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Sarah (7800 KP) rated The Departed (2006) in Movies
Feb 20, 2021
The best gangster flick made to date
Film #15 on the 100 Movies List: The Departed
The Departed is Martin Scorcese’s Oscar winning Irish gangster film released in 2006, a remake of the 2002 Hong Kong film Infernal Affairs, and loosely based around the real life Boston Hill Gang led by Whitey Bulger. It’s a film I remember watching when it was first released when I was at university, and I was blown away. It centres around Irish gang boss Frank Costello (Jack Nicholson) and his relationships with police detective mole Colin Sullivan (Matt Damon) and undercover state trooper Billy Costigan (Leonardo DiCaprio), as the latter two attempt to uncover each other’s identities.
Colin Sullivan was introduced to Costello as a young boy, groomed into joining the Massachusetts State Police and soon rises to the ranks of detective in the Special Investigation Unit, led by Captain Ellerby (Alec Baldwin)and responsible for bringing down Costello and his gang. Conversely Billy Costigan suffered a troubled youth with numerous members of his family involved in Costello’s gang. He trains as a state trooper and due to his family’s criminal ties, is turned into an undercover agent by Captain Queenan (Martin Sheen) and Staff Sergeant Dignam (Mark Wahlberg), his role to infiltrate Costello’s gang. Soon suspicions are raised and the net begins to close in on everyone involved, with dire consequences.
Personally, I think this is one of the best gangster films I’ve ever seen, if not the best. It’s everything you’d expect and more from a film in this genre, and I’m not sure anyone other than Scorcese could pull off a crime thriller that manages to feature such prominent Celtic music with such flair. It has a whip smart, often funny script that features some cracking one liners and quips, especially from Mark Wahlberg’s Dignam. Yes it is a little crude and some of the dialogue could be considered as offensive by some, but to me this just makes it more realistic as you can’t exactly expect gangsters and police to talk politely. Of course the script is brought to life by a truly phenomenal cast, and arguably one of the best ensembles in a gangster film in terms of talent. Leonardo DiCaprio is no longer the fresh faced youngster he was in the days of Titanic, although he puts in a terrific performance as Billy. This is also one of the few films I’ve seen of Matt Damon’s where he doesn’t play a nice guy, and he really fits this surprisingly well. But it’s Nicholson who steals the show as Costello and he definitely gets the biggest share of the witty script, bringing some light humour to an otherwise menacing criminal figure. You can’t keep your eyes off him whenever he’s on screen, and I don’t believe anyone else could pull this off without seeming like an over the top caricature.
However it isn’t perfect. The relationship between police psychiatrist Madolyn Madden (Vera Farmiga) and both Sullivan and Costigan is a little unnecessary and not important to the main plot, but fortunately the performances from all involved mean this isn’t a major issue. And again, the film is rather long but fortunately the tense scenes and great acting, alongside a few well placed action scenes, mean it never feels too drawn out.
This is a shining example of how to do a gangster film, and one I’d wholeheartedly recommend. It’s an intelligent, performance driven masterpiece and entirely deserving of it’s Best Picture Academy Award win.
The Departed is Martin Scorcese’s Oscar winning Irish gangster film released in 2006, a remake of the 2002 Hong Kong film Infernal Affairs, and loosely based around the real life Boston Hill Gang led by Whitey Bulger. It’s a film I remember watching when it was first released when I was at university, and I was blown away. It centres around Irish gang boss Frank Costello (Jack Nicholson) and his relationships with police detective mole Colin Sullivan (Matt Damon) and undercover state trooper Billy Costigan (Leonardo DiCaprio), as the latter two attempt to uncover each other’s identities.
Colin Sullivan was introduced to Costello as a young boy, groomed into joining the Massachusetts State Police and soon rises to the ranks of detective in the Special Investigation Unit, led by Captain Ellerby (Alec Baldwin)and responsible for bringing down Costello and his gang. Conversely Billy Costigan suffered a troubled youth with numerous members of his family involved in Costello’s gang. He trains as a state trooper and due to his family’s criminal ties, is turned into an undercover agent by Captain Queenan (Martin Sheen) and Staff Sergeant Dignam (Mark Wahlberg), his role to infiltrate Costello’s gang. Soon suspicions are raised and the net begins to close in on everyone involved, with dire consequences.
Personally, I think this is one of the best gangster films I’ve ever seen, if not the best. It’s everything you’d expect and more from a film in this genre, and I’m not sure anyone other than Scorcese could pull off a crime thriller that manages to feature such prominent Celtic music with such flair. It has a whip smart, often funny script that features some cracking one liners and quips, especially from Mark Wahlberg’s Dignam. Yes it is a little crude and some of the dialogue could be considered as offensive by some, but to me this just makes it more realistic as you can’t exactly expect gangsters and police to talk politely. Of course the script is brought to life by a truly phenomenal cast, and arguably one of the best ensembles in a gangster film in terms of talent. Leonardo DiCaprio is no longer the fresh faced youngster he was in the days of Titanic, although he puts in a terrific performance as Billy. This is also one of the few films I’ve seen of Matt Damon’s where he doesn’t play a nice guy, and he really fits this surprisingly well. But it’s Nicholson who steals the show as Costello and he definitely gets the biggest share of the witty script, bringing some light humour to an otherwise menacing criminal figure. You can’t keep your eyes off him whenever he’s on screen, and I don’t believe anyone else could pull this off without seeming like an over the top caricature.
However it isn’t perfect. The relationship between police psychiatrist Madolyn Madden (Vera Farmiga) and both Sullivan and Costigan is a little unnecessary and not important to the main plot, but fortunately the performances from all involved mean this isn’t a major issue. And again, the film is rather long but fortunately the tense scenes and great acting, alongside a few well placed action scenes, mean it never feels too drawn out.
This is a shining example of how to do a gangster film, and one I’d wholeheartedly recommend. It’s an intelligent, performance driven masterpiece and entirely deserving of it’s Best Picture Academy Award win.
Sarah (7800 KP) rated The Untouchables (1987) in Movies
Dec 16, 2020 (Updated Dec 16, 2020)
A little melodramatic
(not) Film #7 on the 100 Movies Bucket List: The Untouchables
As with most of the films on this list, The Untouchables is a film that has garnered a great deal of acclaim over the years, and yet if I’ve ever seen it, I’m ashamed to admit that I don’t remember it.
The Untouchables (1987) was directed by Brian De Palma and stars Kevin Costner as Eliot Ness, a treasury agent who recruits a group of fellow cops and agents to take down mob boss Al Capone (Robert De Niro) in Prohibition-era Chicago, with Ness and his agents soon becoming known as the “untouchables” after refusing large bribes. Sean Connery, Andy Garcia and Charles Martin Smith make up the rest of the Untouchables.
An American gangster film is a dime a dozen, there have been countless over the years and the 1920s and 30s are always featured fairly heavily, no doubt due to the large number of criminal gangs and mobsters around in that era. Personally whilst The Untouchables is a good film, I don’t think there’s a lot in this to make it particularly notable or outstanding above any of the others. It’s engaging and interesting, which it should be considering the subject matter – it is based on a true story after all. The entire production looks great too; the sets, costumes and locations are very well done and definitely look the part.
The issue with The Untouchables is it’s too melodramatic, too over the top and clichéd. This isn’t helped by Ennio Morricone’s score, which feels far too heavy handed, cheesy and out of place for the scenes. Even the open title credits is ridiculously over dramatic. You can definitely tell this film was made in the 80s and I’m afraid that’s not a good thing. There’s also some questionable acting from Kevin Costner, and while admittedly I’ve never been a big fan of his, the script and some of the almost cringeworthy scenes with Ness’s wife don’t help matters. And De Niro’s Capone pops up in scenes that feel rather random and forced during the first hour, and seem completely out of place with the rest of the story.
Despite this, The Untouchables is still fairly enjoyable and this is mostly due to Sean Connery’s Malone, the role that he won his only Oscar for. The Irishman, despite sounding very Scottish, injects some much needed heart, humour and spirit into the film and without him, this would have been a very lacklustre film indeed. Even Connery’s horrific Irish accent is a source of amusement, and without the character having been described as Irish, I would’ve just assumed he was Scottish.
Overall, I found The Untouchables to be a decent and entertaining gangster film as long as you can ignore the melodramatic overtones. But I’m not convinced that it’s anything memorable or above average, and if it even deserves a place on this list.
Update: So after having watched this film and headed to my Bucket List to scratch it off, I realised that the film on this list is actually The Intouchables, a French film from 2012 also known as Untouchable. Oops. So I’m afraid The Untouchables isn’t number 7 ticked off my bucket list after all 😆
As with most of the films on this list, The Untouchables is a film that has garnered a great deal of acclaim over the years, and yet if I’ve ever seen it, I’m ashamed to admit that I don’t remember it.
The Untouchables (1987) was directed by Brian De Palma and stars Kevin Costner as Eliot Ness, a treasury agent who recruits a group of fellow cops and agents to take down mob boss Al Capone (Robert De Niro) in Prohibition-era Chicago, with Ness and his agents soon becoming known as the “untouchables” after refusing large bribes. Sean Connery, Andy Garcia and Charles Martin Smith make up the rest of the Untouchables.
An American gangster film is a dime a dozen, there have been countless over the years and the 1920s and 30s are always featured fairly heavily, no doubt due to the large number of criminal gangs and mobsters around in that era. Personally whilst The Untouchables is a good film, I don’t think there’s a lot in this to make it particularly notable or outstanding above any of the others. It’s engaging and interesting, which it should be considering the subject matter – it is based on a true story after all. The entire production looks great too; the sets, costumes and locations are very well done and definitely look the part.
The issue with The Untouchables is it’s too melodramatic, too over the top and clichéd. This isn’t helped by Ennio Morricone’s score, which feels far too heavy handed, cheesy and out of place for the scenes. Even the open title credits is ridiculously over dramatic. You can definitely tell this film was made in the 80s and I’m afraid that’s not a good thing. There’s also some questionable acting from Kevin Costner, and while admittedly I’ve never been a big fan of his, the script and some of the almost cringeworthy scenes with Ness’s wife don’t help matters. And De Niro’s Capone pops up in scenes that feel rather random and forced during the first hour, and seem completely out of place with the rest of the story.
Despite this, The Untouchables is still fairly enjoyable and this is mostly due to Sean Connery’s Malone, the role that he won his only Oscar for. The Irishman, despite sounding very Scottish, injects some much needed heart, humour and spirit into the film and without him, this would have been a very lacklustre film indeed. Even Connery’s horrific Irish accent is a source of amusement, and without the character having been described as Irish, I would’ve just assumed he was Scottish.
Overall, I found The Untouchables to be a decent and entertaining gangster film as long as you can ignore the melodramatic overtones. But I’m not convinced that it’s anything memorable or above average, and if it even deserves a place on this list.
Update: So after having watched this film and headed to my Bucket List to scratch it off, I realised that the film on this list is actually The Intouchables, a French film from 2012 also known as Untouchable. Oops. So I’m afraid The Untouchables isn’t number 7 ticked off my bucket list after all 😆
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Awix (3310 KP) rated The Foreigner (2017) in Movies
Feb 9, 2018 (Updated Feb 9, 2018)
I Wanna Know What a Roaring Rampage of Revenge Is
Not-as-lighthearted-as-you-might-expect vehicle for Jackie Chan and Pierce Brosnan: Chan plays an ex-special forces restauranteur whose daughter is killed in a terrorist attack, Brosnan the IRA man turned politician whom he pursues for information about the men responsible.
Obviously there's a bit of an issue with audience expectations where these two guys are concerned, as this film is considerably heavier than the kind of thing either of them usually makes, and the subject matter of this film might be considered a bit iffy anyway - terrorist bombings and the IRA are not usually the stuff of a jolly evening's entertainment. (Given that Brosnan's character somewhat resembles real-life Irish republican leader Gerry Adams, I would imagine that the libel lawyers had a profitable time with this film, too.)
But, that said, both actors are actually rather good, and when the action sequences come Campbell handles them with his usual aplomb - note I say when, for this is much more of a straight thriller than a martial arts action movie (it's certainly not a comedy of any stripe). It's all a bit dour and you get a distinct whiff of it all having been made on a low budget, but everyone involved deserves credit for being prepared to do something a bit different and doing a decent job with it.
(No idea why there's a picture of Steven Seagal listed with this movie; I suspect there may be more than one film titled The Foreigner and there's been a mixup.)
Obviously there's a bit of an issue with audience expectations where these two guys are concerned, as this film is considerably heavier than the kind of thing either of them usually makes, and the subject matter of this film might be considered a bit iffy anyway - terrorist bombings and the IRA are not usually the stuff of a jolly evening's entertainment. (Given that Brosnan's character somewhat resembles real-life Irish republican leader Gerry Adams, I would imagine that the libel lawyers had a profitable time with this film, too.)
But, that said, both actors are actually rather good, and when the action sequences come Campbell handles them with his usual aplomb - note I say when, for this is much more of a straight thriller than a martial arts action movie (it's certainly not a comedy of any stripe). It's all a bit dour and you get a distinct whiff of it all having been made on a low budget, but everyone involved deserves credit for being prepared to do something a bit different and doing a decent job with it.
(No idea why there's a picture of Steven Seagal listed with this movie; I suspect there may be more than one film titled The Foreigner and there's been a mixup.)
Zuky the BookBum (15 KP) rated The Wonder in Books
Mar 15, 2018
Also read my review here: http://bookbum.weebly.com/book-reviews/the-wonder-by-emma-donoghue
<b><i>It came to Lib then that the question to ask was not how a child might commit such a fraud, but why?</b></i>
<i>The Wonder</i> is an absolutely beautiful and thought-provoking novel and by far one of the best books I’ve read this year.
Set in towards the end of the 19th century, we meet one of Ms Nightingale’s own nurses, shipped out to Ireland to investigate a so-called miracle. Young Anna O’Donnell hasn’t eaten since her 11th birthday, which passed four months ago. Lib begins a frustrating journey into learning whether Anna is truly a modern day Saint.
She is determined to prove the miracle a hoax, but being faced with old Irish superstitions she doesn’t understand, sexism and strong Catholic faith, she has a hard time getting to the truth.
It’s a bit of a slow ride, but it’s interesting enough to keep you wanting to know more. Donoghue creates a beautifully vivid story for you to really lose yourself in, you’ll find yourself reading this book within a couple of days (or hours, depending on when you’re reading it). Not what I’d classify at a mystery novel - the story is so much more than just working out the story behind Anna’s apparent loss of appetite. It’s a story of faith, believing in yourself and following your heart.
A really enjoyable book, with a wide array of likable and dislikable characters, beautiful scenery and heart warming lessons to take away, this is a must read for any historical fiction lover.
<b><i>It came to Lib then that the question to ask was not how a child might commit such a fraud, but why?</b></i>
<i>The Wonder</i> is an absolutely beautiful and thought-provoking novel and by far one of the best books I’ve read this year.
Set in towards the end of the 19th century, we meet one of Ms Nightingale’s own nurses, shipped out to Ireland to investigate a so-called miracle. Young Anna O’Donnell hasn’t eaten since her 11th birthday, which passed four months ago. Lib begins a frustrating journey into learning whether Anna is truly a modern day Saint.
She is determined to prove the miracle a hoax, but being faced with old Irish superstitions she doesn’t understand, sexism and strong Catholic faith, she has a hard time getting to the truth.
It’s a bit of a slow ride, but it’s interesting enough to keep you wanting to know more. Donoghue creates a beautifully vivid story for you to really lose yourself in, you’ll find yourself reading this book within a couple of days (or hours, depending on when you’re reading it). Not what I’d classify at a mystery novel - the story is so much more than just working out the story behind Anna’s apparent loss of appetite. It’s a story of faith, believing in yourself and following your heart.
A really enjoyable book, with a wide array of likable and dislikable characters, beautiful scenery and heart warming lessons to take away, this is a must read for any historical fiction lover.
Sophia (Bookwyrming Thoughts) (530 KP) rated Xander and the Lost Island of Monsters (Momotaro, #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
I think I've grown out of reading middle grade books now. I find that a little sad - the first book in Dilloways Momotaro series isn't even a bad book, aside from the fact I kept expecting a Percy Jackson vibe (which, in a way, it kind of does).
Xander and the Lost Island of Monsters - if we're going down the Percy Jackson vibe (I'm pretty sure the synopsis makes the comparison .) - is basically Japanese folklore set in modern day, with plenty of Japanese mythological creatures making an appearance. Unfortunately, Xander definitely resembles a Japanese version of Percy Jackson - blue eyes, black hair, twelve years old, and the only difference? Xander has a bit of silver streak in his hair (oh wait ) and he's mixed (Asian and Irish).
It's no wonder I expected a lot of humor out of Dilloway's book (comparisons = high expectations). The first Momotaro book does have the occasional funny moment, but it just isn't as funny as I hoped it would be. (That might just be the fact I'm nineteen.)
Xander and the Lost Island of Monsters is set in a comic book like format with illustrations featured throughout the book, and it will definitely appeal more to younger audiences than the older ones. (And hopefully, it'll be more funny to them than to me.)
<a href="https://bookwyrmingthoughts.com/arc-review-xander-and-lost-island-of-monsters-by-margaret-dilloway/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
I think I've grown out of reading middle grade books now. I find that a little sad - the first book in Dilloways Momotaro series isn't even a bad book, aside from the fact I kept expecting a Percy Jackson vibe (which, in a way, it kind of does).
Xander and the Lost Island of Monsters - if we're going down the Percy Jackson vibe (I'm pretty sure the synopsis makes the comparison .) - is basically Japanese folklore set in modern day, with plenty of Japanese mythological creatures making an appearance. Unfortunately, Xander definitely resembles a Japanese version of Percy Jackson - blue eyes, black hair, twelve years old, and the only difference? Xander has a bit of silver streak in his hair (oh wait ) and he's mixed (Asian and Irish).
It's no wonder I expected a lot of humor out of Dilloway's book (comparisons = high expectations). The first Momotaro book does have the occasional funny moment, but it just isn't as funny as I hoped it would be. (That might just be the fact I'm nineteen.)
Xander and the Lost Island of Monsters is set in a comic book like format with illustrations featured throughout the book, and it will definitely appeal more to younger audiences than the older ones. (And hopefully, it'll be more funny to them than to me.)
<a href="https://bookwyrmingthoughts.com/arc-review-xander-and-lost-island-of-monsters-by-margaret-dilloway/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
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