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Imogen SB (4507 KP) rated Off Menu with Ed Gamble and James Acaster in Podcasts
Sep 23, 2019
David Betteridge (327 KP) rated Off Menu with Ed Gamble and James Acaster in Podcasts
Feb 28, 2020
Guests (3 more)
Very funny
James Acaster
Ed Gamble
Food and comedy!
A friend recommended this podcast to me and I was hooked from the first episode. Love the format but also like the fact that not all the guests are comedians or friends of the presenters. The podcast is hilarious and features 2 of the best comedians around at the moment, the guests buy straight into the format and really enjoy it when they arrive with the sole intention of winding either Ed or James up. My only issue with this podcast is that I don't have a magical restaurant with a genie waiter!!!
David McK (3169 KP) rated The Ghostbusterrs (2024) in Movies
Apr 1, 2024
Who ya gonna call? The Spengler family.
Sequel to 2021s 'Ghostbusters: Afterlife', which moves the action away from the small town setting of the latter and back to the New York City of the original 1980s films.
(As an aside, I'm not sure whether to count this as #5 or #4 in the series, what with the atrocious Paul Feig 2016 version!)
(Aside to my aside: and what about the 2008 videogame?).
Anyway, this follows pretty much the same core cast as in Afterlife, although - personally - I found James Acaster to be rather an off-putting presence, as they struggle to find their fight and face down a new supernatural foe.
Lacks the magic of the original, I felt, maybe on par with Afterlife bit no better or worse.
(As an aside, I'm not sure whether to count this as #5 or #4 in the series, what with the atrocious Paul Feig 2016 version!)
(Aside to my aside: and what about the 2008 videogame?).
Anyway, this follows pretty much the same core cast as in Afterlife, although - personally - I found James Acaster to be rather an off-putting presence, as they struggle to find their fight and face down a new supernatural foe.
Lacks the magic of the original, I felt, maybe on par with Afterlife bit no better or worse.
Kirk Bage (1775 KP) rated James Acaster: Repertoire in TV
Aug 6, 2020 (Updated Aug 6, 2020)
I have been a fan of stand up comedy, erm, all my life… well, at least since Billy Connely kinda invented it, in a way that wasn’t all about hating the mother in law and homophobia. When I moved to Edinburgh in 1999, I found myself at the epicentre of new comedy, every August at the unparalleled event that is the Fringe Festival.
Over the years I have seen most of the living greats at the art live, be it a full show or a smaller set at the legendary bullpit of Late and Live. Sad exceptions being Eddie Izzard and Dylan Moran, still on the bucket list. It has given me a pretty good eye for who is gonna make it big when they start out. I saw Jack Whitehall aged 16; Jimmy Carr before anyone knew who he was; and many others that have gone on to have decent TV and touring careers.
Having moved to Glasgow in recent years I started to see less comedy. Not that The Stand and other venues don’t have it going on, but because it just feels less of a thing outside of Edinburgh. So, when James Acaster came to my old place of work, the legendary Oran Mor, I booked tickets for myself, my daughter and her boyfriend in a heartbeat.
I had seen him do a lot of Mock The Week and a few other guest spots on TV, and thought from the start that this guy had something kinda special. The main good sign being that he made me laugh! A kind of blonder Jarvis Cocker, with the dress sense to match, he has a quirky, sleepy but cross delivery that is a total winner. He is very fast with an improvised moment, is very clever in his off kilter observations, and charmingly wanders into surreal tangents whenever possible. In other words, totally up my comedy avenue.
I was delighted to see that he had a new four part special on Netflix when I was recently surfing around old comedy shows I’ve seen half a dozen times. Repertoire is consecutive shows that work either alone, or payoff better as a whole, when early jokes get a back reference in a genius fashion. To explain why they are funny is not a thing I’m about to attempt. Comedy is so subjective; if it makes you laugh then it is good, if not… it might still be good, but not for you. You have to watch it to know.
So many highlights. At least three moments that made me have to pause it because I was laughing almost too much and in danger of passing out. Generally, you get a content knowing smile out of it, patting yourself on the back for getting his multi-layered intentions. Some things are just weird or hilarious, but often there is an intelligent point being made on the sly. When the two combine, I find him one of the best around for quality of writing and delivery.
As a side note, in part 3 of Repertoire he makes reference to a recent nightmare gig, when the entire front row of a Glasgow show kicked off and threw verbal abuse at him. That was the show we were at! He handled it remarkably well, turning the final portion of the show into an improv about that, chucked the planned material away. It isn’t every stand-up that can handle hecklers that well. Total kudos, Mr Acaster.
Recommended big time.
Over the years I have seen most of the living greats at the art live, be it a full show or a smaller set at the legendary bullpit of Late and Live. Sad exceptions being Eddie Izzard and Dylan Moran, still on the bucket list. It has given me a pretty good eye for who is gonna make it big when they start out. I saw Jack Whitehall aged 16; Jimmy Carr before anyone knew who he was; and many others that have gone on to have decent TV and touring careers.
Having moved to Glasgow in recent years I started to see less comedy. Not that The Stand and other venues don’t have it going on, but because it just feels less of a thing outside of Edinburgh. So, when James Acaster came to my old place of work, the legendary Oran Mor, I booked tickets for myself, my daughter and her boyfriend in a heartbeat.
I had seen him do a lot of Mock The Week and a few other guest spots on TV, and thought from the start that this guy had something kinda special. The main good sign being that he made me laugh! A kind of blonder Jarvis Cocker, with the dress sense to match, he has a quirky, sleepy but cross delivery that is a total winner. He is very fast with an improvised moment, is very clever in his off kilter observations, and charmingly wanders into surreal tangents whenever possible. In other words, totally up my comedy avenue.
I was delighted to see that he had a new four part special on Netflix when I was recently surfing around old comedy shows I’ve seen half a dozen times. Repertoire is consecutive shows that work either alone, or payoff better as a whole, when early jokes get a back reference in a genius fashion. To explain why they are funny is not a thing I’m about to attempt. Comedy is so subjective; if it makes you laugh then it is good, if not… it might still be good, but not for you. You have to watch it to know.
So many highlights. At least three moments that made me have to pause it because I was laughing almost too much and in danger of passing out. Generally, you get a content knowing smile out of it, patting yourself on the back for getting his multi-layered intentions. Some things are just weird or hilarious, but often there is an intelligent point being made on the sly. When the two combine, I find him one of the best around for quality of writing and delivery.
As a side note, in part 3 of Repertoire he makes reference to a recent nightmare gig, when the entire front row of a Glasgow show kicked off and threw verbal abuse at him. That was the show we were at! He handled it remarkably well, turning the final portion of the show into an improv about that, chucked the planned material away. It isn’t every stand-up that can handle hecklers that well. Total kudos, Mr Acaster.
Recommended big time.
Imogen SB (4507 KP) Sep 23, 2019
Ross (3282 KP) Sep 23, 2019