars is not enough for this book, and it truly deserves the highest accolades possible. Seriously, go one-click! It's now available on Amazon UK and Amazon US, but heed my warning, you want a lot of tissues near you when you read this, tear-jerker doesn't quite cover it!
* * * * * *
I am SO excited about reviewing this and interviewing the author over on Lily Loves Indie and Ramble Media on 1st November as part of the Blog Tour! Watch this space for updates and snippets of my review.