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The Book of Henry (2017)
7.8
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Part drama, part comedy, part thriller, it tells the story of Susan, a loving young mother, and...
St. Vincent (2014)
7.8
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When a single mother moves into a new neighborhood, she has to rely on the help of her crude,...
It (2017)
7.9
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In the town of Derry, Maine, a group of kids confront their fears when they encounter an ancient...
It Stephen King Pennywise
Daniel Boyd (1066 KP) rated Midnight Special (2016) in Movies
Jul 21, 2017
A Modern Sci-Fi Classic
This movie really impressed me. Michael Shannon is, as always, fantastic in his performance and he showed a side of character here that we don’t normally get to see from him. He plays a compassionate and loving father on a mission and he will stop at nothing to succeed. Joel Edgerton is also typically brilliant in the film. He plays an old fried of Shannon’s character helping him on his quest and again is different here to any other role we have seen him in so far. Frankly I think these two actors are two of the best working in Hollywood today and this movie showcases their diversity, talent and ability to totally vanish into a role and sell their performance effortlessly. However, the real star of the show is the young actor Jaeden Lieberher, who plays Alton Meyer, the extraordinary boy that the plot revolves around. When I first saw his performance I thought he was extremely good for a child actor, but reflecting on it again, it is just a fantastic performance regardless of his age. His chemistry with the other actors was spot on and he carried this movie flawlessly, which left me very impressed. Kirsten Dunst also makes an appearance as Alton’s mother and again gives a stellar performance, she is tired of having to constantly be on the run and although she sometimes doubts her husband’s plan, she sticks by him until their mission is complete. Adam Driver is the scientist working for the government who are after Alton and he puts in a decent performance as the pseudo antagonist of the movie. I should really stop here though as you are better going into this movie with as little previous knowledge as possible. In summary, this is the movie that Super 8 wishes it was, essentially it’s ET for grown ups and it is definitely worth your time and money.
Phillip McSween (751 KP) rated St. Vincent (2014) in Movies
May 13, 2018
Another Murray Classic
When a single mother moves into a new neighborhood and gets overwhelmed with her taxing job, she relies on her crude, foul-mouthed neighbor Vincent (Bill Murray) to watch over her kid while she's gone.
Acting: 10
Beginning: 6
Characters: 10
Cinematography/Visuals: 7
Conflict: 9
Vincent basically creates conflict everywhere he goes. Between his actions, decisions, and mouth, something is always getting him into trouble with those around him. It's hard to watch at times, funny during other times. His life is crumbling, but he brings most of it on himself. Throw in Maggie's (Melissa McCarthy) custody battle for her son and the film gives you more than enough conflict to drive the story.
Genre: 9
St. Vincent hails itself as a comedy. It's certainly going to make you laugh, but it succeeds in how dark and truthful it can be at times. I love that the film never cuts corners with Vincent's character. His life is cringeworthy and sad, yet the audience is still given avenues to laughter.
Memorability: 8
Once again, Murray manages to make a film memorable with his character alone. He doesn't care about the people he hurts or at least that's what he would have you believe. His destructive attitude oftentimes results in a finished product that will either make you shake your head or bust out laughing. I enjoyed watching the relationship develop between him and Oliver (Jaeden Lieberher). They were made for each other yet neither one of them realize it at first. The film as a whole makes you contemplate what constitutes being a good person versus a bad person.
Pace: 10
Plot: 10
Even as Vincent's life tailspins out of control, he manages to touch the lives of those around them in ways they never imagined. He is a ball of chaos, but in the heart of that chaos, the plot shows the semblance of a good man. Again, it's ugly but real at the same time. And that's what makes it beautiful.
Resolution: 10
Overall: 89
If nothing else, St. Vincent shows us that sometimes the funniest things are those mired in reality. Another Murray classic.
Acting: 10
Beginning: 6
Characters: 10
Cinematography/Visuals: 7
Conflict: 9
Vincent basically creates conflict everywhere he goes. Between his actions, decisions, and mouth, something is always getting him into trouble with those around him. It's hard to watch at times, funny during other times. His life is crumbling, but he brings most of it on himself. Throw in Maggie's (Melissa McCarthy) custody battle for her son and the film gives you more than enough conflict to drive the story.
Genre: 9
St. Vincent hails itself as a comedy. It's certainly going to make you laugh, but it succeeds in how dark and truthful it can be at times. I love that the film never cuts corners with Vincent's character. His life is cringeworthy and sad, yet the audience is still given avenues to laughter.
Memorability: 8
Once again, Murray manages to make a film memorable with his character alone. He doesn't care about the people he hurts or at least that's what he would have you believe. His destructive attitude oftentimes results in a finished product that will either make you shake your head or bust out laughing. I enjoyed watching the relationship develop between him and Oliver (Jaeden Lieberher). They were made for each other yet neither one of them realize it at first. The film as a whole makes you contemplate what constitutes being a good person versus a bad person.
Pace: 10
Plot: 10
Even as Vincent's life tailspins out of control, he manages to touch the lives of those around them in ways they never imagined. He is a ball of chaos, but in the heart of that chaos, the plot shows the semblance of a good man. Again, it's ugly but real at the same time. And that's what makes it beautiful.
Resolution: 10
Overall: 89
If nothing else, St. Vincent shows us that sometimes the funniest things are those mired in reality. Another Murray classic.
Gareth von Kallenbach (980 KP) rated St. Vincent (2014) in Movies
Aug 6, 2019
“St. Vincent” is a comedy about the complexity of being human, and the need to make connections with one another. It mostly follows the daily life of Vincent (Bill Murray), a crotchety old man who likes to gamble, keeps the company of a “lady of the night,” and could care less what anybody thinks about him.
I think it’s safe to say Bill Murray is a comedy legend. So it should come as no surprise that yet again, Murray has delivered an impeccable performance.
The audience experience is not just one of watching a very famous actor play a role, but instead Murray steps outside of himself and truly becomes Vincent. Each detail, from his physical appearance, to his demeanor, are flawless.
He is a man stuck in his ways, though his life appears to be in disarray. His house is filled with dirt. He owes money to bad people. He lives alone with his cat, and doesn’t really like anyone.
When Maggie (Melissa McCarthy) and her son Oliver (Jaeden Lieberher) move in next door, Vincent is in no way kind to them.
In this film McCarthy is subtle in a good way. She is funny, but at the same time her role is heart wrenching. She is a single mom who is pushed to the limit of what one person can do, and has no choice but to roll with the punches.
She becomes swamped at her new job, and Vincent kind of just falls into the role of Oliver’s babysitter (paid babysitter of course). From that point on, Vincent takes Oliver along with him as he continues with his mostly seedy life.
The interplay between the young boy and the grouchy old man is where the element of humanness is communicated most. Despite differences in age or perspective, people need each other and can make profound connections.
The characters are developed well enough to illustrate that people are not one dimensional. Whether they have a hard or a soft exterior, there is always more than meets the eye.
It is filled with moments of outrageous hilarity, but also has a few emotional ones. Life isn’t always pleasant, and this comedy stays true to that reality.
Don’t be surprised if, at the end of the film, the audience gives a standing ovation.
I give “St. Vincent” 5 out of 5 stars.
I think it’s safe to say Bill Murray is a comedy legend. So it should come as no surprise that yet again, Murray has delivered an impeccable performance.
The audience experience is not just one of watching a very famous actor play a role, but instead Murray steps outside of himself and truly becomes Vincent. Each detail, from his physical appearance, to his demeanor, are flawless.
He is a man stuck in his ways, though his life appears to be in disarray. His house is filled with dirt. He owes money to bad people. He lives alone with his cat, and doesn’t really like anyone.
When Maggie (Melissa McCarthy) and her son Oliver (Jaeden Lieberher) move in next door, Vincent is in no way kind to them.
In this film McCarthy is subtle in a good way. She is funny, but at the same time her role is heart wrenching. She is a single mom who is pushed to the limit of what one person can do, and has no choice but to roll with the punches.
She becomes swamped at her new job, and Vincent kind of just falls into the role of Oliver’s babysitter (paid babysitter of course). From that point on, Vincent takes Oliver along with him as he continues with his mostly seedy life.
The interplay between the young boy and the grouchy old man is where the element of humanness is communicated most. Despite differences in age or perspective, people need each other and can make profound connections.
The characters are developed well enough to illustrate that people are not one dimensional. Whether they have a hard or a soft exterior, there is always more than meets the eye.
It is filled with moments of outrageous hilarity, but also has a few emotional ones. Life isn’t always pleasant, and this comedy stays true to that reality.
Don’t be surprised if, at the end of the film, the audience gives a standing ovation.
I give “St. Vincent” 5 out of 5 stars.
Daniel Boyd (1066 KP) rated The Jungle Book (2016) in Movies
Jul 21, 2017
Incredible CGI (2 more)
Amazing voice acting
New versions of classic songs
The King Of The Swingers
I was sceptical going in, as I’m not a huge fan of the original Disney cartoon version and the fact that the only live action performance in the movie was being delivered by a child actor definitely made me fairly dubious. However I actually enjoyed this movie. The young actor portraying Mowgli is a bit cringeworthy at times, but when you think that all he had to work with was a bunch of green screens and voiceovers, he did a remarkably good job, especially considering his age. He wasn’t anywhere near as good as Jaeden Lieberher was in Midnight Special, but he did a decent job of carrying the movie’s plot along. The CG work in this movie is mind blowing. Disney have gone all out and went for a hyper realistic style of animation and at times, even as an animator myself, I forgot that these animals and environments were cartoons and totally bought them as real world objects and environments. Also the cast is made up of Hollywood gold and all of the voice performances are spot on. Ben Kingsley does a great job as the parental panther who guides Mowgli along his journey and whoever decided to cast Bill Murray as Baloo deserves a raise, as that is a stroke of casting genius. Murray is hilarious here and his relationship with Mowgli is also fantastic. Scarlett Johannsen does a decent job as the snake, but to be honest it is more of a cameo role as she is in the movie for under five minutes. Of course it would be a crime not to mention the legend that is Christopher Walken and his fantastic performance as King Louie. He gives off a perfect blend of charm and villainy and his rendition of King Of The Swingers is also very entertaining. However, although all of the above voice performances were great, there is one that completely steals the show and that is Idris Elba as the antagonist Lion, Sher Khan. The command that Elba has over his vocal performance is incredible, he is such a threatening presence throughout the entire movie and he completely steals every single scene that he is in. Several people have also complained about the use of the music in the film, but that was actually one of my favourite parts of the film, Bare Necessities is used as more of a shanty than an actual song, and King Of The Swingers performed by Walken, is in my opinion very well implemented and serves as an awesome new take on the classic song. The one gripe that I have about the film is that, it is quite slow at times and I was left fairly bored several times, as were a lot of the kids in the theatre by the looks of it. If I didn’t have to keep an eye on the kids we were looking after I probably would have drifted off and to be honest I don’t know if they really enjoyed much either, they seemed to either be scared by Sher Khan and hiding their eyes or bored and fidgety. Although it’s hard to deny that this is a very well made movie and while not totally faithful to its source material, it is a fresh new take on the classic story for a new generation. I would like to see the film again without a wriggling child on my knee, but I did enjoy myself with this movie overall.
Movie Metropolis (309 KP) rated It (2017) in Movies
Jun 10, 2019
Make sure you take a pillow
Horror buffs and Stephen King fans everywhere have been waiting for this moment since 2009. It is of course, a modern adaptation of the author’s novel, IT.
Plagued with production problems from the get-go, I see a pattern emerging here, IT has been in the hands of multiple directors with numerous actors in the running to play that iconic clown. I am of course, talking about Pennywise.
Fast forward to 2017, and with Mama Andy Muschietti taking over directorial duties and Bill Skarsgård hopping into that tight-fitting suit we finally have a finished product. But what is it like?Seven young outcasts in Derry, Maine, are about to face their worst nightmare — an ancient, shape-shifting evil that emerges from the sewer every 27 years to prey on the town’s children. Banding together over the course of one horrifying summer, the friends must overcome their own personal fears to battle the murderous, bloodthirsty clown known as Pennywise.
Let’s start off by saying this is much, much better than last month’s The Dark Tower. Stephen King adaptations can go one of two ways and it was feared that IT would follow in the aforementioned film’s footsteps. Thankfully, this isn’t the case.
IT is frankly, an incredible interpretation of King’s iconic novel filled with exceptional performances, stunning cinematography and an emotional heart not normally seen in the genre. It’s unlike anything you will have seen before.
Now, let’s talk about the elephant in the room, Pennywise. Tim Curry played the hell out of that character in the 1990 miniseries and it would be senseless for 27-year-old Bill Skarsgård to follow too closely in his footsteps. At 6ft 3”, Skarsgård is certainly an imposing presence and his Pennywise is much more menacing than Curry’s, but to compare them too much would be unfair to each.
Elsewhere, all the members of the Losers’ Club are brilliant. I have never seen this calibre of acting from such a young group. Jaeden Lieberher as Bill in particular is astonishing. The scenes in which they all work together without the threat of Pennywise are a treat and give the film an uncharacteristically poignant style.
Moreover, the shot choices that Muschietti uses are striking. He rightly stays away from confining the horror to dimly lit corridors and alleyways and whilst this does feature more towards the finale, Derry makes a fine location bathed for the most part in gorgeous sunlight.
Whilst not being completely faithful to King’s novel, Muschietti’s film features all of the iconic scenes that you would expect. The opening sequence from the book in which little Georgie is confronted by Pennywise in the storm drain is shockingly brutal and sets up the tone for the rest of the picture.
This is a truly frightening film, speckled with just enough gore to keep it realistic and whilst it’s true there are one-too-many jump scares, the brilliant source material stops them from feeling too cheap. In the back of your mind, you’re well aware that this is very similar to the book indeed.
Overall, IT is better than anyone could have hoped. It’s scary, deeply emotional, funny and beautifully filmed with an exquisite score by Benjamin Wallfisch. If you’re a horror fan you must watch. If you’re a film fan, you must watch – just take a pillow with you, for protection purposes of course.
https://moviemetropolis.net/2017/09/09/it-review-make-sure-you-take-a-pillow/
Plagued with production problems from the get-go, I see a pattern emerging here, IT has been in the hands of multiple directors with numerous actors in the running to play that iconic clown. I am of course, talking about Pennywise.
Fast forward to 2017, and with Mama Andy Muschietti taking over directorial duties and Bill Skarsgård hopping into that tight-fitting suit we finally have a finished product. But what is it like?Seven young outcasts in Derry, Maine, are about to face their worst nightmare — an ancient, shape-shifting evil that emerges from the sewer every 27 years to prey on the town’s children. Banding together over the course of one horrifying summer, the friends must overcome their own personal fears to battle the murderous, bloodthirsty clown known as Pennywise.
Let’s start off by saying this is much, much better than last month’s The Dark Tower. Stephen King adaptations can go one of two ways and it was feared that IT would follow in the aforementioned film’s footsteps. Thankfully, this isn’t the case.
IT is frankly, an incredible interpretation of King’s iconic novel filled with exceptional performances, stunning cinematography and an emotional heart not normally seen in the genre. It’s unlike anything you will have seen before.
Now, let’s talk about the elephant in the room, Pennywise. Tim Curry played the hell out of that character in the 1990 miniseries and it would be senseless for 27-year-old Bill Skarsgård to follow too closely in his footsteps. At 6ft 3”, Skarsgård is certainly an imposing presence and his Pennywise is much more menacing than Curry’s, but to compare them too much would be unfair to each.
Elsewhere, all the members of the Losers’ Club are brilliant. I have never seen this calibre of acting from such a young group. Jaeden Lieberher as Bill in particular is astonishing. The scenes in which they all work together without the threat of Pennywise are a treat and give the film an uncharacteristically poignant style.
Moreover, the shot choices that Muschietti uses are striking. He rightly stays away from confining the horror to dimly lit corridors and alleyways and whilst this does feature more towards the finale, Derry makes a fine location bathed for the most part in gorgeous sunlight.
Whilst not being completely faithful to King’s novel, Muschietti’s film features all of the iconic scenes that you would expect. The opening sequence from the book in which little Georgie is confronted by Pennywise in the storm drain is shockingly brutal and sets up the tone for the rest of the picture.
This is a truly frightening film, speckled with just enough gore to keep it realistic and whilst it’s true there are one-too-many jump scares, the brilliant source material stops them from feeling too cheap. In the back of your mind, you’re well aware that this is very similar to the book indeed.
Overall, IT is better than anyone could have hoped. It’s scary, deeply emotional, funny and beautifully filmed with an exquisite score by Benjamin Wallfisch. If you’re a horror fan you must watch. If you’re a film fan, you must watch – just take a pillow with you, for protection purposes of course.
https://moviemetropolis.net/2017/09/09/it-review-make-sure-you-take-a-pillow/