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    Metronome M1 Pro

    Metronome M1 Pro

    Music and Utilities

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    Metronome M1 supports a wide tempo range between 10-300 BPM, ranging from Grave to Prestissimo...

Hark! The Village Wait by Steeleye Span
Hark! The Village Wait by Steeleye Span
1970 | Rock
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"This one's not quite as contemporary as Electrelane – in fact, that's putting it mildly! It's an old folk song that dates back to the seventeenth century, so it's been passed down through the generations. “This is the version that fits the mood of this collection of songs the best I think. It's another one about losing somebody; it's about a young woman who's lover has been kidnapped by a press gang and taken out to sea and she's not going to see him again - it's a terrible, terrible tragedy. “Steeleye Span are a funny band; they came out of a scene that's not too far removed from Kevin Ayers and that electric folk movement of the late ‘60s and early ‘70s. They evolved into something that perhaps wasn't so cool later on - there's a record called All Around My Hat that's a bit Alan Partridge - but those early albums are really great. “I definitely have a personal connection to ‘The Lowlands of Holland’. It's an unusual song, actually, in that I can never figure out whether it's Scottish or Irish in origin. It doesn't really matter, but it has significance for me because I live and have my studio in Dumfries and Galloway, and in the song, Gabe Woods is singing about the man from Galloway. “So I imagine it's where I am and when I'm hundreds or thousands of miles away from home, I hear that song and I imagine being back in Scotland. It generates a degree of homesickness and wistfulness and it's good to feel that, because it reminds you of what home is, and why you should return there.”"

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Night on Bald Mountain by Modest Mussorgsky
Night on Bald Mountain by Modest Mussorgsky
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"Growing up I didn't have an older brother, so all my music was formed by my mother and father. The latter would play old Irish folk songs and outlaw music by Johnny Cash and the only thing my mother would play was heavy melancholy orchestral movements like Night On Bald Mountain. What my mother would make me do is sit on the floor and tell my father to tell a story while putting on this record. This was big for me. I was probably four years old at the time. It sounded eerie, spooky and epic. My dad would make up these ghost stories but what he was really doing was recreating these children's story soundtracks that I'd listened to! I was too young to understand what he was doing at the time, but he was just making his personalised version of The Little Prince or Tales of Witches, Ghosts And Goblins. So he'd be like [eerie voice]: ""The ghosts would move up the Catskill Mountains..."" and I'd just sit there freezing in fear of these ghost stories! It was like having a musical campfire in your living room. Also, this song featured on the film Fantasia, which was my whole life up until the age of ten. It stuck with me and it was embedded in there now you're mixing visuals. I wasn't into the Mickey Mouse aspect of it, but when you watch the eerie castle and spooky ghosts, this is just feeding a young boy's imagination and this is the world he's going to confront when he grows up. These were all the ingredients going into my soup."

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