Search
Search results
Matthew Krueger (10051 KP) rated Amos & Andrew (1993) in Movies
Nov 2, 2019 (Updated Nov 2, 2019)
Ghost Rider and Nick Fury
The plot: When erudite black playwright Andrew Sterling (Samuel L. Jackson) moves to a predominantly white suburb, the buffoonish local police surround his home, assuming he's a burglar. To avoid a scandal, unscrupulous Chief Tolliver (Dabney Coleman) conscripts low-rent criminal Amos Odell (Nicolas Cage) to break in and take Sterling hostage. But Amos and Andrew soon realize Tolliver has no plans to let either survive, so they must put their differences aside and work together to get out alive.
This movie is funny as hell, both Nicolas Cage and Samuel L Jackson are excellent. Also Brad Dourif is funny in this movie.
I dont why this film got bad reviews because it is great. A highly reccordmend movie.
This movie is funny as hell, both Nicolas Cage and Samuel L Jackson are excellent. Also Brad Dourif is funny in this movie.
I dont why this film got bad reviews because it is great. A highly reccordmend movie.
Erika (17789 KP) rated They Shall Not Grow Old (2018) in Movies
Dec 22, 2018
Wow. This documentary was amazing. The restoration work, and the care that was taken with the footage is awe-inspiring. The Fathom Event showing had a short 30 minute program afterwards where Peter Jackson gave more insight into what all was done.
At first, it's all in black and white, when the colorization portion started, there was a collective gasp in the full theater. It was definitely reminiscent of The Wizard of Oz, in terms of the overall reveal.
The use of the actual veterans talking about life during the Great War were really interesting to hear, and though they used dozens of people, they were blended together seamlessly. I absolutely loved it, and can't wait until I can purchase it.
At first, it's all in black and white, when the colorization portion started, there was a collective gasp in the full theater. It was definitely reminiscent of The Wizard of Oz, in terms of the overall reveal.
The use of the actual veterans talking about life during the Great War were really interesting to hear, and though they used dozens of people, they were blended together seamlessly. I absolutely loved it, and can't wait until I can purchase it.
Bob Mann (459 KP) rated They Shall Not Grow Old (2018) in Movies
Sep 28, 2021
We DO remember them.
“Trapped in a Charlie Chaplin World”. So says director Peter Jackson in a post-screening discussion with Mark Kermode, describing early black and white documentary footage. Whereas modern film runs at 24 fps, most of the old footage is hand cranked, with speeds as low as 12 fps which leads to its jerky nature. Jackson in this project with the Imperial War Museum took their WW1 footage and put it through a ‘pipeline process. This cleaned-up and restored the original footage; used clever computer interpolation to add in the missing 6 to 12 frames per second; and then colourised it.
The results are outstanding. Jackson wisely focuses the film on the specific slice of WW1 action from the trenches. And those anonymous figures become real, live, breathing humans on screen. It is obviously tragic that some (and as commented by Jackson, many in one scene) are not to be breathing humans for much longer.
These effects take a while to kick in. The early scenes in the documentary are in the original black and white, describing the recruitment process, and how many of the recruits were under-age. (To explain the varied comments in the film, they should have been 18, although officially shouldn’t have been sent overseas until 19).
It is when the troops arrive in France that we suddenly go from black-and-white to the fully restored and colourised footage, and it is a gasp-inducing moment.
Audio magic
All of the audio commentary is from original BBC recordings of war veterans recounting their actual experiences in the trench. Some sound like heroes; some sound like rogues; all came out changed men. Supporting music of WW1 ditties, including the incredibly rude “Mademoiselle from Armentières” over the end credits, is provided by Plan 9.
But equally impressive is the dubbing of the characters onscreen. Jackson employed forensic lip-readers to determine what the soldiers on-screen were saying, and reproduced the speech using appropriate regional accents for the regiments concerned. Jackson also recounts how the words associated with a “pep-talk” speech to troops by an officer he found on an original slip of paper within the regimental records: outstanding. Added sound effects include real-life shelling by the New Zealand army. It all adds to the overall atmosphere of the film.
3D = less
The film itself is a masterpiece of technical innovation that will change in the future the way in which we should be able to see this sort of early film footage forever. As a documentary it’s near-perfection. But if I have a criticism of the cinema showing I attended it is that the 3D tended to detract rather than add to the film. Perhaps this is just my eyesight, but 3D always tends to make images slightly more blurry. Where (like “Gravity”) there are great 3D effects to showcase, it’s worth the slight negative to get the massive positive. But here, there was no such benefit: 2D would have been better. For those in the UK (and possibly through other broadcasters worldwide) the film is being shown on BBC2 tonight (11/11/18) at 9:30: I will be watching it again to compare and contrast.
Final Thoughts
Jackson dedicated the film to his grandfather. And almost all of us Brits will have relatives affected by this “war to end all wars”. In my case, my grandfather was shot and severely wounded at Leuze Wood on the Somme, lying in the mud for four days and four nights before being recovered… by the Germans! Fortunately he was well-treated and, although dying young, recovered enough to father my father – else I wouldn’t be here today writing this. On this Rememberance Sunday, 100 years on, it is a time for us to truly remember the sacrifice these men and boys gave to what, all in the film agree, was a pretty obstinate and pointless conflict.
I’ll finish the review by reproducing one of the war poems of my wife’s Uncle Ivor (available in a collection here), written on 11/11/18 a hundred years ago:
Peace
At last O Lord the Day has come,
And hushed is now the noise of guns.
Peace is proclaimed over land and sea,
Our heartfelt thanks we give to Thee.
I thank thee Father for Thy care,
That thou hasn’t answered all my prayers.
This day I see in manhood’s strength,
The Peace we longed for, come at length.
O may my future actions be,
Worthy of all Thy care to me.
Let me forget not Thy Great Love,
Remembering chums who live Above.
I.G.H. 11/11/1918, France.
The results are outstanding. Jackson wisely focuses the film on the specific slice of WW1 action from the trenches. And those anonymous figures become real, live, breathing humans on screen. It is obviously tragic that some (and as commented by Jackson, many in one scene) are not to be breathing humans for much longer.
These effects take a while to kick in. The early scenes in the documentary are in the original black and white, describing the recruitment process, and how many of the recruits were under-age. (To explain the varied comments in the film, they should have been 18, although officially shouldn’t have been sent overseas until 19).
It is when the troops arrive in France that we suddenly go from black-and-white to the fully restored and colourised footage, and it is a gasp-inducing moment.
Audio magic
All of the audio commentary is from original BBC recordings of war veterans recounting their actual experiences in the trench. Some sound like heroes; some sound like rogues; all came out changed men. Supporting music of WW1 ditties, including the incredibly rude “Mademoiselle from Armentières” over the end credits, is provided by Plan 9.
But equally impressive is the dubbing of the characters onscreen. Jackson employed forensic lip-readers to determine what the soldiers on-screen were saying, and reproduced the speech using appropriate regional accents for the regiments concerned. Jackson also recounts how the words associated with a “pep-talk” speech to troops by an officer he found on an original slip of paper within the regimental records: outstanding. Added sound effects include real-life shelling by the New Zealand army. It all adds to the overall atmosphere of the film.
3D = less
The film itself is a masterpiece of technical innovation that will change in the future the way in which we should be able to see this sort of early film footage forever. As a documentary it’s near-perfection. But if I have a criticism of the cinema showing I attended it is that the 3D tended to detract rather than add to the film. Perhaps this is just my eyesight, but 3D always tends to make images slightly more blurry. Where (like “Gravity”) there are great 3D effects to showcase, it’s worth the slight negative to get the massive positive. But here, there was no such benefit: 2D would have been better. For those in the UK (and possibly through other broadcasters worldwide) the film is being shown on BBC2 tonight (11/11/18) at 9:30: I will be watching it again to compare and contrast.
Final Thoughts
Jackson dedicated the film to his grandfather. And almost all of us Brits will have relatives affected by this “war to end all wars”. In my case, my grandfather was shot and severely wounded at Leuze Wood on the Somme, lying in the mud for four days and four nights before being recovered… by the Germans! Fortunately he was well-treated and, although dying young, recovered enough to father my father – else I wouldn’t be here today writing this. On this Rememberance Sunday, 100 years on, it is a time for us to truly remember the sacrifice these men and boys gave to what, all in the film agree, was a pretty obstinate and pointless conflict.
I’ll finish the review by reproducing one of the war poems of my wife’s Uncle Ivor (available in a collection here), written on 11/11/18 a hundred years ago:
Peace
At last O Lord the Day has come,
And hushed is now the noise of guns.
Peace is proclaimed over land and sea,
Our heartfelt thanks we give to Thee.
I thank thee Father for Thy care,
That thou hasn’t answered all my prayers.
This day I see in manhood’s strength,
The Peace we longed for, come at length.
O may my future actions be,
Worthy of all Thy care to me.
Let me forget not Thy Great Love,
Remembering chums who live Above.
I.G.H. 11/11/1918, France.
Remy Tankel Carroll (36 KP) rated They Shall Not Grow Old (2018) in Movies
Jan 4, 2019
Very moving
This doc is for everyone, not just people interested in military history. Peter Jackson has done an amazing job putting together a seamless, cohesive film from the many hours of footage he had available. I am usually not a fan of black and white films being colorized but in this case, it really adds to the viewer's experience. You'll get a real sense of what it was like on front lines of WWI and see the universal experience of the soldiers, no matter what country they were from. At times it's funny, at times heartbreaking, always intense. It's definitely a must-see. And do yourself a favor, stay after the credits for Peter Jackson's discussion about what it took to make this film. The amount of research and detail he and his team put into this film is awesome.
Bong Mines Entertainment (15 KP) rated Cult Classic by Fiona Grey in Music
Jun 21, 2019
Fiona Grey is an LA-based singer-songwriter from Chicago, Illinois. Not too long ago, she released a music video for her “Saviour” single featuring Emma Cole.
The Sean Berger-music video was choreographed by Kevin Stea (Madonna, Michael Jackson).
The visuals are an ode to Felini, Marie Antoinette, and the dark and dreamy black and white films of the ‘60s.
‘Saviour’ contains a relatable storyline, pleasing vocals, and charismatic instrumentation flavored with an indie-alternative aroma.
Also, the likable tune is featured on Fiona Grey’s latest EP, entitled, “Cult Classic”.
“Each song has its own identity and story it wants to tell.” – Fiona Grey
‘Cult Classic’ vocalizes cultural issues and expresses Fiona Grey’s vulnerability. Also, it highlights her anger towards the world we are living in and her desires for the world we are shaping.
Grammy Award-Winning Mike Schuppan (Paramore, M83, Ziggy Marley) produced the 6-track project. Also, Dave Cooley (Fitz & The Tantrums, Stone Temple Pilots) mastered it.
“There is a lot about living in a pop culture centered world that we deem as ‘normal behavior’. Also, I hope that the music can remind the listener that this follower-centric, alternate persona universe we live in is all temporary happiness.” – Fiona Grey
Fiona Grey draws inspiration from the world of Hollywood, it’s unrealistic expectations and the vices that people use as a form of escapism.
She hopes her music will help listeners aim to be the purest and honest versions of themselves.
The Sean Berger-music video was choreographed by Kevin Stea (Madonna, Michael Jackson).
The visuals are an ode to Felini, Marie Antoinette, and the dark and dreamy black and white films of the ‘60s.
‘Saviour’ contains a relatable storyline, pleasing vocals, and charismatic instrumentation flavored with an indie-alternative aroma.
Also, the likable tune is featured on Fiona Grey’s latest EP, entitled, “Cult Classic”.
“Each song has its own identity and story it wants to tell.” – Fiona Grey
‘Cult Classic’ vocalizes cultural issues and expresses Fiona Grey’s vulnerability. Also, it highlights her anger towards the world we are living in and her desires for the world we are shaping.
Grammy Award-Winning Mike Schuppan (Paramore, M83, Ziggy Marley) produced the 6-track project. Also, Dave Cooley (Fitz & The Tantrums, Stone Temple Pilots) mastered it.
“There is a lot about living in a pop culture centered world that we deem as ‘normal behavior’. Also, I hope that the music can remind the listener that this follower-centric, alternate persona universe we live in is all temporary happiness.” – Fiona Grey
Fiona Grey draws inspiration from the world of Hollywood, it’s unrealistic expectations and the vices that people use as a form of escapism.
She hopes her music will help listeners aim to be the purest and honest versions of themselves.
Natasha Khan recommended Bad by Michael Jackson in Music (curated)
Where Treetops Glisten In White Christmas, It a story about Abigail Turner who is a college student during War World 2. She has a part time job at a Candy Shop. She loss her boyfriend due to the war. Those when she waiting for the bus after class, she almost get run over by her bus and a young man saves her before things get worse.A young man get on the bus with her and he decides to sit next to her. He reads a letter he received. He does not know what do about the letter. Abigail offers to help him by saying he should stop by her place to talk to her father. As keeps going it get better and better. There a mystery in the story. There are twist and turns though out the book.In I’ll Be Home for Christmas, is a story about Pete Turner, Abigail's brother. He is home from the war for a month or so. He run into a little girl that was looking into the window and praying. He takes her home and runs into her widow mother.
Will Pete be able to redeem himself and help the little girl? The little girl thinks she found her new daddy. Will it all out you will have to read to find out. Abigail and her boyfriend Jackson discussion their wedding plans. You see Abigail and Jackson get married during this story as well. You meet Merry during this story as well for a bit of time. There a more twist and turns though this story as well.
In Have Yourself a Merry Little Christmas, We learn about Merry life. We see her working in the Army as well. She is an Army nurse and is working in Europe. She and her friends are trying to help wounded soldiers from the front line.
Merry boyfriend had run away at the beginning the is doing his duty by trying to save children. Merry does not know he is near by. Soon she see him for the first time in a long time. Though he is hiding out, Will things work out for Merry? You will need to read to find out.
Will Pete be able to redeem himself and help the little girl? The little girl thinks she found her new daddy. Will it all out you will have to read to find out. Abigail and her boyfriend Jackson discussion their wedding plans. You see Abigail and Jackson get married during this story as well. You meet Merry during this story as well for a bit of time. There a more twist and turns though this story as well.
In Have Yourself a Merry Little Christmas, We learn about Merry life. We see her working in the Army as well. She is an Army nurse and is working in Europe. She and her friends are trying to help wounded soldiers from the front line.
Merry boyfriend had run away at the beginning the is doing his duty by trying to save children. Merry does not know he is near by. Soon she see him for the first time in a long time. Though he is hiding out, Will things work out for Merry? You will need to read to find out.
LeftSideCut (3776 KP) rated Deep Blue Sea (1999) in Movies
Jan 2, 2020
Fun in parts, but showing its age
The premise for Deep Blue Sea is painfully simple - it's Jurassic Park in the ocean.
A deep sea research facility, housing genetically modified great white sharks, is compromised during a tropical storm - everyone panics, people get eaten.
Like I said - Jurassic Park in the ocean. Unfortunately, the execution and quality is nowhere near the same level as it's dinosaur counterpart.
Deep Blue Sea is fun for sure. It's a sure fire way to mindlessly enjoy a couple of hours. At the time of it's release, it was firmly in the so-bad-its-great category, but as the years have gone by, the film has ages terribly in terms of special effects. The sharks look horrible these days. Like, original PlayStation cut scene kind of horrible. When films like JP, and Terminator 2 still look more than passable, it's hard to defend!
The dialogue is cheesy as all hell, and the whole thing is shot in a pretty sub-standard action film style - in summary, it's pretty awful.
That being said, it's a difficult film to hate too much. The cast are pretty fun for the most part - Thomas Jane, Samuel L. Jackson, Stellan Skarsgård and even LL Cool J are all pretty entertaining (apart from that god awful Head is Like a Sharks Fin song) and there are some genuinely gory and tense moments (as tense as people being chased by shiny pixels can be).
Is definitely an ok-crap film but the chances are that I'll watch it when it's on TV...
A deep sea research facility, housing genetically modified great white sharks, is compromised during a tropical storm - everyone panics, people get eaten.
Like I said - Jurassic Park in the ocean. Unfortunately, the execution and quality is nowhere near the same level as it's dinosaur counterpart.
Deep Blue Sea is fun for sure. It's a sure fire way to mindlessly enjoy a couple of hours. At the time of it's release, it was firmly in the so-bad-its-great category, but as the years have gone by, the film has ages terribly in terms of special effects. The sharks look horrible these days. Like, original PlayStation cut scene kind of horrible. When films like JP, and Terminator 2 still look more than passable, it's hard to defend!
The dialogue is cheesy as all hell, and the whole thing is shot in a pretty sub-standard action film style - in summary, it's pretty awful.
That being said, it's a difficult film to hate too much. The cast are pretty fun for the most part - Thomas Jane, Samuel L. Jackson, Stellan Skarsgård and even LL Cool J are all pretty entertaining (apart from that god awful Head is Like a Sharks Fin song) and there are some genuinely gory and tense moments (as tense as people being chased by shiny pixels can be).
Is definitely an ok-crap film but the chances are that I'll watch it when it's on TV...
Micky Barnard (542 KP) rated Big Little Lies in Books
Aug 25, 2018
So much more than I expected
This was my first read by Liane Moriarty and I'm fairly blown away by this book. BIG LITTLE LIES takes the ridiculousness of a bunch of mainly elitist mums surrounding their kids' kindergarten class. Oh and there's husbands too. It was a witty painting of cliques, bitchiness, friendships strong and true and tragedy.
"Jane, nice to meet you! I'm Amabella's mum, and I have Jackson in Year 2. That's Amabella by the way, not Annabella. It's French. We didn't make it up."
"We're a bit too white bread here in the peninsula. We like to think we're terribly diverse but it's only our bank accounts that vary."
There are three friends in this book, each carrying secrets but these three really did care for one another. I liked each flawed woman in this threesome, Madeline, Celeste and Jane. There were characters to love, like, hate and those that redeemed themselves.
Bullying and more is a thread in this book and I felt sick, heart-sick, at times in terms of the nature of these issues. There is also some gut wrenching heart ache and I felt each emotion in full technicolor.
"She'd always known that her reaction to this night had been too big, or perhaps too small. She hadn't ever cried. She hadn't told anyone. She'd swallowed it while and pretended it meant nothing, and therefore it had come to mean everything."
At the heart of BIG LITTLE LIES is a tale of suspense. The seeds are placed right at the beginning and I spent the whole book guessing, re-guessing and second-guessing all my suspicions. Liane Moriarty is a truly talented writer, I enjoyed the light, the witty quips and dialogue, alongside the dark and sad. I'm definitely eager to read more by her.
A copy of this book was provided by the publisher through netgalley in return for a honest review.
"Jane, nice to meet you! I'm Amabella's mum, and I have Jackson in Year 2. That's Amabella by the way, not Annabella. It's French. We didn't make it up."
"We're a bit too white bread here in the peninsula. We like to think we're terribly diverse but it's only our bank accounts that vary."
There are three friends in this book, each carrying secrets but these three really did care for one another. I liked each flawed woman in this threesome, Madeline, Celeste and Jane. There were characters to love, like, hate and those that redeemed themselves.
Bullying and more is a thread in this book and I felt sick, heart-sick, at times in terms of the nature of these issues. There is also some gut wrenching heart ache and I felt each emotion in full technicolor.
"She'd always known that her reaction to this night had been too big, or perhaps too small. She hadn't ever cried. She hadn't told anyone. She'd swallowed it while and pretended it meant nothing, and therefore it had come to mean everything."
At the heart of BIG LITTLE LIES is a tale of suspense. The seeds are placed right at the beginning and I spent the whole book guessing, re-guessing and second-guessing all my suspicions. Liane Moriarty is a truly talented writer, I enjoyed the light, the witty quips and dialogue, alongside the dark and sad. I'm definitely eager to read more by her.
A copy of this book was provided by the publisher through netgalley in return for a honest review.