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Phil Leader (619 KP) rated Holiday for Skins (Bongo Fury #2) in Books
Nov 11, 2019
Following on from the events in the first Bongo Fury book, this novella once again follows the music shop owner Jimmy Black as he unwillingly gets mired in the underworld of Northern Ireland. After the events of the first book, a silent struggle for power among the criminal elements is escalating and people are dying. All Jimmy wants to do is make sure he isn't one of them.
As with the first book the charm of this sequel is in the leading character. Wry, witty, foul mouthed with an eye for the darkly humorous observation, having Jimmy once again show us his world is very welcome. Together with the twists and turns of the plot (a little less straightforward than the first novel) this makes a cracking quick read that combines noir thriller and laugh out loud humour.
As with the first book the charm of this sequel is in the leading character. Wry, witty, foul mouthed with an eye for the darkly humorous observation, having Jimmy once again show us his world is very welcome. Together with the twists and turns of the plot (a little less straightforward than the first novel) this makes a cracking quick read that combines noir thriller and laugh out loud humour.
Genesis P-Orridge recommended Kip Of The Serenes by Dr. Strangely Strange in Music (curated)
David Bell recommended A Prayer for the Dying in Books (curated)
For the lovers of football and history - this book will be of your interest. If you happen to have any connecting with Northern Ireland as well - this book is made for you! I don’t think I fit in the description above. I love watching football - but I am not a football maniac, that knows who plays where, the club’s managers and who is on top of the Champion’s League this year. I love me some good sports matches, and I know a lot of players by name or face, but that’s about it.
Now - Gunshots & Goalposts: The Story of Northern Irish Football - the book that covers the stories of many football players in the past century in Northern Ireland.
While it covers so many stories, I wasn’t able to connect to any of the characters, and I choose to blame this on the way the book was written.
Which - is not a bad thing at all. Why? Because, this book is not meant to make you fall in love with the characters. It is instead, meant to show you the real picture of their lives, the politics that were ongoing in that time, and give you a brief history lesson of what you happened to miss in high school. All related to football, of course.
For me, it was very useful to learn a bit about the politics and history. Before I started the book, I knew NOTHING about Northern Ireland’s history. I knew NOTHING about their football history. This was a great first book for me to dive into the waters of the history of Northern Ireland's football.
The author, Benjamin Roberts, has done a wonderful job in the description and research. It covers a lot of the history period from the First and Second World War, the protestants vs catholics, the unionists vs nationalists, the east vs the west.
This book reminds me a lot of a movie that has been made in the country where I was born - Macedonia. The movie was called ‘’The Third Half’’ and deals with Macedonian Football during World War II, and the deportation of Jews from Macedonia. It reminded me a bit of this, even though in this book we don’t connect with the characters, or dive into their stories too much.
This is a three-star book for me - for the sole reason that this is not a book that I would usually read, and I wouldn’t read books similar to this one either. I enjoyed it, at times, but wouldn’t re-read it. However, I would definitely recommend it to people that love both football and history. I just prefer books where I connect with the characters.
Now - Gunshots & Goalposts: The Story of Northern Irish Football - the book that covers the stories of many football players in the past century in Northern Ireland.
While it covers so many stories, I wasn’t able to connect to any of the characters, and I choose to blame this on the way the book was written.
Which - is not a bad thing at all. Why? Because, this book is not meant to make you fall in love with the characters. It is instead, meant to show you the real picture of their lives, the politics that were ongoing in that time, and give you a brief history lesson of what you happened to miss in high school. All related to football, of course.
For me, it was very useful to learn a bit about the politics and history. Before I started the book, I knew NOTHING about Northern Ireland’s history. I knew NOTHING about their football history. This was a great first book for me to dive into the waters of the history of Northern Ireland's football.
The author, Benjamin Roberts, has done a wonderful job in the description and research. It covers a lot of the history period from the First and Second World War, the protestants vs catholics, the unionists vs nationalists, the east vs the west.
This book reminds me a lot of a movie that has been made in the country where I was born - Macedonia. The movie was called ‘’The Third Half’’ and deals with Macedonian Football during World War II, and the deportation of Jews from Macedonia. It reminded me a bit of this, even though in this book we don’t connect with the characters, or dive into their stories too much.
This is a three-star book for me - for the sole reason that this is not a book that I would usually read, and I wouldn’t read books similar to this one either. I enjoyed it, at times, but wouldn’t re-read it. However, I would definitely recommend it to people that love both football and history. I just prefer books where I connect with the characters.
Holly Johnson recommended Hounds of Love Soundtrack by Kate Bush in Music (curated)
Hazel (2934 KP) rated Don't Look Back in Books
May 14, 2023
I haven't read anything by Jo Spain before but after reading Don't Look Back, I will certainly be keeping my eyes open in the future as I enjoyed this.
Don't Look Back is a twisty thriller with great characters, not all of whom are likeable, and an intriguing plot with some great twists. Be warned, it deals with domestic violence so if this is a trigger, I would steer clear.
Travelling from London to the Caribbean and to Ireland, this is one twisty book that is told at a good pace, from multiple points of view and with some flashbacks. The plot is complicated but it all comes to a satisfying conclusion in the end.
All in all, an enjoyable thriller that kept me reading into the night and I must thank Quercus Books and NetGalley for enabling me to read and share my thoughts of Don't Look Back.
Don't Look Back is a twisty thriller with great characters, not all of whom are likeable, and an intriguing plot with some great twists. Be warned, it deals with domestic violence so if this is a trigger, I would steer clear.
Travelling from London to the Caribbean and to Ireland, this is one twisty book that is told at a good pace, from multiple points of view and with some flashbacks. The plot is complicated but it all comes to a satisfying conclusion in the end.
All in all, an enjoyable thriller that kept me reading into the night and I must thank Quercus Books and NetGalley for enabling me to read and share my thoughts of Don't Look Back.
Gareth von Kallenbach (980 KP) rated Jimmy's Hall (2015) in Movies
Aug 6, 2019
It’s not to often that we folks in America have the opportunity to catch any movies from Ireland.
The few that do come along almost certainly rate high on the scale of exceptional movies that one would want to see. I myself can’t remember a ‘bad’ Irish film. Perhaps one of the reasons for that is the fact that this country has a solid history of countless Irish immigrants coming here and helping to build the foundations for America. Well, today’s film for your consideration doesn’t go back THAT far. It doesn’t even take place in America. However, the history of Irish immigrants (specifically one immigrant) does play a role. Only it involves an Irish immigrant how came to America and then several years later returned to Ireland only to be forcibly deported back to America. I know I know. That explanation makes it sound like a comedy and although the film has many lighthearted moments, I can assure you it’s NOT a comedy. In fact, it deals with an influential figure in one of the more politically turbulent periods in Ireland’s history just before the beginning of the Second World War.
‘Jimmy’s Hall’ is a 2014 Irish-British drama directed by English television and film director Kenneth ‘Ken’ Loach. The film focuses on the events leading up to the deportation from Ireland of Jimmy Gralton, who led a precursor to Ireland’s communist party in the county Leitrim.
Starring Barry Ward, Simone Kirby, and Irish character actor Jim Norton, the film opens in 1932. Jimmy (Ward) has just returned to his home to help his mother tend the family farm after spending 10 years in the United States in the midst of the Great Depression coinciding with the establishment of a new government in the aftermath of the Civil War between pro-British and anti-British forces.
Reluctant to anger his old enemies, the church and the landowners who forced him to leave Ireland, but eager to meet the needs of the people of Leitrim, Jimmy (Ward) decides to reopen the ‘Hall’, a center for young people where they can meet to study, talk, dance, play music, learn to read, debate issues of the day. Free to all and open to anyone who wishes to learn while respecting the views and opinions of others, the ‘Hall’ is an immediate success. Not everyone is pleased to see Jimmy resuming his old activities. In particular the church and local priest (Norton) who see Gralton as not only a ‘bad influence’, but also as a follower of Stalin who as history knows sent countless millions (including religious leaders) to their deaths.
Despite the complaints and at times violent reactions on the part of the supporters of the church and the landowners, Gralton tries desperately to make them realize he has absolutely no connection to Stalin and has no desire to bring down the church. Only to better the situation for everyone. Jimmy even invites the local priest to take a leadership role in the Hall’s committee. In the end though, the fears of the church and the state go unchanged. Jimmy is a communist and although he has no connection Stalin the church and the government see them as one in the same. The police take Jimmy into custody at his family’s farm and forcibly deport him back to America even so much as denying him on last chance to see his ailing mother.
In education systems there are books and films which are considered ‘required reading’ or in this case ‘required viewing’. This film should be required viewing. It is not just an excellent film about a historical Irish political figure or as I mentioned earlier a film about a turbulent point in Irish history. It’s an example of the greater ‘world conflict’ between what became the western bloc and the eastern bloc. Both sides in that grater conflict saw each other the same way the two sides in the Irish countryside of the 1930s saw each other. The ones that meant well and only wanted to better the situation for everyone including themselves inspired fear in those who had power and those who had the power inspired fear in those who meant well. This movie showed that not all political figures are evil … nor are all religious figures. It’s the individual or several individuals within those groups that are reluctant to change.
I would highly recommend this film. Regardless of the content it’s an excellent film. If this film is as good as most films made in Ireland, they definitely need to start exporting them on a grander scale. I’d give this film 4 out of 5 stars.
This is your friendly neighborhood photographer ‘The CameraMan’ and on behalf of my fellows at ‘Skewed & Reviewed’ I’d like to say thanks for reading and we’ll see you at the movies
The few that do come along almost certainly rate high on the scale of exceptional movies that one would want to see. I myself can’t remember a ‘bad’ Irish film. Perhaps one of the reasons for that is the fact that this country has a solid history of countless Irish immigrants coming here and helping to build the foundations for America. Well, today’s film for your consideration doesn’t go back THAT far. It doesn’t even take place in America. However, the history of Irish immigrants (specifically one immigrant) does play a role. Only it involves an Irish immigrant how came to America and then several years later returned to Ireland only to be forcibly deported back to America. I know I know. That explanation makes it sound like a comedy and although the film has many lighthearted moments, I can assure you it’s NOT a comedy. In fact, it deals with an influential figure in one of the more politically turbulent periods in Ireland’s history just before the beginning of the Second World War.
‘Jimmy’s Hall’ is a 2014 Irish-British drama directed by English television and film director Kenneth ‘Ken’ Loach. The film focuses on the events leading up to the deportation from Ireland of Jimmy Gralton, who led a precursor to Ireland’s communist party in the county Leitrim.
Starring Barry Ward, Simone Kirby, and Irish character actor Jim Norton, the film opens in 1932. Jimmy (Ward) has just returned to his home to help his mother tend the family farm after spending 10 years in the United States in the midst of the Great Depression coinciding with the establishment of a new government in the aftermath of the Civil War between pro-British and anti-British forces.
Reluctant to anger his old enemies, the church and the landowners who forced him to leave Ireland, but eager to meet the needs of the people of Leitrim, Jimmy (Ward) decides to reopen the ‘Hall’, a center for young people where they can meet to study, talk, dance, play music, learn to read, debate issues of the day. Free to all and open to anyone who wishes to learn while respecting the views and opinions of others, the ‘Hall’ is an immediate success. Not everyone is pleased to see Jimmy resuming his old activities. In particular the church and local priest (Norton) who see Gralton as not only a ‘bad influence’, but also as a follower of Stalin who as history knows sent countless millions (including religious leaders) to their deaths.
Despite the complaints and at times violent reactions on the part of the supporters of the church and the landowners, Gralton tries desperately to make them realize he has absolutely no connection to Stalin and has no desire to bring down the church. Only to better the situation for everyone. Jimmy even invites the local priest to take a leadership role in the Hall’s committee. In the end though, the fears of the church and the state go unchanged. Jimmy is a communist and although he has no connection Stalin the church and the government see them as one in the same. The police take Jimmy into custody at his family’s farm and forcibly deport him back to America even so much as denying him on last chance to see his ailing mother.
In education systems there are books and films which are considered ‘required reading’ or in this case ‘required viewing’. This film should be required viewing. It is not just an excellent film about a historical Irish political figure or as I mentioned earlier a film about a turbulent point in Irish history. It’s an example of the greater ‘world conflict’ between what became the western bloc and the eastern bloc. Both sides in that grater conflict saw each other the same way the two sides in the Irish countryside of the 1930s saw each other. The ones that meant well and only wanted to better the situation for everyone including themselves inspired fear in those who had power and those who had the power inspired fear in those who meant well. This movie showed that not all political figures are evil … nor are all religious figures. It’s the individual or several individuals within those groups that are reluctant to change.
I would highly recommend this film. Regardless of the content it’s an excellent film. If this film is as good as most films made in Ireland, they definitely need to start exporting them on a grander scale. I’d give this film 4 out of 5 stars.
This is your friendly neighborhood photographer ‘The CameraMan’ and on behalf of my fellows at ‘Skewed & Reviewed’ I’d like to say thanks for reading and we’ll see you at the movies
Bob Mann (459 KP) rated Pixie (2020) in Movies
Nov 2, 2020
Olivia Cooke - utterly enchanting (1 more)
Just the right balance of black humour and Tarantino-esque violence
Once upon a Time in the West... of Ireland
You know sometimes when you see a trailer you think "oh yeah - this is a must see"! The trailer for "Pixie" (see below) was one such moment for me. A spaghetti western set in Sligo? With Alec Baldwin as a "deadly gangster priest"? Yes, yes, yes!
In a remote Irish church, two Irish priests and two "visiting Afghan Catholic priests" are gunned down by a couple of losers in animal masks - Fergus (Fra Fee) and Colin (Rory Fleck Byrne) - over a stash of MDMA worth a million Euros. This reignites a simmering gang war between the gangster families of Dermot O'Brien (Colm Meaney) and Father Hector McGrath (Alec Baldwin). Linking everything together is Pixie (Olivia Cooke), O'Brien's daughter, who has a magnetic effect on men. She is somehow subtly the woman controlling everything going on.
Drawn into the mayhem are hapless teens Frank (Ben Hardy) and Harland (Daryl McCormack) - both of who have the hots for Pixie - who embark on a wild and bloody road-trip around southern Ireland.
Key to your belief in the ridiculous story is that the character of Pixie has to have the beauty and charisma to utterly enslave the poor men she crosses paths with: taking a "Kalashnikov to their hearts" as drug dealer Daniel (Chris Walley) puts it. And Olivia Cooke - so good in "Ready Player One" - absolutely and completely nails the role. I'm utterly in love with her after this movie, and she's thirty years too young for me! There's a sparkle and a mischief behind her that reminded me strongly of a young Audrey Hepburn.
Supporting her really well are the "Harry and Ron" to Cooke's Hermione - Ben Hardy (Roger Taylor in "Bohemian Rhapsody") and Daryl McCormack. And the trio make a truly memorable "love triangle". A bedroom scene manages to be both quietly erotic and excruciatingly funny in equal measure.
The direction here is by Barnaby Thompson, who's better known as a producer with the only previous movie directing credits being the St Trinian's reboots in 2007/09. Here he manages to channel some of the quirky camera shots of the likes of Guy Ritchie and Matthew Vaughn and mix them with the black humour and comedic gore of Quentin Tarantino. The taciturn hit-man Seamus (Ned Dennehy) typifies the comedy on offer, using a Land Rover to drag a poor victim round in a figure of eight on a soggy moor to make him talk!
Where I think the movie wimps out a bit is in an ecclesiastical shoot-out finale. Vaughn's "Kingsman: The Secret Service" set the bar here for completely outrageous and out-there church-based violence. Here, the scene is both tame by comparison (not necessarily a bad thing!), but also highly predictable. Given this is supposed to be "a plan", none of it feels to be very well thought-through! As such, belief can only be suspended for so long.
The visuals and music are fab. The cinematography - by veteran John de Borman - makes the west Ireland coast look utterly glorious and the Irish tourist board must have been delighted. There are also some beautifully-framed shots: a boot-eye (US: trunk-eye) perspective is fabulous, and there's a gasp-inducing fade-back to Pixie's face following a flashback. And a shout-out too to the editing by Robbie Morrison, since some of the plot twists are delivered as expert surprises.
The music - by Gerry Diver and David Holmes - is also spectacularly good at propelling the action and maintaining the feel-good theme.
Where I did have issues was with the audio mix. I'm sure there were a bunch of clever one-liners buried in there, but the combination of the accents (and I've worked in Northern Ireland for 20 years and am "tuned in"!) and the sound quality meant I missed a number of them. I will need another watch with subtitles to catch them all.
Thanks to ANOTHER WRETCHED LOCKDOWN in the UK this was my last trip to the cinema for at least a month: I was one of only four viewers in the "Odeon" cinema for this showing. Because it's a great shame that so few people will get to see this (at least for a while), since its the sort of feelgood movie that we all need right now. Slick and utterly entertaining, I'll quietly predict that this one will gain a following as a mini-cult-classic when it gets to streaming services. Recommended.
(For the full graphical review, please check-out the bob the movie man review here - https://bob-the-movie-man.com/2020/11/02/pixie-once-upon-a-time-in-the-west-of-ireland/. Thanks.)
In a remote Irish church, two Irish priests and two "visiting Afghan Catholic priests" are gunned down by a couple of losers in animal masks - Fergus (Fra Fee) and Colin (Rory Fleck Byrne) - over a stash of MDMA worth a million Euros. This reignites a simmering gang war between the gangster families of Dermot O'Brien (Colm Meaney) and Father Hector McGrath (Alec Baldwin). Linking everything together is Pixie (Olivia Cooke), O'Brien's daughter, who has a magnetic effect on men. She is somehow subtly the woman controlling everything going on.
Drawn into the mayhem are hapless teens Frank (Ben Hardy) and Harland (Daryl McCormack) - both of who have the hots for Pixie - who embark on a wild and bloody road-trip around southern Ireland.
Key to your belief in the ridiculous story is that the character of Pixie has to have the beauty and charisma to utterly enslave the poor men she crosses paths with: taking a "Kalashnikov to their hearts" as drug dealer Daniel (Chris Walley) puts it. And Olivia Cooke - so good in "Ready Player One" - absolutely and completely nails the role. I'm utterly in love with her after this movie, and she's thirty years too young for me! There's a sparkle and a mischief behind her that reminded me strongly of a young Audrey Hepburn.
Supporting her really well are the "Harry and Ron" to Cooke's Hermione - Ben Hardy (Roger Taylor in "Bohemian Rhapsody") and Daryl McCormack. And the trio make a truly memorable "love triangle". A bedroom scene manages to be both quietly erotic and excruciatingly funny in equal measure.
The direction here is by Barnaby Thompson, who's better known as a producer with the only previous movie directing credits being the St Trinian's reboots in 2007/09. Here he manages to channel some of the quirky camera shots of the likes of Guy Ritchie and Matthew Vaughn and mix them with the black humour and comedic gore of Quentin Tarantino. The taciturn hit-man Seamus (Ned Dennehy) typifies the comedy on offer, using a Land Rover to drag a poor victim round in a figure of eight on a soggy moor to make him talk!
Where I think the movie wimps out a bit is in an ecclesiastical shoot-out finale. Vaughn's "Kingsman: The Secret Service" set the bar here for completely outrageous and out-there church-based violence. Here, the scene is both tame by comparison (not necessarily a bad thing!), but also highly predictable. Given this is supposed to be "a plan", none of it feels to be very well thought-through! As such, belief can only be suspended for so long.
The visuals and music are fab. The cinematography - by veteran John de Borman - makes the west Ireland coast look utterly glorious and the Irish tourist board must have been delighted. There are also some beautifully-framed shots: a boot-eye (US: trunk-eye) perspective is fabulous, and there's a gasp-inducing fade-back to Pixie's face following a flashback. And a shout-out too to the editing by Robbie Morrison, since some of the plot twists are delivered as expert surprises.
The music - by Gerry Diver and David Holmes - is also spectacularly good at propelling the action and maintaining the feel-good theme.
Where I did have issues was with the audio mix. I'm sure there were a bunch of clever one-liners buried in there, but the combination of the accents (and I've worked in Northern Ireland for 20 years and am "tuned in"!) and the sound quality meant I missed a number of them. I will need another watch with subtitles to catch them all.
Thanks to ANOTHER WRETCHED LOCKDOWN in the UK this was my last trip to the cinema for at least a month: I was one of only four viewers in the "Odeon" cinema for this showing. Because it's a great shame that so few people will get to see this (at least for a while), since its the sort of feelgood movie that we all need right now. Slick and utterly entertaining, I'll quietly predict that this one will gain a following as a mini-cult-classic when it gets to streaming services. Recommended.
(For the full graphical review, please check-out the bob the movie man review here - https://bob-the-movie-man.com/2020/11/02/pixie-once-upon-a-time-in-the-west-of-ireland/. Thanks.)
Kate Nash recommended track Black Is the Colour of My True Love's Hair by Christy Moore in Live in Dublin by Christy Moore in Music (curated)
Mark @ Carstairs Considers (2357 KP) rated A Distant Grave in Books
Jun 23, 2021 (Updated Jun 23, 2021)
Maggie Faces a Case that Crosses the Ocean
Maggie D’arcy’ latest case as a homicide detective on Long Island involves a man on one of the beaches. He’s been shot and robbed, making identifying him the first priority. It is looking like a random homicide, which are always difficult to solve, when Maggie gets an ID. The man is an Irish national. Maggie begins to wonder why the victim was on Long Island in the middle of February. With a trip to Ireland already planned to visit her boyfriend, Conor, Maggie decides to do a little digging. Will she uncover a motive for murder across the Atlantic?
After the first book, I’d wondered how Maggie would once again find herself in a case involving Long Island and Ireland, and the set up for this book was perfect. The plot unravels wonderfully, with Maggie following a logical trail of clues until she reaches the satisfying climax. The book does spoil the events of the first in the series, so be aware of that before you pick this one up. We need that information since some of the character growth in this book flows out of what happened in before. It was wonderful to catch up with Maggie and the other returning characters, and the new characters were just as strong. This book is definitely darker than the cozies I typically read, but it wasn’t overly dark for me, and I didn’t find the violence or language excessive. The writing is wonderful, bringing Maggie’s world to full atmospheric life without slowing down the story. The book is mostly written from Maggie’s first-person present tense point of view, but we do get occasional third-person past tense passages. It’s always easy to see them apart. I got so engrossed in the story that I finished the book faster than I expected to, and I loved every page of it. This is a strong second book, and I’m looking forward to visiting Maggie again soon.
After the first book, I’d wondered how Maggie would once again find herself in a case involving Long Island and Ireland, and the set up for this book was perfect. The plot unravels wonderfully, with Maggie following a logical trail of clues until she reaches the satisfying climax. The book does spoil the events of the first in the series, so be aware of that before you pick this one up. We need that information since some of the character growth in this book flows out of what happened in before. It was wonderful to catch up with Maggie and the other returning characters, and the new characters were just as strong. This book is definitely darker than the cozies I typically read, but it wasn’t overly dark for me, and I didn’t find the violence or language excessive. The writing is wonderful, bringing Maggie’s world to full atmospheric life without slowing down the story. The book is mostly written from Maggie’s first-person present tense point of view, but we do get occasional third-person past tense passages. It’s always easy to see them apart. I got so engrossed in the story that I finished the book faster than I expected to, and I loved every page of it. This is a strong second book, and I’m looking forward to visiting Maggie again soon.
