"We've played with them quite a few times over the last couple of years, getting to know James Murphy and hearing that music in unexpected places. I love them now. I think I loved them too late, now they're broke up or whatever, but I love them. It's hypnotic, [like] we're going to grind away and discover the nuances. It's not about a big giant arrangement that takes you up and down, it's about being on the edge and going, and going, and going. They did that well, he had a great band. And their sounds are important, it isn't just guitars and keyboards. We'd see them play and they'd take a lot of effort to get these little sounds that all work together. We got to know that record by it being around all the time, which is great, because you're not just putting it on and going 'What is this shit?'. You're just hearing it and going 'What is that, that's cool?'. 'Dude, it's LCD Soundsystem.'"

"From my own personal tastes, my favorite horror film, I think, is a movie called The Innocents, which is based on this Henry James novel Turn of the Screw. The British picture from 1961 with Deborah Kerr as the repressed governess who goes to the faraway estate to take care of these kids who are seemingly possessed by the ghosts of the people who used to haunt the place. It’s a beautifully made movie and it’s not a rock-em’ sock-em’ movie, but its got really great psychological chills in it. And of course, there’s the eternal question as to whether the governess is imagining these things, or are they really happening? And it’s left kind of ambiguous, and it’s a really artful movie. I don’t think it was ever a particularly popular movie. I think a movie like The Haunting, which is somewhat similar, was a little bit more accessible to people than The Innocents, but, for my money, it’s, I think, the best horror film I’ve ever seen."