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Jonas Carpignano recommended Salvatore Giuliano (1962) in Movies (curated)

 
Salvatore Giuliano (1962)
Salvatore Giuliano (1962)
1962 | International, Drama
(0 Ratings)
Movie Favorite

"Salvatore Giuliano was my first introduction to Rosi’s work and today remains my absolute favorite of his films. It is the film that taught me that historical and political films don’t necessarily need to be didactic and lacking in tension and narrative energy. It is a film that explores the many shades of an incredibly important moment in Italian history, without judgment and without an overt agenda, and that is something I have always valued in cinema. Among the writers on the film is Suso Cecchi D’Amico, who coauthored some of my favorite films, including The Leopard, Bicycle Thieves, and Rocco and His Brothers. She is also credited on a film I hope Criterion will release in the future, Scorsese’s My Voyage to Italy."

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    Pango is dreaming

    Pango is dreaming

    Games and Book

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    App

    Discover 5 unpublished PANGO stories ! An interactive book to share with your child. Pango is...

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Goddess in the Stacks (553 KP) rated The Brilliant Death in Books

Jan 16, 2019  
The Brilliant Death
The Brilliant Death
Amy Rose Capetta | 2018 | Young Adult (YA)
8
7.8 (4 Ratings)
Book Rating
It's not often that I like a relationship more than I like the separate parts of it, but that's the case with The Brilliant Death. I love Teo and Cielo together. As a couple they are amazing. I like them individually, but together they are something unique and lovely. By the end of the book, they can both switch genders at will, and they love each other for who they are, not what bodies they happen to be wearing.

This book plays with the gender binary, giving us two characters who dance from boy to girl and back again when it's convenient for them. Teo uses this ability to masquerade as her brother, going to the capital city when summoned by the ruler of her country after the assassination of her father.

If Teo's name and the use of the word "strega" hadn't given it away, the book is very Italian-inspired. The family ties, the landscape, the names, the atmosphere is unmistakably Italian. While that's still a Western European culture, it's not one we actually see in fantasy that often, which makes this book more enthralling.

While Teo juggles loyalties to family, country, and friends, Cielo is on a mission to find out what happened to their mother. Falling in love isn't in the plan for either of them, but when is it, really?

I loved the magic, the characters, and the setting of this one, and I really hope there's going to be a sequel. The plot was definitely left open enough to allow for one, though I could be happy with this as a standalone, too.

You can read all my reviews at http://goddessinthestacks.com
  
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Jonas Carpignano recommended Paisan (Paisà) (1948) in Movies (curated)

 
Paisan (Paisà) (1948)
Paisan (Paisà) (1948)
1948 | International, Classics, Comedy
(0 Ratings)
Movie Favorite

"This is another film my grandfather showed me at a very young age. It was one of the first times I ever saw reality unfold like that on-screen. The more I watch it, the more that different things pop out. When I was young, this was the first time I ever saw an interaction between an African American and a young Italian kid—and that was big for me, because when I was in Italy my mother was always the only African American around and I was this young Italian kid. So seeing both these cultures represented, and seeing the way they’re represented, made me realize cinema could reflect life—that it’s not just about entertainment, that it can be about something very real. When you really think about the postwar years, the image of Italy was very much constructed through Rossellini films. In the era of Fascism, people like Rossellini and the partisan movement were silenced, so it’s not that they didn’t exist—it’s just that they weren’t allowed to be as vocal because their lives were at stake. The fact that he gave a voice to this movement, showing that Italy did in fact have this fiercely anti-Fascist side that suffered as much as anyone, I think was very important for how Italy has been seen in the postwar years. It’s one of those rare moments when a director has this deeply personal film to make that also coincides with one of the biggest events in world history. I’m definitely drawn to this tradition of filmmaking because I grew up on these films as much as I grew up on Disney."

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    WeSpeke Chat

    WeSpeke Chat

    Social Networking and Education

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    App

    Learn English, Spanish, Portuguese, Italian, German, and 200+ additional languages while chatting...