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Merissa (11731 KP) rated Openly Yours (Offbeat Shifters #2) in Books
Mar 3, 2021 (Updated Aug 2, 2023)
OPENLY MINE is the second book in the Offbeat Shifters series, and we continue with the tiger and monkey mates. Now openly mated, Isaac and Jesse have a busy time ahead of them. Not only is there the Youth Centre to get sorted, but Jesse is recording a new album. Because these two are suckers for punishment, they also decide to move home and arrange a wedding too. Throw in some health complications, and you've got a story to lose yourself in.
I thoroughly enjoyed this novel. And, as wrong as this may sound, I loved the part where Isaac and Jesse are dealing with some news that has a strong impact on both of them. I found this to be sympathetically written, whilst remaining true to the story.
The pacing is smooth and the supporting characters are just as good as in book one. One thing is clear, Jesse has dreams to fulfil and Isaac will move heaven and earth to help.
A great addition to the series, and one I am happy to recommend.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Mar 3, 2021
I thoroughly enjoyed this novel. And, as wrong as this may sound, I loved the part where Isaac and Jesse are dealing with some news that has a strong impact on both of them. I found this to be sympathetically written, whilst remaining true to the story.
The pacing is smooth and the supporting characters are just as good as in book one. One thing is clear, Jesse has dreams to fulfil and Isaac will move heaven and earth to help.
A great addition to the series, and one I am happy to recommend.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Mar 3, 2021
Gareth von Kallenbach (971 KP) rated The Wall (2017) in Movies
Jul 11, 2019
US Ranger Sniper, Staff Sargent Shane Matthews (John Cena), and his spotter, Sargent Allen “Eyes” Isaac, are investigating a distress call in the hot Iraqi desert above an oil pipeline construction area. From their camouflaged position they can see several dead bodies. They have waited close to 18 hours while sitting and observing the bodies and landscape, trying to determine what happened. Matthews decides the dead men below them must have been killed by a raid and after the hours of waiting he leaves the covered position to investigate up close. While Isaac believes that there is a chance this could be the work of a skilled sniper, he reluctantly agrees to let Matthews go.
As Isaac watches from cover Mathews surveys the carnage from up close and quickly realizes that Isaac must have been right. All of the men below were killed with skilled shots to the head. Before he can find cover or find where the shooter was positioned Mathews is shot in the stomach and falls to the ground. Isaac rushes to his aide but as soon as he gets close to his comrade he is shot in the knee. As shots rain down on him Isaac dives for cover behind a dilapidated wall. Now he is stuck behind fragile cover bleeding with his partner unable to move due to his wounds. Isaac scrabbles to radio for help but he only finds his radio antenna has been shot off. He has no idea where the shots came from only that he may be in the only safe place. Isaac is now suck behind a wall with no way to get to his severely wounded friend or call in reinforcements. Then over his short range two-way radio a voice can be heard and it’s not Matthews or help…it’s the enemy sniper.
The Wall is a suspense film directed by Doug Liman (Edge of Tomorrow, Fair Game and Mr. and Mrs. Smith). Overall the small cast gave good performances. I thought that John Cena did a good job in a limited role in this film. Aaron Taylor-Johnson did an adequate job, but since he was on screen by himself for the majority of the film I thought his performance was at times week. He was also really compelling at times which is why I think overall it was adequate. I think it was a good story but the build up to the end lacked the true suspense that could have made it a great story. I just didn’t have the ending that really made me sit on the edge of my seat. It felt like what was happening was inevitable. I commend the originality of the overall story. But when I am going to watch a suspenseful film I want just a little bit more. To me it lacked an edge and really captivating moment at the end. One of the things the film got right was how realistic it felt. The cinematography was gritty and fit the story really well.
Overall I came out of this film feeling good but thought that it was missing a little something. Worth a second viewing sometime in the future but probably save it for video or on demand.
As Isaac watches from cover Mathews surveys the carnage from up close and quickly realizes that Isaac must have been right. All of the men below were killed with skilled shots to the head. Before he can find cover or find where the shooter was positioned Mathews is shot in the stomach and falls to the ground. Isaac rushes to his aide but as soon as he gets close to his comrade he is shot in the knee. As shots rain down on him Isaac dives for cover behind a dilapidated wall. Now he is stuck behind fragile cover bleeding with his partner unable to move due to his wounds. Isaac scrabbles to radio for help but he only finds his radio antenna has been shot off. He has no idea where the shots came from only that he may be in the only safe place. Isaac is now suck behind a wall with no way to get to his severely wounded friend or call in reinforcements. Then over his short range two-way radio a voice can be heard and it’s not Matthews or help…it’s the enemy sniper.
The Wall is a suspense film directed by Doug Liman (Edge of Tomorrow, Fair Game and Mr. and Mrs. Smith). Overall the small cast gave good performances. I thought that John Cena did a good job in a limited role in this film. Aaron Taylor-Johnson did an adequate job, but since he was on screen by himself for the majority of the film I thought his performance was at times week. He was also really compelling at times which is why I think overall it was adequate. I think it was a good story but the build up to the end lacked the true suspense that could have made it a great story. I just didn’t have the ending that really made me sit on the edge of my seat. It felt like what was happening was inevitable. I commend the originality of the overall story. But when I am going to watch a suspenseful film I want just a little bit more. To me it lacked an edge and really captivating moment at the end. One of the things the film got right was how realistic it felt. The cinematography was gritty and fit the story really well.
Overall I came out of this film feeling good but thought that it was missing a little something. Worth a second viewing sometime in the future but probably save it for video or on demand.
Suswatibasu (1701 KP) rated Annihilation (2018) in Movies
Mar 15, 2018 (Updated Mar 15, 2018)
Last scene was the only good scene
I may be able to speak for many who saw this film and thought what the heck was that about? Natalie Portman, a biologist, ventures into unknown territory after her husband, played by Oscar Isaac, mysteriously reappears after a year completely oblivious to where he had been. In a bid to seek answers, she teams up with a group of women for what can only be described as a suicide mission.
This may have gone far past Philip K. Dick territory in bizarreness. Most of the film felt inconsequential, with strange atmospheric music, and confusing sequences of events. It definitely seemed like the director tried incredibly hard to create an intelligent science fiction thriller in the same vein as @Solaris (2002) or @Arrival (2016), but the weak plot just seemed to refract his overall intention (see what I did there?)
The last few scenes were probably the most gripping, and rather unnerving. But unfortunately two scenes does not make a film.
This may have gone far past Philip K. Dick territory in bizarreness. Most of the film felt inconsequential, with strange atmospheric music, and confusing sequences of events. It definitely seemed like the director tried incredibly hard to create an intelligent science fiction thriller in the same vein as @Solaris (2002) or @Arrival (2016), but the weak plot just seemed to refract his overall intention (see what I did there?)
The last few scenes were probably the most gripping, and rather unnerving. But unfortunately two scenes does not make a film.
Awix (3310 KP) rated Sleeper (1973) in Movies
Mar 11, 2018 (Updated Mar 11, 2018)
One of the best of Woody Allen's early pure comedies. Allen (basically playing the same character as always) wakes up in 2173 and is recruited by rebels seeking to bring down an oppressive totalitarian regime.
Simply a very funny film; a much more visual comedy than you would expect from Allen - I have seen suggestions that the whole thing is intended as a homage to Benny Hill - but there are the usual one-liners (also a few slightly dodgy stereotype-based jokes). Very much a spoof of late 60s/early 70s SF movies like THX-1138 and 2001; the SF content is surprisingly solid courtesy of uncredited script consultancy from Isaac Asimov (this may well be the first SF movie to deal with the concept of cloning). Worth watching just for the sequence with the banana and the chicken.
Simply a very funny film; a much more visual comedy than you would expect from Allen - I have seen suggestions that the whole thing is intended as a homage to Benny Hill - but there are the usual one-liners (also a few slightly dodgy stereotype-based jokes). Very much a spoof of late 60s/early 70s SF movies like THX-1138 and 2001; the SF content is surprisingly solid courtesy of uncredited script consultancy from Isaac Asimov (this may well be the first SF movie to deal with the concept of cloning). Worth watching just for the sequence with the banana and the chicken.
Night Reader Reviews (683 KP) rated The Figment Wars: Search for the Caretaker in Books
Jan 9, 2020
The Figment Wars: Search for the Caretaker by David R. Lord is the second book but clearly it is not intended to be last of the Figment Wars series. Old friends are reunited and familiar foes are faced along side some new ones in this twisty, imaginative story. While it is not completely required I highly recommend reading The Figment Wars: Through the Portal before this one.
In the previous book Thomas, Isaac, and Emily defeated Torvik in the Realm of Imagination and watched him disappear into the Void, or so they thought. After returning home from their family vacation Thomas and Isaac get ready for the start of their school year and are introduced to their new headteacher Mr. Newman. To their surprise, the headteacher is someone they have already met and they quickly become concerned about his plans for the school. Thomas and Isaac decide that trying to find The Caretaker is probably their best bet and turn to the internet for information.
This brings them to the attention of The Society whose ultimate goal is to kill The Caretaker and destroy the Realm of Imagination in order to become extremely powerful and take over the world. This threat greatly trumps that of Mr. Newman, especially once one member of The Society, Magnus, gets a hold of an artifact giving his imagination full power in the Realm of Reality. Thomas and Isaac, along with Emily and Clark team up with Mr. Newman to put an end to the new threat and send the artifact back to the Realm of Imagination. This all goes according to plan until Magnus refuses to let go of the artifact.
What I liked best was that the old saying The enemy of my enemy is my friend plays a big role as two unlikely groups team-up. It is great to see a change of heart in some of the characters as the come to recognize new facts about their own existence. It was also wonderful to see how the Realm of Imagination was created. I was disappointed to see Isaac being left out at the end of the book but I feel like he may play a bigger role than expected in the next one. I was also surprised at how quickly Thomass parents let Thomas and Emily go, but that is normally the case with this type of book.
Just like the one before it this second Figment Wars book is geared towards the young adult age range. While this is such a broad group it is fitting as people of all ages will enjoy this book. I increased the rating of this book from the 3 out of 4 of its prequel to a rating of 4 out of 4. This book doesn't just take place in the same world(s) as the first one but directly continues after its end. The rules established in the first are also still followed even if it makes things difficult and inconvenient for some characters. I hope to have the chance to read book three.
https://nightreaderreviews.blogspot.com
In the previous book Thomas, Isaac, and Emily defeated Torvik in the Realm of Imagination and watched him disappear into the Void, or so they thought. After returning home from their family vacation Thomas and Isaac get ready for the start of their school year and are introduced to their new headteacher Mr. Newman. To their surprise, the headteacher is someone they have already met and they quickly become concerned about his plans for the school. Thomas and Isaac decide that trying to find The Caretaker is probably their best bet and turn to the internet for information.
This brings them to the attention of The Society whose ultimate goal is to kill The Caretaker and destroy the Realm of Imagination in order to become extremely powerful and take over the world. This threat greatly trumps that of Mr. Newman, especially once one member of The Society, Magnus, gets a hold of an artifact giving his imagination full power in the Realm of Reality. Thomas and Isaac, along with Emily and Clark team up with Mr. Newman to put an end to the new threat and send the artifact back to the Realm of Imagination. This all goes according to plan until Magnus refuses to let go of the artifact.
What I liked best was that the old saying The enemy of my enemy is my friend plays a big role as two unlikely groups team-up. It is great to see a change of heart in some of the characters as the come to recognize new facts about their own existence. It was also wonderful to see how the Realm of Imagination was created. I was disappointed to see Isaac being left out at the end of the book but I feel like he may play a bigger role than expected in the next one. I was also surprised at how quickly Thomass parents let Thomas and Emily go, but that is normally the case with this type of book.
Just like the one before it this second Figment Wars book is geared towards the young adult age range. While this is such a broad group it is fitting as people of all ages will enjoy this book. I increased the rating of this book from the 3 out of 4 of its prequel to a rating of 4 out of 4. This book doesn't just take place in the same world(s) as the first one but directly continues after its end. The rules established in the first are also still followed even if it makes things difficult and inconvenient for some characters. I hope to have the chance to read book three.
https://nightreaderreviews.blogspot.com
David McK (3216 KP) rated I, Robot (2004) in Movies
Oct 30, 2022
I think it was Isaac Asimov who came up with the 3 laws of Robotics, as follows:
1.A robot may not injure a human being or, through inaction, allow a human being to come to harm.
2. A robot must obey the orders given to it by human beings, except where such orders would conflict with the First Law.
3. A robot must protect its own existence as long as such protection does not conflict with the First or Second Laws.
That's the starting point for this movie, which sees Technophobic 2035 cop Del Spooner (Will Smith) convinced that a robot has just carried out a murder - something which, by those laws, should be impossible for it to do.
The film then takes in the concept of free will and consciousness, all - as an action thriller - wrapped up in a mystery and with a few helpings of what I'm going to call 'wham blam' action
Surprisingly enjoyable.
1.A robot may not injure a human being or, through inaction, allow a human being to come to harm.
2. A robot must obey the orders given to it by human beings, except where such orders would conflict with the First Law.
3. A robot must protect its own existence as long as such protection does not conflict with the First or Second Laws.
That's the starting point for this movie, which sees Technophobic 2035 cop Del Spooner (Will Smith) convinced that a robot has just carried out a murder - something which, by those laws, should be impossible for it to do.
The film then takes in the concept of free will and consciousness, all - as an action thriller - wrapped up in a mystery and with a few helpings of what I'm going to call 'wham blam' action
Surprisingly enjoyable.
Gareth von Kallenbach (971 KP) rated Operation Finale (2018) in Movies
Jul 2, 2019
Fifteen years after the end of World War II there are still high ranking Nazi officials who have not been brought to justice. One of the biggest names to yet be captured is Adolph Eichmann (Ben Kingsley), the so called Architect of the Final Solution. Then in May 1960 someone in Argentina tips off the Israeli government that Eichmann may be hiding out in near Buenos Ares, Argentina. When the leader of an Israeli special unit finds out he sends an agent, Zvi Aharoni (Michael Aronov), to confirm the identity of the war criminal. When they determine that this has to be their man, a unit of operatives led by Peter Malkin (Oscar Isaac) set out to bring Eichmann to justice. In the past the unit has been able to deliver swift justice and in most cases there was no trial. But for a man that brought so much pain to so many Jewish people they must bring him to justice in the newly established state of Israel for all the world to see. Unfortunately the Argentine government would object to such an operation on its soil. So risky and daring plan for Peter to grab Eichmann near his home and get him to a safe house nearby. The would then have disguise him and Doctor Hanna Elian (Melanie Laurent) would have to keep him drugged all the way to the airport and on to awaiting plane out of the country. All of this will dodging Nazi sympathizers both in the police and roaming the streets. But for the 6 million of their people who died at the hands of men like Eichmann they must try.
This is the incredible true story of the capture of one of the top Nazi officials. The story is set up well by Director Chris Weitz (About a Boy, The Golden Compass). Ben Kingsley and Oscar Isaac give outstanding performances. Kingsley’s character and how his story develops is interesting. The entire supporting cast does well and Nick Kroll (Sing, The House) brings a surprising bit of fun to a heavy story line. Some may say the bits of humor might be a little odd given the subject matter but I thought it brought a realness and humanity to the film. The balance between the humor and showing the horror of World War II was really well done. At a little over two hours it does run a little long and there are flashback scenes that are at inconsistent times.
I was pleasantly surprised by this film. Not having heard this story before I enjoyed how this film was laid out for the audience. It definitely made me want to learn more about this unique true story. I think this is a film that shows the importance of people fighting to bring truth and justice to the world regardless of the odds.
This is the incredible true story of the capture of one of the top Nazi officials. The story is set up well by Director Chris Weitz (About a Boy, The Golden Compass). Ben Kingsley and Oscar Isaac give outstanding performances. Kingsley’s character and how his story develops is interesting. The entire supporting cast does well and Nick Kroll (Sing, The House) brings a surprising bit of fun to a heavy story line. Some may say the bits of humor might be a little odd given the subject matter but I thought it brought a realness and humanity to the film. The balance between the humor and showing the horror of World War II was really well done. At a little over two hours it does run a little long and there are flashback scenes that are at inconsistent times.
I was pleasantly surprised by this film. Not having heard this story before I enjoyed how this film was laid out for the audience. It definitely made me want to learn more about this unique true story. I think this is a film that shows the importance of people fighting to bring truth and justice to the world regardless of the odds.
Merissa (11731 KP) rated Eeny Meeny by Laura N. Andrews in Books
Jun 15, 2022 (Updated Jun 19, 2023)
EENY MEENY is a standalone novella in the Nursery Crimes series. I have to say, this is the first time I've read about a psychopath as the main GOOD character!
Honestly? This novella was brilliant. Originally, I planned on giving 4-stars but then I realised that there is nothing wrong with the story as it is. It's just me being greedy, wanting a full-blown novel. Of course, with it being a novella, the pacing is fast and the emotional connection between the main characters is pretty much instant, but still!
This is a complete story, including details of Elizabeth's childhood, her relationship with her mum, and her feelings for Isaac. She may not have the full scope of emotions but she loves him with all that she is. And that is enough! You also find out about those she targets and why. It really is all here.
Ms Andrews' writing never disappoints! Very different to what she's written previously, she nevertheless nailed it. Very different and I loved every word. Highly recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 8, 2022
Honestly? This novella was brilliant. Originally, I planned on giving 4-stars but then I realised that there is nothing wrong with the story as it is. It's just me being greedy, wanting a full-blown novel. Of course, with it being a novella, the pacing is fast and the emotional connection between the main characters is pretty much instant, but still!
This is a complete story, including details of Elizabeth's childhood, her relationship with her mum, and her feelings for Isaac. She may not have the full scope of emotions but she loves him with all that she is. And that is enough! You also find out about those she targets and why. It really is all here.
Ms Andrews' writing never disappoints! Very different to what she's written previously, she nevertheless nailed it. Very different and I loved every word. Highly recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 8, 2022
Merissa (11731 KP) rated Mine, Body and Soul: Trilogy (The Playroom #1-3) in Books
May 10, 2021 (Updated Jul 26, 2023)
MINE, BODY AND SOUL is the trilogy that tells Lenny and Nathan's story. I first met them in MADE TO SUBMIT, the third book in the La Trattoria Di Amore series, and I needed more.
My heart went out to both of these down-but-not-out men, and I couldn't wait for them to fit their pieces together to form a whole. There is no rushing in this set, and I loved that! I loved the slow burn, the getting to know each other, the concerns and worries every new relationship has. And let's face it, these two have a couple more worries and concerns than a 'normal' couple would. They are both scarred, internally and externally, and are trying to find their way. And they were given the time to do so! Brilliant.
Not only do we get Lenny and Nathan's stories, but we are also tantalised with new characters, that I now need to know more about too! Isaac and Ferron, and Jake and Bailey, for example.
This was a slow-burn, gorgeous read that I devoured and loved every word. Absolutely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 10, 2021
My heart went out to both of these down-but-not-out men, and I couldn't wait for them to fit their pieces together to form a whole. There is no rushing in this set, and I loved that! I loved the slow burn, the getting to know each other, the concerns and worries every new relationship has. And let's face it, these two have a couple more worries and concerns than a 'normal' couple would. They are both scarred, internally and externally, and are trying to find their way. And they were given the time to do so! Brilliant.
Not only do we get Lenny and Nathan's stories, but we are also tantalised with new characters, that I now need to know more about too! Isaac and Ferron, and Jake and Bailey, for example.
This was a slow-burn, gorgeous read that I devoured and loved every word. Absolutely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 10, 2021
Bob Mann (459 KP) rated Life Itself (2018) in Movies
Sep 28, 2021
Love Actually with all the saccharine squeezed out.
Not the documentary of the same name from 2014 about the critic Rogert Ebert. This is an Amazon Studios/Sky Cinema Original Film (trying to follow where Netflix is boldly going), and as such it only had a very limited release in UK cinemas which I managed to miss.
The plot.
This is an anthology film in the style of “Crash” or – actually, “Love Actually” – featuring a series of inter-linked stories. We start with a depressed Will (Oscar Isaac) flashing back to his apparently idyllic life with pregnant wife Abby (Olivia Wilde). Apparantly? Well, perhaps the narrator is unreliable. So what actually happened? Where is Abby now? Where is his child?
Mid-film we switch into a Spanish-language section, set in Spain, featuring an ambitious olive-picker Javier González (Sergio Peris-Mencheta), his sweetheart Isabel (Laia Costa) and his employer Mr. Saccione (Antonio Banderas).
(“What the F!”, you are saying to yourself at this point, “How is this all related?”).
To say any more would provide spoilers: but, confused as you may be, it’s a journey worth sticking with.
Messing with time and your mind.
The film plays fast and loose with chronology and we zap backwards and forwards through the story which can be unsettling. It’s a film that keeps you on your toes, and you need to listen to director/writer Dan Fogelman‘s dialogue as there are clues as to where you are going next. It’s certainly not the ‘sit-back-and-relax’ “rom-com” that I mistakenly sold it to my wife as for our evening viewing!
A star of the film is the editor Julie Monroe (“Midnight Special“). There are some significant twists in the film, some of which are well signposted; others very much not so!
The turns
Has Oscar Isaac done a bad film? (I’m sure some haters of the latest Star Wars episodes might have an answer!). Here he has to execute an enormous range and he just about pulls it off. Olivia Wilde is also convincing as Abby.
In the Spanish section, Antonio Banderas is as impressive as you expect, and Laia Costa – an actress not previously known to me – is initially good as the young love interest, but I thought she was rather over-extended in the later scenes in her story.
Elsewhere, the rising star Olivia Cooke again impresses as a troubled teen; Annette Bening is a psychologist; “Homeland”‘s Mandy Patinkin plays Will’s father; and an f-ing and blinding Samuel L Jackson even appears at the start of the film (a blink and you’d miss it line of dialogue explains the context).
Good?
I wasn’t expecting to, but I really enjoyed this one. I’ve read some completely eviscerating reviews of the movie, but I’ve not sure where those were coming from. I found it a non-standard journey requiring a level of intelligence to appreciate the nuances of the script. My guess would be that many of the naysayers on IMDB never made it past the Spanish interlude. Others will not have liked the coincidence in the final reel (no spoilers). I do appreciate that it needs a suspension of belief. But this is a movie about the random coincidences of life. I remember running into a work colleague on the backstreets of Lone Pine in California, 5,271 miles away from where we both worked. Coincidences DO happen.
I’m not a fan of this whole new “almost straight to streaming” approach: I wish I could have seen this one on the big screen. But my view would be that it’s well worth catching if you have access to Amazon or Sky services (Sky or Now TV in the UK).
The plot.
This is an anthology film in the style of “Crash” or – actually, “Love Actually” – featuring a series of inter-linked stories. We start with a depressed Will (Oscar Isaac) flashing back to his apparently idyllic life with pregnant wife Abby (Olivia Wilde). Apparantly? Well, perhaps the narrator is unreliable. So what actually happened? Where is Abby now? Where is his child?
Mid-film we switch into a Spanish-language section, set in Spain, featuring an ambitious olive-picker Javier González (Sergio Peris-Mencheta), his sweetheart Isabel (Laia Costa) and his employer Mr. Saccione (Antonio Banderas).
(“What the F!”, you are saying to yourself at this point, “How is this all related?”).
To say any more would provide spoilers: but, confused as you may be, it’s a journey worth sticking with.
Messing with time and your mind.
The film plays fast and loose with chronology and we zap backwards and forwards through the story which can be unsettling. It’s a film that keeps you on your toes, and you need to listen to director/writer Dan Fogelman‘s dialogue as there are clues as to where you are going next. It’s certainly not the ‘sit-back-and-relax’ “rom-com” that I mistakenly sold it to my wife as for our evening viewing!
A star of the film is the editor Julie Monroe (“Midnight Special“). There are some significant twists in the film, some of which are well signposted; others very much not so!
The turns
Has Oscar Isaac done a bad film? (I’m sure some haters of the latest Star Wars episodes might have an answer!). Here he has to execute an enormous range and he just about pulls it off. Olivia Wilde is also convincing as Abby.
In the Spanish section, Antonio Banderas is as impressive as you expect, and Laia Costa – an actress not previously known to me – is initially good as the young love interest, but I thought she was rather over-extended in the later scenes in her story.
Elsewhere, the rising star Olivia Cooke again impresses as a troubled teen; Annette Bening is a psychologist; “Homeland”‘s Mandy Patinkin plays Will’s father; and an f-ing and blinding Samuel L Jackson even appears at the start of the film (a blink and you’d miss it line of dialogue explains the context).
Good?
I wasn’t expecting to, but I really enjoyed this one. I’ve read some completely eviscerating reviews of the movie, but I’ve not sure where those were coming from. I found it a non-standard journey requiring a level of intelligence to appreciate the nuances of the script. My guess would be that many of the naysayers on IMDB never made it past the Spanish interlude. Others will not have liked the coincidence in the final reel (no spoilers). I do appreciate that it needs a suspension of belief. But this is a movie about the random coincidences of life. I remember running into a work colleague on the backstreets of Lone Pine in California, 5,271 miles away from where we both worked. Coincidences DO happen.
I’m not a fan of this whole new “almost straight to streaming” approach: I wish I could have seen this one on the big screen. But my view would be that it’s well worth catching if you have access to Amazon or Sky services (Sky or Now TV in the UK).