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Bob Mann (459 KP) rated The Trip To Spain (2017) in Movies
Sep 29, 2021
Moore should be less.
“The Trip to Spain” is the third in the series of ‘culinery travelogue’ TV programmes by Steve Coogan (“Philomena“) and Rob Brydon (“Gavin and Stacey”). The pair travel by car through Spain sampling the local delicacies while constantly trying to self-salve their fragile egos and trying to out-do each other with comedy spiel. This is of course not a “documentary” as such, since the pair are playing up to their extreme alter-egos (presumably!) of what people expect them to be like. Actors playing their family, agents, etc. call them at various points on the trip to either pour oil on troubled waters or (more often) add fuel to the fire.
All ashore. The guys arrive in Santander.
The six original half hour TV episodes have been edited down into a feature length journey. And this is part of the problem. Repetition that can be forgiven and forgotten about when you see an episode every week, but can become tiresome when forced on you as a continuous stream.
Brydon drinks; Coogan doesn’t; both impersonate.
In this case the repetitive content delivered by Coogan and Brydon are their (normally very good) impersonations of famous stars (most of which it has to be said are British so won’t resonate with a non-UK audience). Roger Moore in particular gets trotted out INTERMINABLY and while some of it is extremely funny – an exchange between Moore as Bond and Scaramanga had me snorting tea out of my nose – it all gets too much by the end.
Coogan in mid-Jagger.
Appearing to recognise this need for more variety, additional characters from Steve’s team join them for a part of their trip – Emma (Clare Keelan) and Yolanda (Marta Barrio). Unfortunately, the additions are just plain dull: they just sit alongside Coogan and Brydon and laugh at their impressions, adding nothing. Now if they had been a couple of good female impersonators, like Ronni Ancona and Jan Ravens, that could act as a foil to the male duo, THAT would have been entertaining.
Coogan and Brydon strides the local streets.
The film also suffers from “Top Gear Challenge” disease. The problem with filming a car journey through Spain is that you know there are not twenty film crews deployed along the route to do the filming…. all of the cameras are carefully set up in advance with someone on a walkie-talkie saying “OK, Steve – coffee down, we’re ready for you to drive over the hill now”. So something that should feel natural and documentary-like feels 100% the opposite.
Tilting at windmills. Brydon and Coogan as Sancho Panza and Don Quixote.
So… if you like Coogan and Brydon, and especially if you liked their Northern England and Italy “trips”, then you will get more laughs out of this one. But I think the concoction needs to be put through the blender and re-heated before it comes out for a fourth outing.
All ashore. The guys arrive in Santander.
The six original half hour TV episodes have been edited down into a feature length journey. And this is part of the problem. Repetition that can be forgiven and forgotten about when you see an episode every week, but can become tiresome when forced on you as a continuous stream.
Brydon drinks; Coogan doesn’t; both impersonate.
In this case the repetitive content delivered by Coogan and Brydon are their (normally very good) impersonations of famous stars (most of which it has to be said are British so won’t resonate with a non-UK audience). Roger Moore in particular gets trotted out INTERMINABLY and while some of it is extremely funny – an exchange between Moore as Bond and Scaramanga had me snorting tea out of my nose – it all gets too much by the end.
Coogan in mid-Jagger.
Appearing to recognise this need for more variety, additional characters from Steve’s team join them for a part of their trip – Emma (Clare Keelan) and Yolanda (Marta Barrio). Unfortunately, the additions are just plain dull: they just sit alongside Coogan and Brydon and laugh at their impressions, adding nothing. Now if they had been a couple of good female impersonators, like Ronni Ancona and Jan Ravens, that could act as a foil to the male duo, THAT would have been entertaining.
Coogan and Brydon strides the local streets.
The film also suffers from “Top Gear Challenge” disease. The problem with filming a car journey through Spain is that you know there are not twenty film crews deployed along the route to do the filming…. all of the cameras are carefully set up in advance with someone on a walkie-talkie saying “OK, Steve – coffee down, we’re ready for you to drive over the hill now”. So something that should feel natural and documentary-like feels 100% the opposite.
Tilting at windmills. Brydon and Coogan as Sancho Panza and Don Quixote.
So… if you like Coogan and Brydon, and especially if you liked their Northern England and Italy “trips”, then you will get more laughs out of this one. But I think the concoction needs to be put through the blender and re-heated before it comes out for a fourth outing.
Erika (17788 KP) rated Stillwater (2021) in Movies
Aug 3, 2021
The film Stillwater is based upon and exploits the Amanda Knox story. Swapping Italy for the town of Marseille, France, Allison (Abigail Breslin), an American university student is convicted of killing her girlfriend, Lina. Bill (Matt Damon), Allison’s estranged father, visits her regularly in prison, and is convinced of her innocence.
The majority of the film focuses on Bill’s quest to prove her innocence. Bill is a roughneck (oil driller), good ol’ boy Okie from Stillwater. After delivering a letter to Allison’s lawyer with new information, he takes it upon himself to find the main suspect, Akim, with the help of Virginie (Camille Cottin). This is completely against Allison’s wishes, because she sees him, and herself, as a ‘fuck-up’.
Bill develops a relationship with Virginie, and her daughter, Maya (Lilou Siauvaud). After Allison refuses to see him anymore, Bill stays with Virginie, as a friend, helps with Maya, and goes native. Honestly, the subplot of this relationship with Virginie that progresses to a romantic relationship, and the fatherly relationship to Maya, slow the film down to a snail’s pace. The story finally picks up again, when Bill takes Maya to a football game, and he captures Akim. Bill collects DNA from Akim, hands it to an ex-cop, then finally learns the truth of what happened with the murder of Lina. This situation ruins his relationship with his new French family, and he goes back to Stillwater, quickly followed by Allison, after she is released after the DNA matches what was left at the crime scene.
I was originally pretty excited to see the film, but then I read a Vanity Fair interview with the director, Tom McCarthy. McCarthy mentioned that he wanted to be in the shoes of Amanda Knox, or something like that. Knox, who was found not guilty for the murder of Meredith Kercher, was probably very available. Knox came out after the article was published and voiced that her story was being exploited. Reading her responses made me have really icky feelings, and I almost didn’t go see it, because they’re profiting off her story. To be fair, Knox is profiting off her own story as well, but it still isn’t right. This situation hurt the film, in my opinion, and I think the box office numbers in the US reflect that as well. I would have rated this film higher, and enjoyed it more, had I not seen the press surrounding it. I don’t know whether that’s a good or bad thing.
Damon did well in his portrayal of an Okie roughneck, and you could tell he really did study to nail the role. Breslin was neither here nor there, and I didn’t necessarily sympathize with her at all. So, I didn’t really care in the end if she got out of prison or not.
This film clocks in at 2 hours and 20 minutes, and it felt like a 2 hour and 20-minute film. I didn’t like the subplot, at all. It made the movie so bloated, and I kind of just wanted it to end. I don’t think this film is going to do well outside of the US, at all.
The majority of the film focuses on Bill’s quest to prove her innocence. Bill is a roughneck (oil driller), good ol’ boy Okie from Stillwater. After delivering a letter to Allison’s lawyer with new information, he takes it upon himself to find the main suspect, Akim, with the help of Virginie (Camille Cottin). This is completely against Allison’s wishes, because she sees him, and herself, as a ‘fuck-up’.
Bill develops a relationship with Virginie, and her daughter, Maya (Lilou Siauvaud). After Allison refuses to see him anymore, Bill stays with Virginie, as a friend, helps with Maya, and goes native. Honestly, the subplot of this relationship with Virginie that progresses to a romantic relationship, and the fatherly relationship to Maya, slow the film down to a snail’s pace. The story finally picks up again, when Bill takes Maya to a football game, and he captures Akim. Bill collects DNA from Akim, hands it to an ex-cop, then finally learns the truth of what happened with the murder of Lina. This situation ruins his relationship with his new French family, and he goes back to Stillwater, quickly followed by Allison, after she is released after the DNA matches what was left at the crime scene.
I was originally pretty excited to see the film, but then I read a Vanity Fair interview with the director, Tom McCarthy. McCarthy mentioned that he wanted to be in the shoes of Amanda Knox, or something like that. Knox, who was found not guilty for the murder of Meredith Kercher, was probably very available. Knox came out after the article was published and voiced that her story was being exploited. Reading her responses made me have really icky feelings, and I almost didn’t go see it, because they’re profiting off her story. To be fair, Knox is profiting off her own story as well, but it still isn’t right. This situation hurt the film, in my opinion, and I think the box office numbers in the US reflect that as well. I would have rated this film higher, and enjoyed it more, had I not seen the press surrounding it. I don’t know whether that’s a good or bad thing.
Damon did well in his portrayal of an Okie roughneck, and you could tell he really did study to nail the role. Breslin was neither here nor there, and I didn’t necessarily sympathize with her at all. So, I didn’t really care in the end if she got out of prison or not.
This film clocks in at 2 hours and 20 minutes, and it felt like a 2 hour and 20-minute film. I didn’t like the subplot, at all. It made the movie so bloated, and I kind of just wanted it to end. I don’t think this film is going to do well outside of the US, at all.
Gareth von Kallenbach (968 KP) rated The Hitman's Wife's Bodyguard (2021) in Movies
Jun 9, 2021
When audiences last saw Bodyguard Michael Bryce (Ryan Reynolds); he was dealing with the aftermath of helping save the day and his long-time nemesis Darius Kincaid (Samuel L. Jackson). Taking place shortly after the events of the first film; “The Hitman’s Wife’s Bodyguard” finds Michael trying therapy after he has a reoccurring and disturbing dream following the loss of his AAA Bodyguard license.
His Therapist is eager to be rid of him and his multiple neuroses and suggests that he give up guns and the life he knew and find himself and his future self while relaxing in Italy.
Michael accepts this and becomes at peace and is so clueless that while lounging with his noise-canceling headphones by the pool; he is oblivious to a brutal and protracted gunfight around him.
In no time; Sonia Kincaid (Selma Hayek); whisks Michael away and fills his ears with a string of highly unfiltered comments and rants. It seems that Darius has been kidnapped and asked her to get Michael to help him out. Michael is unwilling to use guns and finds the to say unstable would be kind; Sonia to be way too unhinged for his new lease on life and that Kincaid wanted “Anyone but Michael” when he asked his wife to get help.
The trio is forced to work with one another by Interpol as it seems there is a plot underway to destroy the European Union and Michael, Sonia, and Darius have no choice but to do the bidding of the Government or face charges.
The fact that Sonia is desperate for a baby and a Honeymoon only complicates matters further as they recklessly head to their assigned mission and find that a very wealthy individual has nefarious plans and has hired elite professionals to ensure all opposition to his plans are removed.
What follows is a madcap, violent, and dysfunctional romp as the trio battle the bad guys, the law, their own abundant issues, and each other to try to save the day and clear their slate with the authorities.
While the film is not going to win many points for an original, complex, or overly complex plot; the setup and narrative serve to give the film a showcase for its strengths which are the three leads. Reynolds and Jackson work very well with one another and Hayek often steals her scenes with her compassionate yet teetering on the unhinged portrayal of Sonia.
The jokes fly as frequently as the blood and the bullets and there is some great scenery as well which frames the action and story perfectly. There are also some appearances by some very good actors in significant supporting roles which I will not spoil but suffice it to say they really support the main cast well.
I summarized my reaction to the local Publicist as follows…” Not much plot, cartoony bad guys; but the great cast, action, and humor”. While the film will not set a new standard in the Action Comedy category, it is still an enjoyable enough romp despite the flaws and it would be great to see the trio back for another madcap adventure down the line.
His Therapist is eager to be rid of him and his multiple neuroses and suggests that he give up guns and the life he knew and find himself and his future self while relaxing in Italy.
Michael accepts this and becomes at peace and is so clueless that while lounging with his noise-canceling headphones by the pool; he is oblivious to a brutal and protracted gunfight around him.
In no time; Sonia Kincaid (Selma Hayek); whisks Michael away and fills his ears with a string of highly unfiltered comments and rants. It seems that Darius has been kidnapped and asked her to get Michael to help him out. Michael is unwilling to use guns and finds the to say unstable would be kind; Sonia to be way too unhinged for his new lease on life and that Kincaid wanted “Anyone but Michael” when he asked his wife to get help.
The trio is forced to work with one another by Interpol as it seems there is a plot underway to destroy the European Union and Michael, Sonia, and Darius have no choice but to do the bidding of the Government or face charges.
The fact that Sonia is desperate for a baby and a Honeymoon only complicates matters further as they recklessly head to their assigned mission and find that a very wealthy individual has nefarious plans and has hired elite professionals to ensure all opposition to his plans are removed.
What follows is a madcap, violent, and dysfunctional romp as the trio battle the bad guys, the law, their own abundant issues, and each other to try to save the day and clear their slate with the authorities.
While the film is not going to win many points for an original, complex, or overly complex plot; the setup and narrative serve to give the film a showcase for its strengths which are the three leads. Reynolds and Jackson work very well with one another and Hayek often steals her scenes with her compassionate yet teetering on the unhinged portrayal of Sonia.
The jokes fly as frequently as the blood and the bullets and there is some great scenery as well which frames the action and story perfectly. There are also some appearances by some very good actors in significant supporting roles which I will not spoil but suffice it to say they really support the main cast well.
I summarized my reaction to the local Publicist as follows…” Not much plot, cartoony bad guys; but the great cast, action, and humor”. While the film will not set a new standard in the Action Comedy category, it is still an enjoyable enough romp despite the flaws and it would be great to see the trio back for another madcap adventure down the line.
Movie Metropolis (309 KP) rated Kingsman: The Golden Circle (2017) in Movies
Jun 10, 2019
Welcome back, chaps
Kingsman: The Secret Service was one of the surprise hits of 2014. Marketed poorly by an unassuming set of trailers, the end result was a film as big a surprise as Guardians of the Galaxy was.
We all know what happened. Kingsman senior grossed over $400million worldwide and a sequel was soon greenlit with a much bigger budget and a marketing effort worth of the first film.
But has some of that old-school charm been lost in the transition to high-budget movie event of the summer?
With their headquarters destroyed and the world held hostage by a villainous drug lord (Julianne Moore), members of Kingsman find new allies when they discover a spy organization in the United States known as Statesman. In an adventure that tests their strength and wits, the elite agents band together to battle a ruthless enemy and save the day, something that seems to be a bit of a habit for Eggsy (Taron Egerton) of late.
Thankfully, I’m pleased to tell you that Matthew Vaughn’s follow-up, while not bettering its predecessor, manages to stay away from many of the sequel pitfalls we tend to see nowadays.
Opening with a fantastically filmed cab ride through London’s narrow streets, the first sequence sets up the movie perfectly. This is a rollercoaster ride – loud, at times exhausting but completely and utterly exhilarating.
That familiar cast we grew to love in the first film return including the not-so-secret return of Colin Firth’s Harry. It’s disappointing to have seen the big reveal of his survival from Samuel L Jackson’s bullet in the trailers, but it’s still a welcome return and a smart move by the writers – even if the circumstances surrounding his well-being are a little farfetched.
Taron Egerton is once again on top form and Mark Strong is ever-reliable as intelligence agent, Merlin. Of the newcomers, Channing Tatum, Halle Berry and Jeff Bridges make a small, but noticeable impact on proceedings though I would’ve liked to have seen them a little more throughout the 140-minute runtime.
You’re right to gasp. Kingsman: The Golden Circle is a good 10 minutes or so longer than its predecessor and while the action is choreographed to the same exceptional standard of its forbearer, it does feel like a long film.
Nevertheless, if there’s one thing Matthew Vaughn knows how to direct, it’s action. The increased budget this time around means our heroes embark on a globetrotting mission that includes Cambodia, Italy, the US and of course Blighty. The cinematography is wonderful with the Cambodian lair of our main villain being a particular highlight.
Speaking of which, Julianne Moore is absolutely sublime. Described by Vaughn himself as “Martha Stewart on crack”, she is right up there with Samuel L Jackson’s outlandish Richmond Valentine. Watch out for a surprise turn from Elton John that will have you in stitches whenever the film switches to Moore’s mountain-top lair.
With this and President Alma Coin from The Hunger Games on her CV, she’s proving a great choice to play wicked characters – she’s certainly got the acting chops for it.
Overall, there’s far too much in Kingsman: The Golden Circle to talk about in one review, but it’s fair to say this sequel is a big success. With beautifully choreographed action and some cracking performances, it’s more than a candidate for best film of the year. Flawed? Yes. But you’ll be having too much fun to notice. Bring on the sequel.
https://moviemetropolis.net/2017/09/21/kingsman-the-golden-circle-review/
We all know what happened. Kingsman senior grossed over $400million worldwide and a sequel was soon greenlit with a much bigger budget and a marketing effort worth of the first film.
But has some of that old-school charm been lost in the transition to high-budget movie event of the summer?
With their headquarters destroyed and the world held hostage by a villainous drug lord (Julianne Moore), members of Kingsman find new allies when they discover a spy organization in the United States known as Statesman. In an adventure that tests their strength and wits, the elite agents band together to battle a ruthless enemy and save the day, something that seems to be a bit of a habit for Eggsy (Taron Egerton) of late.
Thankfully, I’m pleased to tell you that Matthew Vaughn’s follow-up, while not bettering its predecessor, manages to stay away from many of the sequel pitfalls we tend to see nowadays.
Opening with a fantastically filmed cab ride through London’s narrow streets, the first sequence sets up the movie perfectly. This is a rollercoaster ride – loud, at times exhausting but completely and utterly exhilarating.
That familiar cast we grew to love in the first film return including the not-so-secret return of Colin Firth’s Harry. It’s disappointing to have seen the big reveal of his survival from Samuel L Jackson’s bullet in the trailers, but it’s still a welcome return and a smart move by the writers – even if the circumstances surrounding his well-being are a little farfetched.
Taron Egerton is once again on top form and Mark Strong is ever-reliable as intelligence agent, Merlin. Of the newcomers, Channing Tatum, Halle Berry and Jeff Bridges make a small, but noticeable impact on proceedings though I would’ve liked to have seen them a little more throughout the 140-minute runtime.
You’re right to gasp. Kingsman: The Golden Circle is a good 10 minutes or so longer than its predecessor and while the action is choreographed to the same exceptional standard of its forbearer, it does feel like a long film.
Nevertheless, if there’s one thing Matthew Vaughn knows how to direct, it’s action. The increased budget this time around means our heroes embark on a globetrotting mission that includes Cambodia, Italy, the US and of course Blighty. The cinematography is wonderful with the Cambodian lair of our main villain being a particular highlight.
Speaking of which, Julianne Moore is absolutely sublime. Described by Vaughn himself as “Martha Stewart on crack”, she is right up there with Samuel L Jackson’s outlandish Richmond Valentine. Watch out for a surprise turn from Elton John that will have you in stitches whenever the film switches to Moore’s mountain-top lair.
With this and President Alma Coin from The Hunger Games on her CV, she’s proving a great choice to play wicked characters – she’s certainly got the acting chops for it.
Overall, there’s far too much in Kingsman: The Golden Circle to talk about in one review, but it’s fair to say this sequel is a big success. With beautifully choreographed action and some cracking performances, it’s more than a candidate for best film of the year. Flawed? Yes. But you’ll be having too much fun to notice. Bring on the sequel.
https://moviemetropolis.net/2017/09/21/kingsman-the-golden-circle-review/
Hazel (1853 KP) rated Where the Wild Winds are: Walking Europe's Winds from the Pennines to Provence in Books
Sep 26, 2017
Fantastic, beautifully written book
I received this book for free through Goodreads First Reads.
From the moment the great storm of 1987 almost blew six-year-old Nick Hunt away, he has had the urge to travel. So many travel books are on the market, it is difficult to produce something new and exciting, but after coming across an interesting map of Europe, Hunt was determined to go on a journey that not many have attempted before. With a map listing the named winds of Europe, Hunt sets off on a quixotic quest to follow the winds.
Beginning in the Pennine Mountains, Nick Hunt takes the reader on a personal journey through the continent as he explores the towns and valleys the winds flow through whilst hoping the elusive tempests will occur so that he can experience them himself. With a mix of euphoria and disappointment, Hunt details his arduous journey providing additional knowledge along the way.
Some winds are more evanescent than others – one, discouragingly, not appearing at all – whereas one is so strong, Hunt witnesses a waterfall being blown upwards. Ignoring the warnings of the locals, Hunt, dead set on completing what he intended to do, takes us on a long walk from Italy to Croatia, a trek through the Alpine valleys of Switzerland, and a final expedition to the south of France.
Wind may seem like an odd topic to write a book about, but the Helm, Bora, Foehn and Mistral are no ordinary breezes. Their violence makes Hunt’s journey a dangerous and daring endeavour and is full of stories about past disasters that have occurred as a result of the strong, temperamental weather.
As well as teaching us about these four winds, Nick Hunt has collected facts and stories about the general areas he passes through. Personal stories of the inhabitants break up Hunt’s narrative, however, myths, legends, history and superstitions frequent the lengthy chapters as much as the winds themselves.
Giving wind a name provides it with a personality, as though it is something tangible that can be met and observed. Nick Hunt notes that artists such as Turner and Constable were interested in the weather and fascinated by the effects the wind had on the surrounding landscape. Another artist that was affected by the weather was Vincent Van Gogh - some of his paintings took place in France in the midst of the powerful Mistral. Just as the wind can be seen in his starry night skies, the scenery in France is evocative of a Van Gogh painting.
The winds do not only affect the lands they blow through, they have a strong impact on the wellbeing of the inhabitants. Some experience physical symptoms such as headaches, nose bleeds, dry skin and so forth, whereas others find themselves growing irritable, depressed and confused. The author himself has the opportunity to undergo the effects of these winds. Hunt also puts forward the suggestion that Van Gogh’s deteriorating mental health was a direct consequence of residing in the path of the Mistral.
From witchcraft to the Greek god Aeolus, there are a number of theories about why these strong winds blow. There are, of course, meteorological explanations, which Hunt attempts to explain, but admits he finds it as baffling as the next person. Regardless of the reason, these winds exist and it is captivating to learn about this aspect of Europe.
Where the Wild Winds Are: Walking Europe’s Winds from the Pennines to Provence is a fantastic, beautifully written book. Nick Hunt’s narrative is so personal that it becomes more than a travel documentation or informative non-fiction. As we read, we really get a sense of the emotions and physical hardship Hunt experienced, yet, at the same time, learn so much about European culture as well as, of course, Europe’s winds. Whether or not you are interested in travelling, this book will take you on a journey you will never forget.
From the moment the great storm of 1987 almost blew six-year-old Nick Hunt away, he has had the urge to travel. So many travel books are on the market, it is difficult to produce something new and exciting, but after coming across an interesting map of Europe, Hunt was determined to go on a journey that not many have attempted before. With a map listing the named winds of Europe, Hunt sets off on a quixotic quest to follow the winds.
Beginning in the Pennine Mountains, Nick Hunt takes the reader on a personal journey through the continent as he explores the towns and valleys the winds flow through whilst hoping the elusive tempests will occur so that he can experience them himself. With a mix of euphoria and disappointment, Hunt details his arduous journey providing additional knowledge along the way.
Some winds are more evanescent than others – one, discouragingly, not appearing at all – whereas one is so strong, Hunt witnesses a waterfall being blown upwards. Ignoring the warnings of the locals, Hunt, dead set on completing what he intended to do, takes us on a long walk from Italy to Croatia, a trek through the Alpine valleys of Switzerland, and a final expedition to the south of France.
Wind may seem like an odd topic to write a book about, but the Helm, Bora, Foehn and Mistral are no ordinary breezes. Their violence makes Hunt’s journey a dangerous and daring endeavour and is full of stories about past disasters that have occurred as a result of the strong, temperamental weather.
As well as teaching us about these four winds, Nick Hunt has collected facts and stories about the general areas he passes through. Personal stories of the inhabitants break up Hunt’s narrative, however, myths, legends, history and superstitions frequent the lengthy chapters as much as the winds themselves.
Giving wind a name provides it with a personality, as though it is something tangible that can be met and observed. Nick Hunt notes that artists such as Turner and Constable were interested in the weather and fascinated by the effects the wind had on the surrounding landscape. Another artist that was affected by the weather was Vincent Van Gogh - some of his paintings took place in France in the midst of the powerful Mistral. Just as the wind can be seen in his starry night skies, the scenery in France is evocative of a Van Gogh painting.
The winds do not only affect the lands they blow through, they have a strong impact on the wellbeing of the inhabitants. Some experience physical symptoms such as headaches, nose bleeds, dry skin and so forth, whereas others find themselves growing irritable, depressed and confused. The author himself has the opportunity to undergo the effects of these winds. Hunt also puts forward the suggestion that Van Gogh’s deteriorating mental health was a direct consequence of residing in the path of the Mistral.
From witchcraft to the Greek god Aeolus, there are a number of theories about why these strong winds blow. There are, of course, meteorological explanations, which Hunt attempts to explain, but admits he finds it as baffling as the next person. Regardless of the reason, these winds exist and it is captivating to learn about this aspect of Europe.
Where the Wild Winds Are: Walking Europe’s Winds from the Pennines to Provence is a fantastic, beautifully written book. Nick Hunt’s narrative is so personal that it becomes more than a travel documentation or informative non-fiction. As we read, we really get a sense of the emotions and physical hardship Hunt experienced, yet, at the same time, learn so much about European culture as well as, of course, Europe’s winds. Whether or not you are interested in travelling, this book will take you on a journey you will never forget.
Hazel (1853 KP) rated The House at the Edge of the Night in Books
Oct 20, 2017
For Victoria Hislop fans
I received this book for free through Goodreads First Reads.
Castellamare, a small island off the south coast of Italy, is the perfect setting for a captivating epic tale that traces a family from the beginning of the 1900s until the more recent year of 2009. Centred at the island’s only bar ‘The House at the Edge of the Night’, the island inhabitants suffer through two world wars, fascism, tourism and recession, however, the bar determinedly stays standing. But what happens in the rest of the world is largely ignored by the island dwellers that prefer to come to the bar to learn about friendships, betrayals and love affairs.
The House at the Edge of the Night begins on the mainland where the Dr Esposito removes the foundling Amadeo from care. Following in his foster father’s footsteps, Amadea Esposito trains to be a doctor and eventually lands himself a position on Castellamare. Having never had a doctor on the island before, Amadeo is welcomed by almost everyone, however, an illicit affair puts an end to his career. Fortunately, The House at the End of the Night provides Amadeo with an income and a home for his new wife, Pina, and his four children.
The story takes the reader through the Second World War, something that is interesting to read from the Italian’s point of view. Rejecting fascism, the Islanders are enraged when their boys are called up to join the war, especially as many, including Amadeo’s three boys, never return. With only a daughter, Maria-Grazia, remaining, the Esposito’s keep the bar going for lack of anything better to do.
But war brings good things as well as bad. Washed up on sure, the British soldier Robert brings good luck to the superstitious villagers, eventually marrying the lovely Maria-Grazia. The story continues through the childhood of their unruly boys, coming to an end as their granddaughter reaches adulthood.
A doctor and a barman, Amadeo also had a love for stories. Listening to his patients and patrons fantastical tales, Amadeo keeps note of them all in his personal notebook. Split into five parts, the book contains a story at the beginning of each section that, although mythical, set the scene for the subsequent narrative.
Alienated from the rest of the world, the Islanders are stuck in their ways, attributing any luck – good and bad – to their patron saint, Sant’Agata. Whenever life gets tough, the people on Castellamare turn to prayer, which although is part of their Catholic faith, often comes across as superstitious and irrational. They refuse to believe any logical explanation, preferring to regard their island as a magical, preternatural site.
There is no specific storyline with the usual climax and conclusion; instead, it works as a biography of a fictional family. It is interesting to regard the impact of the rapidly developing world on the island, from the introduction of a building society and the eventual launch of the Europe – something that the Islanders are naturally against. The inhabitants of Castellamare come across as naïve, but their backgrounds and beliefs are far more interesting than the average person.
The House at the Edge of the Night is a story of stories. It provides more than to be expected from a novel. Catherine Banner writes of beautiful settings, compelling characters and fascinating events that both amuse and entertain in a moving way.
With Victoria Hislop’s novels such as The Island being all the rage amongst many female readers, Catherine Banner’s The House at the Edge of the Night is destined for success. It is a great book to read on holiday or at home, and perfect for book clubs. This book is the ideal escape from the stresses of everyday life.
Castellamare, a small island off the south coast of Italy, is the perfect setting for a captivating epic tale that traces a family from the beginning of the 1900s until the more recent year of 2009. Centred at the island’s only bar ‘The House at the Edge of the Night’, the island inhabitants suffer through two world wars, fascism, tourism and recession, however, the bar determinedly stays standing. But what happens in the rest of the world is largely ignored by the island dwellers that prefer to come to the bar to learn about friendships, betrayals and love affairs.
The House at the Edge of the Night begins on the mainland where the Dr Esposito removes the foundling Amadeo from care. Following in his foster father’s footsteps, Amadea Esposito trains to be a doctor and eventually lands himself a position on Castellamare. Having never had a doctor on the island before, Amadeo is welcomed by almost everyone, however, an illicit affair puts an end to his career. Fortunately, The House at the End of the Night provides Amadeo with an income and a home for his new wife, Pina, and his four children.
The story takes the reader through the Second World War, something that is interesting to read from the Italian’s point of view. Rejecting fascism, the Islanders are enraged when their boys are called up to join the war, especially as many, including Amadeo’s three boys, never return. With only a daughter, Maria-Grazia, remaining, the Esposito’s keep the bar going for lack of anything better to do.
But war brings good things as well as bad. Washed up on sure, the British soldier Robert brings good luck to the superstitious villagers, eventually marrying the lovely Maria-Grazia. The story continues through the childhood of their unruly boys, coming to an end as their granddaughter reaches adulthood.
A doctor and a barman, Amadeo also had a love for stories. Listening to his patients and patrons fantastical tales, Amadeo keeps note of them all in his personal notebook. Split into five parts, the book contains a story at the beginning of each section that, although mythical, set the scene for the subsequent narrative.
Alienated from the rest of the world, the Islanders are stuck in their ways, attributing any luck – good and bad – to their patron saint, Sant’Agata. Whenever life gets tough, the people on Castellamare turn to prayer, which although is part of their Catholic faith, often comes across as superstitious and irrational. They refuse to believe any logical explanation, preferring to regard their island as a magical, preternatural site.
There is no specific storyline with the usual climax and conclusion; instead, it works as a biography of a fictional family. It is interesting to regard the impact of the rapidly developing world on the island, from the introduction of a building society and the eventual launch of the Europe – something that the Islanders are naturally against. The inhabitants of Castellamare come across as naïve, but their backgrounds and beliefs are far more interesting than the average person.
The House at the Edge of the Night is a story of stories. It provides more than to be expected from a novel. Catherine Banner writes of beautiful settings, compelling characters and fascinating events that both amuse and entertain in a moving way.
With Victoria Hislop’s novels such as The Island being all the rage amongst many female readers, Catherine Banner’s The House at the Edge of the Night is destined for success. It is a great book to read on holiday or at home, and perfect for book clubs. This book is the ideal escape from the stresses of everyday life.
Sassy Brit (97 KP) rated Maybe For You in Books
Jun 5, 2019
Maybe For You by Nicole McLaughlin is a very emotional storyline. The theme allows readers to understand how to cope with loss and handle grief. It is also a friends to lover’s story.
Many say that a guy and gal cannot be friends. This story seems to prove that point. The different dynamic relationships play a part in how people react to each other. Friends usually are able to be direct and let their guards down without having to build walls. Usually these relationships are based on honesty where each person can show their true selves. Some of the best intimate relationships start off as friends. The heroine, Alexis, and the hero, Jake began their friendship as pen pals while she was deployed in Italy. They did not literally converse with a writing object, but used the modern way, a phone text. McLaughlin wanted “it to be a safer way to share feelings without being face to face or voice to voice. These two are able to share only when they feel like sharing.”
Alexis is not used to displaying her emotions, keeping everything close to the chest. Her parents died in an auto accident, she was raised by her older brother Dean, and now has lost her fiancé in a military helicopter accident. Anyone who has lost a loved one, especially when it is unexpected, can relate to this powerful quote, “Several times she had to talk herself out of just crawling back into bed… Moving on, healing, required putting one foot in front of the other. Even when it felt impossible.”
The story poignantly shows how those grieving can move on, that time heals. Yet, there are also instances when something can spur someone’s memory about a loved one, and that feeling of being hit in the gut returns. “I wanted to write about this because I experience it. I put in the book how sometimes the weight of the pain feels brand new. I lost my father when I was ten. I watched my mother and how she dealt with losing a partner. I think I put my own feelings in these scenes. My dad has been dead almost twenty-five years and every once in awhile a thought pops up in my head and I cry instantly. I think the grieving process is a long journey.”
But it is also a story of hope. After a year serving overseas Alexis returns to her home town in Kansas. Her brother offers her a job at the Stag Distillery he owns with two friends. But it also ended up becoming one of the most successful wedding and event venues in the Kansas City metro area. To promote their business one of the partners, Jake, travels on the road to find new clients. Realizing that Alex would be a good addition for making sells, it is decided that she will travel with him. Ready for a new challenge, Alexis agrees to accompany her new co-worker, Jake. Soon the casual relationship becomes intense where both realize they have strong feelings for each other.
“I wrote how their relationship was grounded in respect and friendship. Both needed someone that they cared for. They were able to tease and joke with each other, feeling very comfortable, because they started out as friends. They appear as opposites since Alexis is a survivor, strong, broken, vulnerable, determined, desperate for a family, and is very guarded. Jake is a player, a playboy, who always feels second best. As Alexis opens up to him about her feelings he listens, doesn’t pry or lecture about what she should be feeling. Slowly he transitions from a playboy to a partner.”
This is a very emotional story that will tug at the heart. There are many touching scenes with very likeable characters.
Many say that a guy and gal cannot be friends. This story seems to prove that point. The different dynamic relationships play a part in how people react to each other. Friends usually are able to be direct and let their guards down without having to build walls. Usually these relationships are based on honesty where each person can show their true selves. Some of the best intimate relationships start off as friends. The heroine, Alexis, and the hero, Jake began their friendship as pen pals while she was deployed in Italy. They did not literally converse with a writing object, but used the modern way, a phone text. McLaughlin wanted “it to be a safer way to share feelings without being face to face or voice to voice. These two are able to share only when they feel like sharing.”
Alexis is not used to displaying her emotions, keeping everything close to the chest. Her parents died in an auto accident, she was raised by her older brother Dean, and now has lost her fiancé in a military helicopter accident. Anyone who has lost a loved one, especially when it is unexpected, can relate to this powerful quote, “Several times she had to talk herself out of just crawling back into bed… Moving on, healing, required putting one foot in front of the other. Even when it felt impossible.”
The story poignantly shows how those grieving can move on, that time heals. Yet, there are also instances when something can spur someone’s memory about a loved one, and that feeling of being hit in the gut returns. “I wanted to write about this because I experience it. I put in the book how sometimes the weight of the pain feels brand new. I lost my father when I was ten. I watched my mother and how she dealt with losing a partner. I think I put my own feelings in these scenes. My dad has been dead almost twenty-five years and every once in awhile a thought pops up in my head and I cry instantly. I think the grieving process is a long journey.”
But it is also a story of hope. After a year serving overseas Alexis returns to her home town in Kansas. Her brother offers her a job at the Stag Distillery he owns with two friends. But it also ended up becoming one of the most successful wedding and event venues in the Kansas City metro area. To promote their business one of the partners, Jake, travels on the road to find new clients. Realizing that Alex would be a good addition for making sells, it is decided that she will travel with him. Ready for a new challenge, Alexis agrees to accompany her new co-worker, Jake. Soon the casual relationship becomes intense where both realize they have strong feelings for each other.
“I wrote how their relationship was grounded in respect and friendship. Both needed someone that they cared for. They were able to tease and joke with each other, feeling very comfortable, because they started out as friends. They appear as opposites since Alexis is a survivor, strong, broken, vulnerable, determined, desperate for a family, and is very guarded. Jake is a player, a playboy, who always feels second best. As Alexis opens up to him about her feelings he listens, doesn’t pry or lecture about what she should be feeling. Slowly he transitions from a playboy to a partner.”
This is a very emotional story that will tug at the heart. There are many touching scenes with very likeable characters.
Kyera (8 KP) rated The Young Elites in Books
Feb 1, 2018
Despite the fact that I found the main character disagreeable - the premise was enjoyable. Initially, Adelina is very dark and unrelatable. She relishes pain and fear, as a result, I don't have sympathy for her character. Even though her father treated her abysmally her entire life, that treatment only seemed to nurture the darkness inside her. It did not create it. The darkness is all her own.
The only time I truly felt her humanity was when she was with the kind Gemma. It is in those moments she allows herself to feel. even concern for her sister seems forced, like familial obligation rather than a love. Her concern is usually accompanied with ill thoughts and blackened memories towards her sister.
Raffaele and Gemma are the most human of the characters and more likeable than the rest. Dante's main role is to antagonize. Enzo's role is to function as a romantic interest and future savior of the realm. The Windwalker, Lucent, and the Architect, Michel, serve more as background pieces than fully developed characters. Obviously, this is an over=simplification of their roles but it helps to illustrate the weaknesses in character development in the book. Over the course of the novel, the reader is given small glimpses into the character or their backstory but it is insufficient as these are her main and supporting characters for which the book is titled. The Young Elites.
The world the author builds draws you in with its unique holidays, three moons, elegant dress and giant rays that swim through the sky. The elaborate and opulent headquarters (Fortunata Court) of the Dagger Society rise in your mind surrounded by towers, merchants and Inquisitors. Stylistically, the world is reminiscent of Renaissance Italy with its gondolas, dress and canals that might draw you in like the world of Assassin's Creed.
During the course of the novel, we watch as Adelina trains her abilities and before long she joins the Daggers on a mission. She also seems to adopt more humanity as the book progresses which makes her a slightly more appealing character - but she is unable to hold onto that ray of light for long before succumbing to the festering darkness within. (Leaving the reader just as unsympathetic as before.)
She would be more likeable if she didn't welcome that darkness and unless her character arc leads her to light and love, changing her affinities, I have no emotional stake in her well-being. I understand that the author wants to write a dark character, but I personally just don't have an emotional stake in the outcome of this book because I don't particularly identify with any of her characters. Without redeeming qualities, you cannot justify or form an attachment to the character (especially because she is the main character). I'm sure others would like her character, and she is certainly an interesting character, but I prefer a lead who is flawed but inherently good. Perhaps an anti-hero but not the villain.
Growing up unloved, she quickly falls in with the Daggers but questions their motivation and is willing to betray them with the slightest provocation. In her mind, no one could possibly just be kind. They must have an agenda or be using her in some fashion. She is easily manipulated and swayed. Whether she follows through with her vengeance, betrays or redeems is something you must discover by reading the book yourself. Will Adelina redeems herself or succumb to the darkness?
I'm intrigued by the premise and the characters, despite the critical parts of my review. As such, I look forward to seeing where this series goes. I would definitely recommend it to YA fans who enjoy rich worlds that aren't modern or people with special abilities.
The only time I truly felt her humanity was when she was with the kind Gemma. It is in those moments she allows herself to feel. even concern for her sister seems forced, like familial obligation rather than a love. Her concern is usually accompanied with ill thoughts and blackened memories towards her sister.
Raffaele and Gemma are the most human of the characters and more likeable than the rest. Dante's main role is to antagonize. Enzo's role is to function as a romantic interest and future savior of the realm. The Windwalker, Lucent, and the Architect, Michel, serve more as background pieces than fully developed characters. Obviously, this is an over=simplification of their roles but it helps to illustrate the weaknesses in character development in the book. Over the course of the novel, the reader is given small glimpses into the character or their backstory but it is insufficient as these are her main and supporting characters for which the book is titled. The Young Elites.
The world the author builds draws you in with its unique holidays, three moons, elegant dress and giant rays that swim through the sky. The elaborate and opulent headquarters (Fortunata Court) of the Dagger Society rise in your mind surrounded by towers, merchants and Inquisitors. Stylistically, the world is reminiscent of Renaissance Italy with its gondolas, dress and canals that might draw you in like the world of Assassin's Creed.
During the course of the novel, we watch as Adelina trains her abilities and before long she joins the Daggers on a mission. She also seems to adopt more humanity as the book progresses which makes her a slightly more appealing character - but she is unable to hold onto that ray of light for long before succumbing to the festering darkness within. (Leaving the reader just as unsympathetic as before.)
She would be more likeable if she didn't welcome that darkness and unless her character arc leads her to light and love, changing her affinities, I have no emotional stake in her well-being. I understand that the author wants to write a dark character, but I personally just don't have an emotional stake in the outcome of this book because I don't particularly identify with any of her characters. Without redeeming qualities, you cannot justify or form an attachment to the character (especially because she is the main character). I'm sure others would like her character, and she is certainly an interesting character, but I prefer a lead who is flawed but inherently good. Perhaps an anti-hero but not the villain.
Growing up unloved, she quickly falls in with the Daggers but questions their motivation and is willing to betray them with the slightest provocation. In her mind, no one could possibly just be kind. They must have an agenda or be using her in some fashion. She is easily manipulated and swayed. Whether she follows through with her vengeance, betrays or redeems is something you must discover by reading the book yourself. Will Adelina redeems herself or succumb to the darkness?
I'm intrigued by the premise and the characters, despite the critical parts of my review. As such, I look forward to seeing where this series goes. I would definitely recommend it to YA fans who enjoy rich worlds that aren't modern or people with special abilities.
Hazel (1853 KP) rated The House at the Edge of the Night in Books
Dec 7, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Castellamare, a small island off the south coast of Italy, is the perfect setting for a captivating epic tale that traces a family from the beginning of the 1900s until the more recent year of 2009. Centred at the island’s only bar ‘The House at the Edge of the Night’, the island inhabitants suffer through two world wars, fascism, tourism and recession, however, the bar determinedly stays standing. But what happens in the rest of the world is largely ignored by the island dwellers that prefer to come to the bar to learn about friendships, betrayals and love affairs.
<i>The House at the Edge of the Night </i>begins on the mainland where the Dr Esposito removes the foundling Amadeo from care. Following in his foster father’s footsteps, Amadea Esposito trains to be a doctor and eventually lands himself a position on Castellamare. Having never had a doctor on the island before, Amadeo is welcomed by almost everyone, however, an illicit affair puts an end to his career. Fortunately, The House at the End of the Night provides Amadeo with an income and a home for his new wife, Pina, and his four children.
The story takes the reader through the Second World War, something that is interesting to read from the Italian’s point of view. Rejecting fascism, the Islanders are enraged when their boys are called up to join the war, especially as many, including Amadeo’s three boys, never return. With only a daughter, Maria-Grazia, remaining, the Esposito’s keep the bar going for lack of anything better to do.
But war brings good things as well as bad. Washed up on sure, the British soldier Robert brings good luck to the superstitious villagers, eventually marrying the lovely Maria-Grazia. The story continues through the childhood of their unruly boys, coming to an end as their granddaughter reaches adulthood.
A doctor and a barman, Amadeo also had a love for stories. Listening to his patients and patrons fantastical tales, Amadeo keeps note of them all in his personal notebook. Split into five parts, the book contains a story at the beginning of each section that, although mythical, set the scene for the subsequent narrative.
Alienated from the rest of the world, the Islanders are stuck in their ways, attributing any luck – good and bad – to their patron saint, Sant’Agata. Whenever life gets tough, the people on Castellamare turn to prayer, which although is part of their Catholic faith, often comes across as superstitious and irrational. They refuse to believe any logical explanation, preferring to regard their island as a magical, preternatural site.
There is no specific storyline with the usual climax and conclusion; instead, it works as a biography of a fictional family. It is interesting to regard the impact of the rapidly developing world on the island, from the introduction of a building society and the eventual launch of the Europe – something that the Islanders are naturally against. The inhabitants of Castellamare come across as naïve, but their backgrounds and beliefs are far more interesting than the average person.
<i>The House at the Edge of the Night</i> is a story of stories. It provides more than to be expected from a novel. Catherine Banner writes of beautiful settings, compelling characters and fascinating events that both amuse and entertain in a moving way.
With Victoria Hislop’s novels such as <i>The Island</i> being all the rage amongst many female readers, Catherine Banner’s <i>The House at the Edge of the Night </i>is destined for success. It is a great book to read on holiday or at home, and perfect for book clubs. This book is the ideal escape from the stresses of everyday life.
Castellamare, a small island off the south coast of Italy, is the perfect setting for a captivating epic tale that traces a family from the beginning of the 1900s until the more recent year of 2009. Centred at the island’s only bar ‘The House at the Edge of the Night’, the island inhabitants suffer through two world wars, fascism, tourism and recession, however, the bar determinedly stays standing. But what happens in the rest of the world is largely ignored by the island dwellers that prefer to come to the bar to learn about friendships, betrayals and love affairs.
<i>The House at the Edge of the Night </i>begins on the mainland where the Dr Esposito removes the foundling Amadeo from care. Following in his foster father’s footsteps, Amadea Esposito trains to be a doctor and eventually lands himself a position on Castellamare. Having never had a doctor on the island before, Amadeo is welcomed by almost everyone, however, an illicit affair puts an end to his career. Fortunately, The House at the End of the Night provides Amadeo with an income and a home for his new wife, Pina, and his four children.
The story takes the reader through the Second World War, something that is interesting to read from the Italian’s point of view. Rejecting fascism, the Islanders are enraged when their boys are called up to join the war, especially as many, including Amadeo’s three boys, never return. With only a daughter, Maria-Grazia, remaining, the Esposito’s keep the bar going for lack of anything better to do.
But war brings good things as well as bad. Washed up on sure, the British soldier Robert brings good luck to the superstitious villagers, eventually marrying the lovely Maria-Grazia. The story continues through the childhood of their unruly boys, coming to an end as their granddaughter reaches adulthood.
A doctor and a barman, Amadeo also had a love for stories. Listening to his patients and patrons fantastical tales, Amadeo keeps note of them all in his personal notebook. Split into five parts, the book contains a story at the beginning of each section that, although mythical, set the scene for the subsequent narrative.
Alienated from the rest of the world, the Islanders are stuck in their ways, attributing any luck – good and bad – to their patron saint, Sant’Agata. Whenever life gets tough, the people on Castellamare turn to prayer, which although is part of their Catholic faith, often comes across as superstitious and irrational. They refuse to believe any logical explanation, preferring to regard their island as a magical, preternatural site.
There is no specific storyline with the usual climax and conclusion; instead, it works as a biography of a fictional family. It is interesting to regard the impact of the rapidly developing world on the island, from the introduction of a building society and the eventual launch of the Europe – something that the Islanders are naturally against. The inhabitants of Castellamare come across as naïve, but their backgrounds and beliefs are far more interesting than the average person.
<i>The House at the Edge of the Night</i> is a story of stories. It provides more than to be expected from a novel. Catherine Banner writes of beautiful settings, compelling characters and fascinating events that both amuse and entertain in a moving way.
With Victoria Hislop’s novels such as <i>The Island</i> being all the rage amongst many female readers, Catherine Banner’s <i>The House at the Edge of the Night </i>is destined for success. It is a great book to read on holiday or at home, and perfect for book clubs. This book is the ideal escape from the stresses of everyday life.
<i>I received this book for free through Goodreads First Reads.</i>
From the moment the great storm of 1987 almost blew six-year-old Nick Hunt away, he has had the urge to travel. So many travel books are on the market, it is difficult to produce something new and exciting, but after coming across an interesting map of Europe, Hunt was determined to go on a journey that not many have attempted before. With a map listing the named winds of Europe, Hunt sets off on a quixotic quest to follow the winds.
Beginning in the Pennine Mountains, Nick Hunt takes the reader on a personal journey through the continent as he explores the towns and valleys the winds flow through whilst hoping the elusive tempests will occur so that he can experience them himself. With a mix of euphoria and disappointment, Hunt details his arduous journey providing additional knowledge along the way.
Some winds are more evanescent than others – one, discouragingly, not appearing at all – whereas one is so strong, Hunt witnesses a waterfall being blown upwards. Ignoring the warnings of the locals, Hunt, dead set on completing what he intended to do, takes us on a long walk from Italy to Croatia, a trek through the Alpine valleys of Switzerland, and a final expedition to the south of France.
Wind may seem like an odd topic to write a book about, but the Helm, Bora, Foehn and Mistral are no ordinary breezes. Their violence makes Hunt’s journey a dangerous and daring endeavour and is full of stories about past disasters that have occurred as a result of the strong, temperamental weather.
As well as teaching us about these four winds, Nick Hunt has collected facts and stories about the general areas he passes through. Personal stories of the inhabitants break up Hunt’s narrative, however, myths, legends, history and superstitions frequent the lengthy chapters as much as the winds themselves.
Giving wind a name provides it with a personality, as though it is something tangible that can be met and observed. Nick Hunt notes that artists such as Turner and Constable were interested in the weather and fascinated by the effects the wind had on the surrounding landscape. Another artist that was affected by the weather was Vincent Van Gogh - some of his paintings took place in France in the midst of the powerful Mistral. Just as the wind can be seen in his starry night skies, the scenery in France is evocative of a Van Gogh painting.
The winds do not only affect the lands they blow through, they have a strong impact on the wellbeing of the inhabitants. Some experience physical symptoms such as headaches, nose bleeds, dry skin and so forth, whereas others find themselves growing irritable, depressed and confused. The author himself has the opportunity to undergo the effects of these winds. Hunt also puts forward the suggestion that Van Gogh’s deteriorating mental health was a direct consequence of residing in the path of the Mistral.
From witchcraft to the Greek god Aeolus, there are a number of theories about why these strong winds blow. There are, of course, meteorological explanations, which Hunt attempts to explain, but admits he finds it as baffling as the next person. Regardless of the reason, these winds exist and it is captivating to learn about this aspect of Europe.
<i>Where the Wild Winds Are: Walking Europe’s Winds from the Pennines to Provence</i> is a fantastic, beautifully written book. Nick Hunt’s narrative is so personal that it becomes more than a travel documentation or informative non-fiction. As we read, we really get a sense of the emotions and physical hardship Hunt experienced, yet, at the same time, learn so much about European culture as well as, of course, Europe’s winds. Whether or not you are interested in travelling, this book will take you on a journey you will never forget.
From the moment the great storm of 1987 almost blew six-year-old Nick Hunt away, he has had the urge to travel. So many travel books are on the market, it is difficult to produce something new and exciting, but after coming across an interesting map of Europe, Hunt was determined to go on a journey that not many have attempted before. With a map listing the named winds of Europe, Hunt sets off on a quixotic quest to follow the winds.
Beginning in the Pennine Mountains, Nick Hunt takes the reader on a personal journey through the continent as he explores the towns and valleys the winds flow through whilst hoping the elusive tempests will occur so that he can experience them himself. With a mix of euphoria and disappointment, Hunt details his arduous journey providing additional knowledge along the way.
Some winds are more evanescent than others – one, discouragingly, not appearing at all – whereas one is so strong, Hunt witnesses a waterfall being blown upwards. Ignoring the warnings of the locals, Hunt, dead set on completing what he intended to do, takes us on a long walk from Italy to Croatia, a trek through the Alpine valleys of Switzerland, and a final expedition to the south of France.
Wind may seem like an odd topic to write a book about, but the Helm, Bora, Foehn and Mistral are no ordinary breezes. Their violence makes Hunt’s journey a dangerous and daring endeavour and is full of stories about past disasters that have occurred as a result of the strong, temperamental weather.
As well as teaching us about these four winds, Nick Hunt has collected facts and stories about the general areas he passes through. Personal stories of the inhabitants break up Hunt’s narrative, however, myths, legends, history and superstitions frequent the lengthy chapters as much as the winds themselves.
Giving wind a name provides it with a personality, as though it is something tangible that can be met and observed. Nick Hunt notes that artists such as Turner and Constable were interested in the weather and fascinated by the effects the wind had on the surrounding landscape. Another artist that was affected by the weather was Vincent Van Gogh - some of his paintings took place in France in the midst of the powerful Mistral. Just as the wind can be seen in his starry night skies, the scenery in France is evocative of a Van Gogh painting.
The winds do not only affect the lands they blow through, they have a strong impact on the wellbeing of the inhabitants. Some experience physical symptoms such as headaches, nose bleeds, dry skin and so forth, whereas others find themselves growing irritable, depressed and confused. The author himself has the opportunity to undergo the effects of these winds. Hunt also puts forward the suggestion that Van Gogh’s deteriorating mental health was a direct consequence of residing in the path of the Mistral.
From witchcraft to the Greek god Aeolus, there are a number of theories about why these strong winds blow. There are, of course, meteorological explanations, which Hunt attempts to explain, but admits he finds it as baffling as the next person. Regardless of the reason, these winds exist and it is captivating to learn about this aspect of Europe.
<i>Where the Wild Winds Are: Walking Europe’s Winds from the Pennines to Provence</i> is a fantastic, beautifully written book. Nick Hunt’s narrative is so personal that it becomes more than a travel documentation or informative non-fiction. As we read, we really get a sense of the emotions and physical hardship Hunt experienced, yet, at the same time, learn so much about European culture as well as, of course, Europe’s winds. Whether or not you are interested in travelling, this book will take you on a journey you will never forget.