"She’s a later discovery, a totally obscure person. I was reading about her just to prepare for this, because I’ve been listening to this record for ages, and on Wikipedia it said that somebody gave a copy to J Mascis and he gave it to someone to release it. I didn’t realise that at all, that he brought it to some record label’s attention, but that’s a record that I’ve been listening to a long time, it’s a really beautiful record I think. I have chosen Songs of Love & Hate by Leonard Cohen and Ladies of the Canyon by Joni Mitchell but this record is right in that same period of beautiful singer/songwriter records. They’re not band records, they’re personal records, they’re kind of like somebody’s journal or notebook. Those records always felt like a window opening into somebody’s life where you kind of spent an hour or forty five minutes of someone telling you about their life and the different things they see and the different ways they look at the world and if it resonated with you it became this… I just thought that Sibylle Baier was in the same canon as all those albums from that period that made an impression on me. Like early Dylan or a Nick Drake record or something. Colour Green is just as powerful for me."

"Like The Chameleons, they should be playing stadiums, or should've at their time. This album is one of the standards of great American music. Some of the songs here are up there with some Frank Sinatra tracks, some Bing Crosby moments. Like 'Unsatisfied', for instance, that's a pop standard worthy of Billie Holiday. Again, they couldn't seem to get out of their own way for a period of time. The thing with The Replacements is if you ask Wayne Coyne, Michael Stipe or J Mascis, they were the ones that would say: ""The Replacements, that would be the band to be in."" They were everybody's band before they made their own band. They almost would have been what The Velvet Underground was at the time for the bands around them. They also had that catalysing effect of being crazy - they had a nonchalance that most could only dream of. At times they had a recklessness, which put them a few steps behind where they should've been, but that was The Replacements. And it was the first time that the bands we loved actually made a real record. Their songs were going to stand the test of time, songs that we were all going to cover. I know it was like that being around a lot of the bands during the mid-'80s. They had that magnetism Sonic Youth had, but had songs we could all cover, sing and play. Now you hear stories of them playing to 200 people at Coachella and you can't believe how it didn't translate to the younger generation."