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Gareth von Kallenbach (968 KP) rated Trumbo (2016) in Movies
Aug 6, 2019
What is it that makes, not a great, but even a good biopic? It is certainly no enviable task, trying to condense decades of a person’s life into a mere two hours. Choosing what to keep and what to leave, stringing events together so that they feel as though they are one complete narrative opposed to a series of vignettes. And then there are the inevitable purists who will write off the entire product based on a single detail either left out or composited due to running time or budgetary restrictions. Over the years, I have found myself wrestling with my opinion of Braveheart. Do I enjoy it for its epic qualities, or do I cast it aside as the wretched historical inaccuracies fly in the face of what is one of the most important times in a country’s past?
The answer is simply, and stolen from another great historical epic, are you not entertained? Film can and should be powerful and informative. It can and should influence our thinking and encourage an emotional response, but above all, it should entertain. Trumbo does all of the above, ticks all the necessary boxes on the list of what makes a great biopic and whatever historical inaccuracies lie within be damned. Director Jay Roach, writer John McNamara and an ensemble so good it has to be seen to be believed have made, if not the best biopic of the year (that distinction still stays with Steve Jobs for now), then certainly the most enjoyable.
Where I find myself in reviewing Trumbo is trying not to sound monotonous in singing its high praises. Whether you’re interested in a message or not, because there is a good one in there, it’s a film that demands to be seen just on the strength of the cohesiveness that comes from the writing, the acting and (I still can’t believe I’m about to write this about the man who made all three Austin Powers movies) the directing.
I could prattle on endlessly about how overwhelmingly good this cast is, but the names speak for themselves. Bryan Cranston showcases that he is not just the best thing on television, but also a big-screen powerhouse. Helen Mirren, in her inimitable fashion and with beautiful understatement, is a force to be reckoned with, seething venom and self-righteousness. Louis C.K. finally breaks out of his stand-up comic persona to give a truly heartfelt performance played with surprisingly restrained vulnerability. The chemistry between him and Bryan Cranston will no doubt leave you wanting more. And John Goodman… well, it’s John Goodman. He continues to prove that no matter how small a part he has to play, it will stay with you long after you’ve left the theater. Hands down, and these are only four out of a dozen terrific performances, there hasn’t been an ensemble this stunning since L.A. Confidential.
It should also be mentioned that Michael Stuhlbarg, David James Elliott and Dean O’Gorman, who portray Edward G. Robinson, John Wayne and Kirk Douglas respectively, are unquestionably destined to go down as the unsung heroes of Trumbo. Their efforts, not just to imitate but to fully realize these Hollywood stars of a by-gone era, are a further complement to inspired casting and commitment to honoring the lives of the people portrayed on screen.
In short (and well done for making it this far through monotonous and truly well-deserved praise), if you have to see one film this Thanksgiving season that doesn’t star Tom Hardy as England’s notorious Kray brothers, see Trumbo.
The answer is simply, and stolen from another great historical epic, are you not entertained? Film can and should be powerful and informative. It can and should influence our thinking and encourage an emotional response, but above all, it should entertain. Trumbo does all of the above, ticks all the necessary boxes on the list of what makes a great biopic and whatever historical inaccuracies lie within be damned. Director Jay Roach, writer John McNamara and an ensemble so good it has to be seen to be believed have made, if not the best biopic of the year (that distinction still stays with Steve Jobs for now), then certainly the most enjoyable.
Where I find myself in reviewing Trumbo is trying not to sound monotonous in singing its high praises. Whether you’re interested in a message or not, because there is a good one in there, it’s a film that demands to be seen just on the strength of the cohesiveness that comes from the writing, the acting and (I still can’t believe I’m about to write this about the man who made all three Austin Powers movies) the directing.
I could prattle on endlessly about how overwhelmingly good this cast is, but the names speak for themselves. Bryan Cranston showcases that he is not just the best thing on television, but also a big-screen powerhouse. Helen Mirren, in her inimitable fashion and with beautiful understatement, is a force to be reckoned with, seething venom and self-righteousness. Louis C.K. finally breaks out of his stand-up comic persona to give a truly heartfelt performance played with surprisingly restrained vulnerability. The chemistry between him and Bryan Cranston will no doubt leave you wanting more. And John Goodman… well, it’s John Goodman. He continues to prove that no matter how small a part he has to play, it will stay with you long after you’ve left the theater. Hands down, and these are only four out of a dozen terrific performances, there hasn’t been an ensemble this stunning since L.A. Confidential.
It should also be mentioned that Michael Stuhlbarg, David James Elliott and Dean O’Gorman, who portray Edward G. Robinson, John Wayne and Kirk Douglas respectively, are unquestionably destined to go down as the unsung heroes of Trumbo. Their efforts, not just to imitate but to fully realize these Hollywood stars of a by-gone era, are a further complement to inspired casting and commitment to honoring the lives of the people portrayed on screen.
In short (and well done for making it this far through monotonous and truly well-deserved praise), if you have to see one film this Thanksgiving season that doesn’t star Tom Hardy as England’s notorious Kray brothers, see Trumbo.
Darren (1599 KP) rated Robert The Bruce (2019) in Movies
Jul 2, 2019
Story: Robert the Bruce starts after William Wallace is defeated, Robert the Bruce (Macfadyen) and John Comyn (Harris) are fighting for control of Scotland, with John coming up the winner, Robert isn’t willing to take this defeat laying down, with his loyal soldiers James Douglas (Murtagh) planning to take Scotland back.
With Robert injured, Morag (Hutchison) and her family discover him, nursing him back to health despite being in a heavily Comyn control area, with Brandubh (McGowan) hunting down anyone who supporting Robert the Bruce, he must regain his strength to take his rightful place on the throne of Scotland.
Thoughts on Robert the Bruce
Characters – Robert the Bruce is the man that was crowned king of Scotland after the English were defeated, he wasn’t everybody’s first choice, which sees him needing to fight for his place on the throne, which sees him being left for dead, while his opposition takes control of the land, eliminating anybody who supports him. John Comyn is the other man that believes he could be king of Scotland, he has taken control in the battle against Robert, which sees him continuing to use the connections with English, much to anger of the Scots. Morag is the single mother that saw her husband killed fighting for Robert, she must raise her children believing John is the rightful ruler, either if her stories tell of Robert’s bravery. Brandubh is related to Morag, he is willing to kill anybody that doesn’t fight for his own country, which sees him trying to hunt down Robert the Bruce.
Performances – Angus Macfadyen reprises his former role of Robert the Bruce, one he played in Braveheart, he brings us a wise leader performance through the film. Jared Harris might have a supporting role, but after this year, you want to pause and watch any scene this man is in. Anna Hutchison does bring us a stronger performance than you would expect from her, with her getting to show that she can handle a serious role. Zach McGowan does a lot of the heavy lifting in this film, he is the one that gets to handle the most action through the film, with him being the villain for large parts of the film which otherwise would involve less action.
Story – The story here follows Robert the Bruce who became of the King of Scotland in the aftermath of the William Wallace battles against the English. Now this is set up to be some what of a sequel to Braveheart, which it is only in continuing a story, not in film story. we do play into the idea of how Scotland was left in the unknown after the battle, with two people fighting for the leadership, with the people left divided and calm required to make the land complete once again. The pacing of the story does come off slow in places which doesn’t help because, it is mostly a mother trying to prove to her children who should be king, and who they should tell people they respect more to remain safe. If you know your history the end of the film isn’t going to be a mystery to you and it does feel like there could have been a bigger impact with certain things that happen in this story.
History – This is a history lesson to the people that wanted to know more historic accuracy behind Scotland’s independence from England, unlike what Braveheart did.
Settings – The film does make us feel like we are in part of Scotland, we get to see how the condition made the events of the film difficult for the men fighting for the rightful cause.
Scene of the Movie – The crown.
That Moment That Annoyed Me – It is about 30 minutes too long for everything that is told in this story.
Final Thoughts – This is an interesting look at the history of Robert the Bruce and his rise to become king of Scotland, seeing how he overcame odds to take his place on the throne. Everything is acted well, never looking out of place.
Overall: History lesson.
With Robert injured, Morag (Hutchison) and her family discover him, nursing him back to health despite being in a heavily Comyn control area, with Brandubh (McGowan) hunting down anyone who supporting Robert the Bruce, he must regain his strength to take his rightful place on the throne of Scotland.
Thoughts on Robert the Bruce
Characters – Robert the Bruce is the man that was crowned king of Scotland after the English were defeated, he wasn’t everybody’s first choice, which sees him needing to fight for his place on the throne, which sees him being left for dead, while his opposition takes control of the land, eliminating anybody who supports him. John Comyn is the other man that believes he could be king of Scotland, he has taken control in the battle against Robert, which sees him continuing to use the connections with English, much to anger of the Scots. Morag is the single mother that saw her husband killed fighting for Robert, she must raise her children believing John is the rightful ruler, either if her stories tell of Robert’s bravery. Brandubh is related to Morag, he is willing to kill anybody that doesn’t fight for his own country, which sees him trying to hunt down Robert the Bruce.
Performances – Angus Macfadyen reprises his former role of Robert the Bruce, one he played in Braveheart, he brings us a wise leader performance through the film. Jared Harris might have a supporting role, but after this year, you want to pause and watch any scene this man is in. Anna Hutchison does bring us a stronger performance than you would expect from her, with her getting to show that she can handle a serious role. Zach McGowan does a lot of the heavy lifting in this film, he is the one that gets to handle the most action through the film, with him being the villain for large parts of the film which otherwise would involve less action.
Story – The story here follows Robert the Bruce who became of the King of Scotland in the aftermath of the William Wallace battles against the English. Now this is set up to be some what of a sequel to Braveheart, which it is only in continuing a story, not in film story. we do play into the idea of how Scotland was left in the unknown after the battle, with two people fighting for the leadership, with the people left divided and calm required to make the land complete once again. The pacing of the story does come off slow in places which doesn’t help because, it is mostly a mother trying to prove to her children who should be king, and who they should tell people they respect more to remain safe. If you know your history the end of the film isn’t going to be a mystery to you and it does feel like there could have been a bigger impact with certain things that happen in this story.
History – This is a history lesson to the people that wanted to know more historic accuracy behind Scotland’s independence from England, unlike what Braveheart did.
Settings – The film does make us feel like we are in part of Scotland, we get to see how the condition made the events of the film difficult for the men fighting for the rightful cause.
Scene of the Movie – The crown.
That Moment That Annoyed Me – It is about 30 minutes too long for everything that is told in this story.
Final Thoughts – This is an interesting look at the history of Robert the Bruce and his rise to become king of Scotland, seeing how he overcame odds to take his place on the throne. Everything is acted well, never looking out of place.
Overall: History lesson.