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Gareth von Kallenbach (965 KP) rated The Suicide Squad (2021) in Movies
Aug 5, 2021
James Gunn returns with the sequel to 2016’s Suicide Squad. This time, the nefarious company woman Amanda Waller (Viola Davis), returns to Belle Reve to recruit the next iteration of Task Force X. Initially, we are introduced to the new recruits: Savant (Michael Rooker), Blackguard (Pete Davidson), Javelin (Flula Borg), Mongal (Mayling Ng), T.D.K. (Nathan Fillion) and The Weasel (Sean Gunn). We meet our favorites from the first film: Harley Quinn (Margot Robbie), Captain Rick Flag (Joel Kinnaman), Captain Boomerang (Jai Courtney). They have signed on to be dropped into a small island nation, Corto Maltese.
This country, just taken over by a military coup has a lab with a 30-year secret weapon. Ms. Waller offers them years off each team member’s sentence to “Save the World”. Or, in this case, infiltrate Corto Maltese to find and destroy the project. Our hapless but highly skilled group lands and takes on heavy fire.
Meanwhile, we have Team B led by Bloodsport (Idris Elba), Peacemaker (John Cena), Ratcatcher 2 (Daniela Melchior), Polka Dot Man (David Dastmalchian), King Shark (The physical, John Economos with the voice of Sylvester Stallone). As the separate teams go forth and bond in violence, we find out more about their personal childhood traumas that made them the criminals they have become.
This sequel has James Gunn’s DNA all over the film. He raised the bar from the first film by providing bright, visual treats. The action is violent in a cartoonish manner that buffers the impact when one looks at the many ways one can dispatch a human. The story goes from sarcasm, dry wit, demented clown to the stooges’ physical hilarity. As we watch the Squad fight their way across the island, there are points where these characters are skilled killers despite the humor in their murderous madness.
I was laughing throughout the film, it certainly felt like a panacea for these challenging times. Pay attention, there are little moments of snappy comebacks that feel like they’re from old-school Mad Magazine. The pace runs steadily which helps the dissonance become more impactful. The Suicide Squad was not boring, it was very entertaining and such a campy ride. FYI: there are TWO after-credit scenes.
The Soundtrack is so very good from the first shot, to the after credit, shotsThis Summer Blockbuster certainly delivers the entertainment.
4.75 out of 5 Stars
This country, just taken over by a military coup has a lab with a 30-year secret weapon. Ms. Waller offers them years off each team member’s sentence to “Save the World”. Or, in this case, infiltrate Corto Maltese to find and destroy the project. Our hapless but highly skilled group lands and takes on heavy fire.
Meanwhile, we have Team B led by Bloodsport (Idris Elba), Peacemaker (John Cena), Ratcatcher 2 (Daniela Melchior), Polka Dot Man (David Dastmalchian), King Shark (The physical, John Economos with the voice of Sylvester Stallone). As the separate teams go forth and bond in violence, we find out more about their personal childhood traumas that made them the criminals they have become.
This sequel has James Gunn’s DNA all over the film. He raised the bar from the first film by providing bright, visual treats. The action is violent in a cartoonish manner that buffers the impact when one looks at the many ways one can dispatch a human. The story goes from sarcasm, dry wit, demented clown to the stooges’ physical hilarity. As we watch the Squad fight their way across the island, there are points where these characters are skilled killers despite the humor in their murderous madness.
I was laughing throughout the film, it certainly felt like a panacea for these challenging times. Pay attention, there are little moments of snappy comebacks that feel like they’re from old-school Mad Magazine. The pace runs steadily which helps the dissonance become more impactful. The Suicide Squad was not boring, it was very entertaining and such a campy ride. FYI: there are TWO after-credit scenes.
The Soundtrack is so very good from the first shot, to the after credit, shotsThis Summer Blockbuster certainly delivers the entertainment.
4.75 out of 5 Stars
Ryan Hill (152 KP) rated Suicide Squad (2016) in Movies
May 9, 2019 (Updated May 26, 2019)
"Oh, I'm not gonna kill you... I'm just gonna hurt you really, really bad."
Suicide Squad, aka Suicide Squandered, was one of my most anticipated movies of 2016. It would bring back to the big screen one of the most iconic comic book characters, Mr. J, and Harley Quinn would make her long awaited movie debut. It also promised to offer a different approach on the superhero genre, as it would star the villains instead of the good guys.
However, the movie delivers much less than what it teases. It begins on a high note, by introducing some characters in a fun, energetic and fast-paced way, in spite of the messy editing that makes these segments look like mini trailers. It goes downhill from there, showing only a couple of scenes more that could justify all the love these superhero movies get. Ultimately, what distinguishes these sequences from the mediocre ones are the characters in them and whether the audience cares for them or not.
Displaying some information on the screen about certain characters or telling their backstory doesn't necessarily contribute to their development, nor to the knowledge the viewer has about them. Therefore, it's impossible to care about all the characters and only those who are played by the (more) famous actors have any meaning to the audience.
Will Smith's Deadshot is the best of the bunch. Smith has this unique ability to deliver comedic lines that many comedians wish they had. His charisma drives most of the movie and so does his character's motivation. Right now, he could be the only character capable of leading a franchise of his own. Deadshot ended up establishing a mildly interesting dynamic with Joel Kinnaman's forgettable Rick Flag.
Margot Robbie's Harley Quinn is the other character we end up caring about. Robbie provides a fantastic performance and hits all the right notes. Her amazing backstory is only slightly explored and it has potential for a future psychological thriller movie. With the right script and direction, it could be an incredible film. People have already talked about her body and I can only add that she could possibly be right below Kate Hudson's Penny Lane on the sexiest female movie characters. She could.
I love all sorts of crazy and psychotic performances on screen. In fact, one of my favourites is Gary Oldman's in Leon. Jared Leto delivers another one of those performances. It's truly stellar, I loved his interpretation of the Joker and I believe Leto can still receive high praise for his extraordinary efforts. It could happen in the form of that Batman movie, by Matt Reeves.
Just to conclude my thought on the performances, I would like to add that Viola Davis is an excellent Amanda Waller, even more menacing that Cara Delevingne's witch, more on that later. Jai Courtney was great , he got all the best jokes. Jay Hernandez sounds a lot like Jon Bernthal's Frank Castle, doesn't he? His Diablo is the best character, out of the less interesting ones. I love Katana from CW's Arrow and it was disappointing to see that the screenwriters didn't care about her, even more so because Karen Fukuhara seems perfect for the role. Killer Croc has the best entrance on water ever.
A movie is as good as its villain, right? Indeed. Cara Delevingne's Enchantress could very well be the worst movie villain ever. Malekith is relegated to second place. Honestly, I don't know who's to blame. Sure, Delevingne's acting isn't top-notch, but the screenwriters made her dance (?) in a weird way and her voice is laughable. The final result is ridiculous and by far the worst aspect of the movie.
While Batman v Superman: Dawn of Justice was a dark film and proud to 'own that shit', Suicide Squad is ashamed to exhibit that dark side, which results in confusing tone shifts. One moment, it's clearly a DC movie, and another, it is a Marvel family friendly one. Therefore, the comedy sometimes doesn't land, at all. Besides, I also didn't find anything special about the way the action was shot. It was generic stuff, mostly.
Suicide Squad is a huge waste of potential, that could have benefited from some character development and sharp editing. Its greatest strenght is undoubtedly the work done by the talented cast. Could a different cut fix some of these issues? Probably, yes. I was going to attribute 6 stars to this, but a second watch didn't help, either. By the way, what was your favourite sequence? Spoiler alert: mine was the one in which Joker jumps into the acid to Harley.
However, the movie delivers much less than what it teases. It begins on a high note, by introducing some characters in a fun, energetic and fast-paced way, in spite of the messy editing that makes these segments look like mini trailers. It goes downhill from there, showing only a couple of scenes more that could justify all the love these superhero movies get. Ultimately, what distinguishes these sequences from the mediocre ones are the characters in them and whether the audience cares for them or not.
Displaying some information on the screen about certain characters or telling their backstory doesn't necessarily contribute to their development, nor to the knowledge the viewer has about them. Therefore, it's impossible to care about all the characters and only those who are played by the (more) famous actors have any meaning to the audience.
Will Smith's Deadshot is the best of the bunch. Smith has this unique ability to deliver comedic lines that many comedians wish they had. His charisma drives most of the movie and so does his character's motivation. Right now, he could be the only character capable of leading a franchise of his own. Deadshot ended up establishing a mildly interesting dynamic with Joel Kinnaman's forgettable Rick Flag.
Margot Robbie's Harley Quinn is the other character we end up caring about. Robbie provides a fantastic performance and hits all the right notes. Her amazing backstory is only slightly explored and it has potential for a future psychological thriller movie. With the right script and direction, it could be an incredible film. People have already talked about her body and I can only add that she could possibly be right below Kate Hudson's Penny Lane on the sexiest female movie characters. She could.
I love all sorts of crazy and psychotic performances on screen. In fact, one of my favourites is Gary Oldman's in Leon. Jared Leto delivers another one of those performances. It's truly stellar, I loved his interpretation of the Joker and I believe Leto can still receive high praise for his extraordinary efforts. It could happen in the form of that Batman movie, by Matt Reeves.
Just to conclude my thought on the performances, I would like to add that Viola Davis is an excellent Amanda Waller, even more menacing that Cara Delevingne's witch, more on that later. Jai Courtney was great , he got all the best jokes. Jay Hernandez sounds a lot like Jon Bernthal's Frank Castle, doesn't he? His Diablo is the best character, out of the less interesting ones. I love Katana from CW's Arrow and it was disappointing to see that the screenwriters didn't care about her, even more so because Karen Fukuhara seems perfect for the role. Killer Croc has the best entrance on water ever.
A movie is as good as its villain, right? Indeed. Cara Delevingne's Enchantress could very well be the worst movie villain ever. Malekith is relegated to second place. Honestly, I don't know who's to blame. Sure, Delevingne's acting isn't top-notch, but the screenwriters made her dance (?) in a weird way and her voice is laughable. The final result is ridiculous and by far the worst aspect of the movie.
While Batman v Superman: Dawn of Justice was a dark film and proud to 'own that shit', Suicide Squad is ashamed to exhibit that dark side, which results in confusing tone shifts. One moment, it's clearly a DC movie, and another, it is a Marvel family friendly one. Therefore, the comedy sometimes doesn't land, at all. Besides, I also didn't find anything special about the way the action was shot. It was generic stuff, mostly.
Suicide Squad is a huge waste of potential, that could have benefited from some character development and sharp editing. Its greatest strenght is undoubtedly the work done by the talented cast. Could a different cut fix some of these issues? Probably, yes. I was going to attribute 6 stars to this, but a second watch didn't help, either. By the way, what was your favourite sequence? Spoiler alert: mine was the one in which Joker jumps into the acid to Harley.
Gareth von Kallenbach (965 KP) rated Man Down (2016) in Movies
Jul 12, 2019
This Dito Montiel (Fighting, The Son of No One) directed film is a look at mental health and how soldiers returning from war can be affected by the tragedy of war and life.
This film tries to put us inside the mind of a soldier and they lead up to his deployment to war, the trauma that can be suffered at war and the result of seeing things that can’t be unseen. It begins with U.S. Marine Gabriel Drummer (Shia LaBeouf) searching for his son, Johnathan (Charlie Shotwell), and wife, Natalie (Kate Mara), in a post-apocalyptic America.
His only company is his best friend and fellow war veteran Devin Roberts (Jai Courtney). We then flash back to a counseling session between Gabriel and Counselor Peyton (Gary Oldman). They are recounting an incident that happened while Gabriel and Devin were in the field as well as talk about the relationship between the two brothers in arms. Peyton probes Gabriel for answers to what happened in the field and what his life at home will be like when he returns. The story takes us through Gabriel’s journey from boot camp to his search to be reunited with his wife and child.
The beginning of the film is so scattered with flash backs and flash forwards it is not the easiest story to follow. Montiel tries to tie the story all together at the end but it really done quickly and sloppily. There was no really good flow to the film.
The message at the end was really powerful but there execution to get there really didn’t work for me. The cast individual performances were good but I thought that as a whole there was not cohesion.
The relationships between all the characters seemed forced and it was hard to get emotionally invested in what should have been and emotionally compelling story. LaBeouf does commit and his performance I would say the bright spot. I think the intention was that the end of the movie should be a surprise or twist but the ending for me was never really in doubt.
There were points when the film seemed to have momentum but that was stopped by a flash back or forward that would take you out of the moment. All trying to set up a conclusion that seemed inevitable.
The idea of bringing awareness to a real issue in our country, of returning veterans suffering from PTSD, is a noble one and I applaud them for trying. I just wish the execution would have been better overall.
This film tries to put us inside the mind of a soldier and they lead up to his deployment to war, the trauma that can be suffered at war and the result of seeing things that can’t be unseen. It begins with U.S. Marine Gabriel Drummer (Shia LaBeouf) searching for his son, Johnathan (Charlie Shotwell), and wife, Natalie (Kate Mara), in a post-apocalyptic America.
His only company is his best friend and fellow war veteran Devin Roberts (Jai Courtney). We then flash back to a counseling session between Gabriel and Counselor Peyton (Gary Oldman). They are recounting an incident that happened while Gabriel and Devin were in the field as well as talk about the relationship between the two brothers in arms. Peyton probes Gabriel for answers to what happened in the field and what his life at home will be like when he returns. The story takes us through Gabriel’s journey from boot camp to his search to be reunited with his wife and child.
The beginning of the film is so scattered with flash backs and flash forwards it is not the easiest story to follow. Montiel tries to tie the story all together at the end but it really done quickly and sloppily. There was no really good flow to the film.
The message at the end was really powerful but there execution to get there really didn’t work for me. The cast individual performances were good but I thought that as a whole there was not cohesion.
The relationships between all the characters seemed forced and it was hard to get emotionally invested in what should have been and emotionally compelling story. LaBeouf does commit and his performance I would say the bright spot. I think the intention was that the end of the movie should be a surprise or twist but the ending for me was never really in doubt.
There were points when the film seemed to have momentum but that was stopped by a flash back or forward that would take you out of the moment. All trying to set up a conclusion that seemed inevitable.
The idea of bringing awareness to a real issue in our country, of returning veterans suffering from PTSD, is a noble one and I applaud them for trying. I just wish the execution would have been better overall.
LeftSideCut (3778 KP) rated Suicide Squad (2016) in Movies
Sep 1, 2019 (Updated Sep 2, 2019)
Yikes
I, like many of you, really like comic books. So in this day and age, where films like Elektra, The Spirit, Catwoman, Daredevil etc, are just a horrible joyless memory, it takes something truly special to make you nearly hate comic book movies forevermore.
Suicide Squad is that something truly special.
After being saddened by the underwhelming Batman vs Superman, I had my hopes set high for SS. The trailers looked fantastic. I couldn't wait to see characters such as Katana, Enchantress, Harley Quinn, Deadshot etc, finally have their moment in the spotlight. I couldn't wait to see what Jared Leto brought to the table as The Joker. I was ready to be shown that BvS was a one off misstep, and that the DCEU properties were ready to take their place amongst comic book film royalty.
I'm almost cross at myself for being so very silly.
Where to begin - I guess characters.
I have no problem with Margot Robbie as Harley Quinn. I thought she was fine. The script is terrible in places but that's not her fault.
Another character that suffers from the script is Deadshot. Again, I have no problem with Will Smith (except that the movie threatens to become the Will Smith show on occasion), but the script turns him into a tool to spout one liners and name check the movies title.
Enchantress is just a weird gyrating CGI embarrassment that is given little room to do anything else.
Everyone else is a waste - Katana, Killer Croc, Diablo - all so boring.
Same goes for Boomerang (although I get the feeling that Jai Courtney genuinely tried his best with what he was given)
And then there's The Joker. I can't honestly tell whether I liked him or not - he was hardly in it! Although his brief appearance was more interesting than the rest of the film for sure.
The whole film is set to a soundtrack of 'cool' rock songs that I would have put on a mixtape when I was 12, and they're relentless. It feels like every two minutes another song is obnoxiously blasted into my poor eyes and ears.
The film feels like one huge trailer. It's edited and chopped up jarringly, and it's a film that evidently has suffered from re shoots and studio meddling.
I refuse to believe that the same man who directed the damn good 'Fury' is solely responsible for this car crash.
Hopefully, James Gunn can keep the suits at bay and deliver a home run with the next attempt...
Suicide Squad is that something truly special.
After being saddened by the underwhelming Batman vs Superman, I had my hopes set high for SS. The trailers looked fantastic. I couldn't wait to see characters such as Katana, Enchantress, Harley Quinn, Deadshot etc, finally have their moment in the spotlight. I couldn't wait to see what Jared Leto brought to the table as The Joker. I was ready to be shown that BvS was a one off misstep, and that the DCEU properties were ready to take their place amongst comic book film royalty.
I'm almost cross at myself for being so very silly.
Where to begin - I guess characters.
I have no problem with Margot Robbie as Harley Quinn. I thought she was fine. The script is terrible in places but that's not her fault.
Another character that suffers from the script is Deadshot. Again, I have no problem with Will Smith (except that the movie threatens to become the Will Smith show on occasion), but the script turns him into a tool to spout one liners and name check the movies title.
Enchantress is just a weird gyrating CGI embarrassment that is given little room to do anything else.
Everyone else is a waste - Katana, Killer Croc, Diablo - all so boring.
Same goes for Boomerang (although I get the feeling that Jai Courtney genuinely tried his best with what he was given)
And then there's The Joker. I can't honestly tell whether I liked him or not - he was hardly in it! Although his brief appearance was more interesting than the rest of the film for sure.
The whole film is set to a soundtrack of 'cool' rock songs that I would have put on a mixtape when I was 12, and they're relentless. It feels like every two minutes another song is obnoxiously blasted into my poor eyes and ears.
The film feels like one huge trailer. It's edited and chopped up jarringly, and it's a film that evidently has suffered from re shoots and studio meddling.
I refuse to believe that the same man who directed the damn good 'Fury' is solely responsible for this car crash.
Hopefully, James Gunn can keep the suits at bay and deliver a home run with the next attempt...
Gareth von Kallenbach (965 KP) rated Honest Thief (2020) in Movies
Oct 13, 2020
Tom (Liam Neeson) is a long-time bank robber eager to put his past behind him in the new film “Honest Thief”. A circumstance forced Tom to decide to strike back at the establishment following a career in ordinance in the military and has found he has a real talent for blowing safes and making away with millions of dollars over several years.
The Feds have been unable to stop him and regularly field numerous calls from people claiming to be responsible in order to gain attention. So when Tom calls Agent Sam Baker (Robert Patrick) and his partner Agent Meyers (Jeffrey Donovan); his claims are met with skepticism.
Tom has fallen in love with an aspiring Psychologist he met while renting a storage facility and he is eager to start a new and honest life with Annie (Kate Walsh). Tom offers to return all nine million dollars that he has stolen in term for a light sentence at a minimum security locale near Boston so Annie can visit him frequently.
Unwilling to accept that Tom is who he says he is, the agents dispatch Agents Nivens (Jai Courtney) and Agent Hall (Anthony Ramos); to interview Tom and check out his story. Tom offers to tell them where the money is in order to prove his claims. When several boxes of cash are discovered in storage; Nivens decides to take the money and pressures Hall into going along with it despite his reservations.
Nivens them attempts to eliminate Tom but in doing so kills Agent Baker who has shown up unexpectedly. Tom is now framed for a murder he did not commit and forced to flee in order to try to clear his name and make good on his initial offer to turn himself in.
Nivens is not willing to stop there and escalates his level of corruption and danger including threats on Hall and his family to ensure his compliance and silence.
As anyone who has ever seen a Liam Neeson film in the last ten years or so can deduce his character is motivated by events that follows and with his expert knowledge of explosives looks to strike back at Nivens and ensure justice is served.
While the film may be a bit slower paced in some areas than fans of Neeson may expect; he turns in a satisfying performance as a sort of modern day Robin Hood.
Tom is a man who does not make excuses for his actions and is willing to pay the price for them but believes he was justified in what he did and the reasons behind them.
The supporting cast is solid and while the film does have some real gaps in logic which must be suspended to make the story work; it does entertain.
In the end “Honest Thief” provides enough enjoyment to make it worth your time and shows that Neeson still can deliver what fans have come to expect from him.
3.5 stars out of 5
The Feds have been unable to stop him and regularly field numerous calls from people claiming to be responsible in order to gain attention. So when Tom calls Agent Sam Baker (Robert Patrick) and his partner Agent Meyers (Jeffrey Donovan); his claims are met with skepticism.
Tom has fallen in love with an aspiring Psychologist he met while renting a storage facility and he is eager to start a new and honest life with Annie (Kate Walsh). Tom offers to return all nine million dollars that he has stolen in term for a light sentence at a minimum security locale near Boston so Annie can visit him frequently.
Unwilling to accept that Tom is who he says he is, the agents dispatch Agents Nivens (Jai Courtney) and Agent Hall (Anthony Ramos); to interview Tom and check out his story. Tom offers to tell them where the money is in order to prove his claims. When several boxes of cash are discovered in storage; Nivens decides to take the money and pressures Hall into going along with it despite his reservations.
Nivens them attempts to eliminate Tom but in doing so kills Agent Baker who has shown up unexpectedly. Tom is now framed for a murder he did not commit and forced to flee in order to try to clear his name and make good on his initial offer to turn himself in.
Nivens is not willing to stop there and escalates his level of corruption and danger including threats on Hall and his family to ensure his compliance and silence.
As anyone who has ever seen a Liam Neeson film in the last ten years or so can deduce his character is motivated by events that follows and with his expert knowledge of explosives looks to strike back at Nivens and ensure justice is served.
While the film may be a bit slower paced in some areas than fans of Neeson may expect; he turns in a satisfying performance as a sort of modern day Robin Hood.
Tom is a man who does not make excuses for his actions and is willing to pay the price for them but believes he was justified in what he did and the reasons behind them.
The supporting cast is solid and while the film does have some real gaps in logic which must be suspended to make the story work; it does entertain.
In the end “Honest Thief” provides enough enjoyment to make it worth your time and shows that Neeson still can deliver what fans have come to expect from him.
3.5 stars out of 5
Movie Metropolis (309 KP) rated Suicide Squad (2016) in Movies
Jun 10, 2019
Yet another missfire
It’s hard to remember such a lacklustre summer blockbuster season. From unnecessary sequels to underwhelming novel adaptations, it’s been one disappointment after another.
After the criticism of spring’s Batman v Superman, DC Comics and Warner Bros. really needed a hit on their hands if they were to compete with the Marvel Cinematic Universe. Suicide Squad is their answer, but after an exhaustive marketing campaign, is the final product any good?
To be frank, not really. Director David Ayer has one of the best ensemble casts in years, but wastes them in a film as loud as any Transformers movie, and about as clever as one too.
Figuring they’re all expendable, a U.S. intelligence officer (Viola Davis) decides to assemble a team of dangerous, incarcerated supervillains for a top-secret mission. Now armed with government weapons, Deadshot (Will Smith), Harley Quinn (Margot Robbie), Captain Boomerang (Jai Courtney), Killer Croc and other despicable inmates must learn to work together. Dubbed Task Force X, the criminals unite to battle a mysterious and powerful entity, while the diabolical Joker (Jared Leto) launches an evil agenda of his own.
From the outset, you can tell Suicide Squad isn’t going to waste time with lengthy introductions to its main characters, and this is a breath of fresh air. It gets around this stumbling block in stylish ease as each villain is given his or her own 3 minute backstory, with nifty graphics completing the sequences.
It’s a pleasing start to a film that promised so much in its trailers, but things really start to go downhill from there as our characters are forced to muscle their way through countless faceless enemies, culminating in a derivative battle against, you guessed it, more dull enemies. It’s almost like watching a third-person video game taking place on a massive screen.
Nevertheless, the cast does well with the material they’re given. Will Smith is his ever-likeable self and channels Deadshot from the source material with flair. However, the film really belongs to Margot Robbie and Jared Leto. Their performances are spot on, with Robbie in particular being the film’s ray of sunshine. Leto’s Joker is unfortunately not given anywhere near enough screen time despite the film’s two hour length.
The soundtrack is fantastic. Boasting Eminem, Grace and Panic at the Disco, it’s a pleasant distraction from the at times incomprehensible mayhem taking place on screen.
Special effects wise, Suicide Squad is fine, if a little uninspiring. The editing and cinematography are very clever indeed but the CGI goes from great to poor in a heartbeat. Considering the film’s $175million budget, this is completely unacceptable.
Overall, Suicide Squad promised us so much and has delivered relatively little. Drawing from the exceptional DC Universe, audiences could’ve had a film completely different from the slew of superhero films we are constantly blighted with these days. Instead, we’ve been given one of the most generic yet and it continues 2016’s trend as one of the worst summer blockbuster seasons in recent memory.
https://moviemetropolis.net/2016/08/08/yet-another-misfire-suicide-squad-review/
After the criticism of spring’s Batman v Superman, DC Comics and Warner Bros. really needed a hit on their hands if they were to compete with the Marvel Cinematic Universe. Suicide Squad is their answer, but after an exhaustive marketing campaign, is the final product any good?
To be frank, not really. Director David Ayer has one of the best ensemble casts in years, but wastes them in a film as loud as any Transformers movie, and about as clever as one too.
Figuring they’re all expendable, a U.S. intelligence officer (Viola Davis) decides to assemble a team of dangerous, incarcerated supervillains for a top-secret mission. Now armed with government weapons, Deadshot (Will Smith), Harley Quinn (Margot Robbie), Captain Boomerang (Jai Courtney), Killer Croc and other despicable inmates must learn to work together. Dubbed Task Force X, the criminals unite to battle a mysterious and powerful entity, while the diabolical Joker (Jared Leto) launches an evil agenda of his own.
From the outset, you can tell Suicide Squad isn’t going to waste time with lengthy introductions to its main characters, and this is a breath of fresh air. It gets around this stumbling block in stylish ease as each villain is given his or her own 3 minute backstory, with nifty graphics completing the sequences.
It’s a pleasing start to a film that promised so much in its trailers, but things really start to go downhill from there as our characters are forced to muscle their way through countless faceless enemies, culminating in a derivative battle against, you guessed it, more dull enemies. It’s almost like watching a third-person video game taking place on a massive screen.
Nevertheless, the cast does well with the material they’re given. Will Smith is his ever-likeable self and channels Deadshot from the source material with flair. However, the film really belongs to Margot Robbie and Jared Leto. Their performances are spot on, with Robbie in particular being the film’s ray of sunshine. Leto’s Joker is unfortunately not given anywhere near enough screen time despite the film’s two hour length.
The soundtrack is fantastic. Boasting Eminem, Grace and Panic at the Disco, it’s a pleasant distraction from the at times incomprehensible mayhem taking place on screen.
Special effects wise, Suicide Squad is fine, if a little uninspiring. The editing and cinematography are very clever indeed but the CGI goes from great to poor in a heartbeat. Considering the film’s $175million budget, this is completely unacceptable.
Overall, Suicide Squad promised us so much and has delivered relatively little. Drawing from the exceptional DC Universe, audiences could’ve had a film completely different from the slew of superhero films we are constantly blighted with these days. Instead, we’ve been given one of the most generic yet and it continues 2016’s trend as one of the worst summer blockbuster seasons in recent memory.
https://moviemetropolis.net/2016/08/08/yet-another-misfire-suicide-squad-review/
Bob Mann (459 KP) rated Honest Thief (2020) in Movies
Dec 3, 2020
Chemistry between Neeson and Walsh (1 more)
Great cinematography around a scenic Boston
As discussed in my One Mann's Movies review of "Cold Pursuit", Liam Neeson has had a rather rocky PR road of late. But - unlike Kevin Spacey - he is clearly not being put on the naughty step by Hollywood, since he is filming/announced for five other features at the time of writing. His latest release - "Honest Thief" - has Mark Williams directing and co-writing (with Steve Allrich), and sees Neeson back on VERY familiar territory in an exciting and sometimes violent thriller.
The nice concept behind the story sees Tom (Liam Neeson) as a hugely successful bank robber meeting the love of his life in Annie (Kate Walsh) and committing to jack it all in for love. Furthermore, not wishing to have to live with the deception and guilt of his hidden life, he determines to hand himself over to the FBI, along with the $9 million stolen cash, in return for a lenient sentence.
There's a problem though: he's about the fifteenth person calling the FBI claiming to be the "In and Out burgler", so no-one wants to take him seriously. Boston area chief Sam Baker (Robert Patrick - the "Terminator" cop!) and his deputy Meyers (Jeffrey Donovan) casually put it on the "to-do" pile of agents Nivens (Jai Courtney) and Hall (Anthony Ramos).
The best laid plans run off the rails in a big way though when Nivens and Hall investigate and find that Tom is the real deal.
The concept here works nicely for a thriller, but the rest of the script is so formulaic that it's fairly and squarely a 'park your brain in the foyer' movie. For several of the actions and motives going on here, suspension of disbelief was required . Even given the limited competition in 2020, the script is in no way going to trouble the Academy.
All that being said, Mark Williams has put together a tight and well-executed movie, not outstaying its welcome at only 99 minutes long. Even with the 15 year age difference, Neeson and Walsh make a believable couple (given that Neeson looks pretty good for his 68 years) and the chemistry between them is great. And for a pretty 'small' movie, the supporting cast is pretty impressive.
Another standout for me was the cinematography by Shelly Johnson (whose had a busy year with the latest "Bill and Ted" and "Greyhound" under his belt). Boston - always a great movie location - looks spectacular, and the framing of the car chase action impressed me.
For me, there was only one really dodgy element of the movie: the special effects used in a house explosion/fire. The budget clearly didn't stretch to using practical effects! More work on Adobe "After Effects" (or similar) was required here!
Is Honest Thief worth seeing? - My expectations for this movie were pretty low. But I'm pleased to say that they were exceeded. Is it a masterpiece? No. Will I readily remember much about it in six month's time? No. But in rather a desert of new releases, this one was at least entertaining and I think it's worth the ticket price for a long overdue night out at the flicks. I'm willing to guess that my feelings were partially influenced by the sheer joy of being back in a cinema again... so I will temper my rating perhaps by a star here.
(For the full graphical review, please check out One Mann's Movies here - https://rb.gy/9kcnr5. Thanks.)
The nice concept behind the story sees Tom (Liam Neeson) as a hugely successful bank robber meeting the love of his life in Annie (Kate Walsh) and committing to jack it all in for love. Furthermore, not wishing to have to live with the deception and guilt of his hidden life, he determines to hand himself over to the FBI, along with the $9 million stolen cash, in return for a lenient sentence.
There's a problem though: he's about the fifteenth person calling the FBI claiming to be the "In and Out burgler", so no-one wants to take him seriously. Boston area chief Sam Baker (Robert Patrick - the "Terminator" cop!) and his deputy Meyers (Jeffrey Donovan) casually put it on the "to-do" pile of agents Nivens (Jai Courtney) and Hall (Anthony Ramos).
The best laid plans run off the rails in a big way though when Nivens and Hall investigate and find that Tom is the real deal.
The concept here works nicely for a thriller, but the rest of the script is so formulaic that it's fairly and squarely a 'park your brain in the foyer' movie. For several of the actions and motives going on here, suspension of disbelief was required . Even given the limited competition in 2020, the script is in no way going to trouble the Academy.
All that being said, Mark Williams has put together a tight and well-executed movie, not outstaying its welcome at only 99 minutes long. Even with the 15 year age difference, Neeson and Walsh make a believable couple (given that Neeson looks pretty good for his 68 years) and the chemistry between them is great. And for a pretty 'small' movie, the supporting cast is pretty impressive.
Another standout for me was the cinematography by Shelly Johnson (whose had a busy year with the latest "Bill and Ted" and "Greyhound" under his belt). Boston - always a great movie location - looks spectacular, and the framing of the car chase action impressed me.
For me, there was only one really dodgy element of the movie: the special effects used in a house explosion/fire. The budget clearly didn't stretch to using practical effects! More work on Adobe "After Effects" (or similar) was required here!
Is Honest Thief worth seeing? - My expectations for this movie were pretty low. But I'm pleased to say that they were exceeded. Is it a masterpiece? No. Will I readily remember much about it in six month's time? No. But in rather a desert of new releases, this one was at least entertaining and I think it's worth the ticket price for a long overdue night out at the flicks. I'm willing to guess that my feelings were partially influenced by the sheer joy of being back in a cinema again... so I will temper my rating perhaps by a star here.
(For the full graphical review, please check out One Mann's Movies here - https://rb.gy/9kcnr5. Thanks.)
Gareth von Kallenbach (965 KP) rated Terminator Genisys (2015) in Movies
Jun 19, 2019
The Terminator franchise has been as relentless and unstoppable as the series namesake. The first two films written and directed by James Cameron are cinematic icons and made many of the ten best lists when they were released.
The subsequent two films that lacked any input from Cameron and as such paled in comparison with the most recent, “Terminator Salvation” failing to achieve the success of the previous films in the series.
Undaunted, the series is back with “Terminator Genisys”, the first in a planned trilogy before the rights to the series revert back to James Cameron.
The new film shows parts of the final battle by the human resistance as they finally defeat the deadly Skynet system but as fans of the series know, learn that a Terminator was sent back to stop humanities savior John Connor (Jason Clarke), from being born.
As fans known, loyal soldier Kyle Reese (jai Courtney) volunteers to travel back to 1984 to save Sara Connor (Emilia Clarke) and preserve the future but upon his arrival in 1984, Reese learns that the mission he has been sent on has changed.
Someone has sent a Terminator back to protect a younger Sarah when she was a child and as such, this Sara is not the naïve waitress Reese had been expecting, rather she is a battle hardened and strong willed woman with a Terminator protector she named “Pops” played by series icon Arnold Schwarzenegger.
This is where any similarities to the original films end as what initially sets up to be moments from the first two films revisited in a new timeline quickly changes and moves to 2017 where Sara, Reese, and Pops, learn that Skynet is about to go live and accomplish the start of Judgement Day which puts the heroes in a race against time and overwhelming odds to save humanity.
This time however there are several new wrinkles to the mix as well as some epic action sequences that have been sorely missing from the series since Cameron’s departure. The 3D effects are solid but note that they are converted from a 2D source and the film was not shot with 3D cameras.
What really worked well for me was the fact that the film is very respectful to the source material and while telling a new chapter to the story does not do much to undermine the impact and the legacy of the first two films. It was reported that James Cameron himself has endorsed this film and had called it the third film in the series.
The action is solid from an epic bus chase to intense firefights across the timelines the film grabs your attention the way the best summer films do and takes you on an epic thrill ride. Action and effects aside, what really makes the film work is the cast. The characters are strong and well portrayed and mix humanity, empathy, and self-sacrifice in the manner to which the characters have been established.
Reese and Sara are strong and determined and in a twist, have a more complicated relationship in this timeline than had been previously established. Of course the star of the film is Schwarzenegger and he knows this character inside and out. From the stoic and intense action sequences to the rivalry and distrust he and Reese share which grows into a solid respect. Arnold knows what audiences want and delivers it again and again. Despite the years, he still remains the backbone of the series and it is great to see him back in form.
While some may have issues with a rebooted timeline to propel future films, there were enough great moments in the film and plenty of entertainments for me not only to recommend the film, but to say bring on the next chapter.
http://sknr.net/2015/07/01/terminator-genisys/
The subsequent two films that lacked any input from Cameron and as such paled in comparison with the most recent, “Terminator Salvation” failing to achieve the success of the previous films in the series.
Undaunted, the series is back with “Terminator Genisys”, the first in a planned trilogy before the rights to the series revert back to James Cameron.
The new film shows parts of the final battle by the human resistance as they finally defeat the deadly Skynet system but as fans of the series know, learn that a Terminator was sent back to stop humanities savior John Connor (Jason Clarke), from being born.
As fans known, loyal soldier Kyle Reese (jai Courtney) volunteers to travel back to 1984 to save Sara Connor (Emilia Clarke) and preserve the future but upon his arrival in 1984, Reese learns that the mission he has been sent on has changed.
Someone has sent a Terminator back to protect a younger Sarah when she was a child and as such, this Sara is not the naïve waitress Reese had been expecting, rather she is a battle hardened and strong willed woman with a Terminator protector she named “Pops” played by series icon Arnold Schwarzenegger.
This is where any similarities to the original films end as what initially sets up to be moments from the first two films revisited in a new timeline quickly changes and moves to 2017 where Sara, Reese, and Pops, learn that Skynet is about to go live and accomplish the start of Judgement Day which puts the heroes in a race against time and overwhelming odds to save humanity.
This time however there are several new wrinkles to the mix as well as some epic action sequences that have been sorely missing from the series since Cameron’s departure. The 3D effects are solid but note that they are converted from a 2D source and the film was not shot with 3D cameras.
What really worked well for me was the fact that the film is very respectful to the source material and while telling a new chapter to the story does not do much to undermine the impact and the legacy of the first two films. It was reported that James Cameron himself has endorsed this film and had called it the third film in the series.
The action is solid from an epic bus chase to intense firefights across the timelines the film grabs your attention the way the best summer films do and takes you on an epic thrill ride. Action and effects aside, what really makes the film work is the cast. The characters are strong and well portrayed and mix humanity, empathy, and self-sacrifice in the manner to which the characters have been established.
Reese and Sara are strong and determined and in a twist, have a more complicated relationship in this timeline than had been previously established. Of course the star of the film is Schwarzenegger and he knows this character inside and out. From the stoic and intense action sequences to the rivalry and distrust he and Reese share which grows into a solid respect. Arnold knows what audiences want and delivers it again and again. Despite the years, he still remains the backbone of the series and it is great to see him back in form.
While some may have issues with a rebooted timeline to propel future films, there were enough great moments in the film and plenty of entertainments for me not only to recommend the film, but to say bring on the next chapter.
http://sknr.net/2015/07/01/terminator-genisys/
Chris Sawin (602 KP) rated The Suicide Squad (2021) in Movies
Oct 6, 2021
Its adult humor is also incredibly poignant (2 more)
Blood and gore is Troma levels of insanity
King Shark and Polka Dot Man
Not as fun on repeat viewings (1 more)
Is a little too similar to Guardians of the Galaxy
I'm a Motherf@#$ing Superhero!
You could probably get away with calling James Gunn’s The Suicide Squad an R-rated version of Guardians of the Galaxy, but it isn’t entirely fair or correct. It’s a complicated comparison much like Gunn’s status with Marvel Studios that allowed him to make the film in the first place and whether or not The Suicide Squad is a sequel or a reboot to David Ayer’s 2016 film.
Gunn has always had a knack for getting gory or gross or raunchy if the opportunity presented itself. The Suicide Squad almost feels like a clean, strike that, blood-splattered slate for the filmmaker. Gunn had complete creative control while making The Suicide Squad and it shows; not only in its graphic content and excessive vulgarity, but also in the characters Gunn chose to be in the film. Nearly everyone has been replaced from the previous Suicide Squad film except for Captain Boomerang (Jai Courtney), Colonel Rick Flagg (Joel Kinnaman), Harley Quinn (Margot Robbie), and Amanda Waller (Viola Davis). The new characters are mostly unknown or barely known villains, which makes the fact that nearly all of them are expendable all the more intriguing.
While Guardians of the Galaxy and The Suicide Squad are two different films, there are some undeniable similarities. The cast of The Suicide Squad is insanely stacked, but you have to know by now that three quarters of these characters die in horribly gruesome ways. Witnessing who lives and who dies is half the fun of the film, so that won’t be spoiled here. But The Suicide Squad has a team of five characters that are grouped together and featured more than anyone else. It’s a lot like how Guardians began with Star-Lord, Gamora, Drax, Rocket, and Groot. These five characters also end up being the ones you love the most.
Gunn also has a thing for taking a group of assholes and giving them meaning. In the tenth season of South Park, Eric Cartman meets Bart Simpson face to face. Bart has always been a troublemaker and a prankster, but Cartman ground up Scott Tenorman’s parents, slapped that ground parent meat in some chili, and made Scott eat his own parents. The comparison between Guardians and The Suicide Squad is a lot like the difference between Bart Simpson and Eric Cartman. The Suicide Squad features straight up murderers, demented psychopaths, and whatever the hell Weasel is.
Not unlike his other comic book film work though, Gunn typically takes what would be unlikable characters on their own and finds a purpose for them once they’re with other outcasts that they can relate to. There is a ton of heart in The Suicide Squad. You fall in love with King Shark because he’s trying to read books upside down and use one of his fingers as mustache as a brilliant disguise, but you don’t feel for him until he reveals that he’s never had a friend. Sebastian, Ratcatcher II’s go-to rat, is adorable because he waves at, offers leaves to, and flocks toward Bloodsport even though he’s afraid of rats. There’s still this camaraderie in The Suicide Squad. It may be broken and gory, but it’s still camaraderie.
There are some unusual choices that Gunn made with The Suicide Squad though. They originally wanted Will Smith to come back as Deadshot, but supposedly cast Idris Elba to replace Smith in the role. Then they backtracked and made Elba Bloodsport. The odd thing is that both Bloodsport and Peacemaker are exactly the same as Deadshot. Peacemaker seems to be a bit crazier, but both characters have a thing for making anything a weapon in their hands and having precise aim. Bloodsport is even doing everything in the film for the sake of his daughter. It gives Warner Bros a chance to bring Smith back as Deadshot down the line, but having all three characters in the same film would be serious overkill.
Harley Quinn’s action sequences in The Suicide Squad are better and more satisfying than anything Margot Robbie has done with the role. Polka Dot Man is low-key the coolest character of the film despite seeing his mom in every person that he meets. Many will likely point to the blood, the gore, and all of the F-bombs shouted mostly among teammates as Gunn cleansing his Marvel/Disney palette so to speak. However, the major difference is Starro. Starro is a giant blue and purple starfish with an eyeball in the middle of his body. He is essentially a kaiju, but he shoots miniature versions of himself out of his armpits which latch onto people’s faces, kills them, and turns their corpses into zombie-like slaves that do his bidding; all while Starro gets bigger and bigger in the process. The abridged version of this starfish heavy explanation is that Starro is fucking terrifying. The entire world is basically on the verge of bowing down to a Godzilla sized starfish that has the ability to shoot armies of himself out of his Goddamn armpits! The MCU featuring a monster or creature of any kind that is that scary is slim to none.
The Suicide Squad is an uproarious extravaganza filled with grotesque nom-noms, full-on naked dick shots, and John Cena in tighty-whities and it’s is the most fun you’ll have with an R-rated comic book film in a theater (or at home with HBO Max) since Deadpool. It’s the first comic book film to come along in a good long while that’s charming because of how weird it is. As a final note, stay/watch after the credits. James Gunn and John Cena are doing an 8-episode Peacemaker TV series for HBO Max due sometime in 2022, so that may or may not be teased in some capacity.
Gunn has always had a knack for getting gory or gross or raunchy if the opportunity presented itself. The Suicide Squad almost feels like a clean, strike that, blood-splattered slate for the filmmaker. Gunn had complete creative control while making The Suicide Squad and it shows; not only in its graphic content and excessive vulgarity, but also in the characters Gunn chose to be in the film. Nearly everyone has been replaced from the previous Suicide Squad film except for Captain Boomerang (Jai Courtney), Colonel Rick Flagg (Joel Kinnaman), Harley Quinn (Margot Robbie), and Amanda Waller (Viola Davis). The new characters are mostly unknown or barely known villains, which makes the fact that nearly all of them are expendable all the more intriguing.
While Guardians of the Galaxy and The Suicide Squad are two different films, there are some undeniable similarities. The cast of The Suicide Squad is insanely stacked, but you have to know by now that three quarters of these characters die in horribly gruesome ways. Witnessing who lives and who dies is half the fun of the film, so that won’t be spoiled here. But The Suicide Squad has a team of five characters that are grouped together and featured more than anyone else. It’s a lot like how Guardians began with Star-Lord, Gamora, Drax, Rocket, and Groot. These five characters also end up being the ones you love the most.
Gunn also has a thing for taking a group of assholes and giving them meaning. In the tenth season of South Park, Eric Cartman meets Bart Simpson face to face. Bart has always been a troublemaker and a prankster, but Cartman ground up Scott Tenorman’s parents, slapped that ground parent meat in some chili, and made Scott eat his own parents. The comparison between Guardians and The Suicide Squad is a lot like the difference between Bart Simpson and Eric Cartman. The Suicide Squad features straight up murderers, demented psychopaths, and whatever the hell Weasel is.
Not unlike his other comic book film work though, Gunn typically takes what would be unlikable characters on their own and finds a purpose for them once they’re with other outcasts that they can relate to. There is a ton of heart in The Suicide Squad. You fall in love with King Shark because he’s trying to read books upside down and use one of his fingers as mustache as a brilliant disguise, but you don’t feel for him until he reveals that he’s never had a friend. Sebastian, Ratcatcher II’s go-to rat, is adorable because he waves at, offers leaves to, and flocks toward Bloodsport even though he’s afraid of rats. There’s still this camaraderie in The Suicide Squad. It may be broken and gory, but it’s still camaraderie.
There are some unusual choices that Gunn made with The Suicide Squad though. They originally wanted Will Smith to come back as Deadshot, but supposedly cast Idris Elba to replace Smith in the role. Then they backtracked and made Elba Bloodsport. The odd thing is that both Bloodsport and Peacemaker are exactly the same as Deadshot. Peacemaker seems to be a bit crazier, but both characters have a thing for making anything a weapon in their hands and having precise aim. Bloodsport is even doing everything in the film for the sake of his daughter. It gives Warner Bros a chance to bring Smith back as Deadshot down the line, but having all three characters in the same film would be serious overkill.
Harley Quinn’s action sequences in The Suicide Squad are better and more satisfying than anything Margot Robbie has done with the role. Polka Dot Man is low-key the coolest character of the film despite seeing his mom in every person that he meets. Many will likely point to the blood, the gore, and all of the F-bombs shouted mostly among teammates as Gunn cleansing his Marvel/Disney palette so to speak. However, the major difference is Starro. Starro is a giant blue and purple starfish with an eyeball in the middle of his body. He is essentially a kaiju, but he shoots miniature versions of himself out of his armpits which latch onto people’s faces, kills them, and turns their corpses into zombie-like slaves that do his bidding; all while Starro gets bigger and bigger in the process. The abridged version of this starfish heavy explanation is that Starro is fucking terrifying. The entire world is basically on the verge of bowing down to a Godzilla sized starfish that has the ability to shoot armies of himself out of his Goddamn armpits! The MCU featuring a monster or creature of any kind that is that scary is slim to none.
The Suicide Squad is an uproarious extravaganza filled with grotesque nom-noms, full-on naked dick shots, and John Cena in tighty-whities and it’s is the most fun you’ll have with an R-rated comic book film in a theater (or at home with HBO Max) since Deadpool. It’s the first comic book film to come along in a good long while that’s charming because of how weird it is. As a final note, stay/watch after the credits. James Gunn and John Cena are doing an 8-episode Peacemaker TV series for HBO Max due sometime in 2022, so that may or may not be teased in some capacity.