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Big Trouble in Little China (1986)
Big Trouble in Little China (1986)
1986 | Action, Comedy, Fantasy
Kurt Russell (0 more)
Jack Burton's Big Trouble in Little China
Big Trouble in Little China- is a excellent fantasy martial arts action-comedy film.

The plot: The film tells the story of Jack Burton, who helps his friend Wang Chi rescue Wang's green-eyed fiancée from bandits in San Francisco's Chinatown. They go into the mysterious underworld beneath Chinatown, where they face an ancient sorcerer named David Lo Pan, who requires a woman with green eyes to marry him in order to release him from a centuries-old curse.

To compete with rival production The Golden Child’s casting of box office draw Eddie Murphy, Carpenter wanted a big star of his own and both Clint Eastwood and Jack Nicholson were considered but were busy.

The studio felt Kurt Russell was an up-and-coming star. Russell was initially not interested because he felt there were "a number of different ways to approach Jack, but I didn't know if there was a way that would be interesting enough for this movie.

You wouldnt think that the director of "Halloween", "The Fog" and "The Thing" would director this but he did

Its a excellent film.
  
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Darren (1599 KP) rated 48 HRS (1982) in Movies

Jun 20, 2019  
48 HRS (1982)
48 HRS (1982)
1982 | Action, Comedy
7
7.2 (9 Ratings)
Movie Rating
Story: 48 Hrs starts as Ganz (Remar) gets broken out of jail while on work detail by Billy Bear (Landham), he heads off to clean up old debts leaving cops bodies in his path of destruction. It doesn’t take long for Ganz to clash with detective Jack Cates (Nolte), where Ganz forces Jack into a difficult situation.

Jack must go to prisoner Reggie Hammond (Murphy) a wise cracking con man to help track down Ganz using his street knowledge. In what is an unlikely partnership turns into something special as the two find a way to get to the bottom of the crime.

 

Thoughts on 48 Hrs

 

Characters – Jack Cates is a grizzled cop, he gets the job done with his experience keeping him in high regard. He must stop the killer using criminal Reggie Hammond as the best chance to catch this killer. Reggie Hammond is a criminal near the end of his stint in jail, he is wise-cracking fast-talking meaning he can bullshit his way out of any situation he finds himself in. He uses this chance of time out of jail to settle a few scores. Elaine is the girlfriend of Jack who is tired of not making things serious between the two. Ganz is the killer on the loose, after his break from prison, he has a short-temper which causes his itchy trigger finger to fire on any enemy he comes across.

Performances – Nick Nolte is a great choice for a seemingly warn down cop, he takes the non-sense style needed for the role and goes with it. Eddie Murphy was one of the most popular stand-up comedians at the time, this was his film debut and he handed it very well, bringing his own energy to the role which could have been something we have seen before. James Remar is good as a villain because it is a character we have seen before, but he really convinces in this role. There is a negative here, that is Annette O’Toole, which to be fair isn’t her fault because the character is written so poorly

Story – The story follows a cop and a criminal work together to stop another criminal, yes this is a buddy cop movie. We have unlikely partnership which must work together to get the common goal. This is a story we have seen plenty of times since and it seems to be a hit or miss through the years, but this does keep things simple enough to enjoy not looking to throw us any surprises along the way.

Action/Crime/Comedy – The action is by the book for cops and criminals, nothing is over the top and mostly comes off like you would expect. The crime world is the cop needing to work with the criminal that is the best chance to catch a cop killer. The comedy comes from the odd pairing that must work together.

Settings – The film is set in San Francisco which always seems to be a great location for any crime comedy world to unfold.


Scene of the Movie – Settle this with fists.

That Moment That Annoyed Me – Ganz seems a lot easier to catch.

Final Thoughts – This is a good buddy comedy that bought us Eddie Murphy to the big screen. We get the action and comedy without being buried with one too often and most importantly we are entertained.

 

Overall: Great fun action comedy.

https://moviesreview101.com/2018/05/26/franchise-weekend-48-hrs-1982/
  
Free Fire (2017)
Free Fire (2017)
2017 | Action, Comedy, Drama
A movie with more than a whiff of cordite about it
As I write this, I’m really struggling to evaluate whether the latest film of Ben Wheatley (“High Rise”) is a masterpiece or just pulp trash. It’s certainly a brave and highly distinctive venture, with that you can’t argue.
Set in Boston in 1978, an arms deal is going down in a deserted warehouse. Brokered by Justine (Brie Larson, “Room”) an IRA team headed by Frank (Michael Smiley, “The World’s End“) with his business guy Chris (Cillian Murphy, “Inception”, “Batman Begins”) are on the buying side. As ‘roadies’ they’ve brought with them a couple of crack-head friends Stevo (Sam Riley, “Brighton Rock”, “Maleficent“) and Bernie (Enzo Cilenti, “The Martian“) who are far from stable.

On the selling side is South African dealer and “international asshole” Vern (Sharlto Copley, “Elysium“), his suave and wisecracking protector Ord (Armie Hammer, “The Man From Uncle”) and Vern’s right hand man Martin (Babou Ceesay, “Eye in the Sky“). What connects all of these individuals is that no-one likes or trusts anyone else.

Unfortunately, one of Vern’s van drivers is John Denver-lover Harry (the excellent Jack Treynor, “Sing Street”) who has very recent personal history with Stevo. The fuse is lit, and when the two meet chaos ensues: in the words of Anchorman’s Ron Burgundy, “That escalated quickly”!
And, for a 90 minute film, that’s basically it. If you think after viewing the trailer “there must be more to the film than this”…. you’re wrong!

However, what there is of it is enormously entertaining. Played ostensibly for laughs, with very very black humour and an F-word and a gunshot in every other sentence, some of the characters – notably those played by Sharlto Copley, Arnie Hammer and Brie Larson – have some hilarious dialogue. The star turn for me though was Jack Treynor who was just so impressive as the ‘lost at sea’ brother in the delightful “Sing Street” and here delivers a stand-out performance as another brother on a mission… this time a mission of vengeance. You are waiting throughout the film for the inevitable showdown between Harry and Stevo – – and when it comes it is both bloody and memorable.

 A cracking 70’ soundtrack, put together by the Portishead duo of Geoff Barrow and Ben Salisbury, involves 70’s classics by Credence Clearwater Revival, John Denver and The Real Kids and it’s hammered out at top volume over the action. The downside of this effect is that – for my old ears at least – it sometimes make some of the dialogue hard to follow.
As a policing exercise, the film clearly has merit. In the same manner as Schwarzenegger’s “Running Man” put criminals in an arena to cull them, so this must have reduced the crime rates in both Boston and Belfast no end! While some may not approve of the levels of violence on show, it is all done in a highly cartoonish way: like a “Tom and Jerry” cartoon, or “Home Alone”, everyone seems to get shot multiple times and yet (in the main) is still active and mobile. All of this makes criticism of the performances something of a waste of time, but I would comment that some of the acting is of the “over the top” variety: surprisingly, I found some of Oscar winner Brie Larson’s scenes falling into this category and snapping me out of the narrative at times.

But overall, my evaluation is now done and I am rooting on the side of it being a brash and exhilarating minor masterpiece. Yes, it’s one-dimensional. Yes, it is virtually impossible to feel any empathy with any of the characters, as they are all universally loathsome. But it’s a movie whose flaws are forgivable based on the characterisation and the cracking good script by long-term collaborators Ben Wheatley and Amy Jump.
Tight as it is within its 90 minute running time, I very much doubt you will be bored.